Why Is This Not a Movie?

Jonathan Ames' detective novel A Man Named Doll, and its sequel The Wheel of Doll combine the playfulness of Bored to Death (which Ames created) and You Were Never Really Here (which Lynne Ramsay adapted into a film in 2017. It's a tricky balancing act between tones that Ames pulls of with aplomb. Here to talk about why it should be a movie is Aquarium Drunkard writer and editor Jason Woodbury, who also hosts the Transmissions podcast.

Paul Chadwick's long-running comics series Concrete is about a man who's transformed into a hulking cement-like monster, who wants to use his newfound power to make a difference... and isn't really sure how to go about it. Comics writer Ted Anderson (The Spy Who Raised Me, Side Effects, Orphan Age), joins us to talk about why saving the world makes for a less interesting story than trying to help in small ways and not always succeeding.

2016's The Nice Guys was a terrific action comedy, with a smart script by Shane Black, and two charismatic, bankable leads in Ryan Gosling and Russel Crowe. But it barely made its budget back and was quickly forgotten. Screenwriter Scott Myers, who also runs Go Into the Story, the screenwriting blog for The Black list, joins us to talk about why Hollywood has lost interest in action comedies, AI and the aftermath of the WGA strike (which was resolved the day we recorded this), and why The Nice Guys deserved either several sequels or a limited series. Myers is also the author of The Protagonist's Journey, a book about screenwriting and storytelling, and we talk a fair amount about both in this episode.

Rube Waddell was a pitcher in the early days of baseball with one of the most colorful stories in all of sports. In 1903 alone, he threw 302 strikeouts, won 22 games, started the season sleeping in a firehouse, ended it working as a bartender, and in between starred in a play in which he refused to memorize his lines; met, married, and divorced one of his several wives; accidentally shot a friend through the hand; and was bitten by a lion. Author Randall Lotowycz (The DC Book of Lists, Superhero Playbook, Michael Recycle) joins us to talk about why a character study of one of the game's most colorful oddballs could be the anti-Forrest Gump.

We're back to kick off season 5 with Preeti Chhibber, multitalented podcaster (Women of Marvel, Desi Geek Girls, Tar Valon or Bust) and author (A Jedi You Will Be, Avengers Assembly, Spider Man's Social Dilemma), who's here to tell us why her favorite Spider-Man movie is a Playstation game. Look for new newest book, Spider-Man's Bad Connection, in bookstores everywhere!

1984's Buckaroo Banzai Across the Eight Dimension was a fun, pulpy mess of a sci-fi adventure, which promised us a sequel... which we never got. Nearly 40 years later, screenwriter Earl Mac Rauch wrangled the rights to the character away from the studio and gave us a novelization of Buckaroo Banzai Against the World Crime League, the movie he never got to make. And it's not very good. So to wrap up Season 4, a brief meditation on the pitfalls of reviving a property by creating a watered-down version of the original instead of pushing forward with new ideas. As we coast to the end of the season, my voice is starting to go, so bear with me this week, as I talk about a movie I wanted and never got, the joy of throwing every crazy idea you can into a story, and the importance of keeping things moving forward.

We take a break from the usual format this week to present the Snubby Awards, given to the best films and performance that were not nominated for an Oscar. Douglas Laman, film critic from The Spool, joins me to present and discuss this year's nominees. Films were nominated and winners were chosen by The Dissolve Facebook group, a community of film-lovers who wanted to keep the spirit of Pitchfork's short-lived, much-loved film web site going. Besides awarding snubbed performances in the major Oscar categories (Actress/Actor/Director/Picture), we also honor three categories the Academy does not see fit to recognize, Stuntwork, Voicework, and Casting. Winners will be given a gold statue of Spike Lee.

In the 1890s, a British shipping clerk named Edmund Morel noticed the Belgians were shipping vast quantities of rubber from the Congo, then a Belgian colony, but the only thing they were sending in return were guns, explosives, and chains. Morel uncovered a scandal that shook the world, as it turned out Belgian King Leopold II was running Congo as his own private plantation, using horrific violence to keep the population working. Washington D.C.-area journalist Orrin Konheim joins us to talk about how one of history's greatest atrocities was covered up, and then brought to light.

Franklin Roosevelt was wildly popular when he was in office, and is universally acknowledged as one of our greatest presidents. But in 1933, not everyone agreed. Shortly after FDR took office, a cabal of wealthy businessmen who were worried the New Deal would undermine profits, recruited General Smedley Butler — a widely respected WWI hero and crusader for veterans' rights — and tried to convince him to rally the servicemen and vets who loved and respected him, and use them to overthrow FDR and bring fascism to America. Journalist Natalia Megas (The Washington Post, The Guardian, Daily Beast) returns to the show to talk about The Business Plot, and whether it was a genuine threat to democracy, or just a lot of bluster. You can see some of her writing at nataliamegas.com, and find her on Twitter @DameWriter.

Billy Haines was a silent movie star who made the transition to sound, but when the studio head made the openly gay actor an ultimatum — a sham marriage to a woman, or the end of his movie career. Haines chose love, quitting the movies, holding onto a relationship his friend Joan Crawford called "the happiest marriage in Hollywood," and got the best revenge of all: living well. Haines reinvented himself as the influential designer of the Hollywood Regency style, hobnobbing with movie stars and heads of state. Shane Harris — Washington Post reporter, author of the books @War: The Rise of the Military-Internet Complex, The Watchers: The Rise of America's Surveillance State, and host of the podcast Chatter, which interviews people at the intersection of storytelling and national security — joins us to talk about the man who invented Old Hollywood glamour, and which director's personal connection to Haines makes him the perfect choice to tell his story.