The Writing Life

In this episode of The Writing Life, writer Joanna Miller shares her insights into writing strong female characters in historical fiction.   Joanna Miller studied English at Exeter College, Oxford and later returned to the University to train as a teacher. After ten years in education, she set up an award-winning poetry gift business. She is an alum of our Escalator New Writing Fellowships, which helped her to transform her debut novel, The Eights, from a first draft to its final form. The Eights tells the story of Oxford University’s first admitted female students, and the unlikely, life-affirming friendship they form in their time there.   Joanna sits down with NCW Learning & Participation Producer Katie to discuss her debut novel, and the importance of exploring women's voices and experiences in historical fiction. They also touch on her research process, writing about friendship and found family, and the inspiration behind the characters and plot in The Eights.

This week on The Writing Life, we’re diving into the world of romantasy — a genre that blends the best of romance and fantasy. Romantasy novels have taken the publishing world by storm in recent years, with sales expected to hit a staggering $610 million in 2024. And on TikTok, the #Romantasy tag has amassed over 800 million views. What is it about these stories that captivate readers? And what makes romantasy such a rewarding genre to write? To help answer these questions, we’re thrilled to welcome novelist Sangu Mandanna to the podcast. Sangu is the author of The Very Secret Society of Irregular Witches, Kiki Kallira Breaks a Kingdom, and several other enchanting novels filled with magic, monsters, and myth. The Very Secret Society of Irregular Witches is a heartwarming and uplifting fantasy about an isolated witch who finds the chance to build a new family — and maybe even a new love. Her upcoming romantasy novel, A Witch's Guide to Magical Innkeeping, will be published in July 2025.

In this episode of The Writing Life, writers Alex Allison, George Harrison, and Ashley Hickson-Lovence share their insights into writing about sport and modern masculinity.   Alex Allison is a writer from London. He is the author of two novels, published by Dialogue. His second novel, Greatest of All Time, was released on 30th January 2025. With humour, heart and a touch of rebellion, Greatest of All Time explores queer love and the trials of growing up in the hyper-masculine world of sport.   George Harrison is a writer based in Norwich. His debut novel, Season, is published by Eye Books. Set on the terraces of a fictionalised football club and old through thirty-eight chapters – one for each game of the Premier League campaign – Season is a lyrical, hypnotic and gently uplifting study of loneliness and modern masculinity. He wrote Season while participating in our Escalator New Writing Fellowships.   Ashley Hickson-Lovence is a novelist, poet, literary critic and Lecturer of Creative Writing. His second novel Your Show, published by Faber in 2022, was shortlisted for the East Anglian Book Awards. Your Show is the thrilling story of one man’s pioneering efforts to make it, against the odds, to the very top of his profession as a football referee and beyond.   Together, they discuss their novels Greatest of All Time and Season, and how they capture the unifying role of football. They also touch on the framework of their novels, the importance of writing a novel that you would want to read, and the challenge of balancing modern masculinity with intimacy and vulnerability in their writing.

In this episode of The Writing Life, writer, poetry programmer, and NCW Academy mentor Julia Bird shares her insights into developing your creative practice.   Julia Bird is a highly experienced poetry programmer who has worked for organisations including the Poetry School and The Poetry Society. As a freelancer, she’s worked for literary development agencies, festivals, publishers and magazines, and in arts, university and healthcare settings. Through her company Jaybird Live Literature she has produced eight Arts Council England-funded touring poetry shows; and she is the author or co-author of six poetry collections.   She sits down with NCW Programme Officer Ellie to discuss practical advice for those looking to pursue a creative career. Together, they explore how structured mentoring can help writers to develop their practice, guidance for bringing out the vibrancy of your ideas in funding applications, and the barriers writers and creatives may face along the way.   If you're interested in learning more from Julia, go to nationalcentreforwriting.org.uk/mentoring/ to book a mentoring session with her now.

In this episode of The Writing Life, writer Chloe Dalton shares her insights into writing about nature and landscape.   Chloe Dalton is a foreign policy specialist and writer. She spent over a decade working in the UK Parliament and the Foreign and Commonwealth Office, as a special adviser and speechwriter. She now works as a consultant on international political and humanitarian issues. Raising Hare is her debut book.   She sits down with NCW Head of Programmes & Creative Engagement Holly to discuss her debut nature book Raising Hare, which tells the story of the unusual experience of raising a leveret to adulthood and beyond. Together, they explore the importance of nature writing and its ability to educate and entertain readers, the art of observation and noticing, and the power of research when writing about nature, wildlife and the environment.

