On a quiet street where old ghosts meet

This year marks the 40th anniversary of Red Roses For Me, the first album from The Pogues. Borrowing its title from Sean O'Casey, it also carries literary influences like Ulysses and Brendan Behan proudly. As an exhibition on the London-Irish currently runs in Dublin's EPIC emigration museum, what better time to discuss this defining London-Irish band who still mean so much? Here Comes Everybody by James Fearnley (Faber & Faber) is available now.

We know it as ‘On Raglan Road’, but the journey of the song that began life as a poem tells us a lot about Bohemian Dublin in an earlier time. In the Bailey tent at the Luke Kelly Festival, playwright Jimmy Murphy takes us through the story of the Kavanagh masterpiece Luke Kelly made his own. We also get a great rendition from Fergus Whelan (with a little help from Patrick Kavanagh in the recording!).

Like his father Jim Hand before him, promoter Brian Hand would build a real and lasting relationship with The Dubliners over many years. For singer and actor Phelim Drew, the band were like an extension of family. In this discussion, recorded live at the Luke Kelly Festival, we get into great personal memories of The Dubliners and what the band still mean today. Contains some bad language.

Fifty years ago today, a series of no-warning car bombs erupted across Dublin and Monaghan.  This would prove to be the bloodiest day of the Troubles. Immediately, questions were raised about how this event had come to pass. In a new documentary, director Joe Lee and producer Fergus Dowd explore what happened on 17 May 1974. Warning: This episode is quite graphic in describing the day. This episode of the podcast is dedicated to the memory of Derek Byrne.

Temporary interventions into the Dublin streetscape have a curious history. This week, the livestream portal with New York made international headlines. For me, it recalled the CowParade, Bowl of Light and other such things. When you put something out there on the street, there's no way of telling how people will respond. Support TCB: www.patreon.com/threecastlesburning

In 1970, the outdoor rock festival was a totally new idea in Ireland. Amidst press coverage of Woodstock and the Isle of Wight, focused on LSD and exagerated crowd trouble, the booking of Mungo Jerry, Thin Lizzy and others for Richmond Park would be the first Dublin experience of such a festival here. Why did this festival fail? And how, just a few short years later, had the festival become such an integral part of Irish youth culture?  

To the Dublin press, the American Civil War veterans in Dublin cut an unusual shape. These ‘Yankee’ characters looked different, but they also behaved differently. Under the direction of Captain Thomas J. Kelly, these men would be centrally important to the Fenian uprising of 1867. While history remembers this as a skirmish on a hill in Tallaght, much more happened in March 1867 than that.

The story of Mount Jerome Cemetery is the story of Victorian Dublin. There, many of the great innovaters of the city are at rest. If Glasnevin brings to mind the Irish revolution, Mount Jerome instead makes us think of the nineteenth century. Still, there is great diversity in who is (and isn't) buied there. This is a story that touches on everyone from Charles Stewart Parnell to the so-called 'General.' Thanks to Patrons of the podcast whose support made this research possible.

The labour leader Jim Larkin was international news when he departed Ireland in 1914. In America, Larkin would cross paths with the FBI founder J. Edgar Hoover, landing in prison for 'Criminal Anarchy'. What did all of this mean back in Dublin? My guest is Ronan Burtenshaw, author of a recent piece on Larkin for Jacobin magazine: https://jacobin.com/2024/01/jim-larkin-ireland-labor-150

This year marks the 150th anniversary of the birth of Jim Larkin. In this two-part special, Ronan Burtenshaw (author of a recent piece exploring Larkin for Jacobin magazine) joins me to discuss this important and divisive revolutionary figure. Larkin in Dublin means 1913, but where did he come from? This story brings us from Liverpool Cathedral to the streets of West Belfast. Ronan's piece: https://jacobin.com/2024/01/jim-larkin-ireland-labor-150)