255 — Journal de bord 58e jour : première visite — mercredi 19 mars 2025

In this episode, I take you on a journey to Argenteuil, a suburb of Paris made famous by Impressionist painters like Claude Monet. Join me as I travel on bus 164 to a kung-fu competition, while discovering the charming neighborhoods where Monet lived and painted for five years. I share my observations of the Seine river, the historic Argenteuil bridge that appears in many famous paintings, and my plans to visit Monet's house with its recreated boat-studio. This episode also offers practical French vocabulary about transportation and movement with a focus on the versatile verb "passer" and the pronoun "y". Perfect for intermediate French learners who want to improve their comprehension while discovering French art history and daily life outside Paris. www.cultivateyourfrench.co   #LearnFrenchWithPodcast #ImpressionistArtists #ClaudeMonet #Argenteuil #FrenchCulture #FrenchListening #ParisSuburbs #FrenchJourney #PracticalFrench #DailyFrenchLife

Do two and two make five? Yes, sometimes on certain artificial intelligence platforms. So can we say that AIs are stupid? I had a conversation with Olivier, a computer scientist friend who has been passionately following developments in AI for his work for many years. He's going to give us his answer from a professional's point of view. This will be an opportunity to discover the vocabulary of AI in French. In the notes that accompany the transcript, we'll focus on Olivier's way of speaking. Olivier is a professional who is used to explaining complicated things, adding nuance or asserting facts. How does he do this in French? We're going to take a look at the subtleties of his speech. And then, perhaps you'll share with us your uses of artificial intelligence? So, to cultivate your French, subtly and the Slow Way, with or without AI, I invite you to subscribe. www.cultivateyourfrench.com   #ArtificialIntelligence #FrenchTech #LearnFrench #FrenchPodcast #AIExplained #FrenchConversation #ChatGPT #TechVocabulary #FrenchListening #FrenchTechnology

In the notes that accompany the transcript, you'll find the 2020 notes: a list of vocabulary to read before listening to the episode, so that you understand it better the first time, cultural references and three useful expressions to remember, with examples of how to apply them.  So if you want to cultivate your French, the slow way version 2020, I invite you to subscribe to cultivateyourfrench.com  

We had Lisa's Italian exchange student with us for a week. She left yesterday and in 10 days' time it will be Lisa's turn to go to Italy. Lisa's Italian friend did a lot of visiting with her class, but at the weekend she was with us, so we prepared a programme for her: the department stores, a view of Paris from the terrace of Galeries Lafayettes, a play in a small theatre near the Moulin Rouge,  dinner at a crêperie and a trip to the Eiffel Tower in the evening. In the morning, we'd also done a bit of shopping in our neighbourhood. It was Saturday 8 March and we stopped to have a look at the window of the bookshop, which had women's rights as its theme.  In the notes that accompany the transcript, you'll find some cultural notes and we'll look at three useful expressions in French with examples. I often choose expressions that may seem simple, but are in fact typical of natural French.  So, to cultivate your French, the Slow way, I invite you to subscribe to the transcript, a very useful tool in lots of good ways.  www.onethinginafrenchday.com  

Every winter vacation, we take the girls away for a few days. The destination is kept secret until the last minute. This year, it was Mont Saint-Michel. Micaela found our destination when I gave the following clue: it's a controversial place. Indeed, we like to play around in France with the geographical location of Mont Saint-Michel. The Bretons like to say that it's in Brittany, whereas it's in Normandy, because the bay of Mont Saint-Michel lies between the two regions. When you arrive by car, you have to walk three-quarters of an hour to get to the Mont via a footbridge. It's a lovely walk. Then you have to climb a lot of steps to reach the abbey, where we had booked a visit.  In the notes accompanying the transcript, we'll take a look at the pronunciation of the difficult words in this episode. There will also be three natural French expressions with examples and, of course, photos of our visit!  To cultivate your French, and take the bridge with us, the Slow way, I invite you to subscribe!   www.cultivateyourfrench.com

