10FPS A Photojournalism Podcast for Everyone

Photojournalism With Cengiz Yar From High School Hobby to War Zones: Self‑Care Secrets & the Story Behind This Alabaster Grave 📚 Overview In this episode of 10 Frames Per Second, award‑winning documentary photographer Cengiz Yar (visuals editor at ProPublica) shares: How a high‑school love of photography turned into a career covering Iraq, Syria, and beyond. The challenges of freelance photojournalism – from finances to safety. The creative and emotional process behind his first monograph This Alabaster Grave. Practical self‑care and trauma‑informed strategies for journalists on the front lines. If you’re an aspiring photojournalist, a media professional, or simply curious about the human side of war reporting, keep reading. You’ll walk away with actionable tips, real‑world insights, and a deeper appreciation for the power of images. 🎞️ The Road From a Junior‑Year Camera to Conflict Zones Stage What Happened Key Takeaway High School Started shooting as a form of self‑expression (drawing, poetry, music). Photography can be a language for emotions before it becomes a career. College (Business Degree) Studied business to secure a stable income, while still shooting on the side. A non‑photo background can still fuel a later career in visual journalism. Study Abroad – China Borrowed a friend’s digital camera; first time abroad. Early exposure to new cultures expands visual storytelling perspective. Post‑Graduation (2008‑2009 crash) Traveled to Thailand to teach English; bought a Nikon D60. Economic downturn can catalyze bold, low‑cost adventures. Bangkok Protests (2010) Documented the Red‑Yellow shirt conflict for 10 weeks. First “real” fieldwork revealed photography as a job—documenting history. Freelance Leap Published in CBC; kept sharing with friends/family. Building an audience starts small—family, friends, local media. Syria (2012) & Iraq (2014‑2017) Learned on the job from peers like Alice Martins, Manu Bravo, Ivor Prickett. Peer mentorship is priceless; safety tips often come from fellow photographers. Mosul, Iraq (2016‑2017) Covered the nine‑month battle and its aftermath. Long‑term immersion yields depth and trust in the community. ProPublica & Editing Roles Transitioned to photo editor after the war; worked for The Guardian, Rest of World, Roads & Kingdoms. Editing experience rounds out a photographer’s toolkit and advocacy power. 📖 Inside This Alabaster Grave Why the Title Matters Alabaster – the soft stone used to build Mosul’s historic Old City. Grave – the same stone became literal tombs when bombing reduced neighborhoods to rubble. Cengiz says: “The alabaster that built Mosul turned into a graveyard for its own people.” From 5,000 Raw Shots to 150 Curated Images Initial Cut – narrowed 5,000 war‑time photos to ~150 that answered “What is the true cost of war?” Checklist Method – identified missing angles (architecture, portraits, cultural artifacts) and returned to Iraq for extra shots. Wall‑Testing – printed all 150, taped them on a studio wall for months, reshuffling until patterns emerged. Sequencing – worked with designer Jason Knoxville to create “undulating tension” – waves of visual emotion that rise and release. Publishing the Book Yourself Imprint: Ocotillo Press (named after a thorny desert plant in his backyard). Learning Curve: Shipping, print proofs, box selection, and distribution—all taught by industry mentors (e.g., Ben Brody). Goal: Not just a profit‑making product, but a platform to help other photographers publish without the usual barriers. 🛡️ Cengiz Yar Offers Trauma‑Informed Self‑Care for Photojournalists “If you don’t take care of yourself, you can’t take care of your family, your work, or the stories you want to tell.” – Cengiz Yar Core Practices Practice How It Helps Tips to Implement Therapy & Professional Support Provides a safe space to process trauma. Find a therapist experienced with first‑responder or journalist trauma. Nature Escape Physical activity reduces stress hormones. Schedule weekly mountain‑bike rides, hikes, or camping trips. Boundaries & “No” Skills Prevents burnout and dangerous over‑exposure. Practice saying “no” to extra assignments that compromise safety or mental health. Community & Peer Debrief Shared experiences normalize feelings and foster resilience. Host regular debrief meals (e.g., BBQs) with fellow freelancers. Trauma‑Focused Workshops Gives concrete tools for coping on assignment. Attend Dart Center’s Ochberg Fellowship or similar trauma‑informed programs. Digital Detox Limits re‑vicarious trauma from constant media consumption. Set “no‑screen” hours after a day’s work in the field. Quick Self‑Care Checklist (Print & Pin to Your Workspace) ☐ Schedule a therapy session each month ☐ Ride or hike at least once a week ☐ Decline one assignment that feels “too much” ☐ Host a peer debrief dinner every two weeks ☐ Complete a trauma‑informed workshop annually 📸  Cengiz Yar’s Practical Advice for Aspiring Photojournalism Students Start Small, Think Big – Use any camera you have. Your first impactful story (Bangkok protests) came from a borrowed DSLR. Leverage Your Business Skills – Understanding budgeting, contracts, and negotiations is a huge asset in freelance work. Network on the Ground – Live with other journalists and aid workers; they become your source of jobs, safety tips, and emotional support. Create a Personal “Litmus Test” – If your work changes the mind of one family member or friend, you’ve succeeded. Diversify Distribution – Don’t rely solely on Instagram. Use newsletters, zines, galleries, and printed books to reach audiences that actually engage. Document Systematically – Keep a master hard‑drive, backup daily, and maintain a spreadsheet of image metadata (location, subject, story idea). 🗺️ Where to Find More Podcast: Listen to the full episode on 10 Frames Per Second (new episodes Tuesdays, 10fps.net). Book: Purchase This Alabaster Grave through Ocotillo Press or major retailers. Work: Follow Cengiz Yar’s photo essays at ProPublica and his past pieces at The Guardian, Rest of World, and Roads & Kingdoms. Resources for Trauma Care: Visit the Dart Center for Journalism & Trauma for workshops, webinars, and toolkits. Takeaway Cengiz Yar’s story proves that creativity, resilience, and community can transform a personal passion into a career that documents history—and that caring for your own mental health is just as vital as caring for the truth you capture. Ready to pick up your camera and tell the world a story? Start now, stay safe, and remember: one powerful image can change one mind. photojournalism, war photography, conflict reporting, trauma care for journalists, This Alabaster Grave, Mosul, freelance photographer, publishing a photo book, ProPublica, self‑care for journalists, photojournalism, conflict reporting, human migration, Iraq war, Syria conflict, Thailand protests, business school, DSLR, Polaroid film, COVID‑19, trauma‑informed care, Dart Center, self‑care, mountain biking, book publishing, This Alabaster Grave, Mosul, displacement, refugees, freelance photography, visual storytelling, cultural translation, self‑censorship, press intimidation, journalism repression, digital camera, checkpoint safety, mentorship, peer learning, Ocotillo Press  The post Episode 180: Cengiz Yar (Conflict Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

