I AM THE SPACE WHERE I AM with John Arnone

Brooks Atkinson was born on November 28, 1894 in  Melrose,Massachusetts. Mr. Atkinson was appointed chief drama critic for the NY Times in 1925 a post he held until 1960 when he began writing a broader column for the Times titled “Critic at Large’ which focused on nature, environment, and personal essays. During WW2 he spent two years reporting from China and in 1945 he wrote a series of articles from Moscow for which he received the Pulitzer Prize. In 1956 he was awarded a Tony Award for distinguished contributions to the theater and in 1960 the Mansfiled Theater was re named the Brooks Atkinson Theater. Arthur Miller said: “ There cannot  have  been another theater critic as trusted as Brooks Atkinson was by so large a proportion of the theater going public. He is the only critic who can be said to have presided over Broadway. He was theConscience of the Theater." Brooks Atkinson died on January 14, 1984 in Huntsville, Alabama.Patrick Kelly is Professor of Drama Emeritus at the University of Dallas where, with Judy Kelly his wife, they taught forforty-two years. Besides scores of campus productions he has directed plays at professional theaters around the country. He has also taught in such graduate theater programs as University of Washington, Denver’s National Theater Conservatory, University of Colorado at Boulder and Southern Methodist University. Jerome Weeks for 15 years was the producer-reporter for the NPR-PBS station KERA. A professional critic for morethan three decades, he was the The Dallas Morning News theater critic for ten years and  the book columnist for ten years after that. His writing has appeared in the San FranciscoChronicle, Los Angeles Times, Newsday, and American Theatre  magazine. 

 Walter Kerr born July 8 ,1913 was a highly influential American theater critic for the New York Herald Tribune and The New York Times  for over 30 years, winning the 1978 Pulitzer Prize for Criticism. Known for his insightful, often witty reviews and academic background, he championed artistic excellence in theatre. He also was the writer, lyricist, and/or director of several Broadway plays and musicals as well as the author of several books. The Walter Kerr Theatre was renamed in his honor in 1990. Kerr died from congestive heart failure on October 9, 1996. Harold Clurman born September 18, 1901 was recognized as a pre-eminent theater critic and a visionary director. He viewed theater not just as entertainment, but as a "serious business" and the "food of the soul" that must remain relevant to society. Clurman shaped American theater through his insightful writing, serving as the drama critic for The New Republic from 1948 to 1952 and The Nation from 1953 until 1980. Clurman was a co-founder of the legendary Group Theater(1931–1941). He advocated for an ensemble approach to acting aiming to create theater that was socially relevant and emotionally realistic. He directed the original productions of Clifford Odets' Awake and Sing! and Golden Boy, as well asArthur Miller's Incident at Vichy. Clurman died on September 9, 1980 in New York City of cancer. Patrick Kelly is Professor of Drama Emeritus at the University of Dallas where, with Judy Kelly his wife, they taught for forty-two years. Besides scores of campus productions he has directed plays at professional theaters around the country. He has also taught in such graduate theater programs as University of Washington, Denver’s National Theater Conservatory, University of Colorado at Boulder and Southern Methodist University. Jerome Weeks for 15 years was the producer-reporter for the NPR-PBS station KERA. A professional critic for more than three decades, he was the The Dallas Morning News theater critic for ten years and  the book columnist for ten years after that. His writing has appeared in the San FranciscoChronicle, Los Angeles Times, Newsday, andAmerican Theatre  magazine.   

 Walter Kerr born July 8 ,1913 was a highly influential American theater critic for the New York Herald Tribune and The New York Times for over 30 years, winning the 1978 Pulitzer Prize for Criticism. Known for his insightful, often witty reviews and academic background, he championed artistic excellence in theatre. He also was the writer, lyricist, and/or director of several Broadway plays and musicals as well as the author of several books. The Walter Kerr Theatre was renamed in his honor in 1990. Kerr died from congestive heart failure on October 9, 1996. Harold Clurman born September 18, 1901 was recognized as a pre-eminent theater critic and a visionary director. He viewed theater not just as entertainment, but as a "serious business" and the "food of the soul" that must remain relevant to society. Clurman shaped American theater through his insightful writing, serving as the drama critic for The New Republic from 1948 to 1952.and The Nation from 1953 until 1980. Clurman was a co-founder of the legendary Group Theater (1931–1941). He advocated for an ensemble approach to acting aiming to create theater that was socially relevant and emotionally realistic. He directed the original productions of Clifford Odets' Awake and Sing! and Golden Boy, as well as Arthur Miller's Incident at Vichy. Clurman died on September 9, 1980 in New York City of cancer. Patrick Kelly is Professor of Drama Emeritus at the University of Dallas where, with Judy Kelly his wife, they taught for forty-two years. Besides scores of campus productions he has directed plays at professional theaters around the country. He has also taught in such graduate theater programs as University of Washington, Denver’s National Theater Conservatory, University of Colorado at Boulder and Southern Methodist University. Jerome Weeks for 15 years was the producer-reporter for the NPR-PBS station KERA. A professional critic for more than three decades, he was the The Dallas Morning News theater critic for ten years and  the book columnist for ten years after that. His writing has appeared in the San FranciscoChronicle, Los Angeles Times, Newsday, andAmerican Theatre  magazine.   

"One of the big theater jokes used to be that when you opened the Sunday Times and the Observer, you used to read Kenneth Tynan and Harold Hobson and they were always totally diametrically opposed. Tynan would say that this is the greatest show on earth. Hobson would hate it. If you had a play on and you opened it and Tynan gave you a good review, you knew that Harold was going to loathe it."Alan AycbournPatrick Kelly is Professor of Drama Emeritus at the University of Dallas where, with Judy Kelly his wife, they taught for forty-two years. Besides scores of campus productions he has directed plays at professional theaters around the country. He has also taught in such graduate theater programs as University ofWashington, Denver’s National Theater Conservatory, University of Colorado at Boulder and Southern Methodist University Jerome Weeks for 15 years was the producer-reporter for the NPR-PBS station KERA. A professional critic for more than three decades, he was the The Dallas Morning News theater critic for ten years and  the book columnist for ten years after that. Hiswriting has appeared in the San Francisco Chronicle, Los Angeles Times, Newsday, and American Theatre  magazine.

"One of the big theater jokes used to be that when you opened the Sunday Times and the Observer, you used to read Kenneth Tynan and Harold Hobson and they were always totally diametrically opposed. Tynan would say that this is the greatest show on earth. Hobson would hate it. If you had a play on and you opened it and Tynan gave you a good review, you knew that Harold was going to loathe it."Alan AycbournPatrick Kelly is Professor of Drama Emeritus at the University of Dallas where, with Judy Kelly, they taught for forty-two years. Besides scores of campus productions he has directed plays at professional theaters around the country. He has also taught in such graduate theatre programs as University of Washington, Denver’s National Theater Conservatory, University of Colorado at Boulder and Southern Methodist University Jerome Weeks for 15 years was the producer-reporter for the NPR-PBS station KERA. A professional critic for more than three decades, he was the The Dallas Morning News theater critic for ten years and  the book columnist for  ten years after that. His writing has appeared in the San Francisco Chronicle, Los Angeles Times, Newsday, and American Theatre  magazine.

Max John Rosenfield Jr., was amusement critic for the Dallas Morning News for 41 years . It can be argued that John Rosenfield did more for the arts in Dallas than any other person during a long reign in which he was known as Cultural Pontiff of the Southwest.In Mr. Rosenfield's  column, The Passing  Show, he wrote about the lively arts, theater, music, ballet and movies with erudition and grace.But his contribution to the performing arts in the Southwest did not stop there. He put people with talent in touch with people with money and watched the results with a certain pride.Through his influence, shrewdly exercised, he guided his city's development in the arts and popular amusements. By the time he retired, Dallas was recognized throughout the music and theater world for its opera, symphony and innovative stage productions. Behind every cultural achievement, the support and guidance of Rosenfieldcould be felt. Patrick Kelly is Professor of Drama Emeritus at University of Dallas where, with Judy his wife, he taught for forty-two years. Besides scores of campus productions he has directed plays at professional theaters around the country. He has also taught in such graduate theatre programs as University of Washington, Denver's National Theatre Conservatory, University of Colorado at Boulder and SouthernMethodist University. Jerome Weeks was the arts producer-reporter for the NPR-PBS station KERA for 15 years. A professional critic for more than three decades, he was the theater critic for The Dallas Morning News for ten years and the paper’s book columnist for ten years after that. He blogged as book/daddy for Artsjournal, and his writing has appeared in the San Francisco Chronicle, LosAngeles Times, Newsday, American Theatre  magazine.

