RA Exchange

The Honduran artist talks about the rise of reggaeton, the dark side of beauty standards and her new album, Vanity.In the past decade, reggaeton has taken the world by storm, expanding from beyond its origins in Panama and Puerto Rico to become an undeniable global force. Yet, within this massive cultural explosion, few artists are navigating the sound with the distinct, subversive energy of Isabella Lovestory.Originally from Honduras but shaped by a formative migration to the US and the liminal spaces of the internet, the Montreal-based artist has developed an aesthetic she calls a "plastic fantasy"—a hyper-stylised world of bootleg luxury and cinematic flair.In this Exchange, she talks to Resident Advisor's Chloe Lula about her new album, Vanity, which she calls a response to her obsession with the "dark side of beauty standards." She also discusses her place within the wider reggaeton landscape; her efforts to reclaim and feminise a historically male-dominated genre; the financial erasure of women in the scene; and how her experimental approach challenges the self-seriousness of electronic music. Listen to the episode in full. -Chloe Lula Hosted on Acast. See acast.com/privacy for more information.

The drum & bass veteran talks about bass music eras, dance culture in America and his new album, Contact. British artist Nicolaas Douwma, AKA Sub Focus, has been steadily putting out big-room drum & bass since the early 2000s. In more recent years, he's become staggeringly popular, releasing a string of Top 40 UK pop hits that have made him synonymous with a more mainstream sound. His influence looms large across a whole generation of young producers, particularly in the US.In this Exchange, Douwma sits down with Resident Advisor editor Gabe Szatan at the beautiful Red Rocks Amphitheater in Colorado. They speak about how he hit number one in the US dance music charts last year, as well as how drum & bass moved from being popular with a "secret clique of people" to becoming what, for lack of a better term, could be called "brostep." There's a new Sub Focus album dropping on November 21st called Contact, which includes collaborations with Grimes and Katy B. Grab your copy when it comes out. Watch this interview in full on our YouTube channel, or listen to the audio via SoundCloud, Spotify or Apple Music. -Chloe Lula Hosted on Acast. See acast.com/privacy for more information.

The Innervisions cofounder reflects on the label's 20-year anniversary, the art of DJing and bringing politics back to the underground.One of the most popular record labels in the RA ecosystem is Innervisions, and one of its most popular DJs is cofounder Steffen Berkhahn, AKA Dixon. He started the outlet in 2005 with Kristian Rädle and Frank Wiedemann of Âme. Back when RA ran DJ polls, Dixon was #1 several years in a row. We've since retired them, but Dixon's appeal remains as widespread as ever. He made a name for himself in Berlin in the '90s when he was just a teenager, spreading a melodic strain of house and techno that became the Innervisions brand and continues to pull heartstrings around the world.This year, the label has been celebrating its 20-year anniversary, and Dixon reflects on its astronomical success on the heels of two major anniversary parties at Berghain and fabric. He also discusses how he's kept the label—and his own career—fresh and relevant; his feelings around commercial success; the importance of taking annual breaks from music and production; and his interest in reclaiming underground electronic music as a political space. Listen to the episode in full. -Chloe Lula Hosted on Acast. See acast.com/privacy for more information.

The longtime BBC Radio 1 host talks about the liberation of leaving broadcasting, her pivot to fiction writing and her party series, Before Midnight.If you grew up in the UK, chances are you've heard Annie Mac on the radio. The Irish native started on the airwaves in 2004 when she was 26. She hosted a nightly programme called Future Sounds, before eventually moving to a Friday night dance music show, which catapulted her into the pop cultural zeitgeist. Being at the BBC was a boon to her career, but as she reveals in this Exchange—her second appearance on the series—it also came with its limitations. She left the media giant in 2021 to spend more time with her family, and to pursue her own projects without the inhibition of BBC codes of conduct on matters around free speech. Since departing, she has been outspoken about politics and engaged in ongoing advocacy work and calls for change as an independent curator and podcast host.Annie Mac also speaks to Exchange host Chloe Lula about the art of interviewing; her popular party series,Before Midnight; her pivot to writing; how getting older has shaped her view of success; and what it means to lead the "good life." She has also published two novels, both of which pull from loosely autobiographical topics: The Troubles in Ireland, the music industry in London and bigger thematic arcs such as navigating motherhood and grief. Listen to the episode in full. Hosted on Acast. See acast.com/privacy for more information.

The longtime BBC Radio 1 host talks about the liberation of leaving broadcasting, her pivot to fiction writing and her party series, Before Midnight. If you grew up in the UK, chances are you've heard Annie Mac on the radio. The Irish native started on the airwaves in 2004 when she was 26. She hosted a nightly programme called Future Sounds, before eventually moving to a Friday night dance music show, which catapulted her into the pop cultural zeitgeist. Being at the BBC was a boon to her career, but as she reveals in this Exchange—her second appearance on the series—it also came with its limitations. She left the media giant in 2021 to spend more time with her family, and to pursue her own projects without the inhibition of BBC codes of conduct on matters around free speech. Since departing, she has been outspoken about politics and engaged in ongoing advocacy work and calls for change as an independent curator and podcast host. Annie Mac also speaks to Exchange host Chloe Lula about the art of interviewing; her popular party series, Before Midnight; her pivot to writing; how getting older has shaped her view of success; and what it means to lead the "good life." She has also published two novels, both of which pull from loosely autobiographical topics: The Troubles in Ireland, the music industry in London and bigger thematic arcs such as navigating motherhood and grief. Listen to the episode in full.