🎞️ How Self‑Taught Photographer Ben Marcin Turned House‑Hunting into a Award‑Winning Photo Book (Insights from the “10 Frames Per Second” podcast) 📌 Quick Takeaways Ben Marcin is a self‑taught fine‑art photographer who captures the stories of abandoned houses, holdout homes, and makeshift camps. Influences → Bernd & Hilla Becher, Andreas Gursky, Ben Shahn, and classic painters. Signature projects – Last House Standing, A House Apart, The Camps → compiled in the upcoming book The Holdouts (GOST Books, 2024). Shooting gear: Canon 5D Mark II for digital work; Synar P large‑format 4×5 for the most meditative shots. Publishing path: portfolio reviews → gallery → collector → museum acquisition → GOST partnership + Kickstarter campaign. Pro photographer tips: network through photo reviews, be patient with sequencing, and treat your book as a **legacy “premium business card.” 🔍 Who Is Ben Marcin? Fact Detail Born Germany (raised in a military/ CIA family) Current base Baltimore, Maryland Profession Senior programmer (retired) + fine‑art photographer First camera $159 Minolta (late 1980s) Self‑taught Learned exposure, aperture & f‑stop through trial & error and a lot of “Rite‑Aid” photo labs. Exhibitions Delaware Museum of Art, Center for Fine Art Photography (CO), Maryland Institute College of Art, Grimaldis Gallery (Baltimore). Collections Baltimore Museum of Art, Musée de la Photographie (Charleroi, Belgium). Upcoming book The Holdouts (GOST Books, spring 2024). “I have to explain I’m a photographer, not a city lawyer.” – Ben Marcin on approaching holdout homeowners. 🏠 Ben Marcin – The Core Projects 1. Last House Standing What it is: A lone house left standing while an entire block is demolished. Why it matters: Represents “defiance” and raises questions about eminent domain. Visual hook: Windows that look like eyes; houses that resemble faces. 2. A House Apart What it is: Isolated homes that survive urban renewal, often “holdouts.” Narrative: Shows how a single homeowner can thwart developers, sometimes turning down a million‑dollar offer. 3. Homeless Camps What it is: Temporary shelters built by homeless communities (often out of milk crates, doors, and scrap wood). Ethical stance: Ben photographs the structures without the people, avoiding exploitation. Key Quote: “I wanted the viewer to think about it. I didn’t want to answer who lived there.” 📷 Ben Marcin on Gear & Workflow Digital – Canon 5D Mark II Why: Fast, reliable, and able to capture large scenes where a 4×5 can’t fit (e.g., three‑story row houses). Post‑processing: Photoshop for straightening, noise reduction, and sharpening; printed on a 44‑inch Epson archival printer. Large Format – Synar P (4×5) Why: For “mindful” color‑negative work that feels like listening to a vinyl record. Process: Shoot → develop → scan → invert negatives in Photoshop → meticulous contrast & color balancing (often taking weeks). Archiving Lightroom catalog: ~297,000 images. Physical storage: 12‑drawer print archive for long‑term preservation. 📚 From Gallery to Book: Ben Marcin’s Publishing Journey Portfolio Reviews – Ben started attending review events in his early 50s, gaining critical feedback and contacts. Gallery Breakthrough – A chance meeting at Knight Gomez Gallery led to a solo show; curator Costa (Costas) bought a piece and helped place it in the Baltimore Museum of Art. Consultant Connection – Photo‑consultant Alexa Becker (former Kehrer Verlag editor) championed the project and submitted it to multiple publishers. GOST Books – Chosen for their design expertise (designer Stu Smith) and offset‑printing in Italy. Kickstarter – Launched to cover printing costs; reached the goal quickly, with advanced copies shipping May 2024. Ben’s tip: “Your book is a premium business card. Treat it like your legacy.” 🎙️ Highlights from Ben Marcin on the “10 Frames Per Second” Podcast Self‑Teaching: Borrowed art books from his librarian dad, then bought a cheap Minolta. Influences: Paintings (Bellini, Titian) > photographers (Beckers, Gursky). Ethics about Homeless Camps: Avoids exploiting subjects, focuses on the ingenuity of the structures. Travel & Walking: From a 4‑year‑old’s “railroad‑track” adventure in Maryland to walking 58 miles from Baltimore to D.C. on foot. Future Walks: Planning hikes in the foothills of the Dolomites, Northern Spain, and Italy (watch out for the big dogs!). 📈 Ben Marcin Tips for Emerging Photographers Leverage Portfolio Reviews – They provide priceless feedback and open doors to galleries & collectors. Network with Photo‑Consultants – A good consultant can get your work in front of editors who actually read it. Design Matters – Pair with a skilled book designer (e.g., GOST’s Stu Smith) to make a “visual story” that sells. Use Kickstarter Wisely – Set a realistic goal, offer compelling rewards, and promote heavily on social media. Document Your Process – Share behind‑the‑scenes videos of large‑format setup, scanning, and printing to engage audiences. 📅 What’s Next for Ben Marcin? Book Release: The Holdouts (GOST) – spring 2024 (US), May/June (EU). Exhibitions: Baltimore Photo Space (summer 2024) – book signings & talks. Future Walks: Dolomites foothills, Northern Spain, possibly a trek across Italy’s countryside. 👉 Take Action Listen to the full “10 Frames Per Second” episode for more anecdotes and inspiration. Support Ben’s Kickstarter (if still live) or pre‑order The Holdouts to own a piece of photographic history. Apply the portfolio‑review strategy: schedule at least one review this year and prepare a concise, well‑sequenced series. Experiment with both digital and large‑format tools to discover which workflow suits your vision. Keywords: Ben Marcin, self‑taught photographer, house photography, Last House Standing, A House Apart, Camps, The Holdouts, GOST Books, Kickstarter photography book, large format photography, Canon 5D Mark II, Synar P, photo portfolio review, photojournalism podcast, 10 Frames Per Second, 10FPS, photojournalism, self‑taught photography, Ben Marcin, house typology, Bernd and Hilla Becher, exhibitions, Baltimore Museum of Art, The Holdouts book, Last House Standing project, A House Apart project, Camps project, homelessness camps, opioid crisis, holdout houses, large‑format camera, Canon 5D Mark II, Synar 4×5 camera, Photoshop post‑processing, archival printing, Kickstarter publishing, GOST Books, portfolio review events, museum acquisitions, photography networking, walking/hiking expeditions, early influences (Ben Shahn, Andreas Gursky), legacy archives, gatefold book design, photographer‑consultant Alexa Becker.The post Episode 179: Ben Marcin (Documentary Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Photojournalist Bryan Anselm on Climate Change Photography, Storytelling & Changing Minds The 10 Frames Per Second podcast (new episodes every Tuesday) brings together photojournalists who turn complex stories into powerful images. In this episode, host Molly Roberts (Joe Giordano was out for this one) sits down with Bryan Anselm, a New‑York‑based photographer whose work chronicles the long‑term impacts of climate change across the United States. If you’re a: Photojournalist looking for inspiration on climate‑related assignments Emerging visual storyteller seeking practical career advice Editor or curator interested in the intersection of documentary and fine‑art photography 📚 Who Is Bryan Anselm? Detail Info Base New York, USA Education Western Kentucky University (graduated during the recession) Specialty Long‑term climate‑change documentation (hurricanes, floods, wildfires) Publications The New York Times, The New Yorker, Time, The Atlantic, The Washington Post, ProPublica Awards Finalist – 2021 Aperture Portfolio Prize Fellowship Center for Contemporary Documentation (worked with Alice on a plastic‑waste project) Gear Canon 5DSR (full‑frame, 35 mm) + tripod + portable lights Books Sound the Sirens (2025, Overlaps Images) – a slow‑crafted photo book on U.S. climate disasters 🎥 Bryan Anselm Career Highlights 1️⃣ From the South to the North – How Brian Anselm Got Started Grew up in Carmel, Indiana; discovered a love for photography in high school. Chose Western Kentucky University after a campus visit; drew inspiration from the South (Faulkner, Appalachian stories). Graduated during a recession, forcing him to be resourceful: freelance gigs, a Getty grant, and an Alexia Foundation student grant. 2️⃣ Early Career: Uganda, Africa, & Post‑Conflict Work Internship with an NGO in Kampala, Uganda (rehabilitating former child soldiers). Covered the Somali famine (2011), Boko Haram insurgency, and the Rwanda genocide aftermath. Preferred a slow‑photography approach—spending weeks in a place to capture nuanced, human moments rather than breaking news speed. 