Revisiting Melanie Lynskey

As the longtime senior editor of Los Angeles magazine, Chris Nichols has accumulated more knowledge about this city than anyone else we know. As an author and frequent tour guide, he loves sharing his discoveries, which is why his newest book BowlaRama (Angel City Press, written with Adriene Biondo) is so much fun. Leonard and Jessie enjoy diving into the fad-like growth of bowling alleys in the Baby Boom years of the 1950s and early 1960s. (Leonard is still mourning the loss of his Pepsi Cola bowling team shirt.) Chris’s enthusiasm for everything he does is positively infectious.

Avy Kaufman’s name should be familiar to anyone who reads credits, as we do. She has cast scores of films and television series, from The Ice Storm to Succession, and launched many a career along the way. You can hear the pride in her voice when she recounts how she brought young Haley Joel Osment to meet the star and director of The Sixth Sense. Recent credits include some of the most talked-about television shows of our time: Mare of Easttown, Under the Banner of Heaven, Billions, and Fellow Travelers, which could earn her a fourth Emmy Award. (She has three: one for Damages and two for Succession). Avy wears her passion on her sleeve and that makes for great conversation.  

Last year, Leonard and Jessie got a rare opportunity to interview Frank Oz at South by Southwest in Austin, Texas before a live audience. His alter egos are world-renowned, but Leonard and Jessie didn’t focus on Miss Piggy or Yoda in this conversation. The main topic was directing movies, which Oz has done so well for so many years: The Muppets Take Manhattan, Little Shop of Horrors, In & Out, Dirty Rotten Scoundrels, Bowfinger, and What About Bob? are just a few of his credits. What is the through-line, if any, from puppetry to filmmaking. Listen and hear what the amazing Oz has to say.  

He’s an author, film buff, publicist, and now the host of a web series called Locationland that brings us to the spots around Los Angeles where memorable movies were shot—fromGrease to Plan 9 From Outer Space. Harry is a lifelong cinephile lover who first made his mark writing about the worst movies of all time, which led to the Golden Turkey Awards—now reincarnated as the Razzies. He and Leonard shared the same career-defining book editor ages ago in New York City. They also share a fascination with finding the answers to questions about who shot what and where. You can learn more at pbssocal.org/Locationland orwww.locationland.net. Harry also works with the National Association of Theater Owners (formerly known as NATO) which, newly dubbed Cinema United, will be staging CinemaCon in Las Vegas the week of March 31.

For Jessie, busy actor Jon Seda will always be Selena’s loving husband Chris Pérez, but he’s had many memorable roles in films and television: The Pacific, Chicago PD, Homicide: Life on the Streets, Treme, and La Brea, to name just a few. If you’re a fan you already know that he was heading for a career in boxing when he was hired to appear in Gladiator, which was literally a life-changing experience. As you will hear, he’s an unpretentious guy who enjoys what he does, appreciates the people he works with, and goes home to his wife and four children knowing he’s earned an honest day’s pay. His latest movie, Into the Deep, also stars Richard Dreyfuss and is available on demand right now.   ...

As a boy, Danny Elfman showed no interest in music, but he’s made up for it ever since, earning Grammy and Emmy awards, Oscar nominations, and the roar of the crowd in live concerts around the world. His historic collaboration with director Tim Burton began with Pee-wee’s Big Adventure and shows no signs of stopping. His theme music for The Simpsons is just one way he remains in our consciousness between film scoring gigs. Leonard and Jessie love his passion for what he does—and does so well.

He will be forever known as Potsie from Happy Days, but his memories of that much-loved TV series are all positive, especially his relationship with the show’s creator Garry Marshall. Having begun in the theater and turned director (with dozens of TV shows to his credit) he is now piloting his wife’s new play Crazy Mama: A True Story of Love and Madness at the celebrated Rubicon Theatre in Ventura, California. It’s based on her own experience living with a mother who suffered from severe mental illness. Linda Purl plays 16 roles in this provocative one-woman show. Details are at www.rubicontehatre.org  Anson also shares some of his earliest show-business encounters with Leonard and Jessie.  

Patrick Wilson wears many show-business hats. Fans of his Tony-nominated work on Broadway may not know of his involvement in the spooky Insidious and The Conjuring  movies. (He even made his directorial debut on Insidious: The Red Door.) And horror/supernatural fans might have missed his star performances in the celebrated arthouse hit Little Children and the Mike Nichols-directed miniseries version of Tony Kushner’s Angels in America for HBO. Leonard and Jessie are longtime fans of his—even more so after this congenial conversation. See him in Edward Burns’ new movie Millers in Marriage now in theaters and on digital platforms

AL PACINO needs no introduction. In 2018 he joined us for a relaxed conversation that centered on his documentary “Wilde/Salome,” about his stage production of an Oscar Wilde play featuring a newcomer named Jessica Chastain. But without much prompting he also discussed his career at large, from The Godfather and Dog Day Afternoon onward. His recently published autobiography taps into his way of thinking…but you’ll get a taste of that here, as Leonard and Jessie chat up one of the greatest actors of our time.

The man whose latest film, Anora, is an awards-season favorite and an Oscar candidate, first joined us in 2017 to discuss his unpredictable career, which began on public-access television in Manhattan. He caused a stir when he shot his feature, Tangerine, on iPhones, and he won new fans with The Florida Project, which featured Willem Dafoe. He has a big heart, which is evident in every one of his films (including Red Rocket and Anora, which were still in the future when this interview took place).