152 - Why learning Jazz Bass SUCKS (5 reasons no one talks about)

Let’s clear this up from the start – we LOVE bass amps, big stacks of speakers coupled with loud, monstrous amplifier heads. We want to feel the air move as we play! But when you’re a gigging bassist, one of the biggest struggles we face is the endless battle with the onstage sound. In this podcast, we’re asking if there’s a future for bass amplifiers?If you had to ditch anything from your signal chain, would you really wave goodbye to your bass amp?

Headless basses were two a penny in the 1980s and 1990s, and nowadays they tend to look pretty embarrassing. But we like crazy-looking gear, in case you hadn’t noticed! So, whether you love them or loathe them, if you’ve always dreamed of wielding a headless bass, then we urge you to watch today’s video! 

We’ve got some good news for you today. Dirk Lance, a co-founding member of platinum rock band Incubus, is here to break down some of his greatest bass lines. We also asked him about his ’65 Jazz Bass and why he went from a Fender P Bass Special to a Warwick 10-string! It's the ultimate inspiration to pick up your bass this week.

After he sold Fender and exited his collaboration with Music Man, Leo Fender founded a brand-new company that would play host to his final electric guitar and bass innovations. Leo called G&L Guitars the best instruments he ever made – the problem was that by the time he formed his new line of instruments, his accomplishments in the music industry were already etched in the history books. Could G&L Guitars REALLY compete with Fender?In this podcast, Ian and Sharon explore the history of G&L Guitars, compare some of the company’s most popular models, and take a look behind the scenes of Leo’s private workshop in Fullerton, California! 

Finally, a video that dispels some of the myths about achieving bass guitar fretboard mastery - like having to learn ALL of the notes in the Hungarian minor scale! In this episode, Scott and Ian reveal how they solved their fretboard woes, their newfound love for headless basses, and the simple steps you can take to elevate your own bass playing.

In today’s video, we asked Kelsey González to name the bass lines that helped define his career with American singer, drummer, and record producer Anderson Paak. You’ll hear nuances to his bass lines you never noticed before – and probably rush home to grab your bass!

In today’s video, we asked Tony Franklin to dig into the fretless bass lines that helped define his long resume of gigs with artists such as Blue Murder, The Firm, and Whitesnake. We asked him about his time with Kate Bush, the history behind his allegiance to the Fender Precision and why he feels "liberated” playing an unlined fretless bass.

In this podcast, Ian and Sharon explore the highs and lows of playing a six-string bass, from the extra range it offers to the challenges of controlling those extra strings. They share their favorite models, riffs, and tips for anyone curious about diving into six-string territory. Curious about why they think every bassist should try one? Tune in to find out.

If you’re in any sort of environment that’s become toxic, chances are you’ve been bending and flexing for a while to try to make it work. It’s no different in a band. While the audience might not always see it, the band always feels it. In this video, Sharon and Ian talk through some of the common pitfalls to avoid.

Throughout the 1970s until Bob Marley’s last sessions and live shows in late 1980, the bass lines of Aston ‘Family Man’ Barrett played a primary role in introducing the sound of reggae’s one-drop rhythm to audiences around the world. His full-bodied bass tone was a signature part of the Wailers sound!From Get Up Stand Up, to One Drop and beyond, in today’s video we’re taking a look at the 6 Aston ‘Family Man’ Barrett bass lines you must have in your collection!