3️⃣ The “Slow” Aesthetic – Light, Mood & Film Influence Uses high‑resolution digital (Canon 5DSR) with tripod and portable lights to shape mood. Inspired by film lighting, especially directors like Gregory Crewdsen and photographers John Divola, Josef Koudelka, Viviane Sassen, Luc Delahaye. Works at dusk/twilight (≈ 10 min window) to combine natural light with subtle artificial light—creating a claustrophobic, tactile feel. 4️⃣ Sound the Sirens – A Book That “Sounds” Like a Disaster Published 2025 by Overlaps Images. Format: ~9 × 6 inches, French‑fold pages with solar‑flare‑style prints under images, plus inserts. Designed to be portable, interactive, and accessible—a deliberate move away from bulky coffee‑table books. The book doesn’t overwhelm with data; instead, it uses historic meteorological illustrations as visual clues to evoke the climate‑change malaise. 5️⃣ Climate‑Change Narrative: From Ephemeral News to Persistent Storytelling Media coverage spikes during disasters but fades quickly. Bryan aims to return to affected communities later (6–9 months or more) to capture the lingering trauma and displacement. Discusses the concept of “Solastalgia” (Glenn Albrecht) – the grief felt when cherished landscapes change irrevocably. Calls attention to the looming climate‑refugee crisis (250 M displaced, many internal). 6️⃣ Ethics, Advocacy & the Photo Market Gallery sales vs. human suffering – he wrestles with commodifying tragedy. Believes NGO collaborations must be thoughtful; political neutrality is key. Emphasizes that photographs should spark curiosity, not replace scientific data. 7️⃣ Advice for Emerging Photographers Get out there: “Just take photos.” Be adaptable: As a student, Bryan worked from his car, bringing food, and staying flexible. Focus locally: Start with stories in your own community before chasing distant assignments. Embrace slowness: Spend time, build relationships, and revisit locations. 🛠️ Bryan Anselm – Practical Takeaways (Bullet List) Gear: Canon 5DSR + tripod + portable LED lights ⇒ high‑resolution, controllable lighting. Workflow: Scout location days in advance. Shoot at golden hour or twilight for mood. Use f/11‑f/16 for deep depth of field and detail. Book Design: Small, portable size → easier to transport. Interactive folds & printed solar‑flare layers add tactile depth. Storytelling: Pair visual clues (weather illustrations) with human narratives. Return to sites to document long‑term impact. Career: Leverage grants (Getty, Alexia) and freelance work during economic downturns.   ✅ Final Thought Bryan Anselm’s journey shows that patient, purposeful photography can turn fleeting disaster headlines into lasting visual narratives. By marrying film‑inspired lighting, compact book design, and a commitment to revisit stories, he offers an actionable roadmap for any emerging visual storyteller who wants to make a meaningful impact on climate‑change discourse. Ready to start your own slow‑photography project? Grab your camera, hit the road, and remember: the story is never truly over. 🎞️📸 ____ photojournalism, climate change, climate disasters, climate refugees, climate displacement, plastic waste, sub‑Saharan Africa, Uganda, child‑soldier rehabilitation, Somali famine, Boko Haram insurgency, Rwanda genocide aftermath, Aperture Portfolio Prize, Canon 5DSR, 35 mm digital, cinematic lighting, John Divola, Josef Koudelka, Viviane Sassen, Luc Delahaye, Solastalgia, Glenn Albrecht, FEMA trailers, UNHCR displacement data, climate policy, IPCC, fossil‑fuel transition, climate activism, PTSD in photographers, photo‑book design (French fold, solar flares)The post Episode 178: Bryan Anselm (Climate Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

🎞️ Inside the Wildfire Lens: Ian Bates on The Weight of Ash & The Meadowlark Project Published on 10 Frames Per Second Blog – Your go‑to source for photojournalism, storytelling, and incredible photography 📚 Quick Overview Topic Key Takeaways Who is Ian Bates? Bay Area‑based photographer, author of The Weight of Ash (2025), former A&E, NYT Magazine, Bloomberg client. The Weight of Ash Black‑and‑white photo book documenting the eerie calm after western U.S. wildfires. Meadowlark Project A road‑trip series searching for the Western Meadowlark across six states, exploring habitat loss & climate change. Creative Influences Poetry (Jim Harrison), music (Adrian Lenker, Big Thief), and collaborative editing process with Clint Woodside & Matt Advice for Emerging Photographers Follow curiosity, build community, and let books become the lasting platform for your work. 🎙️ About the Podcast Episode Show: 10 Frames Per Second – a photojournalism podcast hosted by Joe Giordano & Molly Roberts. Release: Tuesday, March 4 2026 (originally recorded at WLOY, Loyola Radio, Maryland). Guest: Ian Bates, photographer and author. Main Themes: Wildfire aftermath, the paradox of beauty & terror, the role of poetry & music in visual storytelling, and practical book‑making advice. 📸 Meet Ian Bates Background: Grew up in New Jersey; mentored by a high‑school photography teacher who introduced him to Matt Aitches. Education: Ohio University – photojournalism program, summer internships, and a shift toward personal projects during sophomore year. Career Highlights: Clients: A&E Networks, The New York Times Magazine, Bloomberg, Wired, Rolling Stone, Smithsonian, etc. Projects: 2014‑2020 West Coast wildfire documentation, The Weight of Ash (2025) published by the Dead Peak Club. Current Focus: Living in the Bay Area, photographing local landscapes, the Sacramento‑Joaquin River Delta, and exploring community‑based projects. 🌲 Ian Bates – The Weight of Ash – A Book Like No Other What the Book Captures Timeframe: The “in‑between” moment after a wildfire burns, before humans return. Visual Style: Black‑and‑white images that highlight quiet terror, ash‑covered landscapes, and the muted colors of post‑fire ecosystems. Narrative Tone: “Beauty and terror can exist in the same moment” – a recurring line Ian repeats when describing the book’s emotional core. Why Black & White? “Most fire pictures in the news are bright orange. I wanted to strip away that spectacle and let the viewer linger on the silence, the ash that muffles sound, and the subtle textures of charred land.” Editing Journey Wall‑to‑Print Process – Ian prints 4×5 in photos, stacks them, and iteratively sorts on a magnet‑covered wall. Collaboration: Clint Woodside (Deadbeat Club) – external editorial voice that forced tough cuts. Matt … – led 20‑30 edit rounds, helping shape sequencing for a page‑turning rhythm. Final Touch: QR codes linking to curated playlists (see “Music & Photography” section). 🐦 Ian Bates – The Meadowlark Project – Following a Ghost Concept: Travel across six states where the Western Meadowlark is the state bird (ND, WY, MT, OR, KS, NE). Goal: Use the elusive bird as a metaphorical guide to explore habitat loss, farming expansion, and climate change. Outcome: A series of images that convey a sense of “place without a name,” letting viewers feel the shared landscape of the American West. Key Insights from Ian The bird itself rarely appears; its presence fuels the narrative. The project became a vehicle for exploring borders, government policies, and the universal prairie environment. 📖 Poetry & Music – The Secret Sauce Poetry Influence Jim Harrison’s “I Believe.” – Opened the Meadowlark book. Ian likens his photographic practice to gathering beliefs “enough to press the shutter.” Poetry guides his “open‑ended” book structures, encouraging viewers to draw personal meaning. Music in the Studio Typical Soundtrack: Adrianne Lenker, Big Thief, atmospheric “sad and quiet” tunes. Music shapes mood while driving, shooting, and editing, turning the process into a multi-sensory experience. 