One of my favorites on Queen's debut, "The Night Comes Down" is Brian's glittery and somber acoustic-driven ballad. It's a standout in their entire catalog; and not just because it's the only De Lane Lea demo to make it onto their debut (it's also the oldest Queen recording on any official release). Its notably subdued and softer sound provides the perfect moment to compare every version (Queen, Queen I, Sessions, De Lane Lea disc). It's a gem of a song that shines differently in each mix.

When it comes to capturing every facet of Queen on their '73 debut, there is no better example than "Liar". Its powerful tension and controlled chaos are expertly expressed through a dynamic lead vocal, intensely layered guitars, a colorful percussion performance and a commanding bass; not to mention impactful backing vocals. Breaking down every version (Queen, Queen I, De Lane Lea, Sessions, BBC), I was surprised to discover just how varied the character of each performance is; and which version I ended up preferring.

I'm kicking off my new micro-series by visiting Robyn's fantastic "Honey"; a song that deserved a special spot on my Chillout list and one I've listened to so much, it might as well be an anthem. It sounds like it feels, and feels like it breathes. It simultaneously takes you places and holds you tight. It's a magical track that only came to be after years of reworks and revisions. And it was totally worth it. Whether you dig the original album cut, the demo version, any of the remixes, or a live performance.. it's a gorgeous and incredibly, sensually human song.

When was the last time you allowed yourself to be yourself; and gave it away? I had a moment at my recent hair refresh appointment that both terrified and lifted me. And it gave me a new perspective on my previous podcast episode (which I'd contemplated deleting or editing).

In 2020, I embarked on a 30-day challenge to choose a favorite Queen song in various categories (favorite ballad, favorite album opener, etc.). I hadn't revisited that list in some time, and I thought it would be a blast to see if my selections still ring true. Bonus: I'd love to hear from you and find out some of your favorites! Drop me a line.

Possibly one of the first Queen songs conceived, "My Fairy King" is Freddie's first epic song on their debut, and it's the first time we hear his expansive piano skills. As we explore various versions of this song (including the precious Sessions take) we'll break down what makes this such a stunning display of intention, talent and storytelling.

Heard for the first time in 1991, the long-lost "Mad The Swine" finally landed in its rightful place on Queen's debut album when it was remixed and re-released in 2024 as Queen I. We'll go through three different versions of this soothing gem and talk a supposed live performance; plus a sneaky spoken lyric hidden in the second chorus that I still can't figure out.

Throwback. Nostalgia. 2000s. It was an easier time and a breezier time. As I navigate through the challenges of life, I'm recapturing brighter feelings and dreaminess by escaping into some of my favorite chill tunes of yesteryear. Cruise through my curated playlist with me to (re)discover some of the best of the chillout genre (and other genres like it, including trip hop, dark wave, etc.). BONUS: Here's a link to my playlist, with an extra-chill song I impulsively added at the end. I'll probably talk about that one later...

"Great King Rat" is still one of my favorites on Queen's debut, and diving into various versions of the song has made me appreciate it's complexity all the more. We're talking one of the earliest guide takes, the De Lane Lea cut, live performances and of course we'll compare the original Queen and Queen I mixes. You might be surprised which one wowed me the most this go round...

Brian's (and Tim Staffell's) "Doing All Right" gives us a contrast of ballad tones and heavier prog rock, seamlessly blended in this reflective number. We'll compare various recordings; including the original Smile take, the Acoustic Session, and the difference between Queen and Queen I versions. I also included a BBC take for one special reason. Plus, I'm beginning to notice a trend with the Queen I mixes. And I elaborate more on frequency ranges and their importance within a song.