Margo Jones (December 12, 1911 – July 24,1955), nicknamed the "Texas Tornado",  was an American stagedirector and producer, best known for launching the American regional theater movement and for introducing the theater in the round concept in Dallas, Texas.  In 1947, she established the first regional professional company when she opened Theater '47 in Dallas. Margo Jones played an important role in the early careers of a range of playwrights. On Broadway shedirected Tennessee Williams', A Glass Menagerie and Summer and Smoke and produced on Broadway Jerome Lawrence and Robert E Lee's, Inherit the Wind. She also championed the career of William Inge. Jerome Weeks was the arts producer-reporter for the NPR-PBS station KERA for 15 years. A professional critic for more than three decades, he was the theater critic for TheDallas Morning News for ten years and thepaper’s book columnist for ten years afterthat. He blogged as book/daddy for Artsjournal, and his writing has appeared in the San Francisco Chronicle, LosAngeles Times, Newsday, American Theatre  magazine.

Adrian Hall was born in Van,  Texas on December 3,1927. He was an American theater director. His directing style has been described as "bold" and his work was considered part of the first and second generation of the regional theater movement  of the 1960s and late 1980s. He was the founding Artistic Director of the Trinity Repertory Company in Providence, Rhode Island from 1963 to 1986, and the Artistic Director of The Dallas Theater Center in Dallas, Texas  from 1983 to 1989. He is considered to have created major and divisive change within both institutions. Patrick Kelly is Professor of Drama Emeritus at University of Dallas where, with Judy his wife, he taught for forty-two years. Besides scores of campus productions he has directed plays at professional theaters around the country. He has also taught in such graduate theatre programs as University of Washington, Denver's National Theatre Conservatory, University of Colorado at Boulder and SouthernMethodist University. Jerome Weeks was the arts producer-reporter for the NPR-PBS station KERA for 15 years. A professional critic for more than three decades, he was the book columnist for TheDallas Morning News for ten years and the paper’s theater critic for ten years before that. He blogged as book/daddy for Artsjournal, and his writing has appeared in the San Francisco Chronicle, Los Angeles Times, Newsday, American Theatre  magazine. 

Adrian Hall was born in Van,  Texas on December 3,1927. He was an American theater director. His directing style has been described as "bold" and his work was considered part of the first and second generation of the regional theater movement  of the 1960s and late 1980s. He was the founding Artistic Director of the Trinity Repertory Company in Providence, Rhode Island from 1963 to 1986, and the Artistic Director of The Dallas Theater Center in Dallas, Texas  from 1983 to 1989. He is considered to have created major and divisive change within both institutions. Patrick Kelly is Professor of Drama Emeritus at University of Dallas where, with Judy his wife, he taught for forty-two years. Besides scores of campus productions he hasdirected plays at professional theaters around the country. He has also taught in such graduate theatre programs as University of Washington, Denver's National Theatre Conservatory, University of Colorado at Boulder and SouthernMethodist University. Jerome Weeks was the arts producer-reporter for the NPR-PBS station KERA for 15 years. A professional critic for more than three decades, he was the book columnist for TheDallas Morning News for ten years and the paper’s theater critic for ten years before that. He blogged as book/daddy for Artsjournal, and his writing has appeared in the San Francisco Chronicle, Los Angeles Times, Newsday, American Theatre  magazine. 

Adrian Hall  born in Van,  Texas on December 3, 1927 was an American theater director. His directing style has been described as "bold" and his work was considered part of the first and second generation of the regional theater movement of the 1960s and late 1980s. He was the founding Artistic Director of the Trinity Repertory Company in Providence, Rhode Island and in residence from 1963 to 1989, and the Artistic Director of the Dallas Theater Center  from 1983 to 1989. Randy Moore is a founding member of Paul Baker's , Dallas Theatre Center and was in residence from 1961 to 1994. From 1995 to 2012, he migrated to the Denver Center Theatre. He has performed with Denver's Curious Theatre Company, the Alley, the Old Globe, and the Colorado Shakespeare Festival.Today, Randy joins us to discuss the life and work of Adrian Hall and the Dallas Theatre Center.