Discover the Horror Podcast

Fear No Evil (1981) & Lady in White (1988) Halloween season is the perfect time to bust out some classic horror, and we're especially fond of a good ghost story—one that delivers chills and thrills alongside a compelling story and endearing characters. Frank LaLoggia's Lady in White is a perfect example. With both that film and his debut, Fear No Evil (1981), recently released on 4K by Vinegar Syndrome, it's an ideal time to revisit these two LaLoggia films for the holiday. Joining us is friend of the show Ben Scrivens of Fright Rags. Ben is a huge fan of Lady in White and played a small part in helping bring its 4K release to fruition, making him a great guest for this Halloween double feature. Films Mentioned in this episode: Blood Simple (1984), Duel (1971), Evil Dead (1981), Fear No Evil (1981), Jaws (1975), Lady in White (1988), The Omen (1976), Something Wicked This Way Comes (1983), Stand by Me (1986), The Twight Zone: The Movie (1983)

It Conquered the World (1956), The She-Creature (1956), and It! The Terror from Beyond Space (1958) For fans of the classic Universal monsters, Jack Pierce is a familiar name. But the artists who directly followed him don't always get the same recognition. A couple of decades after Universal's iconic monsters first appeared on screen, Paul Blaisdell was creating some of the 1950s' most distinctive creatures on a fraction of those budgets. His monsters became familiar sights to fans, even when his name didn't. We're here to help change that. In this episode, we're covering three films Blaisdell worked on and exploring his place in the history of movie monsters. Working in his garage, often with budgets of just a few hundred dollars and help from his wife, Jackie, and later his friend Bob Burns, Blaisdell brought some wonderfully strange creatures to the screen. What he lacked in resources, he made up for in imagination and ingenuity. That's one of the reasons we started this podcast: to help people discover not just the films, but the talent behind the camera. So settle in as we celebrate Paul Blaisdell and the remarkable monsters he gave us. Movies mentioned int his episode: Alien (1979), Attack of the 50-Foot Woman (1958), Attack of the Crab Monsters (1957), Attack of the Puppet People (1958), The Beast with a Million Eyes (1955), Bog (1979), Creature from the Black Lagoon (1954), Creature of Destruction (1968), Cruise into Terror (1978), Cult of the Cobra (1955), Day the World Ended (1955), Dracula (1931), Fiend Without a Face (1958), First Man Into Space (1959), Ghost of Dragstrip Hollow (1959), The Green Mile (1999), House of Wax (1953), How to Make a Monster (1958), Invasion of the Saucer Men (1957), Invisible Invaders (1959), It Came from Hollywood (1982), It Conquered the World (1956), It! The Terror from Beyond Space (1958), I Walked with a Zombie (1943), I Was a Teenage Frankenstein (1957), I Was a Teenage Werewolf (1957), King Dinosaur (1955), The Little Shop of Horrors (1960), Old Yeller (1957), The She-Creature (1956), Up from the Depths (1979), Voodoo Woman (1957), Wizard of Gore (1970), Zontar: The Thing from Venus (1967)

From 1897 until 1962, the Grand Guignol Theatre in Paris staged scenes of violence—decapitations, slashings, rape, eye-gouging, and plenty of bloodletting—all in full view of audiences who paid to witness such acts of depravity. The crowds attending the small theatre ranged from ordinary people to royalty from around the world. The film world soon followed, bringing the blood-soaked theatre's themes and images of violence to the silver screen. It reminds us that there has long been an audience for this type of "entertainment." Now, Severin Films is releasing a new box set called Morbid Pleasures: A Compendium Of Grand Guignol & The Grand Guignolesque, featuring 12 discs with more than 80 hours of content, including 60 films dating from 1895 to 2025. This is truly a history lesson for horror fans, offering an opportunity to see just how far back these twisted tales reached audiences! To help us explore this new set, Severin's own David Gregory joins us to get into the blood and guts of the collection, discuss the Grand Guignol, and dig into a few other fun topics along the way! Films mentioned in this episode: Africa addio (1966), Antropophagus (1981), The Autopsy of Jane Doe (2016), The Beyond (1981), Beyond the Darkness (1979), Bloody Moon (1981), Burial Ground (1981), Dead Time (2007), Eerie Tales (1919), Eyes Without a Face (1960), The Girl with the Needle (2024), Goodbye Uncle Tom (1971), Frankenstein's Bloody Terror (1968), Impetigore (2019), Island of Lost Souls (1932), Li Hang le cruel (1920), Horror of Dracula (1958), Maniac (2012), Metamorphosis (1990), Mondo Cane (1962), Mondo Cane 2 (1963), The Most Dangerous Game (1932), Murders in the Zoo (1933), Mystery of the Wax Museum (1933), Overboard (1987), The Perils of Gwendoline in the Land of the Yik Yak (1984), The Phantom of the Opera (1925), Plague Town (2008), The Priest (1978), Reservoir Dogs (1992), Satan's Slaves (2017), Satan's Slaves 2: Communion (2022), Sheila and the Brainstem (1989), Silence of the Lambs (1991), Strangler's Morgue (1946), Suspense (1913), Theatre of Death (1966), Theatre of Horrors: The Sordid Story of Paris' Grand Guignol (2025), The Ugly Stepsister (2025), What Have You Done to Solange? (1972), Wizard of Gore (1970), Wizard of Gore (2007), Women of the World (1963)

For our second episode in this series, we move into the 1930s. Beyond Universal's horror boom—and, honestly, the emergence of the horror genre as we know it—there was a lot going on during this decade. With the Great Depression, the introduction of the Hays Code, and another World War on the horizon, audiences continued to escape into the world of monsters. But while these films are considered "old classics" today, they still contain some pretty dark subject matter. So join us as we explore this decade, discussing some of the major events and titles that shaped the horror genre almost 100 years ago! Titles mentioned in this episode: Black Cat (1934), Bride of Frankenstein (1935), Curse of Frankenstein (1957), Dark Eyes of London (1939), Dracula (1931), Dracula's Daughter (1936), Dr. Jekyll and Mr. Hyde (1931), Dr. X (1932), The Ghoul (1933), Ghost Cast and the Mysterious Shamisen (1938), Gone with the Wind (1939), Frankenstein (1931), Freaks (1932), The Hound of the Baskervilles (1959), Island of Lost Souls (1932), The Jazz Singer (1927), King Kong (1933), London After Midnight (1927), La Llorna (1933), M (1931), Mad Love (1935), Mark of the Vampire (1935), The Mummy (1932), Murders in the Rue Morgue (1932), Murders in the Zoo (1933), Mystery of the Wax Museum (1933), Old Dark House (1932), Son of Frankenstein (1939), Son of Kong (1933), Song at Midnight (1937), The Unholy Three (1930), The Vampire Bat (1933), Vampyr (1932), Werewolf of London (1935), White Zombie (1932), The Wizard of Oz (1939)  

Don't Be Afraid of the Dark (1973 & 2010) We know we've covered our share of made-for-TV movies, especially from the 70s, but this time out we're looking at a staple from the 70s that was later remade in 2010, with none other than Guillermo del Toro producing. The story is about an old house that has something living in the sealed up fireplace. And when you're warned not to open it, maybe you should listen. For those that grew up in the '70s, the original was one that gave that generation a lot of nightmares. Even if you didn't see it upon the original airing, it was one that was sought out by horror fans because of its reputation. Then over 35 years later, since del Toro was one of those kids affected by it, he wanted to do his version. While these two versions are similar in some ways, they area also very different. How effective is the original, and then compared to the updated remake? Tune in to find out! Movies mentioned in this episode: Don't Be Afraid of the Dark (1973), Don't Be Afraid of the Dark (2010), The Fly (1986), Halloween: The Curse of Michael Myers (1995), The Lord of the Rings (2001-03), Ju-On: The Grudge (2002), Nekromantik (1988), The Night Stalker (1972), Planet of the Apes (1968), Psychic Killer (1975), The Thing (1982), True Grit (1969)

We know this isn't the first time we've preached the wonders of silent films, but there are so many amazing movies from that era. As the horror historians that we all are, it's always fascinating to look back at where it all began. Fans often point to the 1930s and the Universal Studios classics as "the beginning," but horror was already there long before then—even if no one was necessarily calling these movies horror films yet. In this episode, we're going to dig into the 1910s and 1920s to look not only at the films being made, but also at what was happening in the world around them and how those events may have influenced and changed what audiences were seeing on screen. Even if silent films aren't necessarily your favorites, maybe hearing some of this horror history will make you want to give them another try. Who knows? Maybe this time around you'll see something different—or, at the very least, learn a little more about the genre we all love. Movies Mentioned in this Episode: Cabinet of Dr. Caligari (1920), The Cat and the Canary (1927), Un chien andalou (1929), Dante's Inferno (1911), Dracula (1931), Dr. Jekyll and Mr. Hyde (1908), Dr. Jekyll and Mr. Hyde (1920), Frankenstein (1931), The Golem (1920), Häxan (1922), House of the Devil (1896), The Hunchback of the Morgue (1973), The Hunchback of Notre Dame (1923), The Hunchback of Notre Dame (1939), Frankenstein (1910), King Kong (1933), Life Without a Soul (1915), London After Midnight (1927), The Man Who Laughs (1928), The Mummy (1932), Nosferatu (1922), The Penalty (1920), The Phantom Carriage (1921), The Phantom of the Opera (1925), The Student of Prague (1926), A Trip to the Moon (1902), The Unholy Three (1925 & 1930), The Unknown (1927), West of Zanzibar (1928)

The Hallow (2015), The Ritual (2017), and Antlers (2021) Cryptids occupy a couple of different categories in modern life. One of them is fun, if a bit kitschy and silly: think concrete bigfoot statues sitting in whimsical gardens or funny little Mothman plaques hanging on the wall. But another is truly terrifying, buried down deep below the surface of our culture and our geography, a place where most people refuse to even touch the soil, much less dig. On this episode, we are going to dig deeply into those terrifying cryptid myths and uncover some wonderful horror films. Because in the last decade or so, a handful of filmmakers have chosen to put spade to soil and go deeply into that taboo territory and yielded some wonderfully horrific results. Films mentioned in this episode: Antlers (2021), The Blair Witch Project (1999), Bugonia (2025), Cocaine Bear (2023), District 9 (2009), Frankenstein (2025), The Hallow (2015), Hellraiser (2022), The Irishman (2019), The Mothman Prophecies (2002), The Nun (2018), The Omen (1976), The Ritual (2017), Scars of Dracula (1970), Shaun of the Dead (2004), The Signal (2007), Southbound (2015), Texas Chain Saw Massacre (1974), Weapons (2025), Whistle (2025)

Believe it or not, there was a time when instant access to hundreds of horror movies didn't exist. Scary thought, huh? Before the late 1950s, unless you caught a movie in the theater, you probably weren't going to see it again, especially when it came to the classic monster films like Dracula and Frankenstein. But in October 1957, Universal released 52 of its horror films to television in what became known as the Shock Theater package. To help promote the broadcasts, television stations were encouraged to create "horror hosts" to introduce the films. Simply put, it exploded, and helped give birth to the Monster Kid generation. Then, the following year, Famous Monsters of Filmland magazine debuted, and there was really no turning back. Now you could watch these monsters in the safety of your own home. It was a far cry from today's world, where you can hop on a computer or streaming service and have thousands of horror titles at your fingertips. But this was the beginning of modern horror fandom: getting your weekly fix of classic monsters on television, reading Famous Monsters, building Aurora monster model kits... life was pretty great. In this episode, we discuss the importance of this moment in horror history and why it was such a game changer for horror fans. Films mentioned in this episode: Abbott & Costello Meet Frankenstein (1948), The Addams Family (1964-66), The Black Cat (1934), Blood of Dracula (1957), The Curse of Frankenstein (1957), Dark Shadows (1966-71), Dawn of the Dead (1978), Day of the Dead (1985), Dracula (1931), The Exorcist (1973), Frankenstein (1931), The Gorgon (1964), Invasion of the Body Snatchers (1956), The Invisible Man (1933), I Was a Teenage Frankenstein (1957), I Was a Teenage Werewolf (1957), Jaws (1975), The Jungle Captive (1945), King Kong (1933), The Last Warning (1938), The Mummy (1932), The Munsters (1964-66), The Mystery of Edwin Drood (1935), Night of the Living Dead (1968), Return of Dracula (1958), Rosemary's Baby (1968), Smokey and the Bandit (1977), Son of Kong (1933), The Spy Ring (1938), Star Wars (1977), Texas Chain Saw Massacre (1974), Them (1954), The Wolf Man (1941)

The Toolbox Murders (1978) and Toolbox Murders (2004) In this Twice Told Tales episode, we examine a film and its "remake," though few pairs could be more different. Some would argue that the 2004 film is a remake in name only. Even so, in addition to the name, the two share enough connections, both on screen and behind the scenes, to make for an interesting comparison. On one side is an unflinching exploitation film; on the other, a more modern story infused with supernatural elements—or is it? Both films are unmistakably products of their respective eras, reflecting the cultural anxieties, filmmaking styles, and audience expectations of their time. What they choose to show us, and what they feel compelled to say, reveals as much about the decades that produced them as the stories themselves. The most obvious connection between the two is their inventive use of tools as murder weapons. Whether those kills are clever, outrageous, or simply exploitative is for you to decide. The same goes for whether the 2004 film deserves to be called a true remake or is merely a title borrowed for recognition. But if both films succeed on their own terms as entertaining horror, perhaps that distinction matters less than we think. Films mentioned in this episode: The Blob (1958), Curse of Frankenstein (1957), Five Nights at Freddys (2023), The Fly (1958), The Fly (1986), Frankenstein (1931), Frankenstein (2025), Freddy vs Jason (2003), Friday the 13th (1980), The Funhouse (1981), Goodnight Mommy (2014), Goodnight Mommy (2020), The Grudge (2004), Halloween Kills (2021), Hostel (2005), Inside (2007), Ju-on: The Grudge (2002), Let Me In (2010), Let the Right One In (2008), Maniac (1980), Mother of Tears (2007), Mrs. 45 (1981), Nosferatu (1922), Nosferatu (1979), Poltergeist (1982), Psycho (1960), Psycho (1998), Quarantine (2008), [REC] (2007), The Ring (2002), Ringu (1998), The Thing (1982), The Thing from Another World (1951), Texas Chain Saw Massacre (1974), The Texas Chainsaw Massacre (2004), The Toolbox Murders (1978), Toolbox Murders (2004), Toolbox Murders 2: Coffin Baby (2013)

Rigor Mortis (2013), When Evil Lurks (2023), and Vicious (2025) Pretty much from the very beginning of horror cinema—or cinema in general—supernatural horror has been part of the storytelling tradition. Granted, many of those early films were adaptations of famous works of literature dealing with ghosts, vampires, and other unworldly creatures, but more than a century later, the supernatural remains a huge gateway for creative filmmakers to walk through in order to create something interesting, and sometimes something genuinely new. Many modern supernatural horror films deal with grief and how we cope with it. Some might call it cathartic, while in other films, it's just downright mean! In the three movies we discuss in this episode, you'll get a taste of all of that—and more. A couple of these films hit especially hard and will leave an impact on you days after the credits roll. You'll either be running to tell your closest friends that they absolutely need to watch them, or you won't say a word for fear that someone might ask, "Is everything okay at home?" But we think that films that can hit that hard deserve to be applauded. So, if you're game, take that next step- and hit play. Movies mentioned in this episode: The Blackcoat's Daughter (2015), The Boxer's Omen (1983), A Chinese Ghost Story (1987), The Dark and the Wicked (2020), Dream Home (2010), Errementari (2017), Exhuma (2024), The Exorcist (1973), Friday the 13th (1980), Ghostbusters (1984), The Golem (1915-1920), The Grudge (2002), Halloween (1978), Häxan (1922), Hellraiser (1987), Henry Portrait of a Serial Killer (1986), Hereditary (2018), Hostel (2005), House of the Devil (1897), Last House on the Left (1972), Killer Party (1986), Maniac (1980), Midsommar (2019), Mockingbird (2016), The Monster (2016), Mr. Vampire (1985), My Bloody Valentine (1981), A Nightmare on Elm Street (1984), Nosferatu (1922), The Prowler (1981), Psycho (1960), Rigor Mortis (2013), Scream 7 (2026), The Strangers (2008), The Strangers: Prey at Night (2018), Terrified (2017), Texas Chain Saw Massacre (1974), The Uninvited (1944), Vicious (2025), When Evil Lurks (2023)