Better Read than Dead: Literature from a Left Perspective

We embark on a cosmic journey through Samuel Delany's 1966 sci-fi gem, Babel-17. This novel by the brilliant self-described “boring old Marxist” (the best kind of person!) has it all: a telepathic poet captaining a star ship, naked space parties, a 10-foot-tall cat-man pilot, and a cosmic throuple guiding the way. And let's not forget the discorporate entities—because we all need some more space ghosts in our lives. We get into linguistic philosophy, the category of the human, and what the whole Babel thing is about.  We read the Vintage edition that includes the in-universe short story “Empire Star” and recommend getting your hands on Delaney’s other works like his novel Nova and his 1999 critical work/memoir, Times Square Red, Times Square Blue on New York’s porn theaters of the 1960s and 70s.  Find us on Twitter, Instagram, and Facebook @betterreadpod, and email us nice things at [email protected]. Find Tristan on Twitter @tjschweiger, Katie @katiekrywo, and Megan @tuslersaurus; we all have the same handles on BlueSky.

For Halloween 2023, we bring you one of the craziest novels of all time (or certainly of the eighteenth century). Matthew Lewis’s The Monk (1796) is a tale of horny Catholics – men and women, in the clergy and not – sexy nuns, ultraviolence, and, as Katie puts it, “dinosaurism.” See, Satan turns into a pterodactyl to open up a can of whoop-ass on the Monk. Based. Another extremely based thing that happens, this smokin’ lady monk named Matilda turns out to be a wizard, does a full-on black mass, AND DOMMES THE PRINCE OF DARKNESS HIMSELF. It’s trashy as hell, it’s metal af, and we’re talking all the classic gothic themes – sex, desire, critiques of power and patriarchy, and how eighteenth-century Britons are constitutionally incapable of being even slightly normal about the “Romish religion.” We read the Oxford edition with notes and introduction by Nick Groom, but we kinda recommend the Penguin for the cover art alone, which really gets at the dinosaurism in question (it also has full frontal, which is very much in keeping with the spirit of The Monk). For more on the gothic and Lewis’s place within it, we highly recommend friend-of-the-pod Michael Gamer’s Romanticism and the Gothic: Genre, Reception, and Canon Formation, as well as Angela Wright’s chapter on Lewis and Ann Radcliffe in The Cambridge History of the Gothic, Vol. I. Find us on Twitter, Instagram, and Facebook @betterreadpod, and email us nice things at [email protected]. Find Tristan on Twitter @tjschweiger, Katie @katiekrywo, and Megan @tuslersaurus; we all have the same handles on BlueSky.

Hi again, nerds: we’re back after a long hiatus with more high school English class reads and some Jungianism on the side! JK about that last one, we would never. We’re talking about Aldous Huxley’s 1932 “science fiction” novel Brave New World, which is about how Fordism is bad (yes) but so is being slutty (what? Why?). Shakespeare is Good. Drinking alcohol is Bad. We sure hope you’re onboard for blanket moral judgments that don’t seem to add up to much in the way of world-building, because this novel is crammed with them. We discuss politics of gender and sexuality, what a leftist critique might amount to here, and why mysticism is tiresome.   We read the 2006 Harper Perennial reprint with Huxley’s intro to the 1958 edition called “Brave New World Revisited.” We consulted Raymond Williams’s “Utopia and Science Fiction” from Science Fiction Studies (1978) and recommend it. Honestly, Science Fiction Studies is generally pretty cool.   Find us on Twitter, Instagram, and Facebook @betterreadpod, and email us nice things at [email protected]. Find Tristan on Twitter @tjschweiger, Katie @katiekrywo, and Megan @tuslersaurus; we all have the same handles on BlueSky.

Friends, it's the crossover event of the century - we join our comrades at You're Tall but I'm Standing in Front of You (if you don't know their podcast, it's amazing, hilarious, brilliant, and you should subscribe immediately) for a discussion of Michael Mann's The Last of the Mohicans (1992). It's a film that dares to ask the question, "What if the book didn't totally suck ass?"   *Note to listeners -- we've been on a bit of an unplanned hiatus due to various things beyond our control, but we're recording new content now and will back with new episodes for you in the spring. Follow You're Tall but I'm Standing in Front of You on Twitter @youretallpod or email them at [email protected].  Follow us on Twitter @betterreadpod, Tristan at @tjschweiger, Megan @tuslersaurus, and Katie @katiekrywo. You can also find us on Instagram and Facebook @betterreadpod, and email us nice things at [email protected].

There is still plenty of spookiness left in the season! To celebrate, this week we are bringing you Stephen King’s The Body from his 1982 collection Different Seasons, also containing Rita Hayworth and the Shawshank Redemption and Apt Pupil. We talk about poverty and violence in rural America, masculinity, class, epic, and the classic Philadelphia tradition Wing Bowl. We get into the 1986 film adaptation Stand By Me, starring Wil Wheaton, who is also the star of Star Trek: The Next Generation. It’s not that bald guy, it’s the kid. We read the Signet edition. Check out King’s On Writing: A Memoir of the Craft (2000) or one of his 65 other novels (seriously) or hundreds of short stories (also seriously) if you are interested in haunted cars, scary sewer clowns, or the various terrors of New England. *Note to listeners: Megan is off this week. She’ll be back with us next time for The Monk! Find us on Twitter, Instagram, and Facebook @betterreadpod, and email us nice things at [email protected]. Find Tristan on Twitter @tjschweiger, Katie @katiekrywo, and Megan @tuslersaurus.

