Art Works Podcast

In the second part of our conversation with 2024 NEA Jazz Master trumpeter and composer Terence Blanchard, we explore the emotional and creative depths of his work, from his jazz innovations to his evolution as an opera composer.Blanchard shares the challenges of scoring the documentary When the Levees Broke and discusses how his Grammy-winning album A Tale of God’s Will emerged from those themes, evolving into a deeply personal statement on loss and resilience. From jazz to film and opera, he examines how his musical voice has expanded across genres, culminating in his historic operas Champion and Fire Shut Up in My Bones—the first opera by an African American to be produced at the Metropolitan Opera. He also discusses his role in bringing the Monk Institute  (now the Herbie Hancock Institute) to New Orleans after Katrina and his ongoing dedication as an educator and mentor to young musicians.He discusses his then-new role as Artistic Director of SFJAZZ, where he provides opportunities for mid-career as well as emerging musicians and brings innovative programming to audiences. As he reflects on receiving the NEA Jazz Master honor, Blanchard considers the legacy of those who came before him and the responsibility of carrying the music forward.

In part one of this two-part interview, trumpeter, composer, and 2024 NEA Jazz Master Terence Blanchard speaks about his deep musical roots in New Orleans and how the city’s rich traditions shaped his artistry. He reflects on growing up in a household filled with music, his early piano lessons, and the pivotal moment when he switched to trumpet after hearing Alvin Alcorn. Blanchard discusses the educators who had a lasting impact on him, including Roger Dickerson and Ellis Marsalis, and his formative experiences at the New Orleans Center for Creative Arts and Rutgers University. He also shares stories of touring with Lionel Hampton as a teenager, learning the ropes of the jazz world, and his time with Art Blakey’s Jazz Messengers, where he honed his skills as a composer and bandleader. Blanchard also talks about forming a quintet with Donald Harrison and their commitment to innovation, as well as launching his solo career in the early '90s. He describes his unexpected entry into film composition, starting with Mo’ Better Blues, and how that led to a decades-long collaboration with Spike Lee. Blanchard reflects on the challenges and rewards of storytelling through music. Stay tuned for part two of my conversation with Terence Blanchard, where he discusses his work in opera, his ongoing exploration of sound with his current band, taking on the role of  artistic director of SFJAZZ, and his role as an educator mentoring the next generation of musicians. 

Koto musician and 2024 National Heritage Fellow June Kuramoto shares her remarkable journey from Japan to Los Angeles, recounting the challenges of adapting to a new culture as a young child and how a chance encounter with the koto reconnected her with her heritage. Kuramoto discusses her rise as one of the few koto masters in America, her deep exploration of the instrument’s traditional roots, and her innovative work blending the koto with jazz, R&B, and contemporary music. She reflects on co- founding the Grammy-nominated band Hiroshima with Dan Kuramoto, and how the band redefined Asian American music.  Kuramoto also highlights the importance of teaching and passing on tradition while encouraging students to find their unique voices, shares her gratitude for the communities and audiences that embraced the koto’s sound, and reflects on the honor of receiving the National Heritage Fellowship, her commitment to living up to its legacy, and her lifelong mission to expand the koto’s reach across musical genres and cultures. 

A conversation with Hana S. Sharif, Artistic Director of Arena Stage since August 2023. Sharif discusses her transformative first year at the helm and her inaugural season as Arena’s producing artistic director. She reflects on the vibrant theatrical community in Washington, D.C., and her commitment to amplifying dynamic voices in American theater. With an ambitious 2024/25 season featuring eight new works, including her directorial debut at Arena Stage with the world premiere of Death on the Nile, adapted by Ken Ludwig, Sharif shares the careful curation process behind creating a year-long conversation through theater, aiming to reflect the full spectrum of American voices.Sharif also opens up about her journey from running a scrappy theater company begun at Spelman College to leading one of the country’s most prominent regional theaters. As the first Black artistic director of Arena Stage, she reflects on the significance of this milestone, her dedication to fostering inclusivity, and the critical role of theater in bridging divides and exploring our shared humanity. 

To mark the rare convergence of Christmas and Chanukah, we’re revisiting a conversation with one of the nation’s most extraordinary musicians 2012 National Heritage Fellow Andy Statman. A virtuoso clarinetist, mandolin player, and composer, Statman has defied musical boundaries throughout his career. Starting with his early love for bluegrass and mentorship under David Grisman, Statman later embraced jazz before diving into the klezmer music of his Jewish heritage.This podcast weaves together the strands of Statman’s multifaceted career. He reflects on his journey from bluegrass jams in Washington Square Park to collaborations with jazz legends like Richard Grando. Statman shares how he revived klezmer music with the guidance of 1984 National Heritage Fellow Dave Tarras, his inspirations across genres, and his passion for creating music that connects deeply to tradition while pushing artistic boundaries.  Featuring excerpts from his rich discography, including Jewish Klezmer Music and Old Brooklyn, this episode is a celebration of music’s ability to unite cultures and generations. We are taking a two week break for the holidays. But we’ll back on January 7.  We wish all of you the happiest of holidays. 

