NaschyCast

Time for another Beyond Naschy episode of the show! Once again, I make the mistake of letting co-host Bob Sargent pick the film for our discussion so LOVE BRIDES OF THE BLOOD MUMMY (1973) steps into the spotlight. My history with this movie dates to a bootleg viewing in 2013 that resulted in this BLOG POST. But since Mondo Macabro was kind enough to issue the film in a great special edition Blu-Ray in 2022 a rewatch has been long overdue. Luckily there are two versions of the movie included on the disc, one with nudity and one without, which answers the questions I had years ago about the oddly chaste way that things were depicted when the (not) mummy attacked his (not) brides. This follows the Golden Age of Spanish Horror requirement of a ‘covered’ variant for the home country while the filmmakers also produced a nudity filled version for export. The MM release allows you to compare the differences and other extras on the Blu-Ray show a third way the nude scenes were shot. Cult film nerds live in interesting times! Join Bob and I as we talk for far too long about this bizarre Spanish/French production. We are guided by the excellent commentary track Mondo Macabro provided on their release and we tip our hat to David Flint for his insight and genuine appreciation of the film. We relate our history with this little low budget curiosity and how our attitudes have changed now that we can see it in the best light possible. We puzzle over the cast with the recognizable actors being outnumbered by people that seem to have done only this movie and vanished. I become obsessed with the sloppiness of the framing of shots and point out how many legs the revived Egyptian murderer appears to have. Bob seems perplexed by the choice of milk as a first drink supplied to the resurrected creature and I agree that there were many other fluids that a recently dead man would prefer. The odd inclusion of some (very) limited stop-motion animation becomes a focus of our discussion as we marvel at the splurge of money on such an unexpected effect. Of course, we approve but it hardly matters. The movie had us at ‘nudity filled blood drinking murder spree’. We are easily amused, clearly.   If you have comments about LOVE BRIDES OF THE BLOOD MUMMY [email protected] is the place to send them. Thanks for listening and Happy Halloween!

When we lost Jack Taylor in May of this year there was a realization of what a gap his passing left in cinema. A regular face in Euro-Cult films from the 1960’s to the 21st century, his withering glances and wry smile were often the addition to a film that made it special. Whether playing a villainous businessman or a reluctant hero he was always a welcome sight. Over the years he worked with Jess Franco, Paul Naschy, Amando De Ossorio, Ridley Scott, Monte Hellman and Roman Polanski in roles of such varied nature that only his mighty mustache was a (near) constant.   Bob Sargent once again joins the show as we pick our favorite five or so Jack Taylor performances from across his career.  This allows us to talk about his most entertaining roles and emphasize his contributions to movies in which he might have only been a supporting player. Among his many onscreen adventures he was menaced by a werewolf, stalked by the Blind Dead, seduced by a naked female vampire and accused of being a chainsaw murderer – but that only scratches the surface! Join the three of us as we marvel over Mr. Taylor’s lengthy resume and pine for an English translation of his autobiography.  If you have any thoughts on the mighty Jack Taylor [email protected] is the place to send them. Hopefully Troy will be more than a pre-recorded portion of the next episode. Thanks for listening! 

Our journey through Naschy adjacent Jess Franco films continues with ATTACK OF THE ROBOTS (1966)! Part of the brief spurt of Euro-Spy films that sprang up in response to Bond-mania the film features Eddie Constantine playing a slightly comedic version of his many tough guy roles. The film centers on a mysterious group of bronze-skinned automatons who are assassinating important European dignitaries. When their eyeglasses are removed, they turn into vegetative zombies and when killed their odd skin tone changes to pale white. Interpol calls in Constantine’s character Al Pereira to investigate. Throw in a seductive villainess, some mad science and Q-style gadgets and you have a breezy, fun adventure – at least for some. Not all Franco fans seem to like this one. Bob Sargent joins Troy and I as we romp our way around Alicante with Pereira and try to unravel this bizarre mystery. We discuss the year the world turned to color and how this final black & white Franco film fits into his 60’s output. Bob recommends other Eddie Constantine films and I vow to track down more of his earlier crime movies. Where is the much hoped for Lemmy Caution boxed set, already? We relate our various reactions to the film’s amusing tone and note how easily it could fit into the Pink Panther universe. This is definitely not your average Jess Franco crime thriller and that might be why we enjoyed it.   If you have any comments about this or any other of Uncle Jess’ movies [email protected] is the place to send them. We may not let Bob chose the next Beyond Naschy topic but you never know! Thanks for listening. 

