Jermaine Fowler: ‘The Drop’

Laura Benanti has been nominated for five Tony Awards (with one win) and appeared in dozens of TV shows and movies since making her Broadway debut at 19 years old as Maria in ‘The Sound of Music.’ But as the title of her new solo stage show attests, she still reminds herself on a daily basis that ‘Nobody Cares’ about her many accomplishments. In this episode, Benanti talks about mining her most embarrassing life stories for musical comedy in her new show, which returns to the New York stage and premieres on Audible next month. She also reveals how playing Melania Trump on ‘The Late Show with Stephen Colbert’ finally made people take her “seriously” as a comedic actress and what she thinks is going through the former first lady’s head as her husband stands trial for paying hush money to porn star Stormy Daniels.But first, Matt and Allegra break down Conan O’Brien’s triumphant (or is it?) streaming premiere after his decades-long run on late-night TV with the new travel series ‘Conan O’Brien Must Go’ on Max. Come to a live taping of The Last Laugh podcast with special guest Mae Martin at Netflix Is a Joke Fest on May 8.Get tickets for Laura Benanti: Nobody Cares at Audible.comFollow Laura Benanti on Instagram @laurabenantiFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Demetri Martin just put out his first new stand-up hour in six years. But when he sits down for this interview with The Last Laugh podcast, he’s about to tape the second of what will be a trilogy of specials for Netflix. It’s quite a comeback moment for the (shockingly) 50-year-old comedian, who has remained mostly out of the spotlight in recent years as provocative, autobiographical stand-up comedy has overtaken the one-liner “joke machine” style that he has been honing for more than half of his life. In this episode, Martin breaks down the meta-concept behind his new ‘Demetri Deconstructed’ special, reveals why he started bringing drawings on stage, shares his take on some of the more concerning comedy trends and a lot more. Plus, Matt and Allegra take on the state of ‘Saturday Night Live’ and why this past weekend’s Ryan Gosling-hosted episode was the show at its very best. Follow Demetri Martin on Twitter @DemetriMartin and Instagram @demetrimartinofficialFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Alex Edelman was having a hectic week before an unexpected earthquake briefly knocked out the internet in his New York apartment just before our podcast taping. “I feel crazy every day,” Edelman admits on the eve of his solo show, ‘Just for Us,’ premiering on HBO. “But also, this is what a comedian wants for his work. I’m very verklempt.” In this episode, the 35-year-old Jewish comic shares the unique challenges of bringing his story about attending a white supremacist meeting in Queens to the stage and screen, including the sudden death of his director just before opening on Broadway and how performing a show about antisemitism changed after October 7th. Edelman also discusses the surreal experience of getting notes from comedy heroes like Steve Martin, Jerry Seinfeld and Billy Crystal, tells a story about the time he baffled Mel Brooks by calling him “woke” to his face, and teases his next stand-up hour on the Israel-Gaza war. But first, Matt and Allegra break down the series finale of ‘Curb Your Enthusiasm,’ including an unsentimental goodbye to Richard Lewis and a surprising twist on the infamous ‘Seinfeld’ ending.Follow Alex Edelman on Twitter @alexedelman and Instagram @alexedelmanFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

It’s been six years since W. Kamau Bell’s last special ‘Private School Negro’ premiered on Netflix. And after hosting CNN’s ‘United Shades of America’ for seven seasons and directing two hit documentaries, he’s not totally sure that he should still be considered a stand-up comedian. In his third appearance on the podcast—taped in-studio in his native Oakland—Bell speaks frankly about his ambivalence around pursuing the life of a comic right now and why he keeps finding himself on stage, especially as the 2024 election heats up. Bell discusses comedy’s role in the Biden vs. Trump rematch, why comedians like Joe Rogan have embraced third-party spoiler RFK Jr., the fallout from his ‘We Need to Talk About Cosby’ docuseries and a lot more. But first, The Daily Beast’s Allegra Frank joins host Matt Wilstein to answer some burning questions about the first episode of ‘Jerrod Carmichael Reality Show.’ How real is it? Is the identity of the anonymous masked man supposed to be so obvious? And why do we find this deeply sad show so funny? Follow W. Kamau Bell on Twitter @wkamaubell and Instagram @wkamaubellFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

It’s been more than a decade since Tig Notaro broke through in a big way by walking onto the stand-up stage in Los Angeles and telling her audience, “Hello, I have cancer.” And for better or worse, she has even more medical scares to joke about in her latest special ‘Hello Again,’ streaming now on Amazon Prime Video. In this episode, which marks the five year anniversary of The Last Laugh, Notaro returns to the podcast to discuss how she manages to keep finding humor in these terrifying life experiences. The comedian also opens up about collaborating with her wife Stephanie Allyne, who directed the new special, getting heckled by her twin boys at a charity event, mining her awkward interactions with celebrity friends for comedy and a lot more. Stream Tig Notaro’s ‘Hello Again’ on Amazon Prime VideoPre-order David E. Low’s ‘Transgressive Humor in Classrooms’ (20% off with code EFLY01)Follow Tig Notaro on Twitter @TigNotaro and Instagram @therealfluffnotaroFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

It’s genuinely disorienting to see Kyle Kinane without the signature beard that has become his comedy brand over the past 15 years or so when his clean-shaved face pops up on Zoom. “God, I hate brands so much,” he says. “I love nothing more than exploding personal brands.” In this episode, Kinane opens up about his decision to leave Los Angeles for Portland after losing his coveted gig as the official voice of Comedy Central and why he no longer feels like he needs the corporate structure that has kept so many of his fellow comedians tethered to the center of the entertainment industry. He also discusses why his comedy seems to appeal to both sides of the political aisle—for better or worse—and why he has no respect for any comedian who embellishes the truth on stage in an effort to “garner sympathy.”Stream/download Kyle Kinane’s new special ‘Dirt Nap’Follow Kyle Kinane on Twitter @kylekinane and Instagram @kylekinaneFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Despite never really doing comedy before ‘Girls5eva,’ Renée Elise Goldsberry has managed to steal nearly every scene she’s been in over the two seasons of that show’s initial run on Peacock and third, which arrives with a splash on Netflix this week. In this episode, the Tony and Grammy Award winning actor reveals what it was like to find her comedic voice as the self-obsessed diva Wickie Roy, including how the character has inspired her to become more ambitious in her own career and the parallels between mastering Tina Fey’s brand of rapid-fire jokes and learning to rap for her role as Angelica Schyuler in Lin-Manuel Miranda’s ‘Hamilton.’ Goldsberry talks about getting cut out of Fey and Amy Poehler’s movie ‘Sisters,’ meeting co-star Paula Pell in their musical episode ‘Documentary Now’ and why she would be “shocked” if there wasn’t a fourth season of ‘Girls5eva’ coming to Netflix in the near future. Follow Renée Elise Goldsberry on Twitter @reneegoldsberry and Instagram @reneeelisegoldsberryFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Comedian Bassem Youssef has been widely known as “The Egyptian Jon Stewart” ever since he gave up being a heart surgeon and made himself into the premier political satirist of the Arab Spring. Now, more than a decade after that career transformation took place, Youssef has been back in the news thanks to his mega-viral with Piers Morgan and subsequent outspoken commentary against both Israel and President Joe Biden. In this episode, Youssef breaks down how he has employed the darkest of humor to draw attention to the fate of the Palestinian people, shares his strong reaction to Stewart’s recent take on the Israel-Gaza War, and reveals why he thinks it might be “too late” for Biden to win back the Arab-American support he may well need to beat Donald Trump. Get tickets to see Bassem Youssef on ‘The Middle Beast Tour’Follow Bassem Youssef on Twitter @Byoussef and Instagram @bassemFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Before Donnell Rawlings was a professional comedian, he was an amateur heckler. He would go to comedy clubs and yell back at the stage, sometimes getting even bigger laughs than the guy with the mic. So even with his Dave Chappelle-produced stand-up special ‘A New Day’ dropping on Netflix this week it’s perhaps no surprise that he recently came full circle, getting caught on camera heckling fellow comic Corey Holcomb at The Laugh Factory in L.A. for going after both him and his famous friend of more than 20 years. In this episode, Rawlings breaks down that viral incident and talks about the long and “humbling” road he took to finally get his own Netflix moment. He also reflects on making a huge mark on “Chappelle’s Show” with relatively little screen time, how he felt about Chappelle walking away from that show without telling him and why he has no time for anyone who might be offended by their comedy. Follow Donnell Rawlings on Twitter @donnellrawlings and Instagram @donnellrawlingsFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Comedian Rory Scovel has never really known what he was going to say when he walked onto the stand-up stage. But that all changed when he decided—20 years into his career—to finally do the “homework” of actually writing a complete and cohesive hour. The result is his new special, ‘Religion, Sex and a Few Things in Between,’ which Scovel describes as the “tightest” set of material he’s ever produced (and is streaming now on Max). In his return to the podcast for this bonus episode, Scovel discusses how this new approach changed his experience on stage, how he still strives to stay ultra-present in his work and why he has decided to lean into politics (with an eye on George Carlin) for his next act. Follow Rory Scovel on Instagram @roryscovelFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.