Happy Halloween, book jerks! Starting our fourth annual spookfest, we’re reading The Stepford Wives, which should actually be called The Stepford Husbands (they’re the scary ones, after all, and credit to Amanda Davis for the appellation). We discuss Ira Levin’s 1972 horror-satire to return to some familiar questions: what are husbands for? Why are neighbors such creeps? If you could make a robot wife, how big would you make her boobs? We reflect on genre, bourgeoisification, liberal feminism, and Sir Mix-a-Lot. We read the 2002 William Morrow reprint with introduction by Peter Straub. Check out Jennifer Rhee’s The Robotic Imaginary: The Human and the Price of Dehumanized Labor for more on bots bots bots! Find us on Twitter, Instagram, and Facebook @betterreadpod, and email us nice things at [email protected]. Find Tristan on Twitter @tjschweiger, Katie @katiekrywo, and Megan @tuslersaurus.

We couldn’t wait to read the new novel-length version of Richard Wright’s The Man Who Lived Underground, and it absolutely did not disappoint. Published as a short story in 1944, collected in Eight Men in 1961, and finally published as the novel version last year, the book serves as a major touchstone in Wright’s work, negotiating the space between his naturalist “early” work and his philosophical “late” work. We discuss race, religion, space, and style. We read the 2021 Library of America version with Wright’s essay “Memories of my Grandmother” and afterward by Wright’s grandson Malcolm Wright. We also consulted the Harper Perennial 1996 reprinting of Eight Men with introduction by Paul Gilroy. We recommend Lauren Michele Jackson’s New Yorker article “What We Want From Richard Wright,” from May 2021 and Bill Mullen’s Tempest article “Richard Wright and the Police State,” from October 2021. Find us on Twitter, Instagram, and Facebook @betterreadpod, and email us nice things at [email protected]. Find Tristan on Twitter @tjschweiger, Katie @katiekrywo, and Megan @tuslersaurus.

We are back and bringing you The Last of the Mohicans, James Fenimore Cooper’s 1826 historical novel about stepping on twigs and tricking your friends by following them around in a bear costume. We chat about race, the novel's politics, and how an adult man could get tricked by a bunch of beavers. And the French and Indian War! We read the Penguin Classics version with introduction by Richard Slotkin. For more on this novel, we highly recommend Sarah Rivett’s chapter in Unscripted America (2017) “Indiginous Metaphors in Cooper’s Leatherstocking Tales.” For some fun, we suggest Mark Twain's 1895 gem, "Fenimore Cooper's Literary Offenses." Find us on Twitter, Instagram, and Facebook @betterreadpod, and email us nice things at [email protected]. Find Tristan on Twitter @tjschweiger, Katie @katiekrywo, and Megan @tuslersaurus.

We finish our conversation on George Eliot’s 1871-1872 behemoth Middlemarch with an in-depth discussion of the book as an historical novel and the historical contexts of its setting in the early 1830s. We all have different answers to how much we liked-liked reading this massive thing (Tristan is a big fan, Megan and Katie… less so), but we all loved Dorothea, and we did all legitimately love talking about this novel. AND we all agree that the scene where Mr Brooke gets rotten eggs thrown at him because he had one-too-many glasses of sherry before a campaign speech and went Chuck-Grassley-on-Twitter incoherent is among the finest scenes in 19th-century British literature. All landlords are bastards, folks. To finish, we play a delightful game where we debate which Middlemarch character you want running your mutual fund. We read the Oxford edition, edited by David Carroll with an introduction by Felicia Bonaparte. For an excellent reading of Middlemarch as critical toward mid-19th century liberal ideological assumptions, we highly recommend Elaine Hadley’s Living Liberalism: Practical Citizenship in Mid-Victorian Britain, which we discuss on the show. *Note to listeners – we’re taking a short mid-season break, but we’ll be back with new episodes in a couple weeks. Find us on Twitter, Instagram, and Facebook @betterreadpod, and email us nice things at [email protected]. Find Tristan on Twitter @tjschweiger, Katie @katiekrywo, and Megan @tuslersaurus.

For our 100th episode (!!!), it’s only fitting we tackle a Big One. And George Eliot’s Middlemarch (1871-1872) is certainly that – literally (it’s SO MANY PAGES). Middlemarch tells the stories of several intersecting characters all trying in various ways to find meaning amid the alienation of industrial modernity, and we discuss epistemology, philosophy, gender, class and bourgeoisification, marriage, capital-H History, politics. This kind of is a novel about everything. Also, failsons abound! It wouldn’t be Better Read than Dead without failsons. Don’t forget to join us next week for Part Two! We read the Oxford edition, edited by David Carroll with an introduction by Felicia Bonaparte. For more on Eliot’s interest in nineteenth-century science and its bearing on Middlemarch’s epistemological concerns, we highly recommend Gillian Beer’s Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot, and Nineteenth-Century Fiction, which we discuss on the show. And for another good discussion of Middlemarch and its contexts, check out this 2018 In Our Time episode: https://podcasts.apple.com/us/podcast/middlemarch/id73330895?i=1000409248380. Find us on Twitter, Instagram, and Facebook @betterreadpod, and email us nice things at [email protected]. Find Tristan on Twitter @tjschweiger, Katie @katiekrywo, and Megan @tuslersaurus.