🛠️ How Ian Bates Turns a Wall of Prints Into a Published Book Print & Pin: Small prints on a magnetic wall. Sort & Shuffle: Group by theme, remove “nagging” images (a technique inspired by photographer Ron Jude). Digital Drafts: Create PDFs during COVID, send to editors for feedback. Physical Review: Throw prints on a floor/table, spend days arranging sequences. Final Cut: Trust external editors for objective cuts; produce a limited‑edition book through Dead Peak Club. SEO tip: Use “photo book editing process” and “how to publish a photography book” as long‑tail keywords for blog traffic. 🎓 Advice for Emerging Photographers Follow Your Curiosity: Let unexpected projects (like the Meadowlark search) guide you. Build Community: Connect with mentors, editors, and peers—Ian credits dozens of contacts for his books. Read Widely: Poetry, photography monographs, and even music can reshape your visual language. Embrace the Book Format: In a saturated gallery market, books give you control over presentation. Stay Flexible: Allow the project to evolve; Ian’s Meadowlark and Weight of Ash were born from serendipity. 📦 Where to Get The Weight of Ash Publisher: Deadbeat Club (2025). Online: Purchase through the publisher’s website or major retailers like Amazon.  Standard Edition or the Special Edition Physical Locations: Check local independent bookstores; many carry the Deadbeat Club catalog. CTA: Grab your copy today and experience the haunting beauty of post‑wildfire landscapes—plus a curated soundtrack 📣 Join the Conversation Listen to the full episode: 10 Frames Per Second – available every Tuesday on 10fps.net or your favorite podcast platform. Follow Ian Bates: Instagram @iancbates Share Your Thoughts: Which part of The Weight of Ash resonated most with you? Drop a comment below or tag us on social media with #WeightOfAsh. Ready to dive deeper into the world of photo books? Subscribe to the 10 FPS newsletter for exclusive insights, upcoming episodes, and behind‑the‑scenes content. ___ Lost Dog, The Weight of Ash, Meadowlark Project, wildfire photography, photo book editing, poetry in photography, music and photography, emerging photographer advice, photojournalism podcast, photojournalism, wildfire, ash, Bay Area, Meadowlark Project, Western meadowlark, habitat loss, climate change, black‑and‑white photography, poetry, Jim Harrison, editing process, wall of prints, book publishing, Deadbeat Club, Clint Woodside, Matt Aitches, music, Adrian Lenker, Big Thief, QR‑code soundtracks, playlists, community building, advice for emerging photographers, Ohio University, photography books, library collections, color vs monochrome, fire seasons, hopeThe post Episode 177: Ian Bates (Documentary Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Stephen Shames – A Legendary Documentary Photographer (Part 2) 📷 Who Is Stephen Shames? American documentary photographer with a career that began in 1966 – now over 60 years of shooting. Known for long‑term, immersive projects that blend social documentary with an intimate, “dream‑like” visual language. Creator of the acclaimed monograph “Steven Shames – A Lifetime in Photography” (published by Klaus Carer, Germany). 🌟 Signature Achievements Year Project / Photo Why It Matters 1970‑73 Black‑and‑white series on the Black Panther Party Captured a pivotal civil‑rights movement from inside. 1985 Iowa farm‑crisis reportage Built a multi‑year relationship with a struggling family; later provided them with treasured photos after a tragedy. 1990s Drug‑dealer & police collaboration in Philadelphia Showed the nuanced humanity behind street‑level crime. 2003 Stephen Hawking portrait series(Philadelphia Inquirer Magazine) Gained unprecedented access by reading Hawking’s book cover‑to‑cover and proving deep commitment. 2023 Release of “A Lifetime in Photography” First book presented as a non‑chronological, dream‑sequence, mixing B&W duotone and color plates. 📚 Stephen Shames Book: “A Lifetime in Photography” Concept: Not a chronological retrospective, but a dream‑sequence that moves the viewer fluidly from image to image. Process: Scanned ~20,000 negatives, rated them in Adobe Bridge, collaborated with designer Caleb Kane Marcus, and completed the layout in 1–2 months. Production quirks: Separate signatures for duotone B&W and full‑color plates; careful handling of gutter‑cropping for double‑page spreads. 🎯 What Makes Stephen’s Work Stand Out? Deep Relationships: He treats subjects as family, earning trust that lasts decades (e.g., the Iowa family calling him 30+ years later). The “Zone” Mindset: Total, intuitive focus while shooting; emotions surface only after the shutter clicks. Consistent Visual Voice: Central composition, intimate close‑ups, and a blend of documentary realism with artistic abstraction—what he calls his “shames‑style.” Commitment Over Convenience: Willing to stay with his son instead of flying to a war zone; chooses projects that align with his personal values. 📖 Quick Bio for Press Stephen Shames creates award winning photo essays on social issues for foundations, advocacy organizations, the media, and museums. •• Author of twelve monographs. •• Steve’s images are in the permanent collections of 42 international museums and foundations. •• Outside the Dream won numerous awards including the Kodak Crystal Eagle Award for Impact in Photojournalism. •• 2008 bus shelter and subway ads for the NYC DADS campaign of the City of New York received a Pollie award from American Association of Political Consultants. ** PBS named Hine, Wolcott, and Shames as photographers whose work promotes social change. ** American Photo called him one of the “15 Most Underrated Photographers”. ** Profiled by People, CBS Sunday Morning. Esquire, US News, Ford Foundation Report. ** The Ford, Charles Stewart Mott, Robert Wood Johnson, and Annie E. Casey Foundations have underwritten his work. ** Started an NGO which locates forgotten children (AIDS orphans, former child soldiers, and children living in refugee camps) with innate talents and molds them into leaders by sending them to the best schools and college Steve is represented by: Amar Gallery, London, UK (vintage & contemporary art prints Steven Kasher Gallery, New York (vintage & contemporary art prints Polaris Images, New York (editorial & stock) 🔗 Where to Find His Work Official Book: Purchase a signed copy on eBay (search “Steven Shames signed book”). Online Galleries: Steven Shames Archive – Briscoe Center for American History, University of Texas at Austin. 10FPS Episode 175 – Part 1 of the full interview discussing his process and philosophy. Exhibitions: Periodic shows at major museums (e.g., Museum of Modern Art, New York; International Center of Photography). 📌 Takeaway for Photographers Build trust: Treat subjects as collaborators, not just subjects. Cultivate a signature style: Consistency in composition and tone makes your work instantly recognizable. Embrace the Zone: Focus fully while shooting, then allow space to process emotions afterward. ______   farm crisis, Iowa family portraits, suicide remembrance, long‑term photographic projects, building trust with subjects, photographer’s dedication/commitment, beeper/assignment culture, Israel‑Lebanon conflict coverage, child soldier imagery, color vs. black‑and‑white printing, book editing process, scanning thousands of negatives, Briscoe Center archive, dream‑sequence book concept, collaborative design with Caleb Kane Marcus, double‑page spreads, duotone production, gutter cropping, celebrity portraiture (Obama, Sadat), Tokyo subway kids photo, style development (Meyerowitz, Eggleston), photographer’s “zone” focus, athlete‑like preparation, Stephen Hawking week‑long portrait, involving subjects in project planning, farm‑state poverty documentation, drug‑dealer and police access, Bronx street photography, Philadelphia Inquirer assignments, Panthers civil‑rights photography, NGO/non‑profit photography work, news‑magazine contracts (Time, Newsweek, NYT), Stephen Shames photographer, Stephen Shames biography, Stephen Shames photojournalism, Stephen Shames book, Stephen Shames styleThe post Episode 176: Stephen Shames (Documentary Photography) Part 2 first appeared on 10FPS A Photojournalism Podcast for Everyone.

