Hearing The Pulitzers

In this episode, Dave and Andrew return to the venerable string quartet for a piece that mixes tonality, modernist music, Baroque dances, and Medieval modality. But will this mixture work for them? If you'd like more information about Aaron Jay Kernis and the String Quartet #2, we recommend: Leta Miller's book Aaron Jay Kernis, the first biography of the composer that we reference several times in the episode. A conversation between Kernis and Frank Oteri right after the biography was published.

In this episode, Dave and Andrew go deep into the tangled history surrounding the first jazz piece to ever win the Pulitzer Prize in Music, Wynton Marsalis's Blood on the Fields. But what will they think of the changes to the Pulitzer that allowed a largely-improvised piece to win an award previously reserved for notated music?   If you'd like more information about Wynton Marsalis, we recommend: Wynton Marsalis's official website Moving to Higher Ground: How Jazz Can Change Your Life by Wynton Marsalis and Geoffrey Ward David Stowe's article "The Diasporic Imagination of Wynton Marsalis," in The Black Urban Community, edited by Gayle T. Tate and Lewis A. Randolph (Palgrave, 2006) Matthew Alan Thomas's dissertation "Dynamic canons: How the Pulitzer Prize, documentary film, and the U.S. Department of State are changing the way we think about jazz," University of Southern California, 2011

In this episode, Dave and Andrew discuss a song cycle in all but name, George Walker's Lilacs. From the outside, this win looks like another lifetime achievement award, but is it? And does Lilacs remind them of music from an earlier period in the Pulitzer's history?   If you'd like more information about George Walker or Lilacs, we recommend: Ginger Sharnell Jones-Robinson's DMA document, "An Analysis of Selected Vocal Works by George Walker" from the University of South Carolina, 2023. Mikey Thomas Terry's interview with George Walker, The Musical Quarterly, Vol. 84, No. 3 (2000), pp. 372-88 This short documentary on Walker and his music

In this episode, Dave and Andrew discuss a composer from an earlier generation winning a Pulitzer in the twilight of his career. What will they think of Stringmusic?   If you'd like more information about Morton Gould, we recommend: J. Wesley Flinn's article, "Developing Variation in the Late Work of Morton Gould and Why It Matters" Gamut vol. 10. no. 1 (2021) Lee Evan's dissertation, "Morton Gould: His Life and Music," Columbia University, 1978. Peter Goodman's book, Morton Gould: American Salute (Amadeus Press, 2003).

In this episode, Dave and Andrew discuss one of the composers Dave wishes he had met, Gunther Schuller. But does Schuller's winning work Of Reminiscences and Reflections live up to his high expectations? If you'd like more information about Gunther Schuller, we recommend: Schuller's autobiography, A Life in Pursuit of Music and Beauty The Gunther Schuller Society Read "The Compleat Musician in the Complete Conservatory" in Schuller's collection of essays, Musings. 

In this episode, Dave and Andrew consider one of the few concertos to win the Pulitzer Prize, this time for an instrument whose sound some critics claimed grew "tiresome." Will they agree? And what famous composer's music is quoted in the piece? If you'd like more information about Christopher Rouse, we recommend: This interview with Joe Alessi mentioned in the episode. R. Burkhardt Reiter's 2005 dissertation, Symmetry and Narrative in Christopher Rouse's Trombone Concerto with white space waiting (an original composition for chamber orchestra).  Laurie Shulman's article, "Christopher Rouse: An Overview" in Tempo, no. 199 (1997): 2-8.

In this episode, Dave and Andrew address one of the most controversial awards in Pulitzer history. What happened in 1992 and was Wayne Peterson's music worthy of the ruckus that grew around it?    If you'd like more information about Wayne Peterson, we recommend: Joshua Kosman's Obituary of the composer in the New York Times. Peterson's professional management service (with discography, video, etc.) The Boston Modern Orchestra Project's recording of The Face of the Night, The Heart of the Dark.

In this episode, Dave and Andrew are joined by Howard Pollack, John and Rebecca Moores Professor of Music at the University of Houston. Dr. Pollack is the author of acclaimed biographies of several Pulitzer Prize winners from the early years, including a recent biography of two-time winner Samuel Barber.   About Howard Pollack

In this episode, Dave and Andrew explore the second Pulitzer Prize in music won by a female composer, Shulamit Ran for her Symphony, in 1991. What will they think about this fourth freely-atonal work in a row to win the prize? And what snags did they run into researching this episode?   As mentioned in the podcast, here is Shulamit Ran performing with the New York Philharmonic in 1965: If you'd like more information on Shulamit Ran, we recommend: Malcolm Miller, "Between Two Cultures: A Conversation with Shulamit Ran" Tempo, 2004, 58(227):15-32. "Casting Musical Spells: Time, Passion, and Inevitability in the Music of Shulamit Ran,"  In: Kouvaras, L., Williams, N., Grenfell, M. (eds) The Composer, Herself. Palgrave Macmillan (2023).

In this episode, Dave and Andrew explore a composer who played with Benny Goodman as a jazz pianist, and then embraced Arnold Schoenberg's musical ideas as a member of the academy. What kind of music does that concoction create? Listen to this episode on Duplicates, Powell's winning piece for two pianos and orchestra. If you'd like more information about Mel Powell, we recommend: Sally Lamb, “An Analytical Guide to the Works of Mel Powell.” DMA diss., Cornell University, 1988. Jeffrey Perry, "Constructing a Relevant Past: Mel Powell's Beethoven Analogs" American Music 29, no. 4 (2011): 491–535. Finally, you might like to see Mel Powell in action with Benny Goodman: