"Art is the Best Way to Communicate" - PEARL LAM - Highlights

“I grew up in colonial Hong Kong, where we were not taught about Chinese culture. When I went back to China, I thought the art in the West was superior to the Chinese, not understanding the Chinese culture. I remember when I first went to China, I told people I'm a Hong Kongese. I'm not Chinese. It took me ten years to go back and tell people that I'm Chinese because then I started to be very proud of Chinese culture. The first exhibition I mounted, during the process, made me feel completely alive again. Every cell in my body became so exhilarated. I knew this is what I should be doing, and this is what I want. I was very lucky because I then realized my passion. Before that, I didn't know what I wanted to do. At that moment, I knew this is what I wanted to do in my life. I think art is about communication; it's about exchange. I believe it's very important that we have different voices that talk about different things.”My guest today is Pearl Lam, and if you follow the international art market, you know her name. She is a collector-turned-gallerist who has made it her life's mission to challenge our assumptions about what constitutes contemporary art, especially between Asia and the West. But her journey began in a very personal place: a fierce independence that saw her defying her family to pursue art and immersing herself in Shanghai in the early 90s, where she had to shed her own 'West is Best' colonial mindset. She became captivated by abstract art and artists whose work was embedded in ancient philosophies like Daoism and Buddhism—a tradition extending back thousands of years. Now, through Pearl Lam Galleries and her own podcast. where she expands her dialogue on creativity, the art market, and the world. She continues to champion her belief in art that transcends borders. We're going to talk about what it takes to have the instinct of a visionary in a constantly changing market, and why she believes the art of real conversation is so critical today.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast@pearltheworld@pearllamgalleries

“Today, the world is very divided, lots of fractures. It is the time for art and culture to come into play because art is about soft power. If we want to resolve misunderstandings, art is the best, best, best way to communicate. So use this.”My guest today is Pearl Lam, and if you follow the international art market, you know her name. She is a collector-turned-gallerist who has made it her life's mission to challenge our assumptions about what constitutes contemporary art, especially between Asia and the West. But her journey began in a very personal place: a fierce independence that saw her defying her family to pursue art and immersing herself in Shanghai in the early 90s, where she had to shed her own 'West is Best' colonial mindset. She became captivated by abstract art and artists whose work was embedded in ancient philosophies like Daoism and Buddhism—a tradition extending back thousands of years. Now, through Pearl Lam Galleries and her own podcast. where she expands her dialogue on creativity, the art market, and the world. She continues to champion her belief in art that transcends borders. We're going to talk about what it takes to have the instinct of a visionary in a constantly changing market, and why she believes the art of real conversation is so critical today.Episode Websitewww.creativeprocess.info/podInsta :@creativeprocesspodcast@pearltheworld@pearllamgalleries

“We're at times where a lot of the arts are really suffering in multiple countries with funding and cost of living. Understandably, people come for the arts, but our job is at times to hold a mirror to society. We can learn a huge amount. It can really change everyone's perspective. So look, it could be escapism, and we all need that at times, but it also can have something that fundamentally can't be enacted just through journalism at times. I think when you dramatize something, it can reach the very core of an audience.”Today, we'll be talking about the intense emotional toll of modern life, and how the deepest secrets often hide behind the most polished facades. My guests have dedicated their careers to crafting psychological dramas. Nigel Marchan tis the Managing Director and an Executive Producer at Carnival Films, the powerhouse behind some of television's most beloved and intricate dramas, from Downton Abbey to the television adaptation of The Day of Jackal. Megan Gallagheris a writer who understands the delicate mechanics of suspense and the human heart. She created and wrote the critically acclaimed series Borderliner, and most recently, the BBC thriller Wolf.They’ve joined forces for the new limited series, All Her Fault (now streaming on Peacock). It’s an anxiety-inducing thriller adapted from Andrea Mara's novel and the show plunges us into the frantic world of a wealthy working mother, Marissa Irvine, after her five-year-old son disappears. Starring Sarah Snook in her first television role since Succession, the series starts with a rupture when Marissa’s son Milo is kidnapped and ripples into many lives, exploring momshaming, the guilt, blame, and sacrifice of motherhood. And what happens when domestic bliss turns to domestic misery.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast@carnivalfilms X: @carnival_films Facebook: Carnival Films