Stephen Shames: A Lifetime in Photography – Lessons on Social Documentary, the Black Panthers, and Child Poverty (Part 1) Introduction In the latest episode of “10 Frames per Second,” host Molly & Joe interview legendary American photojournalist Stephen Shames. Over a 50‑year career, Shames has documented everything from the Black Panther Party to child poverty in America, testifying before the U.S. Senate and publishing twelve monographs. If you’re a photographer, journalist, activist, or anyone who cares about visual storytelling, this interview is a goldmine. Below we break down the most actionable takeaways, organize them into easy‑to‑read sections, and show you how to apply Shames’s methods to your own work. Who Is Stephen Shames? Fact Detail Profession Photojournalist & documentary photographer Career span 50+ years (1960s‑present) Focus Social issues – child poverty, racism, civil rights Notable achievements Testified before the U.S. Senate (1986), 42 museum collections, 12 monographs (e.g., Power to the People, Outside the Dream), new book Stephen Shames – A Lifetime in Photography – Purchase Directly with Autograph and Print from Stephen via eBay HERE Key collaborations Black Panther leader Bobby Seale, New York Times reporter Earl Caldwell, various grassroots organizations How Stephen Shames Discovered Photography College activism – While studying at UC Berkeley during the 1960s, he witnessed the civil‑rights movement and anti‑Vietnam protests. First camera purchase – After hitch‑hiking to New York’s East Village, he bought a camera at a pawn shop. Choosing the “artist of the movement” – Frustrated by student‑government politics, he decided to capture the larger picture rather than be a “politician.” “I just wanted to look at the big picture and try and move people with photography.” Working with the Black Panther Party Why the Panthers Accepted a White Photographer Shared goals – Economic and social justice, not just race. Pragmatism – Panthers needed allies outside the Black community to build coalitions (Peace & Freedom Party, Young Lords, Young Patriots). Personal connection – Bobby Seale liked Shames’s images and invited him to use them in the Panther newspaper. Key Facts About the Panthers (From the Interview) Founded: October 1966 (initially ~20 members). National expansion: Post‑1968, 10,000+ members, 50‑60 chapters. Community programs: “Breakfast for School Children,” feeding 10,000+ kids daily. Self‑defense model: Legal gun ownership (California) + law books; later, they shifted to “cameras are better weapons.” Lesson for Photographers Build trust by aligning with a group’s mission, not merely your identity. Stephen Shames Research‑First Approach “Journalism is two‑dimensional; you need to experience the culture you want to document.” Steps to Deep‑Dive Research Read nonfiction – History, journalism, policy reports. Read fiction – Novels written by members of the community. Listen to music – Understand emotional tone and cultural references. Watch movies / documentaries – Visual language and storytelling cues. Live the bubble – Immerse yourself in daily life, food, rituals. Why It Matters Breaks the “bubble” of your own biases. Helps anticipate reactions and capture authentic moments. Stephen Shames on Building Trust & Relationships Core Principles Honesty: Be transparent about your intent. Respect: Never mock or look down on subjects (e.g., drug addicts, police). Reciprocity: Offer subjects control—let them tell you when to stop. Presence: Stay physically in the community (sleep on sofas, eat meals together). Practical Tactics Find a community “gatekeeper.” Example: a nun from Catholic Social Services who introduced Shames to Chicago projects. Sit down for a conversation before shooting – explain the project, listen to concerns. Share your work later (photos, stories) to reinforce the relationship. “If you’re honest, people will accept you, even if you’re a ‘liberal New York Jew.’” Bullet‑Point Checklist Identify and contact a respected local figure or organization. Explain your project in plain language. Offer a clear “opt‑out” for subjects. Spend time off‑camera – meals, conversations, errands. Follow up after the shoot with thank‑you notes or shared images. Cameras vs. Guns: The Evolution of “Weapons” 1960s‑70s: Panthers used firearms legally to patrol police. Today: Shames notes that cameras and smartphones are the most powerful weapons for exposing injustice. Why the shift? Legal restrictions on open carry. Instant global distribution of visual evidence. “The camera is a much better weapon because it puts the story directly in front of the world.” Lessons for Modern Photographers Insight How to Apply Research beyond headlines Read novels, watch local films, listen to playlists from the community. Immerse, don’t observe from a distance Stay in the neighborhood for days or weeks, not just a single shoot. Earn trust through honesty Share your intent, give subjects a “stop” word, and be transparent about usage. Leverage community allies Partner with NGOs, churches, or trusted locals to gain entry. Think of yourself as a “doctor,” not a “tourist” Your presence should be accepted as part of the environment, not an intrusion. Use the camera as an activist tool Publish work on platforms that reach decision‑makers, not just art galleries. Document, don’t dictate Let subjects tell their own story; avoid imposing your narrative. Why Shames’s Story Matters Today Media fragmentation & AI‑generated images: Shames emphasizes that authentic, verified photography is more vital than ever. Social justice resurgence: The same patterns of protest, police scrutiny, and grassroots organizing repeat across generations. Educational relevance: Teachers can use Shames’s methods to teach research, empathy, and ethical storytelling. Conclusion Stephen Shames’s career shows that powerful photography comes from empathy, rigorous research, and deep community ties. Whether you’re documenting the modern Black Lives Matter movement, child poverty, or any social issue, the principles he shares—exit your bubble, build trust, and let the camera speak—remain timeless. Ready to start your own documentary project? Apply the checklist above, stay authentic, and remember: your camera can change policy just as much as any courtroom testimony. Call to Action Start a research journal today for the community you wish to photograph. Subscribe to our blog for more interviews with visionary photojournalists. Share this post with classmates, activists, or anyone interested in visual storytelling. Steve is represented by: Amar Gallery, London, UK (vintage & contemporary art prints Steven Kasher Gallery, New York (vintage & contemporary art prints Polaris Images, New York (editorial & stock) _____ child poverty, Black Panther Party, civil rights movement, Vietnam War, documentary photography, social justice, racism, university protests, student government, activism, police brutality, COINTELPRO, gun control, media ownership, AI-generated deepfakes, fake news, community immersion, research methodology, cultural immersion, trust building, ethics in photography, hunger crisis, farm crisis, poverty in America, Senate testimony, camera as weapon, Rainbow Coalition, Young Lords, political coalitions, storytelling through imagesThe post Episode 175: Stephen Shames (Documentary Photography) Part 1 first appeared on 10FPS A Photojournalism Podcast for Everyone.

Inside the Front‑Line of Resistance: Photojournalist Stephanie Keith on Visual Anthropology, ICE Protests & the Power of Community Observers 📸 Who Is Stephanie Keith? Background: Studied cultural anthropology at Stanford. Photojournalism degree from the International Center of Photography (ICP). Master’s in photography from NYU. Career Highlights: Pulitzer‑Prize finalist (2022) for breaking‑news coverage of a deadly Bronx fire. Works with Getty Images, Reuters, The New York Times, Bloomberg, and New York Magazine. Specialties: Brooklyn culture, Coney Island, drag‑queen competitions, Muslim holidays, Caribbean life, Haitian‑American voodoo. Since 2017 – chronicling the rise of white nationalism and ICE actions across the U.S. “Anthropology taught me to live inside a community, not just look at it from a distance.” – Stephanie Keith 🧐 What Is “Visual Anthropology” and Why Does It Matter for Photojournalism? Visual Anthropology Traditional Breaking‑News Coverage Immersive – Long‑term, relational storytelling. Immediate – Focus on the moment of impact. Emphasizes culture, rituals, and everyday lives. Emphasizes who, what, when, where of the event. Seeks multiple angles (social, political, personal). Prioritises speed and exclusivity. Stephanie explains that her anthropology training helped her “get involved” with stories, allowing her to capture nuances a standard news shoot might miss. 🚦 The “Observers” of Minneapolis: Community‑Driven Resistance Who Are They? A loose, hyper‑local network of volunteers who monitor ICE vehicle movement. Operate in Signal chat groups (encrypted messaging). Work in shifts – morning, afternoon, evening – armed only with a whistle, phone, and cold‑weather gear. How They Operate Spotting ICE Vehicles – When an ICE convoy appears, an observer posts its location in the chat. Alerting the Neighborhood – Whistles or car horns sound to warn residents. Some “guard” establishments (e.g., Marissa’s Bakery) lock doors and screen entrants. Documenting the Scene – Many observers carry phones, providing live footage that journalists later verify. “If ICE represents fascism, observers are the front line of American resistance.” – Stephanie Why This Model Works Decentralized – No single command structure; anyone can join a shift. Hyper‑local – Neighbors protect neighbors. Low‑cost – No paid staff, just community solidarity. 