Opera is being transformed into a more inclusive and innovative art form, and Opera Praktikos (OPrak) is one of the companies leading this movement. Co-founded by librettist Marianna Mott Newirth and opera journalist Greg Moomjy, OPrak is New York City’s first disability-forward opera company, committed to breaking down barriers for artists and audiences. Today, a conversation with Marianna Mott Newirth and mezzo-soprano Hailey McAvoy, who has cerebral palsy and stars in OPrak’s upcoming production, There Will Be Cake. Marianna and Hailey share how OPrak fosters disability creativity, from accessible venues to innovative productions. They discuss how embracing accessibility not only removes obstacles but enriches the art form itself, creating a more collaborative and exciting opera world for everyone, and the inspiration behind There Will Be Cake, a joyful pairing of two opera monologues celebrating food, humor, and community, all served up with a side of cake. 

Today we revisit our 2020 interview with Charles Yu, whose novel Interior Chinatown received the National Book Award for fiction and has been recently adapted into a Hulu series by Yu who is also the showrunner. A novel told in the format of a screenplay, Interior Chinatown follows Willis Wu, a bit player in a TV procedural, as he wrestles with his dreams, identity, and the limitations imposed by a world of rigid racial roles. In our conversation, Yu reflects on growing up with limited and stereotypical representations of Asian-Americans on screen and how those experiences shaped his incisive and inventive novel. He shares his journey from lawyer to writer and the creative process behind the book, the interplay of humor and serious themes in his work, his reflections on the rise of anti-Asian sentiment, and the transformative power of storytelling. In this special reposting of our conversation with Charles Yu, we revisit his insightful, funny, and deeply moving exploration of Asian-American identity and representation in popular culture. 

In this special Thanksgiving episode of Art Works, we’re revisiting our interview with Nick Spitzer, folklorist, radio host, and the 2023 Bess Lomax Hawes National Heritage Fellow. Nick discusses his path from college radio to producing the award-winning American Routes, a program that has spent 25 years exploring the intersections of Cajun, Creole, jazz, blues, gospel, and more. He shares stories of cultural discovery, the concept of creolization, and his commitment to bringing traditional and vernacular arts to national audiences. Nick reflects on his formative experiences—from fieldwork in Louisiana to curating programs for the Smithsonian’s Folklife Festival—and the profound impact of mentors like Bess Lomax Hawes.  (Don’t miss the special Thanksgiving episode of American Routes celebrating the 2024 National Heritage Fellows!)

Last week, the music world lost two titans of jazz: drummer Roy Haynes and saxophonist Lou Donaldson, both NEA Jazz Masters who reshaped the genre with their artistry. This special episode of Art Works pays tribute to their immense contributions through archival interviews and timeless performances. From Roy Haynes' crisp, innovative drumming that defined the evolution of jazz over seven decades to Lou Donaldson's soulful alto saxophone that bridged bebop and groove, we celebrate their remarkable journeys.Roy Haynes reflects on his first big break with Luis Russell, playing at the legendary Savoy Ballroom, and his unforgettable collaborations with jazz icons like Charlie Parker, Thelonious Monk, and Sarah Vaughan. Lou Donaldson, known as "Sweet Poppa Lou," shares insights on his trailblazing recordings for Blue Note, the rise of bebop, and his dynamic partnership with Jimmy Smith that popularized the organ-sax sound. Featuring selections from their iconic tracks—including “Green Chimneys,” “Blues Walk,” and “Alligator Bogaloo”—this episode highlights the lives and music of two artists whose impact will resonate for generations. 

In honor of Veterans’ Day, we’re revisiting an episode of Art Works that tells the origin story of the transformative project  Theater of War Productions. Co-founded by classicist, translator, and director Bryan Doerries, Theater of War began with a simple yet profound concept: presenting staged readings of Sophocles' plays Ajax and Philoctetes to military communities as a means of addressing both the challenges veterans face and the lasting impact of war on families and relationships.In this episode, Doerries recounts how he was inspired to bring these ancient military tragedies to contemporary audiences, believing they would unlock conversations around trauma and healing. With excerpts of performances by actors Bill Camp, David Strathairn and Adam Driver, this episode explores the initial journey of Theater of War and its impact on military communities, offering insight into how ancient drama opens pathways for veterans to process their experiences.  Now, with over 20 specialized programs, Theater of War Productions reaches diverse communities worldwide, addressing not only the struggles of veterans but also broader public health and social justice issues, including homelessness, racialized violence, and natural disasters. Doerries also discusses the arts’ power to heal, showing how storytelling and shared experience allow individuals to confront, process, and share pain. Theater of War taps into this capacity, creating safe spaces that support connection, resilience, and recovery.