The Archive Project

The City of Portland is engaged in a national dialogue about public art, history, monuments, and memorials. With support from the Mellon Foundation, the Portland Monuments Project is a multi-year project with the goal of deciding on the future of seven monuments that were damaged, toppled, or removed following demonstrations in Portland in 2020-2021. Portland Monuments Project aims to foster public dialogue to reimagine and transform the purpose of monuments and memorials in Portland. This episode is part three, the final installment of a three-part series as part of the Portland Monuments Project. This week we explore the city’s potential futures; episode one looked to the past, and episode two explored the present. Literary Arts is involved in this project because storytelling is at the heart of our mission, and monuments tell a story about who we were, who we are, what we value, and who we aspire to be. They tell stories about different communities and the stories they tell are dynamic, in so much as our community is changing, time is passing, and the context for these fixed objects and changes around them. In this episode, we’ll think about the monuments we need. We’ll hear from Literary Arts executive director Andrew Proctor, whose voice you might recognize as the other co-host of this show. We have a conversation with Portland writers Mitchell S. Jackson and Renée Watson about who they think should be honored with a monument in Portland. And we’ll hear from the people of Portland about the monuments they want to see and the stories they want to be told about this city, where we’ve been, and where it’s going. Our guide for today’s episode is Archive Project editor and producer, Matthew Workman.

The City of Portland is engaged in a national dialogue about public art, history, monuments, and memorials. With support from the Mellon Foundation, the Portland Monuments Project is a multi-year project with the goal of deciding on the future of seven monuments that were damaged, toppled, or removed following demonstrations in Portland in 2020-2021 by fostering public dialogue  to reimagine and transform the purpose of monuments and memorials in Portland. This episode is part two of a three-part series as part of the Portland Monument Project. The first episode revisited the city’s past, part two will look at the present, and the culminating episode explores what may come to fruition in the future. Literary Arts is involved in this project because storytelling is at the heart of our mission, and monuments tell a story about who we were, who we are, what we value, and who we aspire to be.  They tell stories about different communities and the stories they tell are dynamic, in so much as our community is changing, time is passing and the context for these fixed objects changes around them. In this episode, we’re tracing the path of a monument that went from a guerilla artwork, to a museum piece, and will soon be a monument again. Join us as we travel from the top of Mount Tabor to the mouth of the Columbia River to learn more about this particular monument and its subject – York the Explorer – from art curators, historians, and some nice people enjoying an afternoon in the park.  Our guide for today’s episode is Archive Project editor and producer, Matthew Workman. 

In the words of the Los Angeles Times, “A new book by (Patrick Radden) Keefe means drop everything and close the blinds; you’ll be turning pages for hours.” Keefe is an award-winning investigative journalist, a staff writer at the New Yorker, the creator of a popular podcast, and the author of six books, including the bestsellers Rogues, Empire of Pain, and Say Nothing. “When I go out looking for a good story,” says Keefe, “I almost never find one. Instead, the really good ones tend to fall in my lap.” Say Nothing was prompted by reading an obituary. A wild-seeming rumor about the 90’s heavy metal band The Scorpions led to the podcast Wind of Change, a sweeping tale of government secrets, Soviet spies, propaganda, and 90’s power ballads. To call his research “meticulous” is an understatement. Keefe’s book, Snakehead, required over 300 interviews to complete. Say Nothing found him speaking to thousands of sources. While writing about the opioid epidemic in EMPIRE OF PAIN, Keefe was blocked from speaking to the Sackler family, so instead, he amassed thousands of correspondences from personal emails to Bar Mitzvah announcements. Though Keefe’s doggedness recalls the detective stories that inspired him early on, he is perhaps more hopeful than hardboiled. By approaching those forces that appear too vast to unravel, he proves that even institutions and systems that seem unassailable can, in fact, be broken down and examined—one interview, one receipt, one wedding invitation at a time. Like all the great whodunnits, his books contain breathtaking plot twists. Though he has, on at least one occasion, solved a murder mystery, Keefe is less interested in pointing to a perpetrator and more interested in holding up a mirror. The question at the heart of his work is one that pertains to everyone: What does it mean to be human? His newest book, London Falling, is an investigation into the mysterious death of 19-year-old Zach Brettler and its connection to both London’s criminal underworld and its elite circles. The author Katherine Rundell says, “Nobody writes like Patrick Radden Keefe; nobody makes achieving something so powerfully complex and difficult look so easy. It’s a form of intellectual generosity and, I think, a form of genius.” Patrick Radden Keefe is a staff writer at The New Yorker and the author of the New York Times bestsellers Rogues, Empire of Pain, and Say Nothing, which received the National Book Critics Circle Award for Nonfiction, was selected as one of the ten best books of 2019 by The New York Times Book Review, The Washington Post, Chicago Tribune and The Wall Street Journal, and was named one of the top ten nonfiction books of the decade by Entertainment Weekly. His previous books are The Snakehead and Chatter. His work has been recognized with a Guggenheim Fellowship, the National Magazine Award for Feature Writing and the Orwell Prize for Political Writing. He is also the creator and host of the eight-part podcast Wind of Change.

