NAC Dance with Cathy Levy

In this special podcast episode, Annabelle Cloutier, Executive Director of Strategy and Communications at Canada’s National Arts Centre, chats with Cathy Levy about her career at the NAC as Executive Producer of Dance. Over the course of her 22.5 years with the institution, she programmed 23 amazing seasons highlighting the depth and breadth of the world of dance. Cathy reflects on her love of the art form, the Canadian and international dance companies and artists that graced the NAC stages, the privilege of working for the National Arts Centre, the people who inspired her, and the role of the NAC as a leader in the field and a place of experimentation and learning.

This episode of NAC Dance with Cathy Levy features a fascinating conversation with Wen Wei Wang, Artistic Director of Ballet Edmonton, choreographer, and NAC Associate Dance Artist. Born and raised in Xi’an, China, Wen Wei dedicated his life to dance at a very early age upon seeing the famous Chinese ballet The White-Haired Girl. He trained at the Langzhou Army School and the prestigious People’s Liberation Army Academy of Art. A five-month cultural exchange in Vancouver led him to return for good a few years later with the help and support of his mentor and friend Grant Strate. The following decades saw him perform with Judith Marcuse Dance Company, Les Grands Ballets Canadiens and Ballet BC; create his own company Wen Wei Dance; and accept the artistic leadership of Ballet Edmonton.

Cathy chats with internationally acclaimed dancer and choreographer Gregory Maqoma on the eve of the National Arts Centre presentation of Broken Chord, a work created in collaboration with composer and musical director Thuthuka Sibisi and inspired by the multi-media installation The African Choir 1891: Re-imagined. Gregory speaks of his upbringing in Soweto, a township of Johannesburg, South Africa, and how he channeled the trauma he experienced and witnessed through dance. Wanting to be part of the solution, he creates works that explores the human condition and our relationship to the earth, works that evoke and provoke emotions and inspire discourse, feeling greatest pride in seeing audiences take in and appreciate it and changing perceptions.

Hope Muir became Artistic Director of The National Ballet of Canada on January 1, 2022, replacing Karen Kain who had served in this position since 2005. During her first NAC visit for the company’s February 2023 presentation of Romeo and Juliet, Hope spoke with Cathy Levy over the course of a public pre-show chat about how dance shaped her life and career, about her vision for and commitment to The National Ballet of Canada and being a female leader in the world of ballet.

Carleton University Professor Janne Cleveland and playwright Lawrence Aronovitch engage Cathy Levy in conversation about her exceptional 22 and a half-year career at the helm of the National Arts Centre Dance Department as she approaches the end of her term. The discussion touches on audience development, the collaborative nature of dance, the severe impact the COVID pandemic had on dancers and how the NAC and NAC Dance responded, and the fine art of programming. This ‘Next Stages’ podcast, produced by CKCU-FM (Ottawa), is brought to you by the Carleton University Drama Studies Program in the Department of English.

Cathy Levy chats with Vancouver-based multi-dimensional performer, creator and educator Shay Kuebler about his performing arts influences and trajectory, his philosophy of life and movement, and the massive importance he attaches to education and building awareness and appreciation of creativity.

Cathy Levy chats with world-renowned Greek artist Dimitris Papaioannou on the eve of the North American exclusive National Arts Centre presentation of his new work Transverse Orientation. He speaks of his early years as a visual artist and student of the iconic Greek painter Yannis Tsarouchis, his introduction to the world of movement and the successes that led him to direct the opening and closing ceremonies of the 2004 Athens Olympic Games. He credits Claire Verlet with launching his international career which exploded after presenting Still Life at Théâtre de la Ville in 2014. Several works followed including co-commissions with many international theatres. He then became the first artist to create a full-length work for Tanztheater Wuppertal Pina Bausch. Lastly, he shares the very personal origin of and issues at play in creating Transverse Orientation.

In this special NAC Dance podcast, Cathy Levy (Executive Producer of Dance at Canada’s National Arts Centre), Nathalie Bonjour (Director of Performing Arts at Toronto’s Harbourfront Centre), and Jim Smith (Artistic and Executive Director of Vancouver’s DanceHouse) chat with Alan Lucien Øyen, one of Norway’s most exciting multi-talented and in-demand artists, about his art and bringing Story, story, die to Ottawa, Vancouver and Toronto in June 2022 as part of Nordic Bridges, a celebration of Nordic art, culture and ideas across Canada in 2022. Alan describes how the remounting of this work that speaks to our isolation and how we present ourselves depending on who we are with and the situation we are in, feels like a victory after the postponements and setbacks imposed by the COVID-19 pandemic. He expresses gratitude for having been able to work in both theatre and dance; for the deeply moving experience of remounting Pina Bausch’s Sweet Mambo on Tanztheater Wuppertal Pina Bausch; for a future filled with exciting projects; and to be given the freedom and agency to look at things differently at a moment in time when the world seems to be rotating backwards.

Mélanie Demers’s fascination with creation led her early on the path of the performing arts, eventually choosing contemporary dance. A successful decade-long dancing career with O Vertigo gave her the confidence to have her own company, tell her own stories, embrace chaos. She is adamant to militate with her art. She achieves this with beautiful and complicated collaborations that are wonderfully rewarding. Her conversation with Cathy Levy touches on her approach to choreography, how being a Black person affects the way she sees the world and creates work, and "La Goddam Voie Lactée", presented at Canada’s National Arts Centre in early March 2022. A work about the state of the world seen through the eyes of women. A work born out of the politically and socially charged period of the COVID-19 pandemic, the death of George Floyd and Montreal’s third wave of #MeToo. What does she want the audience to take away from seeing it? The sensation that the end is near and everything we do is important.

Dana Gingras, Artistic Director of Animals of Distinction and a boundary-pushing choreographer, chats with Cathy while her latest multimedia work FRONTERA is presented at the NAC. The conversation touches on how Dana’s formative years influence the nature of her artistic practice, her work with The Holy Body Tattoo, her love of music and collaboration with cultural icons and artists such as Godspeed You! Black Emperor, Fly Pan Am and the UK-based United Visual Artists (UVA), and the creation of FRONTERA which she hopes will generate dialogue around important issues of our time.