The Naschycast returns to the world of Jess Franco for an erotic ramble through late 1960’s Lisbon and Berlin. Bob Sargent joins Troy and I to examine SUCCUBUS (1968) because Bob wanted to rewatch the film. Two of us had not watched it in years and the third had never even seen it before! We turned this into a trip to the unwatched DVD pile again to take a look at the starting point for a certain type of Franco cinema. Your tolerance for the director’s sense of humor and the absurd will determine your level of enjoyment. We use Stephen Thrower’s excellent book on the work of Franco named ‘Murderous Passions’ to guide us and to provide a brief synopsis. We waffle through a discussion touching on the cast connections to Paul Naschy but mostly talk about our reactions to the often surrealistic events involving S & M stage performer Lorna (). She seems to navigating a strange period in her life with reoccurring visions of a different life impinging on her supposed reality. We see her interact with various romantic partners who end up dead at her hands. Or is that really what is happening? Along the way we get striking images, amusing commentary on arthouse pretentions and philosophical silliness draped in an encroaching ennui that seems to define Lorna’s confused life. Can cinema be therapy? Along the way we are reminded to always fear mannequins but we also take heart from the Algernon Charles Swinburne poem Faustine that seems to have been a major influence on the film.  Of course, we all wish a for a Blu-Ray release complete with multiple versions of this important effort. It clearly signposted many future Jess Franco films that fans laud to this day. If you have and comments [email protected] is the place to send them. Thank you for listening and we’ll be back soon.

Troy noticed that the mailbag had collected several new pieces of correspondence so we decided to find out what was on your minds. Strangely, Paul Naschy seemed to be a major subject of these missives! Will wonders never cease?  The email folder held five emails to read out and we respond to them to the best of our ability. My crushing inability to correctly pronounce several names is noted and corrected by a longtime listener and I promptly find other names to destroy. I should not be allowed near a podcast! We discuss keeping the Naschy flame burning and note recent online articles that a helpful fan of the show has provided. (See links below.) We also talk a bit about some upcoming Blu-Ray commentary tracks that are being released soon while giving a piece of bad news concerning a hoped for extra on another. Sometimes we have to hold on to older releases to sooth our collector minds. Our sick, sick collector minds.  If you want to be part of our next email show [email protected] is the place to send your thoughts. Thank you for listening!

We take a deep dive into Jess Franco’s THE SADISTIC BARON VON KLAUS (1963) and hope we can avoid the quicksand. Bob Sargent returns and joins Troy and I to discuss this krimi-like murder mystery. It even has a little comedy relief. Luckily, very little of that!  This film seems to be less well thought of among fans of Uncle Jess’ black & white output and I’ve never understood why. It has a great cast with Howard Vernon leading the way as the most obvious suspect when young women in an Austrian town start turning up dead. Is there anything to the legend of a Von Klaus ancestor who reincarnates every few decades to terrorize the locals? Or is there a much more human reason that lovely ladies are wise to not venture out after dark? And just how sadistic will the film be allowed to go to depict the amoral depths of the killer’s lustful urges? Pretty far, it turns out!  If you have any comments or suggestions [email protected] is the place to write the show. Thank you for listening and we’ll be back soon. 

Just in under the wire – a Naschycast episode! We wanted to get at least one more show out to everyone before 2025 strikes so here is out latest run through several emails. The concept of Naschycast goat plushies is submitted and both Troy and I love the idea! See the image attached to this episode for an example from Don Cunningham. Don also brings up the idea that perhaps all of the Daninsky werewolf’s victims are deserving of their fates but we think that requires some deep surmising. We then discuss the strange origin story of the show’s theme music complete with our clueless wondering about a CD release. Then Stephen Follows writes in to point the way toward his incredible and fascinating Horror Movie Report! This amazing study of (all?) horror films and the various revealing and noteworthy pieces of information that can be gleaned from even a surface examination of them is endlessly eye-opening. I recommend the curious to check out the full report here and Stephen’s website here. And Zach Lewis writes in to point all good Naschy fans to his excellent article about our beloved filmmaker on MUBI called Werewolf of Madrid. It’s well worth a read and could serve as a good introduction for newcomers curious about our hairy subject. We end the show with an unexpected pleasure – Troy presents his book report on the legendary novelization of WEREWOLF VS THE VAMPIRE WOMAN! This begins a discussion of film novelizations in general and possibly points the way toward a future aspect of shows over on The Bloody Pit. As soon as Troy finishes the doorstopper version of Hell of the Living Dead! Thank you for listening and please send your comments to [email protected] where we will eventually respond. This episode is proof, right?

Independent filmmaker Don Cunningham joins Troy and I to talk about Paul Naschy and how he has influenced Don’s work. We discuss favorite Naschy movies with our guest naming some surprising choices. I love getting different perspectives on the icon’s career and this conversation has a few curves I was not expecting. Of course, we could barely wait to ask about Don’s wonderful short film THE CASTLE OF BARON FINCH (2024). For this movie Mr. Cunningham writes, directs, produces and stars making him very much a man following in Paul Naschy’s footsteps. We dig into the production process, the genesis of the film’s story and the influences other than Naschy. The film is a (mostly) black & white silent movie featuring a vampire or two and a poor lovestruck soul with a moonlight and hair problem, so naming Jacinto Molina’s work as a major touchstone is perhaps a bit obvious. But this atmospheric little cinematic love letter stands on its own just fine. Don gives some details on the film’s release and places to see it. Oh! And I’ve scattered a bit of the fantastic score by Andreu Jacob into the latter half of the show as well. If you have any comments or questions [email protected] is the place to send them. If you want to reach out to Don’s you can message him on Facebook at https://www.facebook.com/CastleBaronFinch or through email at [email protected] – thanks for listening!

The Naschycast opens the podcast mailbag, dusts off the cobwebs and answers a few questions. Like, why have we waited so long to respond to emails! We could plead a combination of busyness and laziness but that is not an excuse worthy of our fine listeners so we simply apologize and get on with the show.  We work our way through nearly a year of messages with only a few brief trips down barely connected side roads. We discuss the golden age of bootleggers and the discoveries made during that glorious time. Troy announces an upcoming release from his Celtic band The Secret Commonwealth and Rod goes through a listing of the commentary tracks the two of us have contributed to various Blu-Ray releases. And all of this culminates in a feline squabble in the background that signals that things have gone on long enough. We wrap up the show with a tune from another of Troy’s bands, The Exotic Ones. Enjoy!   Remember, [email protected] is the place to send us your thoughts and I swear we will eventually read them out – unless you don’t want us to! Thanks for listening. 

Troy and I are joined by fellow podcaster Robert Kelly, host of Record All Monsters and author of Record All Monsters: the Book of the Essays from the Podcast. Don’t worry – he eventually explains the book’s title and his fascination with kaiju films.   Robert came to his love of Naschy in a very different manner than either of your Naschycast hosts, getting an unexpected full-strength version of WEREWOLF VS THE VAMPIRE WOMAN (1971) as a gift at far too young an age. The ways in which this may have warped his movie loving mind come under discussion as well as his more adult thoughts about the werewolf as a monster. We use the recent Vinegar Syndrome Blu-Ray as a reference to compare some of the differences in the Spanish and English dubs with crazy Pierre getting attention once again. The conversation ranges from odd spots in the narrative to random details that stick in our minds so don’t expect a coherent march through a synopsis. We were much more interested in picking each other’s brains about Naschy’s werewolf films and other favorites from his career. If you have half as much fun as we did you’ll completely enjoy yourself!   If you have any comments or questions [email protected] is the place to write. We do plan to record an email episode in the near future so now is the time. Thank you very much for listening and we’ll be back soon