“The people that we choose to love and the ones we choose to rely on and trust… Marissa and Jenny's relationship and that female friendship, that's what we watch happen in the series in real time. Whereas the marriages and the relationships that they're already in maybe aren't so perfect, the one we watch them choose is the one that's rewarding. It's so nice to listen to people's reactions to that relationship and how real that relationship feels. These two women, from a character perspective, have every reason to not get along or to hate each other or to yell at each other. That's the opposite of what each one of them does, and that just feels true and honest. I know a lot of women who I feel would act that way, be the best version of themselves in such an awful situation.”Today, we'll be talking about the intense emotional toll of modern life, and how the deepest secrets often hide behind the most polished facades. My guests have dedicated their careers to crafting psychological dramas. Nigel Marchant is the Managing Director and an Executive Producer at Carnival Films, the powerhouse behind some of television's most beloved and intricate dramas, from Downton Abbey to the television adaptation of The Day of Jackal. Megan Gallagher is a writer who understands the delicate mechanics of suspense and the human heart. She created and wrote the critically acclaimed series Borderliner, and most recently, the BBC thriller Wolf.They’ve joined forces for the new limited series, All Her Fault (now streaming on Peacock). It’s an anxiety-inducing thriller adapted from Andrea Mara's novel and the show plunges us into the frantic world of a wealthy working mother, Marissa Irvine, after her five-year-old son disappears. Starring Sarah Snook in her first television role since Succession, the series starts with a rupture when Marissa’s son Milo is kidnapped and ripples into many lives, exploring momshaming, the guilt, blame, and sacrifice of motherhood. And what happens when domestic bliss turns to domestic misery.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast@carnivalfilms X: @carnival_films Facebook: Carnival Films

“How do you render something interior filmically? How do you communicate the details of the lost child, of the amount of time of the stuck creative process, and even the exterior, or the externalization of the house as a kind of hellish thing that's barely staying together—literally flooding with waste—and that you can't afford? So those are the details that we had to carefully figure out how to weave. But, you know, when you look at the first 10 minutes, it could be a horror movie. From that moment, a lot can happen. But what's important about it is that it sets the table for what does happen.” -Howard GordonToday, we explore the dark psychology of obsession, guilt, and the thin line between predator and victim. Our guests are two of television's most accomplished architects of high-stakes drama and moral ambiguity: Howard Gordon, the showrunner and executive producer whose work defined a generation of thrillers with 24 and the multi-award-winning Homeland; and Daniel Pearle, an executive producer and writer who brings a distinct, penetrating depth from his background as a celebrated playwright and his work on series like Accused and American Crime Story.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“And I think there's also just something about an unfettered or uncensored id that is so captivating. We all have that fantasy of doing exactly what we want with no consequences and sort of letting that go. I think when you see an athlete at the peak of their game, doing that embodied thing and living that dream, or when someone has actually done horrible things that you would never allow yourself to do, there is a fascination there. I had one teacher who said, "Anyone who drives you crazy or that you just cannot stand in life, put them in a play or put them in a scene, and the audience will love them." If someone has really gotten under your skin and you just cannot stand them, and you have a visceral reaction—like, "I just hate this person"—make them a character, and the audience will make them everyone's favorite character. There is something to that.”Today, we explore the dark psychology of obsession, guilt, and the thin line between predator and victim. Our guests are two of television's most accomplished architects of high-stakes drama and moral ambiguity: Howard Gordon, the showrunner and executive producer whose work defined a generation of thrillers with 24 and the multi-award-winning Homeland; and Daniel Pearle, an executive producer and writer who brings a distinct, penetrating depth from his background as a celebrated playwright and his work on series like Accused and American Crime Story..Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I can change my mind. I can reduce anger, hatred. Nothing to do with religion. All religions carry the message of love, loving kindness, and tolerance. With different views, there is a possibility to synthesize new ideas. If majority of the world leaders become female, world become safer. I feel that. Compassion is the key factor. Non-violence, compassion and self-confidence, these are key factors for happy individual, happy community, peaceful world. This century should be century of compassion, century of peace. No more bloodshed. We should develop a big “we,” rather than “we” or “they.” With these wings, you can fly.” -DALAI LAMAFor decades, the Dalai Lama has been a global symbol of peace, compassion, and resilience, a spiritual leader living in exile from his home in Tibet. But how do you capture the essence of his wisdom—the kind that can truly change a life—in a way that feels intimate and personal? My guest today, documentary filmmaker Barbara Miller, has managed to do just that in her new film, Wisdom of Happiness. It’s a beautiful film that feels less like a documentary and more like a private, heart-to-heart conversation, where he invites us into his thoughts and shares practical steps for finding inner peace in a chaotic world.  She's dealt with anti-globalization, domestic violence, and the fight for female pleasure in her previous works. We’ll talk about how she shifted from exposing systemic pain to focusing on radical hope and her collaboration with Executive Producer Richard Gere and Manuel Bauer, the Dalai Lama’s personal photographer for the last thirty-five years, who made his cinematography debut with this film. She shares what the Dalai Lama taught her about living in harmony with our body, nature, and the world.Episode Website www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“ Everybody wants happiness, joyfulness, peaceful world. Our 21st century will not be easy century. Fear, anger, hatred. In our mind we created distinctions. Different nationality, different color, different religion. Strong concept of “we” and “they”. Brothers and sisters of this small planet, we are same human beings. Meanwhile, global warming is a serious problem. Destruction of this planet is actually destruction of yourself. Our common responsibility should be work together, to save our world. We all have this marvelous human brain. The problem is, when negative emotions develop, our whole mind is taken over. So, we must deal with emotions.I can change my mind. I can reduce anger, hatred. Nothing to do with religion. All religions carry the message of love, loving kindness, and tolerance. With different views, there is a possibility to synthesize new ideas. If majority of the world leaders become female, world become safer. I feel that. Compassion is the key factor. Non-violence, compassion and self-confidence, these are key factors for happy individual, happy community, peaceful world. This century should be century of compassion, century of peace. No more bloodshed. We should develop a big “we,” rather than “we” or “they.” With these wings, you can fly.” -DALAI LAMAFor decades, the Dalai Lama has been a global symbol of peace, compassion, and resilience, a spiritual leader living in exile from his home in Tibet. But how do you capture the essence of his wisdom—the kind that can truly change a life—in a way that feels intimate and personal? My guest today, documentary filmmaker Barbara Miller, has managed to do just that in her new film, Wisdom of Happiness. It’s a beautiful film that feels less like a documentary and more like a private, heart-to-heart conversation, where he invites us into his thoughts and shares practical steps for finding inner peace in a chaotic world.  She's dealt with anti-globalization, domestic violence, and the fight for female pleasure in her previous works. We’ll talk about how she shifted from exposing systemic pain to focusing on radical hope and her collaboration with Executive Producer Richard Gere and Manuel Bauer, the Dalai Lama’s personal photographer for the last thirty-five years, who made his cinematography debut with this film. She shares what the Dalai Lama taught her about living in harmony with our body, nature, and the world.Episode Website www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it’s probably an enrichment for the opera audience because he doesn't follow the rules of opera. And, of course, once you decide to do a documentary about Ai Weiwei, it's in his DNA to be political. Once I started to follow him, the political issues and topics came into the documentary by themselves.”The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini’s final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini’s original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei’s belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary’s director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei’s words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Everything is Art. Everything is Politics. I think art competes with reality. And art will give you the last words.” –Ai WeiweiThe renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini’s final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini’s original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei’s belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary’s director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei’s words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast