RSR575 - David Amlen - Lessons from Decades of Studio Building and Engineering

What does it really take to design a studio that balances acoustic excellence with practical flow - without losing sight of the human element?My guest today is David Amlin, a veteran producer, engineer, and studio owner with over 35 years of experience across film, music, television, and more. From helping build one of New York’s largest recording facilities to producing deeply personal projects, David’s insights span a broad range of studio design, technology, and human-centered recording.In this episode, David shares the story behind his studio designs, emphasizing the importance of thoughtful acoustics, practical layouts, and the human side of making music. We discuss how studio design has evolved over the decades - highlighting considerations like door and window placement, isolation strategies, and the role of visual communication. David describes the specific features of Sound on Sound Studios in New Jersey, including custom bass traps, ISO booths, and the clever use of glass to balance visibility and sound isolation.We also explore the practical side of studio construction - covering costs, wiring, and materials - and how those decisions impact the final space. David recounts his early days building a home studio, lessons learned from decades in the industry, and the ongoing challenge of balancing technical specs with the needs of human performers. Plus, we chat about the critical importance of fostering communication and trust with musicians, and why keeping things simple often yields the best results.Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.spectra1964.comhttps://gracedesign.com/https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Spotify: https://open.spotify.com/playlist/37i9dQZF1E4vxbU7YQ2kCX?si=0j2XRPlQR9WQmA6dxyYaeQIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/575

What does it take to finish a mix quickly without second-guessing your instincts?My guest today is JJ Catalyst, a Los Angeles-based recording engineer and mixer with credits spanning Disney, Showtime, and Billboard number ones. He's Emmy-nominated and known for blending modern pop with broadcast-ready production. We met at NAMM 2026, and he’s here to share his process and philosophy.In this episode, JJ opens up about his journey from growing up with a family immersed in music, through building a home studio in Phoenix, to moving to LA and focusing exclusively on mixing. We discuss how he learned to record drums in unconventional spaces, the importance of space and low-end management in mixes, and his approach to trusting artist vision versus pushing bold creative moves. JJ emphasizes the value of working swiftly and trusting your instincts, avoiding endless revisions, and how that leads to more authentic, compelling music.We also dive into technical topics like managing loudness in streaming, using dedicated plugins designed for transparency, and creative techniques like pushing limits beyond digital zero. JJ shares insights about working with community, the benefits of collaboration, and the importance of not getting lost in perfectionism. Plus, he recounts his experiences with classic console recreations, doing live mixes on vintage gear, and the joy of simplifying processes to focus purely on the music.Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ The next program starts September 8, 2026 – don’t wait!https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.spectra1964.comhttps://gracedesign.com/https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Tidal: https://tidal.com/playlist/1d0c282e-ce06-49e3-b882-0d88fa833efaIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/574

What’s the secret to capturing that deep, punchy snare sound without overdoing it? I asked Greg Giorgio about his approach to drums, and he shared how tuning and subtle miking tricks - like dampening with towels and choosing the right snare - make all the difference. It’s about working with the instrument’s natural voice.My guest today is Greg Giorgio, a producer, engineer, and mixer known for his work with artists like The National, Delta Rae, and Death Cab for Cutie. With nearly two decades working alongside producer Peter Katis at Tarquin Studios, Greg now runs 9 Point Studios in Greenwich, Connecticut, blending technical skill with creativity.In our conversation, we explored how Greg sets up his studio for maximum flexibility - using a stereo SSL board as a summing mixer, integrating analog effects with digital workflows, and creating inspiring, workable signal paths. Greg shared his custom techniques for headphone mixes, routing, and parallel processing, emphasizing that the real magic often comes down to how you listen and respond in the moment.We delved into drum mic techniques, including how tuning, dampening, and placement contribute to that deep, resonant snare. Greg also walked through his go-to gear for drums, including big mahogany snares and the importance of not hitting drums too hard, especially when aiming for a thick, squishy sound that still feels dynamic.Plus, Greg offered insights into how he approaches distortion and saturation creatively - using parallel chains with carefully chosen plugins to add character without phase issues - and the importance of listening in context rather than soloing everything. His honesty about experimenting with routing, effects, and even unconventional room mic placements inspired me to think differently about how I work.If you’re into practical, experience-based tips for recording great drums, or curious about setting up your studio for better flow and inspiration, this episode is packed with valuable ideas.Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ The next program starts September 8, 2026 – don’t wait!https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.spectra1964.comhttps://gracedesign.com/https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Spotify: https://open.spotify.com/playlist/2s4TyBkzTII2wDCJTsbF1H?si=pbPxM0XaQ1mcSdhmIpWeCwIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/573

What insights do immersive audio techniques, like Atmos, offer for emotional storytelling and how do different speaker setups influence our perception of space and emotion in music?My guest today is BZ Lewis, a producer, engineer, and mixer with over 30 years of experience. He’s earned six Emmy Awards and specializes in immersive audio, working with major brands like Apple, Google, and Sony. BZ has a deep background in both stereo and Dolby Atmos mixing, with credits spanning television, film, and music.In this episode, we dive into the practicalities of working in immersive audio, exploring how Atmos expands emotional expression in music and film. BZ shares his approach to speaker setups, balancing front, rear, and overhead channels, and discusses how spatial placement can enhance storytelling. We also get into technical gear choices, from legacy analog mixers to modern digital setups, and talk about the creative process of constructing sound spaces that resonate emotionally. Whether you're curious about Atmos workflows, myth-busting headphone playback myths, or the artistry behind spatial mixing, this chat offers grounded insights from a professional.We explore how BZ uses tools like Superior Drummer for loop creation, his favorite synths for EDM, and his strategies for managing a versatile studio setup that handles everything from podcasts to atmospheric mixes. Plus, he reflects on the importance of community events like AES for networking and learning, and how holding onto vintage gear can add character to your studio.Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ The next program starts September 8, 2026 – don’t wait!https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.spectra1964.comhttps://gracedesign.com/https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Apple Music:https://music.apple.com/us/playlist/dolby-atmos-playlist/pl.u-11zBMe3FKK4BbIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/572

Have you ever wondered whether a killer drum sound starts with the right mic placement and kit selection, or if it’s something you can still craft in the mix? Or maybe you’re curious about how much room tone, mic choice, and tuning actually influence the final impact of your drums?My guest today is Brian Moncarz, a Toronto-based producer and mixer who’s played a pivotal role in shaping the sound of modern rock across Canada and beyond. With credits including Alice Cooper, Our Lady Peace, and many chart-topping singles, he’s a master of capturing drums that punch through the mix and feel alive. Over the past two decades, he’s learned from some of the best, refining techniques for recording and blending drums that make recordings cut through with power and clarity.We dove deep into his approach to drum recording, from mic choices and placement to handling room acoustics - even how the best drummers can make all the difference. We also touched on how digital tools and mixing magic can enhance what you’ve captured, and the importance of understanding your room and gear as part of the process. Whether you’re tracking drums in a studio, basement, or bedroom, he highlights strategies to get that big, punchy sound that helps your record stand out.Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ The next program starts September 8, 2026 – don’t wait!https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.spectra1964.comhttps://gracedesign.com/https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Spotify:https://open.spotify.com/playlist/4Ko6JvRzdXoH3mDw2QqNNa?si=i_avJTBvQ3K0Lmde65SUbQIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/571

What does it really take to make your best record by embracing limitations and finding creativity in the constraints?My guest today is Jordie Lane, a Nashville-based Australian indie roots artist, songwriter, and producer. With a background that includes performing at the Sydney Opera House, composing for TV comedy, and touring with legends like Billy Bragg and Old Crow Medicine Show, Jordie brings a wealth of unconventional recording experience.In this episode, Jordie shares his journey from childhood in a traveling circus to making records with makeshift gear in unconventional spaces. We discuss how embracing limitations - like working with a four-track recorder or in a space with no running water - can ignite creativity and result in unique sounds. Jordie explains his approach to building songs from the ground up, layering found objects and effects, and how physical space influences his process. We also touch on the importance of unplugging from over-processing, the power of spontaneous performances, and the role of letting accidents lead to new ideas. His stories highlight that sometimes, less gear and more vulnerability lead to the most genuine recordings.Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ The next program starts September 8, 2026 – don’t wait!https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.spectra1964.comhttps://gracedesign.com/https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Spotify:https://open.spotify.com/playlist/6MoEdYlleayslE6QAzEpQ2?si=V3F1rZFiQbWPoM6gaDrsGwIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/570

What happens when you stop calling it pre-production and just start making the record?My guest today is Vance Powell, multi-Grammy-winning producer, mixer, and engineer from Sputnik Sound in Nashville - and the most frequent guest in RSR history, now returning for his seventh appearance on the show.Vance has been with us since episode RSR002, and once again he brings an incredible combination of blunt honesty, deep musical intuition, old-school engineering discipline, and hilarious real-world stories from making records with artists like Chris Stapleton, Tyler Bryant, and a whole roster of bands who trust him to capture the moment as it happens.In this episode we dig into everything from rebuilding his machine room, to why he still aligns a U47 and Coles 4038 with a flashlight, to how tiny amps make the biggest guitar tones, to why “pre-production is production,” to mixing in Atmos in a way that actually translates to AirPods.We also talk about one-take magic on Chris Stapleton’s White Horse, smashing ADR comps on the Tom Petty tribute, deep drum-room philosophy, and how Vance keeps digital rigs alive by never updating anything that’s working.And of course, Vance shares what old Vance would tell young Vance - and what young Vance would tell old Vance - about belief, timing, and the moment he should’ve left Blackbird to build Sputnik sooner.Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.spectra1964.comhttps://gracedesign.com/https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Spotify:https://open.spotify.com/playlist/0aFDgLgTsWaFId0n4YSX75?si=b290f2da1b47416fIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/569