This week, I invite you to discover or rediscover an episode recorded in February 2020. It was after a period of strikes in the Paris transport system and a month before the start of the lockdown. Lisa was ten at the time. We were both taking Bollywood dance classes on Saturday mornings.  In the notes accompanying the transcript, you'll find cultural explanations, but also three expressions that are natural in French, with examples of how they're used.  So, to improve your French, the slow way, I invite you to subscribe to the transcript at www.cultivateyourfrench.com  

So last week we went to the Opéra Garnier to see Castor et Pollux, a lyrical tragedy by Jean-Philippe Rameau, directed by Peter Sellars. I was afraid I wouldn't enjoy the show. But what did it turn out to be? That's what I tell you in this episode. In the notes that accompany the transcript, we're going to make a list of practical phrases for giving your opinion of a show, rather enthusiastically, and discover a range of formulations that may be useful to you in other circumstances too. Of course, there will also be photos of this unforgettable evening! So you'll discover, as I did, that the Opera is a place where you like to take your time, the Slow Way. I invite you to subscribe to the transcript.  www.cultivateyourfrench.com  

A few months ago, Pietro and I were offered a ‘box’, a gift box, to go to the Opera. We chose to go and see Jean-Philippe Rameau's lyrical tragedy Castor et Pollux, directed by Peter Sellars. The orchestra is the Utopia Ensemble, led by the Greek-Russian conductor Teodor Currentzis.   Before going to this exceptional evening, tomorrow Thursday 13 February, I did some research on the composer, but I also read some reviews of this new staging. I don't know if it was a good idea.  By the way, when I say ‘the opera’, do I mean ‘the Opéra Garnier’ in central Paris, built by Charles Garnier in the 19th century, or ‘the Opéra Bastille’, inaugurated a hundred years later?  You'll find out in this episode.  The transcript is a very practical and effective tool for improving your understanding. It has a number of advantages, which I describe in detail on www.cultivateyourfrench.comThat's where you can subscribe to receive it and cultivate your French, the Slow Way.  This week, in the notes accompanying the transcript, you'll find a list of very natural expressions from this text and we'll be focusing on two words in particular with examples of their natural use in French. 

Lisa had a French assignment due on Sunday evening. She had to choose a poem from Book IV of Victor Hugo's Contemplations and then send in a ten-minute audio file in which she presented the poem, explained her choice, read the poem and finally suggested a parallel with a painting. All the poems in the collection deal with the same subject: the disappearance of Victor Hugo's daughter, Léopoldine, and how sad this death made him. The poem Lisa chose was entitled ‘A quoi songeaient les deux cavaliers dans la forêt’ (‘What were the two horsemen thinking about in the forest’). It was Sunday afternoon and I wanted to take a nap after my Nordic walking session, but Lisa wanted to read me her assignment before recording it. She was annoyed because she hadn't found a painting, but a piece of music to go with it. In the notes accompanying the transcript, we're going to look at liaisons in French. When do we do them? When don't we? And so on. Liaisons are particularly important in poetry, because they sometimes make it possible to obtain the required number of feet, for example to form an alexandrine. But what about in everyday life? We'll be comparing the liaisons in today's text and in Victor Hugo's poem. So to improve your French liaisons, the Slow way, I invite you to subscribe to the transcript. www.cultivateyourfrench.com

Last week, I visited the offices of the newspaper Le Monde. I had an appointment with Nabil Wakim, the journalist who runs the podcast Chaleur humaine. It's a podcast that takes an expert but relaxed look at the various issues surrounding climate change, with expert guests. Each episode takes the form of a question. For example, the last episode was entitled ‘How can we save the Mediterranean Sea? I met Nabil Wakim at the Human Heat Ideas festival last December. I was there with my daughter Micaela, who is particularly interested in the subject of climate change. We had a chance to talk to him and he agreed to be interviewed. So we met last week. I chose a passage in which he talks about the French approach to climate change.  In the notes that accompany the transcript, we'll look at the way Nabil Wakim constructs his answer to make it clear: he makes oppositions, he uses adjectives of different intensities, and so on.  So, to cultivate your French, the Slow way, I invite you to subscribe.  www.cultivateyourfrench.com