MARY EDNA FRASER & ORRIN H. PILKEY

Florian Hoffmeister is a prolific director of photography. Recent works by Hoffmeister include his lensing on the Apple TV+ series Pachinko, the critically-acclaimed political thriller Official Secrets starring Keira Knightley, Ralph Fiennes, and Matt Smith, and TÁR starring Cate Blanchett. Hoffmeister is well-known for his collaboration with Terence Davies on feature films The Deep Blue Sea, starring Rachel Weisz, Tom Hiddleston and Simon Russel-Beale, and A Quiet Passion, starring Cynthia Nixon and Jennifer Ehle. His work on Brian Kirk’s television phenomenon Great Expectations earned him further distinction as well as numerous accolades, including a Primetime Emmy, a BAFTA, and an ASC Award.

"Technology has very much changed the way we read and take in information and shortened it into quick bursts and attention spans. We're living in a new world, for sure. And how do we communicate in this new world? Not just in a way that gets the reach, because there are whole industries aimed at what do I do to get the most likes or the most attention, and all of that, which I don't think is very fulfilling as artists.It's sort of a diminishing of our art form to try and play the game because then we're getting the attention and getting the hits, as opposed to what do I really want to create? How do I really want to create it? How do I want to display this? And can I do it in a way that breaks through so that if I do it my way, it's still going to get the attention, great. But if it doesn't, can I be cool with that? And can I be okay creating what I want to create, knowing that that's what it's about. It's about sharing in an honest, authentic way what I want to express without letting the tentacles of social media drip into my brain and take over why I'm literally doing the things that I'm doing."

Max Stossel is an Award-winning poet, filmmaker, and speaker, named by Forbes as one of the best storytellers of the year. His Stand-Up Poetry Special Words That Move takes the audience through a variety of different perspectives, inviting us to see the world through different eyes together. Taking on topics like heartbreak, consciousness, social media, politics, the emotional state of our world, and even how dogs probably (most certainly) talk, Max uses rhyme and rhythm to make these topics digestible and playful. Words That Move articulates the deep-seated kernels of truth that we so often struggle to find words for ourselves. Max has performed on five continents, from Lincoln Center in NY to the Hordern Pavilion in Sydney. He is also the Youth and Education Advisor for the Center for Humane Technology, an organization of former tech insiders dedicated to realigning technology with humanity’s best interests.

