Culture Bites

In this episode of Culture Bites, Enas Refaei and Farah Andrews explore the world of art heists in the aftermath of the break-in at the Louvre in Paris. It took only seven minutes for thieves to break into the museum’s Apollo Gallery and steal several pieces of precious jewellery, all of which have significant historical value. This is not the first time the Louvre has been the target of thieves. In 1911, the Mona Lisa was taken by an Italian immigrant who said he felt it belonged to his country, only for it to be recovered two years later. Farah and Enas talk about what could happen to the jewels (will they be melted down or sold on?) and discuss other infamous museum heists. The hosts also reflect on this year’s El Gouna Film Festival, which wraps this week. This year the event has paid tribute to famed Egyptian actress Yousra, celebrating her 50-year career. From her films with actor Adel Imam and acclaimed director Youssef Chahine, Yousra has played a bold role in shaping Arabic cinema over the decades. 

This week on Culture Bites, Enas Refaei and Farah Andrews bring attention to an often neglected but worthy force of nature − the mushroom. Their guest in this episode, Georgina Pereira, is the species survival manager at Terra, Expo City Dubai where she works as a mushroom scientist. On the occasion of World Mushroom Day, she talks to Enas and Farah about the infinite ways that fungi shape our world: from cooking and medicinal properties, to fashion and culture, and environmental conservation. They discuss historical Emirati traditions of foraging mushrooms and the rootedness of the species in the UAE’s deserts. Georgina talks about a growing community of people in the country who are going out to explore and forage mushrooms for themselves, as ecologists draw more attention to their value. Pop culture also had its mushroom moment after the post-apocalyptic TV series, The Last of Us, unlocked new fears that a certain species could mean our demise. Are zombie fungi in fact real? Georgina tells the hosts, in a way, yes. 

In this episode of Culture Bites, Enas Refaei and Farah Andrews give the scoop on the production of Dune: Part Three in Abu Dhabi. Filming for the third instalment of the sci-fi blockbuster is expected to start this month in the emirate’s Liwa desert. Leading cast members, including Timothee Chalamet and Zendaya, are expected to be arriving in the UAE soon. Jason Momoa was already spotted in Dubai last weekend. Farah reveals some behind the scenes details of the shoot in Abu Dhabi, including the hotel that the actors may be staying at. In the Arabic music scene, a bizarre saga may finally be coming to an end. Iconic music artist and composer Fadel Chaker has just surrendered himself to authorities after being on the run for a decade. The pop star was convicted for taking part in the 2013 clashes in Sidon that killed 18 Lebanese soldiers. Enas shares the artist’s story, his life in hiding and how he still made massively popular music despite being a fugitive.

This week on Culture Bites, hosts Enas Refaei and Farah Andrews tell the story of the famous Hejaz railway, as Turkey, Syria and Jordan prepare to bring a section of it back to life. Back in the 1900s, Sultan Abdulhamid II of the Ottoman Empire envisioned a rail line that stretched from Istanbul all the way to Makkah, making pilgrimage easier. While it was never completed entirely, the railway did connect Damascus to Madinah, cutting the typical journey from a 40-day camel caravan trek to a three-day train ride. But the once prominent line fell into despair as conflict spread and the Ottoman Empire collapsed. Farah and Enas talk about the significance of reviving the route that once connected the region and how it can signal a moment of healing after so much turmoil. The hosts also share their thoughts on the Arab films submitted for Best International Feature at next year’s Oscars. Only one Arab film has won this category, the Algerian movie Z back in 1970. The hosts highlight some of the strong contenders for 2026. These include Happy Birthday, an Egyptian film that tackles the issue of child labour, and Calle Malaga, a Moroccan picture about a woman who fights to keep her childhood house in Tangier after her daughter decides to sell it.

In this episode of Culture Bites, hosts Enas Refaei and Farah Andrews react to Drake’s new track, which samples a song from the Lebanese icon Fairuz. During a live stream to promote his upcoming album, Iceman, the Canadian hip-hop artist played a song that featured vocals from Fariuz’s 1979 hit Wahdon. It sparked concern among Arab audiences over whether the Lebanese singer would be credited and compensated. Enas and Farah reflect on the criticism against Western artists sampling political Arabic songs out of context. They also discuss the merits of embracing cultural elements from the region. This comes at a time when artists all over the world are becoming more vocal about their solidarity with Palestinians. After a strong show of support by actors at the Venice Film Festival and the Emmys, London hosted Together for Palestine, a benefit concert for the people of Gaza. The hosts highlight some of the musicians in the line-up, including Bastille, Elyanna and Adnan Joubran of Le Trio Joubran. They talk about the growing action by the global art community to protest the atrocities in Gaza.

