Paul Cassidy of the The Brodsky Quartet

In this episode, Simon Morris sits down with the renowned double bassist and Chineke! Orchestra founder, Chi-chi Nwanoku. They explore the overlooked legacies of Black composers, the impact of cultural appropriation in music, and the shifting landscape of diversity in classical performance. Chi-chi shares her personal experiences as one of the few black musicians in major orchestras, discusses the barriers facing young musicians of color, and reflects on how visibility and representation are reshaping the industry. From her passion for Samuel Coleridge-Taylor to her work in supporting young talent, this conversation sheds light on the past, present, and future of inclusivity in classical music.

Roger Hargrave is one of the most respected names in the world of violin-making, known for his meticulous craftsmanship and deep historical knowledge. In this episode, host Simon Morris delves into Roger’s fascinating career—from his early days painting harpsichords to his groundbreaking work with the Guarneri exhibition at the Metropolitan Museum. Roger shares stories of his time at Hills, his transition to Germany, and the challenges and triumphs of creating some of the most sought-after reproductions. With humor and deep insight, Roger reflects on the past and present of violin making, the importance of craftsmanship, and what it means to create an instrument that stands the test of time.

Join Simon Morris as he sits down with Geoffrey Davis, the founder of The Violin Channel, to explore the meteoric rise of this global classical music platform. Geoffrey shares how his unique blend of business and music degrees, a leap of faith in 2009, and the opportunities presented by YouTube and Facebook shaped The Violin Channel into a worldwide hub for classical music. From curating groundbreaking online concert series during the COVID-19 pandemic to engaging millions of followers across social media, Geoffrey offers a fascinating behind-the-scenes look at his 15-year journey at the helm of this influential platform. Discover how the intersection of technology and tradition has reshaped the future of classical music for a younger, more connected audience.

In this episode of Violin Stories, Simon Morris welcomes renowned violinist Esther Abrami. They discuss her unconventional path to a successful music career, her passion for communicating through both her voice and violin, and the evolution of her podcast, 'Women in Classical'. Esther shares insights on her diverse interests, the importance of not adhering strictly to traditional routes in classical music, and her belief in the power of social media to bring classical music to a broader audience. The episode also explores her experiences, from her initial steps into music, her education at Chetham School of Music and the Royal College of Music, to her contract with Sony. Esther's journey emphasizes that achieving dreams in the music industry can be unique and varied, breaking the preconception that only prodigies succeed.

Simon Morris chats with renowned cellist and teacher Ralph Kirshbaum about the Piatigorsky Cello Festival, the arts of teaching and performing.

Simon discusses the art of violin making with acclaimed luthiers Peter Greiner and Robert Young.

Simon Morris speaks with his colleague violin expert, Steven Smith, and violin collector, philanthropist and eminent banker Jonathan Moulds CBE about the value of instruments to both the player and the investor.

Richard Tognetti, the Artistic Director and lead violin of the Australian Chamber Orchestra, and Satu Vänskä, the orchestra’s principal violin speak with Simon Morris about their extraordinary range of work as musicians and composers.

Conductor and violinist, Alan Gilbert, chats to Simon Morris about growing up in a family of violinists and his thoughts on life and music as a conductor during these unprecedented times.

Simon chats with Sir Michael about his early days as a violin player, his violin competition, his astounding success in business and his unique philosophy on life.