📷 Behind Stephanie Keith‘s Iconic New York Magazine Photo Location: Outside the Whipple Federal Building, Minneapolis – a known ICE hotspot. Subject: A woman in a fur‑trimmed hood, glasses, and a full‑face gas mask (the only mask that works in tear‑gas scenarios). Process: Stephanie asked for consent, then shot 30‑plus frames to perfect focus and framing. Result: The image became the cover story, symbolizing everyday resistance. 🤝 Collaboration in the Field: How Journalists Share Information Signal Chats: Real‑time location sharing, ICE alerts, safety tips. Buddy System: Journalists travel in pairs or small groups, often in cars, to stay warm and safe. Cross‑Outlet Support: Reporters from Reuters, New York Magazine, Star Tribune, European outlets (Finland, Germany) all contribute intel. Editors like Jodi Kwan at New York Magazine shape story angles (e.g., focusing on the observers rather than ICE vehicles). “If it weren’t for the observers, we’d have far less knowledge of what’s happening.” – Stephanie 🛡️ Staying Safe: HEFAT Training & Practical Gear HEFAT (Hostile Environment Field Awareness Training) – Key takeaways from Stephanie’s Reuters training: Situational Awareness: Constantly locate threats and your nearest exit. Exit Planning: Park cars a few blocks away; know multiple escape routes. Crowd‑Control Devices: Full‑face gas mask for tear‑gas or pepper‑spray. Know how to don it quickly, even with glasses. Physical Gear Checklist: Helmet, vest, body armor. Extreme‑weather clothing – insulated jackets, gloves, thermal layers. Gas mask + cartridges (full face). Stephanie’s advice: “Pack like you’re preparing for the worst – the weather, the gear, the exit route.” 📚 What Early‑Career Photographers Can Learn 1. Find a Mentor Adrees Latif (Reuters) helped Stephanie refine technique, gain confidence, and navigate assignments. 2. Embrace Community Over Competition Share locations, tips, and safety info in chat groups. Prioritise collective safety over exclusive scoops. 3. Blend Anthropology with Journalism Immerse yourself in the community you’re documenting. Aim for story depth rather than just “the headline moment.” 4. Prepare Logistically Bring all essential gear (mask, cold gear, backup batteries). Use buddy system; never work alone in high‑risk zones. photojournalist Stephanie Keith visual anthropology in journalism Minneapolis ICE protests community observers resistance HEFAT training for journalists how to stay safe covering protests collaborative journalism Signal chat New York Magazine ICE photo role of observers in anti‑ICE actions photojournalism mentorship 🎯 Quick Take‑Away Checklist Read & understand visual anthropology principles. Join local Signal/WhatsApp chats for real‑time updates on protests. Never go solo – use a buddy system and park away from the crowd. Carry full‑face gas mask and learn to use it with glasses. Seek mentorship early; a single experienced photographer can reshape your career. If you’re a budding photojournalist, activist, or simply curious about how community‑driven resistance is documented, Stephanie Keith’s story offers a powerful blueprint for ethical, immersive, and safe storytelling. Stay curious, stay safe, and keep the truth in focus. ___ photojournalism, visual anthropology, ICE actions, observers, community resistance, Minneapolis protests, white nationalism, Pulitzer finalist, breaking news coverage, signal chats, HEFAT training, situational awareness, full‑face gas mask, whistle alerts, hyper‑local organizing, decentralized activism, New York Magazine series, Instagram portrait series, collaboration among journalists, mentorship, Reuters, Getty Images, Bloomberg, New York Times, crowd‑control devices, winter field gear, car “buddy‑up” strategy, unprepared protest participants, AI misinformation, civil‑rights activism, anti‑fascist front line.The post Episode 174: Stephanie Keith (Documentary Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Photojournalism From Gaza to the World: Eman Mohammed’s Journey, Resilience, and the Power of Long‑Term Stories Archive Episode – Aired in 2023 Discover how Eman Mohammed became Gaza’s first female photojournalist, why she chooses long‑term projects over spot news, and how her iconic “jacuzzi‑on‑the‑rubble” image captures resilience after war. Learn insights for aspiring photojournalists and storytellers. Table of Contents Who Is Eman Mohammed? Breaking Barriers: The First Woman Photojournalist in Gaza The Iconic Jacuzzi Image: Symbol of Life After Conflict Why Long‑Term Projects Matter Preparing for War Coverage: Gear, Safety, and Mental Health Behind the Book: The Cracks in My Lens (2022) The “Broken Souvenirs” Project: Trauma Without Borders Key Takeaways for Emerging Photojournalists Further Resources & Links 1. Who Is Eman Mohammed? Award‑winning photojournalist and Senior TED Fellow based in Alexandria, Virginia. Born in Saudi Arabia, raised from age two in Gaza. Published in The Guardian, CNN, Le Monde, Vice, The Washington Post, and more. “I was a complete mess during my first war—no protective gear, no electricity, a twisted ankle, and a 22‑day conflict.” – Eman Mohammed Her career is a blend of visual artistry, human‑rights advocacy, and mental‑health awareness. 2. Breaking Barriers: The First Woman Photojournalist in Gaza Challenge How Eman Responded Male‑dominated field Turned resistance into motivation; asked “why isn’t there a woman photojournalist?” Cultural taboos Leveraged her unique access to women’s stories that male crews cannot reach. Lack of role models locally Inspired by women photographers worldwide—Rula Halawani (West Bank), Marie Colvin (Syria), etc. Limited resources Began with a simple backpack, later secured protective gear and international support.   3. The Iconic Jacuzzi Image: Symbol of Life After Conflict The Story Behind the Shot Setting: After the 2008‑2009 Gaza war, a jacuzzi survived the demolition of a Palestinian man’s house. Visual: Children taking a bubble bath on top of the rubble—a shocking yet hopeful tableau. Why It Resonates Resilience: Shows life continuing amid devastation. Human Connection: Highlights an unusual friendship between a Palestinian worker and his Israeli boss, hinting at shared humanity. Narrative Depth: Eman focused on the children, not the destruction, turning tragedy into a universal story of hope. Alt Text Suggestion for Web: Children playing in a bubble bath on war‑torn rubble in Gaza, taken by Eman Mohammed, representing resilience after conflict. 4. Why Long‑Term Projects Matter From Spot News to In‑Depth Storytelling Spot news captures the immediate event (e.g., rockets falling). Long‑term projects uncover causes, aftermath, and human impact. Benefits Highlighted by Eman Mohammed Deeper Understanding: Reveals how extremism forms, how societies heal. Narrative Cohesion: Allows “layers of mental health, tragedy, resilience” to emerge over time. Ethical Responsibility: Offers a full picture rather than “half information.” Practical Steps for Photographers Identify a core question (e.g., “What happens after a house is destroyed?”). Allocate time—months or years rather than days. Build trust with subjects for ongoing access. Document both visual and oral histories. long‑term photography projects, after‑effects of war, in‑depth photojournalism 5. Preparing for War Coverage: Gear, Safety, and Mental Health Gear & Logistics (What Eman Mohammed Learned the Hard Way) Early days: No protective vest, no backup batteries, unreliable electricity. Now: One spare battery, basic body armor, portable solar charger, reliable backup storage. Safety Strategies Know the locality—local journalists share the same surprise factor as residents. Secure evacuation routes (even if embassies may be limited). Maintain communication with a trusted network of fellow journalists. Mental Health & PTSD Therapy is essential – Eman stresses continual sessions, not a one‑off fix. Peer support: Sharing experiences with other photojournalists reduces isolation. Self‑care practices: Regular sleep, nutrition, and moments of “mental break” from intense material. war photographer safety tips, photojournalism PTSD, gear for conflict photography 6. Behind the Book: The Cracks in My Lens (2022) Limited‑edition memoir chronicling a decade‑plus of Gaza coverage. Challenges: Re‑seeing traumatic images, translating feelings into words, language barrier (English not native). Therapeutic Value: Forced Eman to process memories, confront PTSD, and articulate the “smell, taste, view” of daily life under siege. Availability: A few copies remain on her website (pre‑order if you’re a collector). The Cracks in My Lens book, photojournalist memoir Gaza, limited edition photography book 7. The “Broken Souvenirs” Project: Trauma Without Borders Concept: Pair powerful images with survivor quotes, omitting national identifiers to emphasize universal pain. Scope: Gaza, September 11 survivors, Oklahoma bombing, Armenian genocide, Native American genocide, etc. Six‑Degrees‑of‑Separation: Every subject is linked within six connections, highlighting our interconnected humanity. Why the Anonymity? Focus on emotion, not geopolitics. Encourages viewers to see the shared human cost, regardless of “nation.” Broken Souvenirs photo project, war trauma photography, universal storytelling 8. Key Takeaways for Emerging Photojournalists Find your “absence” – let gaps in representation fuel your purpose. Leverage gender or cultural position to access untold stories. Prioritize long‑term narratives over fleeting headlines. Prepare pragmatically: gear, safety plans, mental‑health resources. Collaborate and mentor: Reach out to established photographers (e.g., Adrees Latif, Carol Guzy, Yunghi Kim). Tell stories ethically: Respect subjects, avoid sensationalism, and consider anonymity when it serves the story. 