In this episode of Culture Bites, hosts Enas Refaei and Farah Andrews take a closer look at the reactions to The Voice of Hind Rajab at the Venice Film Festival. The film uses real audio from the harrowing distress call of a five-year-old girl trapped in a car in Gaza as she came under Israeli fire. It won a Silver Lion and received a record-breaking standing ovation, but some critics called it out for using “tear-jerking tactics”. Enas and Farah talk about the director’s response in an interview she gave to The National, and discuss the profound impact the film could have on audiences. In the literary world, a new book by Indian author Chetan Bhagat has stirred up controversy over its age-gap love story. The novel, 12 Years: My Messed-up Love Story, centres on a relationship between a 33-year-old and a 21-year-old. Social media users called it “creepy” but is this age difference really so strange? The hosts reflect on different cultural norms when it comes to age and look back at examples in literature.

In this episode of Culture Bites, hosts Enas Refaei and Farah Andrews follow the story of Mosul’s historical landmarks from construction to destruction and finally restoration. This week, The National’s team visited the 2,500-year-old Iraqi city to observe the completion of a seven-year UAE-led project to rebuild Al Nuri Mosque with its famous leaning minaret, as well as the churches of Our Lady of the Hour Convent and Al Tahera. After standing tall for hundreds of years, the structures were destroyed by ISIS. Now, they rise again as symbols of hope and co-existence in Mosul. The hosts talk about the immense scope of the restoration efforts and the importance of reviving such historical treasures. Meanwhile, solidarity with Palestine is in the spotlight at the 82nd Venice Film Festival. A large protest was staged at the start of the event on the back of an open letter signed by 1,500 industry professionals calling on the organisers to amplify Palestinian voices. Enas and Farah comment on the bolder actions taken by artists this year in contrast to the year before. They also preview the The Voice of Hind Rajab ahead of its premiere at the festival, and discuss what it means to have high-profile backers such as Brad Pitt and Joaquin Phoenix.

In this episode of Culture Bites, hosts Enas Refaei and Farah Andrews trace back the origins of the seven emirates, and how they got their names. Drawing from both official records and local narratives, they look at the connection between human activity and geography that shaped each emirate. Abu Dhabi for example derives its meaning from accounts of early settlers following a gazelle to fresh water. As for Dubai, popular theories suggest that the name stems from daba, meaning “to flow slowly” – probably a reference to the movement of vessels. The hosts also share some of the powerful testimonies published in Daybreak in Gaza, an anthology book documenting life during war. The project was compiled and released in record time out of fear that its contributors in the strip would be killed before the book was finished. Enas and Farah talk about the editors’ mission of cultural preservation, and effort to humanise Palestinians, who are often reduced to mere statistics. This week, the presenters recommend their pick of television shows, including Love is Blind and Platonic, and films. 

This week on Culture Bites, host Farah Andrews chats with her colleagues at The National about the UAE’s cultural representation in Japan, and the regional music scene. Gaming and Culture Reporter Faisal Al Zaabi joins Farah to talk about exploring the UAE pavilion at Expo 2025 Osaka. The exhibit invites visitors to appreciate the country’s past, present and future and is designed to evoke their senses through scent, sound and touch. Faisal described the nostalgia evoked by the fragrance of two million date palm fronds, arranged into towering columns. He and Farah also discuss the evolution of the UAE pavilion since Expo 2020 Dubai.  In music, a new generation of rich and diverse talent is driving the industry to new heights. Music Reporter Saeed Saeed talks about the creative renaissance in the Middle East and North Africa that is making it the fastest-growing music market. Saeed will be hosting Tarab, a new podcast from The National featuring powerful voices from across the region, such as Lebanese artist Yasmine Hamdan and Palestinian singer Lina Makhoul.

In this episode of Culture Bites, host Farah Andrews explores the intersection of cities and street art through No Trespassing, an exhibition at the Ishara Art Foundation in Dubai’s Alserkal Avenue, running until August 30. Curated by Priyanka Mehra, the show presents six site-specific interventions that brought street materials into the gallery space. Priyanka joins Farah in the studio to share her insights on what street art means in the UAE, common misconceptions about this form of art in the region, how it has evolved in recent years, and which neighbourhoods are becoming creative hotspots. The conversation then moves into the exhibition itself and the meaning behind the title of No Trespassing. Priyanka also talks about the artists behind the exhibition and how their works reflect the relationship between urban art and cities.