In this episode of The Writing Life, YA writer Abiola Bello shares her insights into writing festive novels.   Abiola Bello is a Nigerian-British, prize-winning children’s/YA author who was born and raised in London. She is an advocate for diversity in books for young people. Her debut YA, 'Love in Winter Wonderland', was published in winter 2022. It was an Amazon Number 1 bestseller, The Bookseller One To Watch, Amazon Editor's Choice for Black History Month 2022, featured in The Guardian Children's & Teens Best New Novels and was on an Amazon Billboard for Black History Month in Leicester Square. Her latest book 'Only For the Holidays' was published autumn 2023.   She sits down with NCW Communications Assistant Caitlin to discuss her festive YA books 'Love in Winter Wonderland' and 'Only for the Holidays'. Together, they explore Abiola's advice for creating the perfect festive setting, her decision to write dual perspective books, and the importance of diversity in media set at Christmas.

In this episode of The Writing Life podcast, cultural writer and editor Josh Baines is joined by narrative non-fiction writer Aniefiok Ekpoudom to discuss writing about the music industry.   Aniefiok ‘Neef’ Ekpoudom is a writer and storyteller from South London whose work documents community and culture in contemporary Britain. His debut book Where We Come From: Rap Home and Hope in Modern Britain is a social history of British Rap. It was released via Faber & Faber in January 2024.   Together, Josh and Aniefiok discuss Neef's route into journalism, and why he decided to write about music in his debut book. They also touch on writing national and landmark stories, how to turn real life events into fully immersive and colourful storytelling, and the process of interviewing and reporting for narrative non-fiction.

In this episode of The Writing Life, NCW Chief Executive Peggy is joined by bestselling author Peter James to discuss researching for crime novels.   Peter James is a UK No.1 bestselling author, best known for his Detective Superintendent Roy Grace series, now a hit ITV drama starring John Simm as the troubled Brighton copper.    Much loved by crime and thriller fans for his fast-paced page-turners full of unexpected plot twists, sinister characters, and accurate portrayal of modern day policing, he has won over 40 awards for his work including the WHSmith Best Crime Author of All Time Award and Crime Writers’ Association Diamond Dagger.   Together, Peter and Peggy discuss the practical implications of his research for his thriller novels. They also touch on the start of his writing career, his advice for keeping readers glued to the page, and his process for writing and developing the characters for his crime thriller series.

In this podcast, NCW Communications & Participation Assistant Ruby is joined by S G Bell to discuss routes into writing.   S G Bell is a writer working from his rural home in Norfolk. The Epilogue Event is the first instalment in the AI Aftermath series. In his fiction, he explores ideas intercepted at the boundaries of his professional and academic experience – most specifically, speculations about the vulnerability of social groups, and the existential challenges emerging from the internet and artificial intelligence.   Together, Simon and Ruby discuss his debut novel The Epilogue Event, and the circumstances that led to him becoming a novelist. They also touch on the benefits of uniting with a community of emerging writers, the idea of ‘failing forward’, and the benefits of continued learning.   Simon is a graduate of our Develop Your Fiction course. If you’re considering signing up for an online tutored course, go to our website and click NCW Academy now to find out more about our course programme, read more success stories like Simon’s, and discover why you should learn with us.

In this podcast, NCW Head of Programme & Creative Engagement Holly is joined by author Ferdia Lennon to discuss writing dialect in fiction.   Ferdia Lennon was born and raised in Dublin. He holds a BA in History and Classics from University College Dublin and an MA in Prose Fiction from the University of East Anglia. His short stories have appeared in publications such as The Irish Times and The Stinging Fly. In 2019 and 2021, he received Literature Bursary Awards from the Arts Council of Ireland. Glorious Exploits is his first novel. A Sunday Times bestseller, it was broadcast on BBC Radio 4 as a Book at Bedtime and was the winner of the Waterstones Debut Fiction Prize 2024.   Together, Holly and Ferdia discuss his debut novel Glorious Exploits, and his decision to represent contemporary Dublin-Irish dialect through his writing. They also touch on writing a story within a story, how language and dialect can make historical fiction more accessible, and the important decision of whose voice and delivery should lead the story.