Suicide Squad: Trial By Fire

In the wake of Tim Burton's 1989 version of Batman, Hollywood tried to recapture its blockbuster success by fast-tracking a number of movies featuring other masked heroes. It may seem strange today, however, that so many of those heroes were pulp and pulp-inspired adventurers in period 1920s/30s settings. The films that followed--The Rocketeer (1991), The Shadow (1994), and The Phantom (1996)--were neither financial hits nor critical darlings, but they each have their fans. In this preview episode, we theorize about why studios in the 1990s thought this was the way to go. If this discussion whets your appetite, you can find a full-length bonus episode where we talk about each film in depth on patreon.com/ironageofcomics

SUMMER CROSSOVER SPECTACULAR CONTINUES! Marvel’s X-titles are practically a superhero universe unto themselves, and the tradition of regular crossovers between them continues to this day. We take a look at the very first of these epics, “Mutant Massacre,” which follows the wholesale slaughter of the underground Morlock community through parallel story threads in Uncanny X-Men and X-Factor, while also winding its way through several other titles, both mutant-related and not-so-mutant-related. But whereas most crossovers are top-down editorial-driven stunts, the “Massacre” began as a storytelling experiment between writers (and friends) Chris Claremont and Louise Simonson. We look at the history of the X-books as a franchise, labyrinthine plotting that may or may not ever pay off down the line, and how events like this shake up the status quo, for better or for worse.Discussed in this episode: Uncanny X-Men #210-213, X-Factor #9-11, New Mutants #46, Power Pack #27, Thor #373-374, and Daredevil #238.CHECK OUT THE MUTANT MASSACRE MAP: https://marvel.fandom.com/wiki/Mutant_Massacre?file=Mutant_Massacre_Map_001.jpgSUPPORT THE PODCAST: patreon.com/ironageofcomics

The Iron Age boys share a few personal reflections about former Marvel editor-in-chief, writer, and all-around controversial comics industry figure Jim Shooter on the occasion of his passing.

SUMMER CROSSOVER SPECTACULAR CONTINUES! Alien attacks on Earth are an almost routine occurrence in the DC Universe, but until 1988’s Invasion!, we’d rarely seen one treated as an actual global war, with campaigns on multiple fronts, chains of command, political negotiations and alliances, and massive casualties. In three 80-page giant issues, Keith Giffen brainstorms an alliance between the Dominators and several other alien empires, Bill Mantlo supplies the dialogue, and Todd McFarlane and Bart Sears bring it to life in the art. We weren’t sure what to expect from this borderline-forgotten crossover, so we were pleasantly surprised to enjoy a rollicking superhero epic. The series also reveals the origins and mechanisms behind how metahuman super powers work in the post-Crisis DCU (if you’re into that sort of thing). Listeners of our series on Morrison and Truog’s Animal Man will find revealed in these pages the source of Buddy Baker’s malfunctioning abilities!Discussed in this episode: Invasion! #1-3, plus various tie-ins and the Daily Planet Extra.Support the show at patreon.com/ironageofcomics

SUMMER CROSSOVER SPECTACULAR BEGINS! Love 'em or hate 'em, big event comics were a defining feature of the Iron Age, cramming a whole universe of superheroes into a single miniseries and/or spreading a single story out over multiple titles. We begin three months of surveying the crossover phenomenon with one of the first major examples: Marvel’s Secret Wars II, written and architected by friend-of-the-podcast* Jim Shooter. Whereas the original Secret Wars was designed to take place relatively unobtrusively between issues of the regular monthly books, the sequel sprawled across the Marvel Universe for nine months. The cosmic being known as the Beyonder has come to Earth seeking the meaning of existence, and his limitless power—coupled with childlike curiosity and naivete—makes him a potential threat to the entire multiverse. But, in contrast with its action-packed predecessor, the frequently bizarre Secret Wars II spends much of its time on fish-out-of-water hijinks, thinly veiled attacks on former Marvel creators, mild satire of '80s consumer culture, and some uncomfortable fixations regarding women and relationships. Discussed in this episode: Secret Wars II #1-9, plus various tie-ins._________* (Not really.)Support us at patreon.com/ironageofcomics

Concluding (for now) our look at the saga of Kyle Rayner, the last of the Green Lantern Corps (for the ‘90s, at least). Just when Kyle finally thinks he’s proved himself for all time as a worthy owner of the power ring, his future comes into question when a trip to the 30th century reveals the Legion of Super-Heroes have no record of his career as Green Lantern. His position isn’t much more secure in the 20th century after he picks up an unplanned stowaway on his travels through time: a novice Hal Jordan. By the time Parallax shows up, all our emerald gladiators have to confront their legacies for better or for worse. As we wrap up, we’ll also talk about the real-world legacy of the character and comic in the wake of Hal Jordan’s more permanent return in Geoff Johns’ Green Lantern: Rebirth.Discussed in this episode: Green Lantern #95-106, plus crossover issues of Green Arrow and The Flash.We could use a little green ourselves! Support the show at patreon.com/ironageofcomics

Many artists look back on the work they did at age nineteen and cringe, but Matt Wagner keeps returning to Grendel, expanding and refining his youthful enthusiasms into an exploration of the nature of evil. Today, Grendel is a sprawling multigenerational saga that can be challenging to get into (and it was for one of your hosts), so we start at the beginning with the first link in the chain: a child prodigy who grows up to be the toast of Manhattan society as bestselling author Hunter Rose and master of the East Coast underworld as assassin-turned-crimelord Grendel. We’ll examine how the character evolved with Wagner’s maturing writing and art, ably assisted by some of the greatest comic book artists the Iron Age had to offer, and try to get to the bottom of “criminal chic” and the allure of the villain in popular fiction.We veer just a bit outside the strict confines of our 15-year Iron Age to read Dark Horse Comics’ Grendel Omnibus Vol. 1: Hunter Rose, which contains The Devil by the Deed, the Black, White and Red and Red, White and Black short story collections, Behold the Devil, and other assorted material.Grendel's money is ill-gotten, but we merely ask for donations: patreon.com/ironageofcomics

In our continuing series on the early years of Kyle Rayner, our hero squares off against Fatality, a spacefaring warrior woman who wants to crush the Green Lantern Corps (even though Hal Jordan has mostly done the job already). Kyle also gets a new roommate with a connection to the GL legacy, introduces his girlfriend to his mom, gets trapped in a painting, and deals with a troubled friend who was indirectly responsible for Kyle getting the ring in the first place. Featuring team-ups with Green Arrow Connor Hawke, Superboy Kon-El, Deadman, and Kyle’s new JLA teammate J’Onn J’Onzz the Martian Manhunter.Discussed in this episode: Green Lantern #83-94 and Annual #6 (1997), plus crossover issues of Green Arrow and Superboy.Support the pod at patreon.com/ironageofcomics

Some people think Mike Hodges' 1980 Flash Gordon movie is cheesy trash and hate it; others think it's over-the-top hilarious and enjoy it. But some weirdos truly LOVE this exercise in tonal whiplash, and your humble hosts are two such men. We'll talk about the film as an adaptation of both the original Alex Raymond source material and the Buster Crabbe serials, and how it proudly defies Star Wars' revisionist sci-fi aesthetic. But we'll also try to dig underneath the spectacle to expose the genuinely rousing humanistic heroism at this movie's core. Plus: more beloved character actors than you'll know what to do with!Want to hear the rest? Support us at patreon.com/ironageofcomics !

When Marvel let their license to produce Star Wars comics lapse in 1986, Return of the Jedi was three years in the rear-view mirror and it seemed possible there would never be any further installments in the franchise. But Tom Veitch and Cam Kennedy’s 1991 miniseries Dark Empire would begin Dark Horse Comics’ 23-year run of Star Wars comics and help launch the Expanded Universe. Set six years after the Battle of Endor, Dark Empire sees Luke Skywalker tempted to the Dark Side by the newly revived Emperor, Han Solo and Leia Organa fleeing bounty hunters, and a new Imperial doomsday weapon threatening the galaxy. We’ll look at the long and rocky development of the series, how involved (or not) Lucasfilm was in the story, and how it compares to its prose sister project, Timothy Zahn’s Thrawn trilogy. This is the only podcast where you can hear two grown men arguing (politely) about Star Wars!Support the podcast at patreon.com/ironageofcomics