Why Theory podcast

Heist Film

9/2/2024

Why Theory

0:00

1:32:55

Ryan and Todd develop their theory of the heist film as a genre, which they see as structured through the opposition between desire and its object. They examine closely Rififi, The Killing, Heat, Ocean's 11, and Inside Man, as well as touching on many other key films of the genre. Hugh Manon's film noir podcast: https://open.spotify.com/show/0aQXewYjXrMtTjwpJ18rg6

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Ryan and Todd explore the classical horror film in terms of the antagonism between life and the beyond, inclusive of death. They focus on the films The Cabinet of Dr. Caligari, Frankenstein, Invisible Man, Godzilla, and Psycho.
Heist Film
9/2/2024
1:32:55
Ryan and Todd develop their theory of the heist film as a genre, which they see as structured through the opposition between desire and its object. They examine closely Rififi, The Killing, Heat, Ocean's 11, and Inside Man, as well as touching on many other key films of the genre. Hugh Manon's film noir podcast: https://open.spotify.com/show/0aQXewYjXrMtTjwpJ18rg6
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New Introductory Lectures
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Ryan and Todd discuss what they see as the important moments from Freud's New Introductory Lectures on Psychoanalysis--both its highlights and its lowlights. They explore the role that Freud's 1920 discovery of the death drive plays--or doesn't play--in this work.
Introductory Lectures on Psychoanalysis
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Ryan and Todd outline the arguments of Freud's Introductory Lectures on Psychoanalysis and highlight the key ideas that appear in this work. They also discuss what Freud mentions here that he doesn't address elsewhere.
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Ryan and Todd delve into the concept of suture, as first developed by Jacques-Alain Miller. They trace the deformation that it underwent through the history of film studies and examine a few films where we can see the different understandings of suture at work.
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Ryan and Todd discuss the Jacques Lacan's neologism "extimacy," which first occurs in Seminar VII and then disappears. But they theorize that this concept offers an excellent starting point for grasping Lacan's entire project, despite his own sparse use of it.
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