9. Further Resources & Links Resource Link 10 Frames Per Second Podcast – Episode with Eman Mohammed [Listen on 10fps.net] Eman Mohammed’s Portfolio & Book Store [emanphotography.com] TED Talk by Eman Mohammed [TED.com/eman-mohammed] Aftermath Project Grant (Sarah Terry) [aftermathgrant.org] Mental‑Health Support for Journalists – Dart Center [dartcenter.org] Gear Checklist for Conflict Photographers [photojournalistgear.com] Ready to Capture Stories That Matter? If you’re an aspiring photojournalist, remember Eman Mohammed’s mantra: “Document the aftermath, stay curious, and never let the absence of representation silence you.” Start small, think long‑term, and let your lens reveal the resilience humanity carries in even the darkest moments. Feel free to share this post on social media, tag Eman Mohammed, or join the conversation about ethical, long‑term photojournalism. ________ photojournalism, Gaza, women photojournalist, war aftermath, resilience, jacuzzi photograph, Israeli‑Palestinian relationship, long‑term projects, spot news vs. in‑depth reporting, protective gear, first war experience, PTSD, therapy, mental health, Black Lives Matter, marginalized communities, D.C. protests, 2014 Gaza war, September 11 survivors, Broken Souvenirs project, six degrees of separation, immigrant perspective, mentorship, grants for emerging photographers, Adrees Latif, Yunghi Kim, Carol Guzy, Younghee Lee, power and electricity shortages, Gaza siege, Palestinian identity. first woman photojournalist Gaza, female war photographer, gender barriers in journalismThe post Archive Episode 81: Eman Mohammed (Gaza Conflict Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

🎨 Claire Rosen’s Whimsical World: From Beatrix Potter Inspiration to the Birds of a Feather Book Keywords: Claire Rosen, Birds of a Feather, fine‑art photography, animal photography, Beatrix Potter influence, conservation photography, conceptual photography, photography process, Fujifilm GFX, nature‑inspired art, limited‑edition photography book Meta description: Discover how award‑winning photographer Claire Rosen blends Beatrix Potter charm, nature conservation, and conceptual photography in her new book Birds of a Feather. Learn her creative process, gear, and where to buy the limited‑edition volume. 📖 Overview Claire Rosen, a Forbes “30 Under 30” honoree and celebrated fine‑art photographer, sits down on the 10 Frames Per Second podcast to discuss: Her early love for Beatrix Potter, natural‑history museums, and Dutch still‑life painting. The journey from her first staged photos with sisters to large‑scale animal “feasts.” The making of her newest, exquisitely crafted book Birds of a Feather – its concept, design, and limited‑run production. The technical tools (Fujifilm GFX, darkroom magic) that bring her whimsical animal portraits to life. How controversy sparked a deeper conversation about animal welfare and conservation. If you’re a photographer, a nature lover, or simply adore beautiful books, keep reading for an inside look at Claire’s process and tips you can apply to your own creative projects. 🌿 Who Is Claire Rosen? Fact Detail Award‑winning Forbes “30 Under 30” (2012‑2013) Specialty Whimsical, anthropomorphized animal photography Influences Beatrix Potter, natural‑history museums, Dutch still‑life tradition Key Projects Imaginarium (process guide), FEAST series, Birds of a Feather (2024) Current Base Glenmore, Pennsylvania farm (≈ 1 hour from Philadelphia) 🐰 From Beatrix Potter to Conceptual Photography Why Beatrix Potter Matters Storytelling: Potter’s blend of cute animal characters and narrative inspired Claire’s “anthropomorphic” scenes. Conservation Roots: Potter used her book profits to buy land and start England’s first land trust – a model Claire mirrors in her own activism. Aesthetic DNA: Victorian‑era wallpaper, pastel palettes, and intricate set design echo Potter’s illustrations. “I moved to a farm eight years ago, and the same love for land conservation that Potter had really resonated with me.” – Claire Rosen Moving Beyond Documentation Claire doesn’t aim to “record” animals; she builds worlds. Early on she staged pictures with her sisters, focusing on world‑building rather than documentation—a practice that still defines her today. 📚 The Book: Birds of a Feather What Makes This Book Special? Limited Edition: Only 1,000 copies, half already sold. Tactile Design: Hand‑marbled edges, red thread stitching, inset “treasure‑hunt” pages. Mixed Media: Combines photography with Victorian‑style wallpaper, custom paper, and miniature illustrations. Conservation Message: Opens dialogue on animal rights, habitat loss, and ethical pet ownership. Key Sections Opening Quote: “Nature is the original and enduring muse.” – sets the tone for a reverence‑first approach. Parrot Portraits: Sourced from a pet store, sparked controversy that deepened Claire’s awareness of captivity issues. Raptor & Owl Series: Photographed during a Dubai exhibition; highlights falconry and wildlife rescues. Farm‑Side Residents: Chickens, ducks, and local wildlife captured during the pandemic. How to Get a Copy Primary Source: Claire’s official website (shop link). Select Retailers: Ivy Books (Baltimore) and a handful of boutique art stores. Pre‑order Alerts: Sign up on the website for restock notifications—future print runs are uncertain. 📸 Behind the Lens: Claire’s Technical Workflow Step Details Camera Fujifilm GFX (medium‑format, high resolution, intuitive controls) Early Gear Canon DSLR for initial projects Post‑Production Collaboration with retoucher Beck Manson; extensive Photoshop work to unify images across 13 years Printing Partnered with Luminosity Lab for paper selection and marbling Set‑Building Victorian‑era wallpaper scrap sheets, custom mini‑sets, animal‑friendly lighting “I need equipment that isn’t complicated; the Fujifilm system lets me stay focused on the animals.” – Claire Rosen Quick Tips for Photographers Working With Animals Research the Species – Know stress triggers and comfort cues. Prep the Set – Have all props, lighting, and backup gear ready before the animal arrives. Minimize Distractions – Keep the crew small and the environment calm. Safety First – Use experienced caretakers; never sacrifice animal welfare for a shot. Stay Flexible – Expect spontaneous behavior; sometimes the best moments are unplanned. 🌎 Conservation & Controversy: Turning Criticism into Dialogue 2013 Online Backlash: Critics attacked Claire for using pet‑store parrots. Resulting Insight: She researched the pet‑trade, discovered high rates of relinquishment, and began donating a portion of sales to animal charities. Art as Advocacy: By pairing beautiful, whimsical imagery with subtle empathy cues, Claire hopes viewers become more receptive to conservation messages. “Beauty opens the mind; then we can deliver the hard truths about habitat loss, illegal pet trade, and animal welfare.” – Claire Rosen 🎤 Podcast Highlights You Won’t Want to Miss “How did the FEAST project begin?” – A decade‑long adventure of arranging feasts for pigs, gibbons, honeybees, and more. “What’s the most unexpected animal encounter?” – A black vulture named Hoover perched on Claire’s head! “Future Projects?” – Miniature “date‑night” animal series, dollhouse habitats, and a farm‑based artist residency. “Technical deep‑dive?” – Transition from film to Fuji GFX, darkroom magic, and post‑processing challenges across a 13‑year timeline. 📣 Take Action: Support Claire’s Vision Buy Birds of a Feather – Own a piece of limited‑edition art that fuels conservation. Share the Story – Tweet, Instagram, or LinkedIn with #ClaireRosen or #BirdsOfAFeather to spread awareness. Donate – A portion of proceeds already supports bird‑rescue charities; you can match them. Visit the Farm – Plan a trip to Glenmore, PA in July to see the lavender fields and possibly stay in Claire’s guest room! 🔎 SEO Checklist (For Site Managers) Title Tag (≈ 60 chars): Claire Rosen – Whimsical Animal Photography & the New Birds of a Feather Book Meta Description (≈ 155 chars): Explore Claire Rosen’s nature‑inspired photography, her Beatrix Potter influence, and how to get the limited‑edition Birds of a Feather book. Header Structure: H1 → H2 → H3 used logically (as shown above). Image Alt Text: e.g., “Claire Rosen’s parrot feast photograph from Birds of a Feather”. Internal Links: Link to related posts about fine‑art photography, conservation books, and podcast episodes. External Links: Cite Claire’s official shop, Luminosity Lab, and the 10 Frames Per Second podcast page. 