Arranging Tangerines presented by Lydian Stater

In this episode, we talk with French field recordist and artist Mélia Roger about her film Dear Phonocene, currently featured in the Projected Ecologies program within the exhibition Pulsar at MUCA in Mexico City. Mélia shares how the work emerged from over a decade of listening to the monoculture Douglas fir plantations near her parents’ home, spaces she describes as “post-natural” and marked by biodiversity loss. Blending fiction, performance, and documentary, the project imagines “acoustic enrichment” as a form of care—playing back past soundscapes to acknowledge what has been lost. We discuss her collaboration with other women recordists, the role of human presence and “noisy non-self” in the film’s soundscape, and the interplay between slow listening and the fast pace of image-making. Mélia reflects on grief, hope, and tenderness in altered landscapes, the technical and ethical dimensions of playback, and her evolving research on post-natural listening within her PhD work. Plus, we hear about her upcoming explorations of cetacean sound in the Canary Islands.Mélia Roger (*1996, she/her) is a field recordist and artist engaged to inspire ecological change with environmental and empathic listening. Her work explores the sonic poetics of the landscape, searching for the invisible layers between human and non-humans. Coming from a sound engineering background (ENS Louis-Lumière in Paris, ZHdK in Zurich), Mélia is developing a twofold activity between immersive 7.0.2 sound recordings within HAL, as well as a more experimental and naturalistic approach to listening. Now at Le Fresnoy, she is a practice-based PhD candidate at the University of Lille, focusing on the relations between sound arts and acoustic ecology.https://www.meliaroger.com/portfolio/project-two-llrgk-blz6chttps://www.instagram.com/meliarog/https://muca.unam.mx/pulsar.htmlhttps://www.lydianstater.co/projected-ecologies

In this episode, we talk with New York–based visual artist Dakota Gearhart about her four-part animated video series Life Touching Life, currently featured in the Projected Ecologies program within the exhibition Pulsar at MUCA in Mexico City. We discuss the show’s algae femme host Tiffany—part toxic bloom, part human—who travels through time to interview scientists, poets, and caretakers about reimagining relationships between human and non-human life. Dakota shares how humor, multiplicity, and collaboration shape the series, blending found footage, analog techniques, and diverse animation styles into speculative, eco-futurist narratives. We also dive into her sculptural practice, the challenges of large-scale installation, the translation of Life Touching Life into multiple languages, and her upcoming public art commission for Flushing Meadows Park. Plus, we hear about the zine that brings the series off-screen and into readers’ hands.Dakota Gearhart is a New York-based visual artist born in Arizona, raised in Florida, and educated in the Pacific Northwest. Her work has been exhibited, screened, and presented at the New Museum, Bronx Museum, Queens Museum, St. Petersburg Museum of Fine Arts, Tacoma Art Museum, Oregon Contemporary Art Center, Northwest Film Forum, and International House of Japan, among others.https://www.dakotagearhart.com/https://newinc.metalabel.com/life-touching-lifehttps://www.instagram.com/_dakotagearhart/https://muca.unam.mx/pulsar.htmlhttps://www.lydianstater.co/projected-ecologieshttps://www.elisagutierrezeriksen.com/

In this episode, we talk with Mexican filmmaker and animator Andrea Gudiño about her video Anima Natura, featured as part of Projected Ecologies in the exhibition Pulsar at MUCA Campus in Mexico City. We discuss embodied animism, learning from winter, what it means to animate with humility, and how writing, darkness, and disappearing landscapes shape her process. Andrea shares how her time in Estonia transformed her practice, why she considers Anima Natura both a confession and a beginning, and how she hopes to grow the project through workshops and co-creation around the world.Andrea Gudiño is an Independent mexican director, animator and photographer. Her work is based on the experimentation of mixed animation techniques and documentary. She was part of the 14° Berlinale Talents Guadalajara and recently finished a Master degree in Animation at the Estonian Academy of Arts supported by the Scholarship FONCA-CONAHCYT : Creators of the future.https://www.instagram.com/andreaaagu/https://www.instagram.com/anima__natura/https://muca.unam.mx/pulsar.htmlhttps://www.lydianstater.co/projected-ecologieshttps://www.elisagutierrezeriksen.com/

In this episode, we talk with video artist Kadir Kayserilioğlu about his recent work The Walls of Heaven, currently featured in the exhibition Pulsar as part of Projected Ecologies at MUCA Campus in Mexico City. We discuss the accidental origins of the piece, ideas of creation and control through terrariums and Sea Monkeys, god complexes in both art and gaming, reenactment as a narrative device, YouTube aesthetics in video essays, and how humor, chance, and contradiction shape Kadir’s broader practice. Plus, we hear about his earlier work The Garden of Forgetting, and a glimpse into what might come next.   Kadir Kayserilioğlu is an artist mainly works on experimental film and video art. His works have been invovled in various exhibitions and screening programs in Turkey and abroad. His artistic practice is grounded in an idea of play that operates across a wide range of forms including video games and collaborative, performance-based videos, documentation and experimental processes. His works often rely on a combination of instructions and protocols on one hand, and collective improvisational processes and chance operations on the other. This often results in works that challenge conventional notions of authorship and authority with a dark humoristic style, and show irreverence towards traditional hierarchies between forms of high and popular culture, assembling high production value with home made and DIY esthetics. His areas of investigation include the nature of social reality, posthumanism, speculative fiction, finiteness, conspiracy theories and micro-stories. He often engages in strategies of the absurd, repurposing mythological narratives as well as science fiction and horror tropes towards a critical take on contemporary political dynamics. https://www.kadirkayserilioglu.com/ https://www.instagram.com/kadirkayserilioglu https://vimeo.com/kadirkayserilioglu https://muca.unam.mx/pulsar.html https://www.lydianstater.co/projected-ecologies https://www.elisagutierrezeriksen.com/  