The City of Portland is engaged in a national dialogue about public art, history, monuments, and memorials. With support from the Mellon Foundation, the Portland Monuments Project is a multi-year project with the goal of deciding on the future of seven monuments that were damaged, toppled, or removed following demonstrations in Portland in 2020-2021 by fostering public dialogue  to reimagine and transform the purpose of monuments and memorials in Portland. This episode is part one of a three-part series as part of the Portland Monument Project. This episode explores the city’s past, and part two will look at the present and the future. Literary Arts is involved in this project because storytelling is at the heart of our mission, and monuments tell a story about who we were, who we are, what we value, and who we aspire to be.  They tell stories about different communities and the stories they tell are dynamic, in so much as our community is changing, time is passing and the context for these fixed objects changes around them. In this episode we’ll talk to the staff at the City’s Office of Arts and Culture who are leading this initiative, hear from experts, from historians, from passersby, and from other stakeholders who are questioning our past practices, and hope create change in how we, as a community choose our monuments – who gets to decide which ones are put up and where they go. Our guide for today’s episode is Archive Project editor and and producer, Matthew Workman. For a hands-on experience, join local nonfiction comic artist Shay Mirk for a free creative zine-making workshop on the monuments we need on May 9th and May 10th. Click here to learn more and register.

Jill Lepore is a Harvard professor and contributing writer to the New Yorker. Her books include The Secret History of Wonder Woman, New York Burning, These Truths: A History of the United States, and her latest, We the People: A History of the U.S. Constitution – and instant New York Times bestseller.   This year is the semi-quincentennial of the United States of America and, as Lepore points out, also the anniversary of constitutionalism.  There’s no better guide through American history than Jill Lepore, and it is a delight to spend an hour in civics class led by someone who readily references Mel Brooks and AI in a discussion about the Constitution. Lepore is interviewed by OPB’s Geoff Norcross, host of All Things Considered. They discuss Lepore’s Amendments Project, which catalogues all the amendments that have been proposed throughout history, and explore why it is so difficult to amend the Constitution and the story of how some of the amendments we do have (there are 27, including the 10 in the Bill of Rights) came to be. They talk about originalism and the pessimism of the framers, who believed that any man would be a tyrant if given power, and set up the checks and balances in our Constitution to give the legislature, the court, and the people – with the vote – the power to oust a tyrant.    A few notes to listeners just for clarity:   It’s mentioned “what is Congress doing right now,” this was during the November 2025 government shut down.  Jill is not in the room with the audience; Jill was unable to join us in Portland due to a last-minute travel issue (related to the shut down, frankly), but very gamely came in on video while Geoff Norcross and the audience were in the theater.   Jill Lepore is the David Woods Kemper ’41 Professor of American History at Harvard University and Professor of Law at Harvard Law School. She is also a staff writer at The New Yorker. As a wide-ranging and prolific essayist, and winner of the PEN prize for the Art of the Essay, Lepore writes about American history, law, literature, and politics. She is the author of many award-winning books, including the international bestseller, These Truths: A History of the United States (2018). Her newest book is We the People: A History of the U.S. Constitution, which was published this September.  As one of the local hosts of OPB’s “All Things Considered,” Geoff Norcross shares local and regional stories to audiences of NPR’s flagship newsmagazine. Previously, Geoff was the host of OPB’s “Morning Edition” for 15 years. He was part of the team that built the program into one of the most listened-to presentations of “Morning Edition” in the country. 

Each year, Portland youth spend months writing and competing in poetry slam competitions on high school campuses across the city. Each April, about 20 finalists compete for the title of city-wide Portland slam champ at Verselandia!, in front of an audience of nearly 1,000. The 2026 Verselandia! competition returns to the Arlene Schnitzer Concert Hall on Thursday, April 30 at 7 pm. For more information and tickets visit our website literary-arts.org. On this episode, we go backstage at Verselandia! 2025 to talk to student poets as they wait to take the stage at the Schnitz, and then hear them perform.  We’ll also hear some poems from people competing in this year’s Verselandia!, and talk to them about their work. A quick note to listeners: Portions of this episode contain mature themes that may not be suitable for all audiences.