"I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.”"I like to say that Ginny & Georgia is a show about women by women for everyone. And I will say women in charge, they do things differently. I think that women, we tend to do relationships differently than men do. It's very, very important to me - and I'm not saying that men don't do this - but as a woman, as a female showrunner, it's very important for me to uplift young up-and-coming writers."Debra J. Fisher is a writer, producer, and director. She currently serves as the showrunner, writer, and executive producer of the Netflix series Ginny & Georgia.  Season one of the hit series was watched by over 52 million subscribers in its first month on the platform, gathering a devoted fan base. The highly anticipated second season premiered on January 5th. Ginny & Georgia is Debra’s first time in the showrunner’s seat.  Through her long and varied career, she has worked her way up the ladder on numerous beloved TV shows including Alias, The O.C., Charmed, and Criminal Minds, among others. With a wealth of experience from her own professional journey, she works to pay it forward by mentoring the next generation of creatives.www.instagram.com/debrajfisher www.tiktok.com/@debrajfisherwww.netflix.com/tudum/articles/ginny-and-georgia-season-2-release-datewww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Debra J. Fisher is a writer, producer, and director. She currently serves as the showrunner, writer, and executive producer of the Netflix series Ginny & Georgia.  Season one of the hit series was watched by over 52 million subscribers in its first month on the platform, gathering a devoted fan base. The highly anticipated second season premiered on January 5th. Ginny & Georgia is Debra’s first time in the showrunner’s seat.  Through her long and varied career, she has worked her way up the ladder on numerous beloved TV shows including Alias, The O.C., Charmed, and Criminal Minds, among others. With a wealth of experience from her own professional journey, she works to pay it forward by mentoring the next generation of creatives."I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.”"I like to say that Ginny & Georgia is a show about women by women for everyone. And I will say women in charge, they do things differently. I think that women, we tend to do relationships differently than men do. It's very, very important to me - and I'm not saying that men don't do this - but as a woman, as a female showrunner, it's very important for me to uplift young up-and-coming writers."www.instagram.com/debrajfisher www.tiktok.com/@debrajfisherwww.netflix.com/tudum/articles/ginny-and-georgia-season-2-release-datewww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"I think having a "Food and Drug administration’ for technology would be great. And one of the other ones that people bring up is this idea of the Hippocratic Oath, which suggests that if you're in the medical field, you're supposed to above all else, do no harm. That's your kind of guiding light, and it's a really useful, basic philosophical idea to use as your guide when you make decisions because it forces you to do this kind of pros and cons analysis with everything you're doing.There is no Hippocratic Oath for tech, but it's a great idea, right? If Facebook says, 'We're going to introduce the like button, what's the worst that can happen?' Turns out some pretty bad stuff can happen. But if you don't ask that question, you just don't turn your mind to those questions - or maybe you aren't forced to, maybe you know that they're there, but you just don't really look at the sun because the potential negatives are kind of overwhelming. So I agree, some oversight would be great. And that's why a lot of people think government legislation is critical with respect to technology because we can't just rely on consumers to empower themselves when everything is being done to undermine that power, and the government might need to get involved in some form."Adam Alter is a Professor of Marketing at NYU’s Stern School of Business and the Robert Stansky Teaching Excellence Faculty Fellow. Adam is the New York Times bestselling author of Irresistible: The Rise of Addictive Technology and the Business of Keeping Us Hooked, and Drunk Tank Pink, which investigates how hidden forces in the world around us shape our thoughts, feelings, and behaviors. He has written for the New York Times, New Yorker, The Atlantic, Washington Post, and a host of TV, radio, and publications. His next book Anatomy of a Breakthrough will be published in 2023.https://adamalterauthor.com www.penguin.co.uk/books/431386/irresistible-by-adam-alter/9781784701659 www.simonandschuster.com/books/Anatomy-of-a-Breakthrough/Adam-Alter/9781982182960www.stern.nyu.edu/faculty/bio/adam-alterwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Adam Alter is a Professor of Marketing at NYU’s Stern School of Business and the Robert Stansky Teaching Excellence Faculty Fellow. Adam is the New York Times bestselling author of Irresistible: The Rise of Addictive Technology and the Business of Keeping Us Hooked, and Drunk Tank Pink, which investigates how hidden forces in the world around us shape our thoughts, feelings, and behaviors. He has written for the New York Times, New Yorker, The Atlantic, Washington Post, and a host of TV, radio, and publications. His next book Anatomy of a Breakthrough will be published in 2023.https://adamalterauthor.com www.penguin.co.uk/books/431386/irresistible-by-adam-alter/9781784701659 www.simonandschuster.com/books/Anatomy-of-a-Breakthrough/Adam-Alter/9781982182960www.stern.nyu.edu/faculty/bio/adam-alterwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"We're really starting to witness serious climate extremes that can no longer be ignored. And the IPCC, one of our key conclusions to that report was that effectively the human fingerprint on the climate system is now undeniable. It is now an established fact that we have warmed every single continent, every ocean basin on the planet. And again, that's a pretty serious thing to contemplate that human activity from the burning of fossil fuels and the clearing of land has led to this energy imbalance in the earth system, which is leading to a rapidly shifting climate."Dr. Joëlle Gergis is an award-winning climate scientist and writer at the Australian National University. She served as a lead author for the IPCC Sixth Assessment Report and is the author of Humanity’s Moment: A Climate Scientist’s Case for Hope and Sunburnt Country: The History and Future of Climate Change in Australia. Joëlle has also contributed chapters to The Climate Book by Greta Thunberg, and Not Too Late: Changing the Climate Story from Despair to Possibility, edited by Rebecca Solnit and Thelma Young Lutunatabua.http://joellegergis.comhttps://climatehistory.com.auwww.blackincbooks.com.au/authors/jo-lle-gergiswww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Dr. Joëlle Gergis is an award-winning climate scientist and writer at the Australian National University. She served as a lead author for the IPCC Sixth Assessment Report and is the author of Humanity’s Moment: A Climate Scientist’s Case for Hope and Sunburnt Country: The History and Future of Climate Change in Australia. Joëlle has also contributed chapters to The Climate Book by Greta Thunberg, and Not Too Late: Changing the Climate Story from Despair to Possibility, edited by Rebecca Solnit and Thelma Young Lutunatabua."We're really starting to witness serious climate extremes that can no longer be ignored. And the IPCC, one of our key conclusions to that report was that effectively the human fingerprint on the climate system is now undeniable. It is now an established fact that we have warmed every single continent, every ocean basin on the planet. And again, that's a pretty serious thing to contemplate that human activity from the burning of fossil fuels and the clearing of land has led to this energy imbalance in the earth system, which is leading to a rapidly shifting climate."http://joellegergis.comhttps://climatehistory.com.auwww.blackincbooks.com.au/authors/jo-lle-gergiswww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"For me, there is something about art, it's not a monologue, it's a dialogue. Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language. And I think the same way that people are excited about learning and speaking different languages - because I think each language has different merits and different aspects.Because my mom grew up in a period where they were excited about Nazi ideology and my mom knew this wasn't a good thing. So this idea of making up your own story instead of taking other people's stories was something that was very important. When I was a child, my mother didn't allow children's books in our home because she insisted on making up the stories for us. For her, basically, it was like the idea of reading us classics from a book was like ordering a pizza instead of cooking dinner. It meant that she didn't care about us. And she felt that because her parents told her bedtime stories in the ghetto where they had no access to books. And she saw how those people who were broken and angry and hurting could still find in their imaginations a brand new story that they made for somebody that they loved. So for her, it was this kind of generosity and something that could not be compared to, for example, buying Alice in Wonderland and reading it to somebody. You had to give more than that."Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d’Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L’Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar’s work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023.www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast