STEVE DIGGLE - Alive Tonight

Novelist and Fall obsessive Michael Stewart joins Paul and Steve to talk about growing up in Salford, watching the Happy Mondays rehearse after school and finding his way from factory work to writing King Crow. An English A-level at night school helped him on his way, while a fascination with the Brontës eventually took him to Haworth.There’s also the small matter of The Fall. Michael remembers Steve’s bass on “Smile” making an immediate impression when he saw them on The Tube, though Paul’s contribution proves harder to recall. John Peel sessions kept him listening, but it was hearing “Big New Prinz” at The Venue that finally sent him out to buy every Fall record he could find.

This week on Oh! Brother, we were delighted to welcome musician and filmmaker Charlotte Bill to the show. Charlotte talks us through meeting Una Baines, playing flute and oboe on The Fall’s Extricate, and joining the band on stage at Manchester’s Free Trade Hall. We also chat experimental music and filmmaking, touring with Nocturnal Emissions, London’s squat communities, the right to roam and her latest film about rewilding. Plus, Steve gets another reminder that he’s her favourite bass player. Hope you enjoy!

Music writer, consultant and friend of the show Daryl Easlea sits down with Paul and Steve to explain how a request for 500 words on a budget CD launched his sleevenotes career. His first subjects were Sergio Mendes and the exclamation-mark incarnation of Ultravox!, which is a respectable range by anybody’s standards.From his arrival at Record Collector to his enduring love of The Fall, Daryl reflects on being a musical generalist, finding the melody in Status Quo and searching patiently for the appeal of death metal.

Recorded live at Futures and Pasts, this special episode of Oh! Brother sees Paul and Steve joined on stage by the Poet Laureate himself, Simon Armitage. Simon looks back on discovering The Fall as a teenager, his early gigs, and what it is about Mark E. Smith's lyrics that has captivated so many writers.There's talk of poetry, songwriting and life as Poet Laureate, a few brief encounters with Mark, and a moving poem written after his death. Thanks again to Simon and everyone involved with Futures and Pasts, hope you enjoy!

This week Paul and Steve welcome Liverpool musician Barry Sutton, former Fall roadie and founder of Beatnik Hurricane. Barry recalls hearing Slates at 15, abandoning prog on the spot and beginning his long association with The Fall.He also covers the drum stands he may or may not have set up, his expulsion from school and his family's habit of setting off fire alarms. Paul and Steve also ask him about Beatnik Hurricane's film Sketches of Skem. Hope you enjoy!

This week on Oh! Brother, we were thrilled to welcome Manchester music legend and Mercury Prize-winner Badly Drawn Boy (Damon Gough) to the show. Damon talks us through his early days as a tape-op at Square One Studios in Bury, his years at print works and music college, and how hearing Springsteen and The Stranglers sparked his obsession with sound. We also hear the full story of how Mark E. Smith mistook him for a taxi driver outside Night and Day — complete with false teeth and a Pet Sounds cassette — leading to their collaboration on "Calendar", plus Damon reflects on life after quitting the booze, his friendship with Mark over the years, and the John Spencer Blues Explosion gig that changed everything. Hope you enjoy!

This week on Oh! Brother, we welcome BC Camplight — aka Brian Christinzio. Brian discusses discovering the piano as a child, beginning his career in Philadelphia and finding a new home in Manchester. He also recalls his unusual introduction to The Fall, reflects on his approach to recording and production, and prepares to reinterpret songs covered by the band for Futures and Pasts. Hope you enjoy!

This week on Oh! Brother, we were delighted to welcome drummer and academic Kate Themen to the show. Kate talks us through being recruited by Julia Nagle to play three shows with The Fall in April 1998, rehearsing the material at short notice, and joining Mark E. Smith and Julia on stage at Dingwalls and Reading — where the unpredictable performances included a brief appearance from dancer Michael Clark and objects being thrown from the audience. We also hear about Kate’s band Polythene, her later musical projects, and her memories of appearing as an extra alongside Karen Leatham in the independent film Glow Boys. Plus, Kate discusses her academic work on women’s football, the continuing struggle for equality within the game, football clubs’ responsibilities to their communities, and her hopes of returning to drumming after recovering from injury.

This week on Oh! Brother, we were delighted to welcome Rob Barbato to the show. Rob talks us through joining The Fall at short notice in 2006, learning the set on the fly, touring America, recording with Mark E. Smith in Los Angeles, and coming to Manchester for The Fall’s 30th-anniversary show at New Century Hall in 2006. We also chat about the creative freedom and unpredictability of working with Mark, the appeal of songs such as “Blindness” and “Reformation”, and Rob’s later career as a producer, session musician and composer for film, television and advertising. Plus, Rob discusses his work with Squeaky Clean, his forthcoming recording project with Vivian Girls, the importance of preserving human imperfections in an increasingly digital music world, and the friendships he made through The Fall.

This week on Oh! Brother, we were delighted to welcome Erwin Blom to the show. Erwin takes us back to the late-70s Dutch punk scene and the formation of Eton Crop, talks about touring Holland and England, recording five Peel Sessions, and supporting The Fall — including memories of Amsterdam’s Paradiso, freezing nights in the van, and seeing Mark E. Smith halt The Fall mid-set. We also chat about post-punk DIY culture, touring behind the Iron Curtain in Poland and Hungary, Erwin’s later work in journalism and digital media, and his enthusiasm for AI as a new do-it-yourself tool. Plus, there’s talk of Pip Blom, the realities of life in today’s music industry, and why making music still means making friends for life. Hosted on Acast. See acast.com/privacy for more information.