What happens when you realize the soundtrack of space travel isn’t science fiction - it’s real music carried aboard real missions?My guest today is Kevin White, Nashville educator, musician, and creator of Songs of Apollo - a documentary project that explores the real relationship between music and space exploration. This isn’t just a story about composers imagining the cosmos. It’s a story about the actual music astronauts took with them, the songs that woke crews aboard Apollo missions, the playlists that traveled beyond Earth, and how NASA engineers, mission control, and the entire space program have been influenced by music from the start.Kevin digs into decades of research, interviews, and archival stories showing how music became part of astronaut culture - from symbolizing courage and loneliness to marking historic milestones. We also talk about how the space program itself sparked new artistic movements back on Earth, shaping genres, inspiring iconic records, and influencing countless musicians.This episode is about the two-way connection between sound and space - how music helped astronauts feel human in an environment where nothing is familiar, and how their journeys, in turn, reshaped the music we make here on Earth.Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off!https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.spectra1964.comhttps://gracedesign.com/https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Spotify:https://open.spotify.com/playlist/5rDR7UqfiZkYiTgbTSKh0u?si=_HmAQjjLQCOTlrQBhMO56AIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/568

What happens when you start writing, producing, and mixing like the forest, not the trees, and you leave your worries behind?My guest today is Micah Tawlks - producer, mixer, songwriter, and artist based in Nashville, working out of his home studio in Whites Creek. Micah first joined us back on RSR324, and he’s back to go even deeper into the intersection of writing, recording, and mixing. He’s known for work with COIN, Hayley Williams, Louis Prince, Judah & the Lion, The Lone Bellow, Stephen Day, Ben Rector, and many more, including immersive Atmos mixes with Matt Wallace.In this episode, we dig into how writing sessions actually unfold when they happen in your studio - the unexpected ways a simple co-write can turn into full production, vocal sessions weeks later, or a finished track if the artist or publisher decides to cut it. Micah describes the different roles he shifts between: offering lyric help when invited, contributing chords and melody, arranging on the fly, or simply running a fast demo session when that’s what the artist wants.We also talk about the balance between paid studio work and free co-writes, how he and his manager evaluate opportunities, and why some ideas need months to find their artist, while others get cut immediately. He explains what co-writing in pairs vs. groups actually feels like, why some writers don’t want lyrical collaboration at all, and how recording the first 20 minutes of small talk often captures the best emotional ideas of the day.Micah walks us through his recent engineering day at Blackbird, choosing from huge mic lockers (multiple U47s, C12s, 67s on toms, etc.), working quickly on the console, and how “fast in a big studio” still relies on the same preparation habits as working fast at home.In the writing room, we get into why clicks can kill a session, how he builds musical rhythmic loops as “human clicks,” when he performs his own time feel into a mic so the grid follows a human instead of the other way around, and how artists respond differently to tempo when the groove feels alive.Finally, we talk mixing: keeping rough mix intent intact, charging a flat rate, when to recommend another mixer, and how honoring an artist’s stylistic world guides the whole process. Micah’s advice to his younger self? Be a better listener - in the room, at the console, everywhere.Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off!https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.spectra1964.comhttps://gracedesign.com/https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Spotify:https://open.spotify.com/playlist/2Rj5j9yzADbW3n5JEBEGB1?si=f5uo4BpbSmOHkSD9_0VgEAIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/567

What happens when you build a studio in an industrial zone…and still end up in court for making records?My guest today is Toby Suess, drummer, engineer, and owner of Tinroof Recording in Fallon, Nevada - a studio that started as nothing more than a rehearsal space and grew into a full hybrid recording room with a killer drum sound. Toby has recorded everything from punk bands to singer-songwriters, dialed in his live room, rebuilt a broken console card-by-card, and learned how to get great drum tones using ribbons, condensers, overhead techniques, and detailed tuning.In this episode, Toby walks through the real-world evolution of building a studio on a budget - wiring rooms, treating windows, learning gear, adding outboard pres, integrating a Toft console, and figuring out how to track and mix drums with confidence. We talk about recording through compression, getting mixes nearly finished while tracking, checking phase during the mix, blending guitar mics through a Radial summing box, and why great drum recordings still start with tuning, players, and the room.And then we get into the wild part - Toby’s studio ended up in a legal battle despite having a business license and being fully located in an industrial zone. Toby shares the whole story: sheriff visits, confused neighbors, gathering decibel readings, talking to the D.A., bringing evidence to court, getting the case dismissed, smoothing things out with neighbors afterward, and eventually earning the right to operate without interruption. It’s a powerful reminder that musicians can stand up for their creative work and win.We close with mixing philosophies, self-doubt, imposter syndrome, confidence, and pushing through the uncomfortable parts of building a career - plus why his studio now attracts bands from Reno and even the Bay Area.Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off!https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.spectra1964.comhttps://gracedesign.com/https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Spotify:https://open.spotify.com/playlist/4ZzemQ39O2Q37gSFiJ2exs?si=kYYcKVRISl2p0ncl88UKBgIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/566