The German legend talks about the state of modern trance, what it takes to create a legacy and writing his most recent album.Poll the average dance music fan and they'll have almost certainly heard of Paul van Dyk. The German DJ and producer is so synonymous with trance that it's impossible to talk about the genre's history without mentioning his name. He's also been one of the most successful electronic artists full-stop since the '90s, when he first started touring around Berlin. His 1994 hit "For an Angel" launched him into the limelight, and he's been selling out clubs and arenas ever since.In this RA Exchange recorded at the Berlin Synth Museum, he reflected on the current state of trance and how its modern DJs are missing the mark; his lifelong engagement with politics and his efforts to enlist Americans to vote alongside Bono; his experience growing up in East Berlin; and a life-threatening accident he suffered at a festival in Utrecht, which left him with multiple spine and brain injuries. He said the experience taught him to cherish every part of life, and that love is the greatest and most healing power that exists.Van Dyk's most recent album is called This World is Ours, and in this conversation he unpacks the accompanying tour and some of the key themes that run through the tracks—namely, the rise of AI and our need to unite in the face of a non-human ruling elite. You can watch it on our YouTube channel, or listen to the episode in full. -Chloe Lula Hosted on Acast. See acast.com/privacy for more information.

The German legend talks about the state of modern trance, what it takes to create a legacy and writing his most recent album. Poll the average dance music fan and they'll have almost certainly heard of Paul van Dyk. The German DJ and producer is so synonymous with trance that it's impossible to talk about the genre's history without mentioning his name. He's also been one of the most successful electronic artists full-stop since the '90s, when he first started touring around Berlin. His 1994 hit "For an Angel" launched him into the limelight, and he's been selling out clubs and arenas ever since. In this RA Exchange recorded at the Berlin Synth Museum, he reflected on the current state of trance and how its modern DJs are missing the mark; his lifelong engagement with politics and his efforts to enlist Americans to vote alongside Bono; his experience growing up in East Berlin; and a life-threatening accident he suffered at a festival in Utrecht, which left him with multiple spine and brain injuries. He said the experience taught him to cherish every part of life, and that love is the greatest and most healing power that exists. Van Dyk's most recent album is called This World is Ours, and in this conversation he unpacks the accompanying tour and some of the key themes that run through the tracks—namely, the rise of AI and our need to unite in the face of a non-human ruling elite. You can watch it on our YouTube channel, or listen to the episode in full. -Chloe Lula

The New York-based journalist talks about her breakout book, Mood Machine, live from Soft Centre Festival in Sydney. As we approach the end of 2025, it's clear that one of the year's most zeitgeist-defining books has been Liz Pelly's Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist. The New York-based writer has been on a promotional tour, speaking at festivals around the world, and one of her recent stops was at Soft Centre in Sydney, where this Exchange was recorded live with writer, editor and DJ Audrey Pfister. Pelly's background is in the DIY scene, college radio and independent alt weeklies, all of which ignited her interest in writing about music. Over the last few years, she has become an outspoken advocate for underground music, and an incisive critic of how the streaming economy has debilitated independent artistry. In this conversation, she unpacks some of her book's main conceits. Spotify, for example, was originally designed around advertising models rather than music-first models, which is why it rewards music that performs well at scale. She explains how that's created so much growing inequity in what performs well on the platform, and she also draws fascinating parallels between the streaming economy and digital media. Mood Machine ends on a somewhat hopeful note, and Pelly proposes some solutions: as custodians of the independent music scene, we have a responsibility to go to live shows, subscribe to emerging DIY media projects and give money directly to artists by buying their music and merch. Listen to the episode in full. -Chloe Lula

The New York-based journalist talks about her breakout book, Mood Machine, live from Soft Centre Festival in Sydney.As we approach the end of 2025, it's clear that one of the year's most zeitgeist-defining books has been Liz Pelly's Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist. The New York-based writer has been on a promotional tour, speaking at festivals around the world, and one of her recent stops was at Soft Centre in Sydney, where this Exchange was recorded live with writer, editor and DJ Audrey Pfister.Pelly's background is in the DIY scene, college radio and independent alt weeklies, all of which ignited her interest in writing about music. Over the last few years, she has become an outspoken advocate for underground music, and an incisive critic of how the streaming economy has debilitated independent artistry. In this conversation, she unpacks some of her book's main conceits. Spotify, for example, was originally designed around advertising models rather than music-first models, which is why it rewards music that performs well at scale. She explains how that's created so much growing inequity in what performs well on the platform, and she also draws fascinating parallels between the streaming economy and digital media.Mood Machine ends on a somewhat hopeful note, and Pelly proposes some solutions: as custodians of the independent music scene, we have a responsibility to go to live shows, subscribe to emerging DIY media projects and give money directly to artists by buying their music and merch. Listen to the episode in full. -Chloe Lula Hosted on Acast. See acast.com/privacy for more information.

The TikTok tour de force talks about '90s electronica, UK garage and her 2025 mixtape, Fancy Some More?There's a new generation of artists who've come up almost entirely online, and perhaps the breakthrough star of the TikTok music era is PinkPantheress. A few years ago, the British 24-year-old quietly strategised how to game the social media algorithm and get her songs to go viral. She succeeded—and became a headliner practically overnight. She's openly talked about how she got there, including writing songs in short formats and using confessional, diaristic lyrics to capture the hearts of her growing audience.Today, PinkPantheress is promoting her 2025 mixtape, Fancy Some More?, which heavily references the UK club sounds of the '90s and early '00s, blended seamlessly with contemporary electronica and pop. In this interview with RA's Joelle Robinson, she dives into the making of this release, and candidly reflects on navigating her newfound fame and overcoming the challenges, both personal and professional, that have accompanied a high-intensity touring life. She also reveals her aspirations for the future—which include big plans to reach yet another level of success—and her dreams for the broader electronic music landscape, too. Listen to the episode in full. -Chloe Lula Hosted on Acast. See acast.com/privacy for more information.