April is National Poetry Month, and to kick things off, this year we have a conversation from the 2025 Portland Book Festival between two of our most accomplished contemporary poets: Pádraig Ó Tuama and Patricia Smith. Their conversation is moderated by Portland poet, musician, and Torah teacher, Alicia Jo Rabins. An Oregon Book Award finalist for her collection Fruit Geode, Alicia published her spiritual memoir earlier in 2026 with the wonderful title When We’re Born We Forget Everything. Alicia leads the conversation with Patricia Smith and Padraig O Tuama. Patricia Smith’s latest book is her new and selected, The Intentions of Thunder; and in fact, shortly after this event took place, in November 2025, the book was awarded the National Book Award for Poetry. Pádraig Ó Tuama is an Irish poet and theologian, and the host of On Being’s Poetry Unbound podcast. The event was titled “Testament,” and much of the conversation explores the poet as witness and bearing witness; both of one’s own life but also beyond that, including the form of the persona poem. Patricia talks about how coming up in the poetry slam community shaped her poetic voice and confidence, while Pádraig shares how a childhood in Ireland, where his poetic education was mostly focused on memorization, influenced his own trajectory. Patricia Smith is an inductee of the American Academy of Arts & Sciences and the recipient of the Ruth Lilly Poetry Prize for Lifetime Achievement. She is the author of nine acclaimed books of poetry, including Unshuttered and Shoulda Been Jimi Savannah. A Guggenheim Fellow, a National Endowment for the Arts grant recipient, and a four-time individual champion of the National Poetry Slam, Smith is a creative writing professor in the Lewis Center for the Arts at Princeton University and a former distinguished professor at the City University of New York. Pádraig Ó Tuama is an Irish poet who hosts On Being’s Poetry Unbound, and has written the accompanying (and forthcoming) volume to that podcast. With publications in the Kenyon Review, the New England Review, Poetry Ireland, Harvard Review and others, he’s also a seasoned broadcaster, having appeared on national radio stations in Ireland, the UK, the US, Australia and New Zealand. His latest poetry collections are titled Kitchen Hymns and 44 Poems on Being with Each Other: A Poetry Unbound Collection. Alicia Jo Rabins is a writer, musician, composer, performer and Torah teacher. She combines words, music, ritual and performance to create works of experimental beauty exploring the intersection of ancient wisdom texts, feminism, and everyday life. Rabins tours internationally as a musician and performer; she has performed and presented at Lincoln Center, Joe’s Pub, and in countries including Sweden, Guatemala and Estonia.

In this episode of The Archive Project, we feature poet and essayist Cathy Park Hong from Portland Arts & Lectures in January 2022. Hong became nationally famous in the spring of 2020 for her essay collection Minor Feelings: An Asian American Reckoning, a book so searing and powerful it landed her on the cover of Time magazine’s 2021 issue featuring the 100 most influential people in the world. Minor Feelings is a collection of seven essays is both a deeply personal account of Hong becoming—and being—an artist, and is also an account of her and her family’s experience as Korean Americans in this country. But she has emphasized that this is a book about America, not necessarily about being Asian. It is also a book infused with her sensibility as a poet, as someone who is fascinated with the endless mutability and power of language. Hong has published three acclaimed collections of poetry, and many listeners who know and have read Minor Feelings might be surprised to learn she primarily identifies as a poet not as an essayist. The theme of her talk is “community and belonging” and she threads a narrative through pop culture, religion, autobiography, and 20th century history, in order to try to understand the rise in hate crimes against Asian Americans during the pandemic, and the broader discrimination so many Americans experience in their daily lives. That she does this with anger, humor, and tenderness speaks to her remarkable powers as a writer and speaker. Cathy Park Hong is the author of three poetry collections and Minor Feelings, a New York Times bestselling book of creative nonfiction which won the National Book Critics Circle Award for autobiography and was longlisted for the Andrew Carnegie Medal for Excellence. Hong is a recipient of the Windham-Campbell Literature Prize, a Guggenheim Fellowship, and a National Endowment for the Arts Fellowship. Her poems have been published in Poetry, The New York Times, The Paris Review, McSweeney’s, and other journals. She is the poetry editor of The New Republic and full professor at Rutgers University–Newark.

This week features a conversation on humor in fiction featuring two masters of the genre: Kristen Arnett, author of Mostly Dead Thingas and, most recently, Stop Me If You’ve Heard This One, the story of a lesbian clown navigating life, love, and art in Florida; and Jess Walter, author of Beautiful Ruins and, most recently, So Far Gone, about a journalist living off the grid who is forced back into society to help his grandchildren. The conversation is moderated by OPB’s Jess Hazel, host of Morning Edition. As they discuss, Jess and Krisetn are both writers of place, and are often writing about people who might be thought of as outsiders or marginal. Kristen is a Florida writer, by her own description everything she writes is about Florida, specifically Orlando and Central Florida. And Jess ranges in his work but often, including in So Far Gone, returns to the American Northwest, here to the Eastern Northwest; he also delivers a defense of Spokane, his birthplace and long-time hometown. The episode starts with the author’s favorite knock-knock jokes, both of which are very personal choices and give some insight into what these funny writers find funny. What comes through as a primary connection between Jess and Kristen’s work is their fascination with people. Writing is a way to try to better understand people, including people drastically different from the writer, which is a deeply empathetic project. Humor is a way to understanding other people and to connecting with people across some of the things that might seem to divide us. Kristen Arnett is the author of the novel With Teeth, which was a finalist for the Lambda Literary Award in fiction, and the New York Times bestselling novel Mostly Dead Things, which was shortlisted for the VCU Cabell First Novelist Award. Her work has appeared in The New York Times, TIME, The Cut, Oprah Magazine, and elsewhere. She lives in Orlando, Florida. Jess Walter is the author of eleven books, most recently the novels So Far Gone, The Cold Millions and Beautiful Ruins; The Zero, a finalist for the National Book Award and Citizen Vince, winner of the Edgar Award for best novel. His work has been published in 34 languages and his short fiction has won O. Henry and Pushcart prizes, appeared three times in Best American Short Stories, and is collected in the books The Angel of Rome and We Live in Water. Walter lives in Spokane, Washington. Jess Hazel has hosted Morning Edition for OPB since 2024. They graduated with a BA in Journalism at the University of Montana and have previously hosted Morning Edition in Montana and Southern Colorado. Hazel has a voracious appetite for stories and treasures books that make them laugh, cry or cringe.

Portland Book Festival has been a proud partner of the National Book Foundation Presents program for many years now, and at the 2025 festival we featured a program called “The Cost of Hope,” moderated by National Book Foundation executive director Ruth Dickey, and featuring 2024 National Book Award in Nonfiction winner Jason De Leon, author of Soldiers and Kings: Survival and Hope in the World of Human Smuggling, and 2025 National Book Award finalist in Fiction Megha Majumdar, author of A Guardian and a Thief. The intersections between Jason’s book, in which he embeds with a group of smugglers moving migrants across Mexico over the course of seven years, and Megha’s novel, about two families in a climate-ravaged near-future Kolkata, are abundant. In fact, the two authors share a background in anthropology, and talk about how that education has shaped the way they interpret the world. Their wide-ranging conversation starts with a discussion of how hope can be “snarling and aggressive,” and idea of hope as a refusal to back down. They also talk about the ways both of their stories connect climate change and migration, and how inescapable that connection is. In different ways; for Jason, through reporting, and for Megha, through fiction, both books are able to interrogate huge systems through the individual lives, making these incomprehensible forces in the world legible by finding the storytelling. This is a conversation between two artists thinking deeply about some of the most pressing issues of the day, and approaching them from places of care and, indeed, ultimately, from places of hope. Jason De León is professor of Anthropology and Chicana/o Studies and Director of the Cotsen Institute of Archaeology at the University of California, Los Angeles. He is also Executive Director of the Undocumented Migration Project, a 501(c)(3) research, arts, and education collective that seeks to raise awareness about migration issues globally while also assisting families of missing migrants reunite with their loved ones. He is a 2017 MacArthur Fellow and author of the award–winning books The Land of Open Graves: Living and Dying on the Migrant Trail and Soldiers and Kings: Survival and Hope in the World of Human Smuggling, Winner of the 2024 National Book Award for Nonfiction. Megha Majumdar is the author of the New York Times bestselling novel A Burning, which was Longlisted for the National Book Award, nominated for the National Book Critics Circle’s John Leonard Prize, and a finalist for the American Library Association’s Andrew Carnegie Medal for Excellence. It was named one of the best books of the year by media including The Washington Post, the New York Times, NPR, The Atlantic, Vogue, and TIME Magazine. A 2022 Whiting Award winner, she was born and raised in Kolkata, India, and holds degrees in Anthropology from Harvard and Johns Hopkins. She is the former Editor-in-Chief of Catapult Books, and lives in New York. A Guardian and A Thief is her second novel. Ruth Dickey has spent 30 years working at the intersection of community building, writing, and art, and is the Executive Director of the National Book Foundation. The recipient of a Mayor’s Arts Award from Washington DC, and a grant from the DC Commission and Arts and Humanities, Ruth is the author of Our Hollowness Sings (Unicorn Press, 2024), and Mud Blooms (Harbor Mountain Press, 2019), and an ardent fan of dogs and coffee.   CW: The podcast version of this episode is uncensored and contains strong language. Listener discretion is advised!