Episode 207 - The VVitch (2015) - Folkin’ Wild - Good Film Hunting Review
Some families have trouble adjusting to a new home. But in 1630s New England, well, this family has trouble with religious paranoia, disappearing children, suspicious livestock, and a goat that may or may not be working directly for Satan. This week, we're heading into the woods for The Witch, the feature directorial debut of Robert Eggers, starring Anya Taylor-Joy, Ralph Ineson, and Kate Dickie. After being banished from their Puritan settlement, a deeply religious family attempts to build a new life beside a foreboding forest. But when their infant son mysteriously disappears, faith gives way to suspicion, paranoia, and the possibility that something genuinely evil is lurking among the trees. Did we enjoy this critically acclaimed folk-horror nightmare or is it just a load of Black Phillip’s excrement?#TheWitch #TheVVitch #RobertEggers #AnyaTaylorJoy #RalphIneson #KateDickie #RobertEggersFilms #FolkHorror #HorrorMovies #PsychologicalHorror #A24 #BlackPhillip #GoodFilmHunting #MovieReview #HorrorFilmReviewRelease DetailsTitle: The Witch (stylized The VVitch: A New-England Folktale)Year: 2015 (festival premiere), 2016 (U.S. theatrical release)Director: Robert EggersWriter: Robert EggersTop-billed stars: Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger, Lucas DawsonRunning time: 92 minutesCountry: United States / CanadaPremiere: January 27, 2015, Sundance Film FestivalU.S. theatrical release: February 19, 2016, A24MPA rating: R, for disturbing violent content and graphic nudityOther Notable ProjectsRobert Eggers | Director & WriterThe Lighthouse (2019), The Northman (2022), Nosferatu (2024)The Witch was Eggers' feature debut and established his obsession with historical authenticity, folklore, and deeply unpleasant living conditions. His background in theater and production design helped shape the film's meticulous period detail. He would follow it with a black-and-white descent into madness, a Viking revenge epic, and a gothic vampire nightmare. Apparently, modern plumbing and happy endings aren't particularly interesting to him.Anya Taylor-Joy | ThomasinSplit (2016), The Queen's Gambit (2020), Last Night in Soho (2021), The Menu (2022), Furiosa: A Mad Max Saga (2024)This was Taylor-Joy's feature-film breakthrough, launching a career that would quickly make her one of the most recognizable actresses of her generation. She was only 17 when she auditioned, and Eggers was immediately impressed. Her performance relies heavily on expressions and restraint, something that would become a trademark of her later work. Ralph Ineson | WilliamThe Office (UK) (2001–2003), Harry Potter films, The Green Knight (2021), The First Omen (2024), Fantastic Four: First Steps (2025)Before becoming one of horror's most recognizable voices, Ineson was known to British comedy fans as Chris Finch in The Office. His unmistakably gravelly Yorkshire accent helped influence the entire family's vocal identity in The Witch. Eggers later brought him back for The Northman and Nosferatu. His imposing presence makes William feel authoritative, even when his decisions suggest he shouldn't be in charge of so much as a garden shed.Kate Dickie | KatherineRed Road (2006), Game of Thrones (2011–2014), Prometheus (2012), The Green Knight (2021)Dickie had already earned significant acclaim for Red Road and appeared as Lysa Arryn in Game of Thrones. Eggers specifically admired her earlier work. Her performance as Katherine turns maternal grief and religious terror into something increasingly volatile. It's an interesting contrast with Taylor-Joy's comparatively restrained Thomasin, especially as their relationship deteriorates.Harvey Scrimshaw | CalebOranges and Sunshine (2010), The Witch (2015)Scrimshaw delivers one of the film's most demanding performances despite his young age. His major dramatic sequence required intense physical and emotional preparation. Eggers identified it as one of the most difficult scenes to shoot, although the rehearsal work made editing it surprisingly straightforward. It's an excellent example of how much the movie relies on performances rather than elaborate effects.Julian Richings | The GovernorSupernatural (2005–2020), Cube (1997), Wrong Turn (2003), The Lighthouse (2019)A familiar face to genre fans, Richings played Death in Supernatural and has appeared in numerous horror and fantasy productions. His small role as the colonial governor helps establish the rigid religious authority that drives the family into isolation. He would later reunite with Eggers for The Lighthouse.Social LinksYouTube: https://www.youtube.com/@goodfilmhuntingpodcastInstagram: https://www.instagram.com/flickflopspod/X: https://twitter.com/flickflopspodTikTok: https://www.tiktok.com/@tummytwinsmediaFacebook: https://www.facebook.com/goodfilmhuntingpod