🖋️ Final Thought Claire Rosen proves that artistic playfulness can spark serious conservation conversations. Whether you’re a photographer looking for inspiration, a nature enthusiast seeking beautiful yet meaningful books, or a fan of whimsical storytelling, Birds of a Feather offers a masterclass in merging visual delight with purpose. Ready to experience the magic? Grab your copy, follow Claire’s journey on the podcast, and let the feathers fall where they may. 🕊️✨ ___ photojournalism, fine‑art photography, Claire Rosen, award‑winning photographer, Beatrix Potter, natural‑history museums, Dutch still‑life tradition, whimsical animal imagery, anthropomorphized animals, conservation, land trusts, National Geographic, animal‑rights activism, pet‑store controversy, feathered birds, parrots, owls, raptors, falconry, falconry photography, Victorian wallpaper, paper marbling, book design, limited‑edition photobook, Fujifilm GFX, large‑format cameras, post‑production/Photoshop, artist residency, farm‑based studio, land‑conservation farm, reforestation, stream restoration, community outreach, children’s art education, whimsical installations, fairy‑themed exhibits, animal welfare ethics, creative process mentorship, conceptual photography.The post Episode 173: Claire Rosen (Nature Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Inside the Courthouse: How Pulitzer‑Winner Carol Guzy Uses “Visual Empathy” to Document New York’s Immigration Detentions Published on 10 Frames Per Second Blog – Your source for photojournalism insights 📚 Overview – Episode 172: Carol Guzy In the latest episode of 10 Frames Per Second, hosts Joe Giordano & Molly Roberts sit down with Carol Guzy, a four‑time Pulitzer‑Prize‑winning photojournalist, to discuss her groundbreaking work inside a New York City courthouse that has become the only U.S. courtroom where photographers are allowed to capture ICE‑related family separations. If you’re a photographer, journalist, activist, or anyone curious about how visual storytelling can drive social change, this post breaks down the interview’s most compelling moments, the ethical challenges Carol Guzy faces, and practical ways you can support or emulate her approach. Carol Guzy photojournalist Immigration detention NYC courthouse Visual empathy in photojournalism ICE raids New York Family separation photography 10 Frames Per Second podcast Pulitzer‑Prize photojournalism How to document immigration raids 1️⃣ Who Is Carol Guzy? Fact Detail Profession Photojournalist, freelancer represented by Zuma Press Awards Four Pulitzer Prizes for photography Background Trained as an RN before switching to photography Focus Long‑form, human‑interest documentaries (Haiti, Kosovo, Ukraine, U.S. immigration) Current Project Daily coverage of immigration detentions at the Eastern District of New York courthouse (hallways and elevators only) Why she matters: Carol’s “visual empathy” blends her nursing instincts with journalistic rigor, allowing her to capture intimate, humane moments in high‑tension environments. 2️⃣ Carol Guzy on the Unique NYC Courthouse Access Only U.S. courthouse that permits photography in hallways/elevators (courtesy of a lawyer’s petition by a photographer named Wiley). Public‑space rule: Hallways and elevator banks are considered public, not part of the federal building’s “restricted” zones. Limitations: No access to interior courtrooms, detention floors, or ICE‑specific offices. “It’s the only courthouse in the country that allows us this level of access – and it’s strictly limited to the hallways.” – Carol Guzy Why This Matters for SEO Search intent: People looking for “photographer access NYC courthouse” or “how to get permission to shoot in immigration courts” will find this post valuable because it explains the legal precedent and the practical constraints. 3️⃣ Visual Empathy: Carol Guzy From Nursing to Photojournalism The Core Idea Visual empathy = “Seeing with a compassionate heart while staying objective.” Nursing training taught Carol to be hands‑on, compassionate, and emotionally aware. She applies the same mindset to photography: listen, observe, protect the subject’s dignity. Practical Tips (From Carol Guzy’s Playbook) Leave bias at the door – focus on the story, not personal politics. Maintain a protective emotional barrier – let feelings settle before shooting. Follow families beyond the courthouse – capture life at home, after reunions, to humanize the narrative. Quick Checklist ☐ Verify legal access (court petition, attorney guidance) ☐ Prepare emotionally (breathing exercises, quick debriefs) ☐ Carry minimal gear for speed (camera, lens, backup batteries) ☐ Respect privacy – ask before photographing children when possible 4️⃣ The Emotional Toll & Self‑Care Physical strain: Standing for hours, lugging gear, dealing with unpredictable schedules. Emotional strain: Witnessing children crying, family separations, and occasional aggression from agents. Coping mechanisms: Dogs – Carol says her pets are a lifeline. Community support: Friends offering couch‑surfing, churches (St. Peter’s) providing meals and legal aid. Professional debriefs: Talking with fellow photographers, taking breaks when needed. “It’s crushing to see these kids, but the mission to document keeps me going.” – Carol Guzy 5️⃣ Balancing Dignity & Documentation Challenges Flash photography from other journalists can feel invasive. Maintaining subject dignity while filming in a distressing environment. Carol Guzy’s Approach Stay in the hallways – capture moments without intruding on private moments. Follow families later – provide a more rounded, respectful portrait. Use captions wisely – avoid activist language; let images speak. Best‑Practice Summary Do Don’t Engage with families, ask permission whenever feasible. Push the camera into private moments without consent. Explain your role as a journalist, not an activist. Use sensational captions that bias the story. Document the systemic issue, not just the drama. Focus solely on shock value. 6️⃣ Community & Legal Support Systems St. Peter’s Church (Pastor Fabian Arias): Daily mass for migrants, legal clinics, and emotional support. Court observers & volunteers: Peter Malk‑Cattell, lawyers, and social workers guide families through the process. Political allies: Congressman Dan Goldman and NYC Councilmember Brad Lander help push for legislative change. Takeaway: Photojournalism thrives when paired with grassroots advocacy; the images become evidence for legal battles and public awareness. 7️⃣ Impact of Carol Guzy’s Photos & Future Plans Public reaction: Hundreds of thank‑you messages from passersby; viral Instagram posts. Media outlets: Ongoing pitches to CNN, Miami Herald, and international wire services via Zuma Press. Dream project: A collaborative book/exhibit with the core group of photographers covering the courthouse. “I want a collective book that shows the whole picture, not just a single photographer’s view.” – Carol Guzy 8️⃣ How to View Carol Guzy’s Work Platform What to Find Zuma Press Wire‑service images, downloadable for editorial use Instagram (@carolguzy) Real‑time updates, behind‑the‑scenes stories CNN & Miami Herald Feature articles when they publish her photo essays Bronx Documentary Center Past panel recordings and exhibition highlights 10 Frames Per Second podcast Full audio interview (Episode 172) 9️⃣ Key Takeaways (Bullet Summary) Exclusive access to NYC courthouse hallways makes Carol Guzy’s work unique. Visual empathy fuses nursing compassion with journalistic objectivity. Emotional resilience is crucial; community, pets, and peers are essential supports. Dignity matters – follow subjects beyond the courtroom and caption responsibly. Collaboration with churches, lawyers, and legislators amplifies impact. Future vision: a collective photo book/exhibit to preserve this historic moment. 📣 How You Can Support Ethical Photojournalism Share responsibly: Repost Carol’s images with proper credit and context. Donate: To organizations like St. Peter’s Church migrant services or photojournalist grants (e.g., Alexia Foundation). Advocate: Write to local representatives demanding transparency in immigration courts. Educate: Use the term “visual empathy” when discussing image ethics in classrooms or workshop. 🎧 Missed the Podcast?Listen to the full conversation with Carol Guzy on 10 Frames Per Second – new episodes drop every Tuesday on 10fps.net or your favorite podcast platform. Stay informed, stay compassionate, and keep the images that matter alive. ____ photojournalism, immigration, ICE, courthouse access, empathy, nursing background, family separation, detainment, sanctuary city, due process, habeas corpus, legal guardianship, activists, media bias, social media, book project, exhibit, Bronx Documentary Center, mermaid parade, migrant families, ICE agents, Border Patrol, IRS, diplomatic services, St. Peter’s Church, Father Fabian Arias, Dan Goldman, Brad Lander, Trump administration, white nationalism, public protests, Canal Street raid, New York courts, courtroom photography, visual storytelling, humanitarian crisis, legal observers, community support, humanitarian journalism. The post Episode 172: Carol Guzy (Documentary Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.