Episode 234: Cynthia Pelayo

Feast on fish and chips with Paul Cornell as we discuss where he stands on the Stan Lee/Jack Kirby debate, how his UK mind was blown the first time he saw a U.S. issue of The Avengers, why fannish history fascinates him, the reason he went the self-funding route for Who Killed Nessie (and what that did to his blood pressure), how some of his Doctor Who fan fiction eventually became canon, the reason he's suspicious of nostalgia, how he knows when ideas pop into his head which of his many projects they're right for, the legacy comics characters he'd love to write more of, what he learned from the great Terrance Dicks, how he manages to collaborate while remaining friends with his co-creators, his fascination with Charles Fort, why he announced there'd be no more Doctor Who in his future, and much more.

Share a bowl of Cullen skink with the award-winning Wole Talabi as we discuss his love of combining contradictory ideas, why failing is an important step toward success, how optimism can be a choice (and why making that choice could also make the world a better place), how to convince others who might fear hurting your feelings you truly want their honest criticism, whether AI could ever actually be intelligent or create art, what he means when he says he often writes "two or three people in a room science fiction," how a friend's gift of a story seed led to the longest piece in his new collection, the things he learned from writing his first novel which are helping him write his second, the secret to writing successful flash fiction, the accidental catalyst which launched his editing career, the stubbornness that keeps him going both on the page and in the ring, and much more.

Share beef noodle soup with award-winning writer John Chu as we discuss the way he gamified the submission process when he started out, how the pandemic made him feel as if he was in his own little spaceship, when he learned he couldn't write novels and short stories at the same time, how food has become a lens through which he could explore a variety of issues in his fiction, the rejection letter he rereads whenever he wants to cheer himself up, how writing stories at their correct lengths was one of the most difficult lessons he had to learn as a writer, what it was about his 2015 short story "Hold-Time Violations" that had him feeling it was worthy of exploring as a novel, how he was changed by winning a Hugo Award with his third published story, and much more.

Chow down on cheesy garlic bread with award-winning writer Jeffrey Ford as we discuss why writing has gotten more daunting (but more fun) as he's gotten older, the difficulties of teaching writing remotely during a pandemic, how he often doesn't realize what he was really writing about in a story until years after it was written, the realization that made him write a sequel to Moby-Dick, why if you have confidence and courage you can do anything, the music he suggests you listen to while writing, the reason he thinks world building is a "stupid term," the advice given to him by his mentor John Gardner, how the writing of Isaac Bashevis Singer taught him not to blink, why he prefers giving readings to doing panels, the writer who advised him if everybody liked his stories it meant he was doing something wrong, and much more.

It's time for two scoops with writer Sarah Pinsker as we discuss the origin of her ice cream collaboration with The Charmery which resulted in their book-inspired flavor, the sculpture she saw at the American Visionary Art Museum which planted a seed for Haunt Sweet Home, how she knew her idea was meant to be a novella and not a novel, why she prefers writing books without a contract, how multiple ideas coalesced into one, the narrative purpose of telling a story via multiple formats, how to know a character who doesn't know themselves, why you can't tell from the end product whether a piece of fiction was plotted or pantsed, Kelly Robson's theory about the Han Solo/Luke Skywalker dichotomy and what it means for creating interesting characters, why she's a fan of making promises in the early paragraphs of her stories, whether our families understand what we're writing about when we write about families, and much more.

Munch on Mattar Paneer with horror writer William J. Donahue as we discuss the artistic endeavor which had him performing under the name Dirty Rotten Bill, why the first three novels he wrote will never see the light of day, what he was doing with one of those heads from the film 8 Heads in a Duffel Bag, why he finds playing with the apocalypse so appealing, the reason he's neither a plotter or a pantser, but a plantser, how a vegetarian is able to do damage to human flesh in his fiction, the way our journeys were different and yet we managed to wind up at the same destination, how wrestling changed his life, why we keep writing and submitting in the face of rejection, and much more.

Feast on burgers and fries with Cynthia Pelayo as we discuss the dead body she thought she saw which sparked The Forgotten Sisters, why she changed her mind about killing every character at the end of that newest novel, how growing up in a haunted house helped turn her into a horror writer, why she evolved from a pantser into a plotter, the importance of describing decaying bodies in extreme detail, which journalistic skills transferred easily to fiction writing and which didn't, what makes Chicago great, the reason classic fairy tales survive, how reading Agatha Christie helped her learn how to plot, the way to write successful flash fiction, and much more.

Join Jenny Rowe (and James Tiptree, Jr.) at the Glasgow Worldcon bar as we discuss the serendipitous way the former learned about the latter, the differing reactions to her one-woman show from SF vs. non-SF audiences, how she managed to nail Tiptree's accent (some of which you'll get to hear), why she ultimately decided not to begin or end the show with a gunshot, how she settled on the structure of her script (and why she decided to leave herself out of the story), the way inhabiting Tiptree affected her feelings about the controversy, why she'd have loved to meet Tiptree but not necessarily want to be her friend, the purpose of the play's moment of audience participation, and much more.

Breakfast with Bonnie Jo Stufflebeam as we discuss how her new horror novel toys with the tropes of reality TV, the importance of balancing multiple POVs in a novel to keep them all equally interesting, our differing views on the revision process, the three years she spent writing 1,000 words per day (and why she stopped), the message she took from her two Nebula nominations, the importance of community, what she learned about herself by rereading her short stories to assemble a collection, why we both believe in ambiguous endings, and much more.

It's time for tea and scones with Chuck Tingle as we discuss how existing is an arrogant act against the forces of the infinite, why it's horror rather than comedy which warms his heart, how he used social media to find a publisher for Camp Damascus (and why that technique probably won't work for you), how to write horror about a gay conversion camp without retraumatizing in an already traumatizing world, the differences between cathartic horror and grueling horror (and why he's more interested in the former), the intriguing comment his copyeditor made about a reference to Superman, which comics subgenre occupies the most space on his bookshelves, the five creators who've most influenced him (and my encounter with one of them during the '70s), how art is more than what's between the covers of a book or within the frame of a painting, what most people get wrong about the term "high concept," and much more.