In this week’s episode, we welcome Kris Graves (and his associate Frank Francis) to our gallery and onto the podcast to discuss a multitude of topics including life with a baby, the charm and uniqueness of Queens, the origins of Hip Hop, Graves’ early commissioned work, museums’ and cultural institutions’ feelings about NFTs, Black Lives Matter, the role that race plays in art, history, and society, working day jobs, and how NFTs can be gate keeper resistant, and what is next for Graves. Originally recorded February 13, 2023 Kris Graves (b. 1982 New York, NY) is an artist and publisher based in New York and California. Graves creates artwork that deals with societal problems and aims to use art as a means to inform people about cultural issues. Using a mix of conceptual and documentary practices, Graves photographs the subtleties of societal power and its impact on the built environment. He explores how capitalism and power have shaped countries -- and how that can be seen and experienced in everyday life. Graves also works to elevate the representation of people of color in the fine art canon; and to create opportunities for conversation about race, representation, and urban life. He photographs to preserve memory. Graves received his BFA in Visual Arts from S.U.N.Y. Purchase College and has been published and exhibited globally, including Museum of Modern Art, New York; Getty Institute, Los Angeles; and National Portrait Gallery in London, England; among others. Permanent collections include the Metropolitan Museum of Art, Getty Institute, Schomburg Center, Whitney Museum, Guggenheim Museum, Museum of Fine Arts, Houston; Brooklyn Museum; and The Wedge Collection, Toronto; amongst others. Frank Frances (b.1983 Columbia, SC) is a NYC-based artist whose work challenges the everyday perceptions of memories and prejudice with close studies of photography’s materiality and dynamics; he is no stranger to being both voyeur and subject. He has shown in solo and group exhibitions domestically and internationally at Sasha Wolf Gallery, The Studio Museum of Harlem, Glasshouse, Carriage Trade and Werkstadt Graz to name a few. Reviews and features of their work have appeared in publications such as The New York Times, The New Yorker, Vice, NPR, ArtInfo, Bomblog, and Bloomberg BusinessWeek among others. He received an MFA from the School of Visual Arts. His first book Remember The South is published by Monolith Editions https://krisgraves.com/ https://www.instagram.com/krisgraves/ https://twitter.com/kgpnyc https://www.instagram.com/kgpnyc/ http://www.frankfrances.com https://www.instagram.com/frankfrancesstudio/      

In this episode, we talk with artists Matthew Porter and Carlo Van de Roer about how they first met, the acquisition of NFT works by institutions and museums, the ever-changing attitudes of art collectors, the challenges and strengths of working with traditional artists in the NFT space, the idea of hybridity, and what Matthew and Carlo have queued up for the future. Episode recorded on February 21, 2023. Mathew Porter and Carlo Van de Roer have formed a dynamic partnership known as Zome, an artist-run collective focused on collaborating with artists in the NFT space. Within this innovative venture, they have successfully launched two captivating projects: "22 Pigeons" in collaboration with renowned photographer Roe Ethridge and "154Ever" alongside the talented visual artist Mariah Robertson. Matthew Porter has had solo and group shows in a number of international galleries and institutions, including M+B, Los Angeles, Invisible Exports, New York, Anonymous Gallery, Mexico City, Koenig & Clinton, New York, and the Foam Museum in Amsterdam. Porter's curatorial projects include "Seven Summits" at Mount Tremper Arts, "The Crystal Chain" at INVISIBLE-EXPORTS, and "Bedtime for Bonzo" at M+B. He is the co-editor of Blind Spot magazine Issue 45, and his writings and interviews have been featured in a number of publications including ARTFORUM. In 2012 Porter was included in the "After Photoshop" exhibition at the Metropolitan Museum Art, New York. Carlo Van de Roer (b. 1975) received his BFA from Victoria University, Wellington, New Zealand. His work has been exhibited at venues such as M+B Gallery, Los Angeles; Suite Gallery, Wellington, New Zealand; the MUSAC Museum of Contemporary Art, Léon, Spain; Transformer Station Museum of Art, Cleveland, OH; the Haggerty Museum of Art, Marquette University, Milwaukee; the New Museum, NY; Hyères Photography Festival and the Paris Photo Prize — a number of these institutions hold the artists work in their permanent collections. Damiani published Van de Roer’s first monograph The Portrait Machine with text by Val Williams. Notable press includes The New York Times, The New Yorker and Wired magazine. As an inaugural participant in the New Museum’s New Inc program, Van de Roer founded a research and development lab in New York called Satellite Lab, with a focus on new technology for photography and film-making — this has led to the invention and patenting of several new camera and lighting technologies which the artist employs in his work. Matthew Porter @_matthewporter_ @archipelagi Carlo Van de Roer @carlovanderoer @Carlo_VandeRoer zome.art

In this episode, we talk with artist Mitchell F Chan about his early NFT project titled Digital Zones of Immaterial Pictorial Sensibility, ideas of ownership and locating the source of value, techno utopianism, conceputalism within the NFT space and much much more. Mitchell F Chan has created innovative works about technology since 2006. He creates large-scale public works, gallery installations, and digital artworks. He is best-known for creating one of the earliest non-fungible token artworks, which linked the immateriality of blockchain to the conceptual art practice of Yves Klein. In 2009, he was awarded the School of the Art Institute of Chicago’s Trustee Scholarship in Art and Technology Studies. His work has been covered and discussed in numerous media outlets including Artforum, Art In America, VICE, Canadian Art, Slate, the Toronto Star, and Gizmodo. Mitchellfchan.com @mitchellfchan @mitchellfchan  

In our most recent installment, Mike Varley (one half of the artistic duo Highley Varlet) has (half of) us over to his very official podcast studio (in his apartment) to discuss his and their artistic endeavors including the “2020: Total Clarity” project where they walked a marathon a day, five days a week, for a full calendar year, the people they met, the podcast episodes they produced, the bagels they ate, the weed bags they picked up, the subsequent NFT collections they produced and how this all helped him to broaden his understanding of New York City, create community, and think about the definition of the word “artist.” Mike Varley has recently returned to the craft of 'About-Me' writing after a number of years that will henceforth be known as "About-less." He's become aware through querying his senses that writing a bio two days before the end of a calendar year will garishly color the contents to the tune of Auld Lang Syne. Nevertheless, he has opened a Cherry Coke for the occasion despite the fact it is neither the time of day nor the will of God. 18 months ago, Mike walked seven thousand and twenty four miles around the 5 boroughs of New York City - roughly four thousand, two hundred and sixteen of those with his now wife Jessi Highet. He has spent most days since reliving the experience via digital documentation, a testament to his dedication to never settle on an evident trajectory. Recently he's learned that the act of entertaining, scheduling, performing, and supplementing radio, newsprint and television interviews is a surprisingly time consuming task but worth the effort if you get to meet Al Roker. Please don't bite Mike Varley, he has no patience for doctors. If you must know, Mike Varley has made feature films, novellas, music videos, Halloween masks, electrical cord paintings, Triple-A video games, podcasts, audio books, and, this one time, a tiny hut made out of no more than 20 cotton swabs. He is pleased to have kept this brief. Podcast Bonus Special: If you’d like to receive a free promo NFT from Highley Varlets “Weed Bags of New York” project, email us at [email protected], with your Ethereum wallet address and we will send you one. Links 2020: Total Clarity Highley Varlet on The Today Show Everything is Everything Weed Bags of New York   mikevarley.com @highleyvarlet  

In this episode, we talk with Lau Wai about their practice and process with discussions around Chinese naming conventions, the use of (or reference to) mocap suits, the differences between consumer and commercial software, how avatars can represent or misrepresent us, deep fakes, the influence of Hong Kong cinema, hybridity, NFTs, virtual galleries, and what the future holds. Lau Wai 劉 衛 is a multidisciplinary artist, former photographer, storyteller, teacher, gamer, cat companion and more. Born and raised in Hong Kong and currently based in New York, Lau utilizes photography, moving image, new media, sculptural objects, and installation to investigate how history, fiction, personal memory and virtuality collide in the process of identity formation. Their research and material sources range from personal and historical archives to cinematic imagery and popular culture. Their works are collected by The Museum of Fine Arts, Houston (United States); Alexander Tutsek – Stiftung Foundation (Germany) and M+ Museum (Hong Kong), among others. They have exhibited in Europe, Asia, and North America, including Brandts Museum of Art and Visual Culture, Denmark (2016); Power Station of Art, Shanghai (2018); Para Site, Hong Kong (2015, 2018); Tai Kwun Contemporary, Hong Kong (2019, 2021); Kuandu Biennale, Taiwan (2018); Echigo-Tsumari Art Triennale, Japan (2015); The Museum of Fine Arts, Houston, United States (2019) and Yokohama Triennale, Japan (2020). They are also a former resident at NARS Foundation, New York and Institute for Electronic Arts, Alfred University, New York. Links; Neither Here Nor There Here & Album Extract I am invincible…on the screen / False motion tracking Feed 3.0

In this very special podcast, Alexandro and Joseph do their best infomercial impression to pitch our new gallery initiative, the Lydian Stater Collector Pass. The Lydian Stater Collector Pass is an annual pass issued in the form of an NFT that guarantees ownership of exclusive physical and digital artworks from every artist exhibited in our 2023 season in addition to bonus perks. Listen to learn more about the pass or click the link below. Lydian Stater Collector Pass