This Guy? "Dreaming Of You" By Lisa Kleypas [Whoa-llab w/ Shelf Love]

What makes a heroine in romance, a genre invested in exploring how can women be happy in culture? Is the genre a place where heroines create integrated identities that reject binaries of what society tells them to be? Dr. Jayashree Kamble discusses her latest book on romance scholarship, Creating Identity: The Popular Romance Heroine's Journey to Selfhood and Self-Presentation. Shelf Love listeners can use “UShelfLove” to get 35% off the book at Indiana University Press, from now until November 2, 2023. Shelf Love:NEW! Substack for original writing and stuff | Website | Twitter | Instagram | YouTubeEmail: [email protected]: Dr. Jayashree KambleCreating Identity: The Popular Romance Heroine's Journey to Selfhood and Self-Presentationhttps://iupress.org/9780253065704/creating-identity/Shelf Love Discount code: use “UShelflove” for 35% between September 15, 2023 and November 2, 2023.Jayashree on Humanities Commons: https://hcommons.org/members/kamble/Jayashree’s upcoming New York City book launch events:9/24/23 - https://www.therippedbodicela.com/brooklyn-events9/22/23 - https://aaari.info/23-09-22kamble/Learn more about the International Association for the Study of Popular Romance at IASPR.org and the open access journal where you can find tons of romance scholarship: JPRStudies.org

Four romance reading friends embark on a romance history reading project, based on a BookRiot list, and in this episode, two of them — Leigh Kramer and Hannah Hearts romance — have Flames on the Sides of their Face when talking about the Flame and The Flower by Kathleen E. Woodiwiss. To keep things interesting, we talk less about the book itself and more about questions of reader reception and the relationship between the 1972 text and the romance texts that followed. Have we come a long way, baby, or are we still wallowing in the same whirlpool of sludgey emotions?--Shelf Love:NEW! Substack for original writing and stuff | Website | Twitter | Instagram | YouTubeEmail: [email protected]: The Flame and the Flower by Kathleen E. WoodiwissThe BookRiot list that inspired the project: https://bookriot.com/most-influential-romance-novels/Guests:Leigh KramerWebsite | InstagramHannah Hearts RomanceInstagram | Goodreads

What happens when 35 romance scholars walk into a bar, after hours at the IASPR 2023 Romance Revitalised conference? They share their favorite romance scholarship, and why!Shelf Love:NEW! Substack for original writing and stuff | Website | Twitter | Instagram | YouTubeEmail: [email protected] to all of the contributors to this episode!Full list of romance scholarship mentioned on Substack: https://shelflovepodcast.substack.com/Romance Reader Stereotype research: https://www.youtube.com/watch?v=BQzi8fBB0R8

The fabulous foursome (Morgan & Isabeau from Whoa!mance, Dame Jodie Slaughter, Andrea Martucci from Shelf Love) get meta textual as we reflect on our meta podcasting project on Dreaming of You by Lisa Kleypas. What’s this episode about? Take a guess from this collection of possible episode titles:Panopticon Alert: Meta Reflections on Dreaming of YouThe Internet Killed RomanceWhoa! That’s Some Weird RomanceOur Current Romance PanopticonAlienating Persons in RomanceLove Us or Hate UsHere We Are Now, Offend UsDid you enjoy this podcast?Be sure to listen to episode 140 and 141 before diving into the meta-ness and meta-mess of this text.Shelf Love:NEW! Substack for original writing and stuff | Website | Twitter | Instagram | YouTubeEmail: [email protected]: Dame Jodie SlaughterWebsite | Twitter | InstagramGuests: Whoa!mance (Morgan and Isabeau)Twitter | Instagram | Facebook | Website | Listen on any podcast app!Morgan & Isabeau joined me in episode 076 to discuss Strange Love by Ann AguirreandEpisode 089 to Problematize Romanceand108 She-Devil (1989): Who's Entitled To Be Selfish in Love & Life? (Whoa!mance spectacular)

This week, yr grls at long last encounter Derek Craven in "DREAMING OF YOU" by Miss Massachu herself LISA KLEYPAS. It is time for Morgan and Isabeau from Whoa!mance to wade into this collaboration with Shelf Love.You probably already know this - but Sarah is a regency country mouse who is secretly a best-selling novelist. Facing the dreaded sophomore slump, she seeks out a real Gambling Hell to research her next novel and instead finds Derek Craven. Derek's a gutter baby cum Cockney made good by establishing the most luxurious gambling den in London. But, it turns out, his personal tastes skew a bit more bucolic if you catch our drift (they fall in love!).What makes a character captivating and why doesn't Derek Craven have any of it? Is the sentimental version of the Culture Wars any more forgivable? It's 10 p.m. - is your child a Perry?Take our "lump of ice" and tune in as we give this "weep and wail" its "early hours". --Guests: Whoa!mance (Morgan and Isabeau)Twitter | Instagram | Facebook | Website | Listen on any podcast app!Morgan & Isabeau joined me in episode 076 to discuss Strange Love by Ann AguirreandEpisode 089 to Problematize Romanceand108 She-Devil (1989): Who's Entitled To Be Selfish in Love & Life? (Whoa!mance spectacular) Shelf Love:NEW! Substack for original writing and stuff | Website | Twitter | Instagram | YouTubeEmail: Andrea@shelflovepodcast.comDiscussed: Dreaming of You by Lisa Kleypas

Let’s talk about Joyce Ashby from Lisa Kleypas's novel Dreaming of You. We delve into the dichotomous portrayal of Joyce as an irredeemable villainess alongside her foil, the redeemable “hero” Derek Craven. We explore the parallel themes of violence, possessiveness, and animalistic sexuality resulting in problematically differing fates and treatment by the text. Belched from the underworld, Defender of Bisexual Villainesses Dame Jodie Slaughter joins Shelf Love in this special cross-over project with Whoa!mance - watch for the next episode, in which Morgan and Isabeau share their conversation about Dreaming of You.Shelf Love:NEW! Substack for original writing and stuff | Website | Twitter | Instagram | YouTubeEmail: [email protected]: Dreaming of You by Lisa KleypasGuest: Dame Jodie Slaughter, Shelf Love’s Expert on Bisexual VillainessesWebsite | Twitter | Instagram

Amanda Cinelli joins me to discuss representation of autistic characters in romance novels. Amanda shares how reading Helen Hoang’s "The Kiss Quotient" played a big part in her realizing that she was autistic, and talks about some other romances with autism representation that she loved. We also discuss why representing autistic love is important to Amanda as an author and her writing journey pre and post diagnosis.-Shelf Love:NEW! Substack for original writing and stuff | Website | Twitter | Instagram | YouTubeEmail: [email protected]:The Kiss Quotient by Helen HoangThe Heart Principle by Helen HoangThe Brown Sisters Trilogy by Talia HibbertBergman Brothers’ series by Chloe LieseGuest: Amanda Cinelliwww.amanda-cinelli.com**https://twitter.com/AcinelliAuthor**https://www.instagram.com/amandacinelliauthor/https://www.tiktok.com/@amandacinelliauthorhttps://amandacinelliromanceauthor.substack.com/about

"Somebody’s Trying To Kill Me and I think it’s my husband" by Joanna Russ is a brilliant bit of 50 year old scholarship about modern gothics, but I say it applies just as well to romance novels of today.In part one, I explore the theme of passive protagonists in adventure stories. Part 2, the personal is the problematic. In all parts: unpacking heteropatriarchy.Discussed:Adventure Stories with Passive Protagonists:https://shelflovepodcast.substack.com/p/adventure-stories-with-passive-protagonistsThe Personal is Problematic:https://shelflovepodcast.substack.com/p/the-personal-is-problematicShelf Love:NEW! Substack for original writing and stuff | Website | Twitter | Instagram | YouTubeEmail: [email protected]

Part 2 of the conversation about North and South with Helena Greer. AI generated these action items from the transcript of this episode. AI responses can be inaccurate or misleading.[ ] Schedule a kiss scene between the main characters for modern audiences[ ] Make the male protagonist more sympathetic by toning down his violent behavior[ ] Make the female protagonist more likable and relatable to modern romance audiences[ ] Follow a beat sheet to hit expected pacing and plot points for romance novelsThis is part 2 of the conversation about North and South. Check out episode 136 for part 1.Shelf Love:NEW! Substack for original writing and stuff | Website | Twitter | Instagram | YouTubeEmail: [email protected]: North and South by Elizabeth Gaskell and North and South the 2004 BBC adaptation starring Richard Armitage and Daniela Denby-AsheSAVE the Cat: https://savethecat.com/Guest: Helena GreerWebsite | Twitter | Instagram | Storyloom Choose Your Own AdventureHelena Greer is a long time librarian and romance reader, and recent romance novelist. She has a degree in mythography and is interested in deconstructing the social context around the decisions storytellers make about how to frame --or reframe-- their stories.

Trains! Fruit! Allusions to Hell abound! Victorian industrialist city mortality rates! Writer, sex educator, and librarian Helena Greer is here to discuss North and South. Did the 2004 BBC adaptation of Elizabeth Gaskell's 1854 serialized novel make the heroine more likable and everyone else less nuanced? This conversation is serialized just like the original text. We compare and contrast the romantic moments in the book and adaptation, highlighting how the adaptation focuses more on negative emotions and drama, while the book emphasizes character growth and acts of romantic love.Shelf Love:NEW! Substack for original writing and stuff | Website | Twitter | Instagram | YouTubeEmail: [email protected] to the contributors to this episode:Discussed: North and South by Elizabeth Gaskell and North and South the 2004 BBC adaptation starring Richard Armitage and Daniela Denby-AsheGuest: Helena GreerWebsite | Twitter | InstagramHelena Greer is a long time librarian and romance reader, and recent romance novelist. She has a degree in mythography and is interested in deconstructing the social context around the decisions storytellers make about how to frame --or reframe-- their stories.