The Young Brendan Behan

Fifty years ago today, a series of no-warning car bombs erupted across Dublin and Monaghan.  This would prove to be the bloodiest day of the Troubles. Immediately, questions were raised about how this event had come to pass. In a new documentary, director Joe Lee and producer Fergus Dowd explore what happened on 17 May 1974. Warning: This episode is quite graphic in describing the day. This episode of the podcast is dedicated to the memory of Derek Byrne.

Temporary interventions into the Dublin streetscape have a curious history. This week, the livestream portal with New York made international headlines. For me, it recalled the CowParade, Bowl of Light and other such things. When you put something out there on the street, there's no way of telling how people will respond. Support TCB: www.patreon.com/threecastlesburning

In 1970, the outdoor rock festival was a totally new idea in Ireland. Amidst press coverage of Woodstock and the Isle of Wight, focused on LSD and exagerated crowd trouble, the booking of Mungo Jerry, Thin Lizzy and others for Richmond Park would be the first Dublin experience of such a festival here. Why did this festival fail? And how, just a few short years later, had the festival become such an integral part of Irish youth culture?  

To the Dublin press, the American Civil War veterans in Dublin cut an unusual shape. These ‘Yankee’ characters looked different, but they also behaved differently. Under the direction of Captain Thomas J. Kelly, these men would be centrally important to the Fenian uprising of 1867. While history remembers this as a skirmish on a hill in Tallaght, much more happened in March 1867 than that.

The story of Mount Jerome Cemetery is the story of Victorian Dublin. There, many of the great innovaters of the city are at rest. If Glasnevin brings to mind the Irish revolution, Mount Jerome instead makes us think of the nineteenth century. Still, there is great diversity in who is (and isn't) buied there. This is a story that touches on everyone from Charles Stewart Parnell to the so-called 'General.' Thanks to Patrons of the podcast whose support made this research possible.

The labour leader Jim Larkin was international news when he departed Ireland in 1914. In America, Larkin would cross paths with the FBI founder J. Edgar Hoover, landing in prison for 'Criminal Anarchy'. What did all of this mean back in Dublin? My guest is Ronan Burtenshaw, author of a recent piece on Larkin for Jacobin magazine: https://jacobin.com/2024/01/jim-larkin-ireland-labor-150

This year marks the 150th anniversary of the birth of Jim Larkin. In this two-part special, Ronan Burtenshaw (author of a recent piece exploring Larkin for Jacobin magazine) joins me to discuss this important and divisive revolutionary figure. Larkin in Dublin means 1913, but where did he come from? This story brings us from Liverpool Cathedral to the streets of West Belfast. Ronan's piece: https://jacobin.com/2024/01/jim-larkin-ireland-labor-150) 

Pádraig Óg Ó Ruairc is no stranger to this podcast. While his latest book explores 'The Disappeared' (launching this month from Merrion Press), he has also been undertaking a study of the far-right in Ireland historically. Moving beyond the familiar, like the Army Comrades Association ('the Blueshirts'), Pádraig's study begins with some more overlooked groups. