Tower of Babble

I learned after seeing this movie that Cameron Crow, the writer/director, describes this movie as semi-biographical, and to be honest it sort of reframes the whole picture. Because, one might ask themselves, not knowing any better, why this movie stars a 15-year old rock reporter, as opposed to, you know, an adult? But given that Mr. Crowe was writing this about himself, well... I guess congrats? You've lived a pretty cool life. That all being said, I did enjoy 'Almost Famous' quite a bit. It has a lot to say; commentary on cultural/artistic criticism, uniqueness of sub-cultures, the power of music, what defines a genuine connection, etc. Largely it feels like a hang-out movie, meaning none of those concepts are explored in great depth, but it shows you enough of everything to feel like a complete idea. Aiding in this are the the well drawn characters (again, probably because they're based on real people) portrayed by a big-name cast all performing at or near the top of their game. I mean, it's hard to be upset with a movie with Philip Seymour Hoffman playing a jaded music journalist with a penchant for 'The Who' (Winnipeg represent!). It drags a bit near the end, but the pseudo-epilogue, which puts a finer point on the story, is worth the wait. Next Month: We flip back only 1 year to 1999 but the genre and tonal leap couldn't be bigger. Heavy drama, high stakes... sports?! It's Oliver Stone's grid-iron classic, 'Any Given Sunday'.

Every so often a piece of media comes around that speaks to the truth of our modern society in such an astute way that it just simply cannot be denied. Mike Judge's 'Office Space' might be THE exemplar of this. Despite being almost 30 years old, it still captures the reality of office work in such painful clarity that it still resonates as powerfully today, if not even more powerfully (god knows, Corporations have only seemingly gotten worse since Y2k). Amazingly, despite the low-hanging, cringe humour, fruit that was perfectly captured by 'The Office' just 6 years later (2005), this movie plays it much more like a straight comedy, and yet it's manages to capture the soul-deadening nature of office work the endures for many to this day. While not perfect, there are moments so enduring that this movie will continue to resonate as long as people continue to work in an office. No notes. Eat the rich - Burn it all down! Next Month: we move ahead to a movie released only 1 year later, in 2000, but turn the setting back to the 70's to hang out with a rock band in Cameron Crowe's "Almost Famous".

Despite being over 3000 years old, Homer's 'The Odyssey' has remained an enduring work of fiction. It's hard to conceive how many times this story has been told and retold. For this reason it's all the more compelling to have one of our generations greatest visual storytellers reinterpret this foundational work for modern audiences. In fact, you could argue this may be the richest interpretations, while understanding the limitations of the filmic medium, given the wonders of modern technology (imagine what the ancient Greeks would think of this!). That's without even mentioning that this film was shot entirely on 70 mm IMAX film (a first of it's kind), and while it may very well be a dying medium, it remains one of the grandest forms of visual storytelling available still today. A beautiful marriage of subject and medium. That is all to say that Christopher Nolan's 'The Odyssey' is a remarkable film. The job of pulling an ancient text into the modern world in way that still captures the imagination is no easy task, but I can safely say accomplished with style by Nolan. While certainly not perfect, the film's ability to leverage the story of Odysseus to deliver a message profoundly relevant to our current time speaks both to the timeless nature of the story but also to Nolan's craftsmanship to shape his telling in such a way as to be pointed in the parable. Which may end up being the film's enduring legacy.

Another cult classic, 'The Warriors' brings a distinctly unique sense of style and grittiness that feels right at home on the grimy streets of 1970's New York City. The gang-centered heightened reality of the film feels almost Shakespearian in nature, as if you're watching an mythological journey fraught with peril of all kinds - violence, temptation, and the law. This movie was selected as a double-feature of sorts with Nolan's recently released 'The Odyssey' and the comparisons between these stories feels apt. At the end of the day it's just people trying to get home and doing their best to overcome the challenges the world throws at them. The stakes are clear, and while the nature of good guys vs bad guys is more than a bit muddied here (Ajax... dude, wtf?) the thrilling chases, bombastic action sequences and the long awaited final confrontation are all working at a high level (despite some pretty flat performances and lackluster dialogue). While there are certain elements of the movie that DO NOT age well (looking at you gender politics), the core of the film remains strong and executed well. Plus, as an added bonus, the soundtrack for this movie absolutely slaps! This is a fun ride and it's easy to see why it's endured over these many years.

We're into the full swing of blockbuster season. With 'Obsession' breaking box office records, 'The Odyssey' now filling IMAX theatres, and 'Spider-Man' right around the corner, movies feel very "back" right now. Plus, with Comic-Con next week Marvel released their first full-length 'Avengers: Doomsday' trailer. Julian and Matt try to decide if the hype is there, which feels crazy when considering it's an Avengers movie after all, but that might speak more to the situation Marvel currently finds themselves in. Meanwhile, DC doesn't want to be left behind, releasing a new trailer for 'Clayface' , which is shaping up to be a sneaky hit in the body-horror space (despite still not Batman). This all leads to Matt's idea that comic book movies should be treated like jury duty. Plus, a news rundown covering the passing of Sam Neil, Netflix updates (they're bad), some box office updates, and more!

Time marches on and we all feel old. This week, 'Toy Story 5' hit theaters, and while reviews have been positive, it's crazy to think we're onto the fifth installment in that franchise. In a similar vein, we recently learned that Mike Myers is interested in returning to 'Austin Powers', on the heels of his appearance in the trailer for another fiver, 'Shrek 5' (which already has people in it's own tizzy). Matt and Julian debate the merits of either prospect, and then turn the page to stare into the abyss that is AI invading Hollywood. Plus a grab-bag of entertainment stories covering odd popcorn bowls, a Knicks documentary, a scrapped Palpatine show and much more! Finally, to wrap things up, a brief discussion on 'House of the Dragon' season 3 premiere, 'Obsession', 'The Furious', and 'Lord of the Rings: The Fellowship of the Ring' (both in and out of concert).

It's hard to believe it's been so long since the last Star Wars movie hit theatres. After years of announcements, failed projects, and even a change in leadership at Lucasfilm, the first movie in nearly a decade is a follow-up to the first ever live action Star Wars show. Maybe that's fitting for a new era, under new management. The film itself is a fast paced, action-packed, adventure that hails back to the old serials that George Lucas loved. While it is certainly a fun time at the movies, with exciting set-pieces, characters inclusions from across the lore, all of which set on planets with diverse biomes (i.e. some of the things Star Wars does best). Unfortunately, the movie lacks compelling stakes, character depth (where's Din's arc?), much of any plot to speak of, or even a sense of real "importance" - and while that may be a bit intangible, it prompts the question: why was THIS movie the first to bring Star Wars back to feature films in almost a decade? Julian and Rachel try to answer that question and dive deep into all the nerdy details.

There it is, folks - the season finale to the latest creation from Lucasfilm Animation. It was certainly gorgeous to look at, with the new painterly stylings, and there was no shortage of thrilling action to sink your teeth into, nor did they skimp on the stakes. But while the season started off on a welcomed unfamiliar foot, by the end of this season, and certainly in these final two episodes, the hallmarks of what we've come to know from Star Wars animation showed their head. Early on, the admitted inspirations from films such as 'Heat' and 'The Dark Knight', provided a needed grit to a show which was ostensibly following a villain. This provided the show with a fresh personality - distinguishing itself from it's predecessors in animation. Unfortunately, the creatives couldn't seem to maintain that tone, as by this two-part season finale the old tropes and predictable beats of 'Clone Wars' rose into prominence. And while the appearance of a certain fan favourite character adds some very cool action, the unoriginality from a narrative perspective robbed the final moments of the needed pathos and drama required to land the plane in the most satisfying of ways. Tune back into Small Screen Star Wars in about 3 weeks, following the release of 'The Mandalorian and Grogu', for a full review!

There's two of them now?! With the arrival of another Inquisitor things really start to escalate on Janyx. We see Maul at his lowest since probably his spider-leg days (he goes on a self-guided therapy session/vision quest that results in something quite inspiring actually!), providing us a deeper understanding of his motivations, beyond simply "revenge!". Meanwhile, Devon continues to be the most interesting character on the show as she takes two steps forward, one step back, flirting with the dark side (though bonus points for the slick ride she acquires for their getaway). On the action side, the show continues to bring the goods, with dynamic, large scale battles (heavy on LAATs which is always a treat), intimate lightsaber combat, and a special shout out to the speeder chase this week that included a new Star Wars techno track (get outta here Niamos!), which combined for a chef's kiss of a sequence. The finale is next week, dropping on Star Wars Day (May the 4th), so stay tuned to see how much the show wants to tie up and how much it wants to leave dangling ahead of season 2!

It's been a minute since Matt and Julian sat down to cover the latest in film and TV news. Some might say it's been dearly missed. Well wait no more folks because this week it's all news and nothing but the news so help me god! If the last few weeks (months?) of stories weren't enough, CinemaCon 2026 also just concluded which had it's own news deluge. The guys unpack it all (well most of it anyway)! Of utmost priority is the news of Michael B Jordan and Austin Butler's reboot of 'Miami Vice', which is close to Matt's heart. Plus 'Spaceballs 2' gets a title and release date, trailers for 'Dune 3', 'Clayface' and 'Street Fighter' all surprise (in a good way), and a new 'Lord of the Rings' movie is announced (and you won't guess who's writing it!). Plus, a 'Game of Thrones' movie, more 'Transformers' and is 'Avatar' over? All this and so much more on this week's Tower of Babble Podcast!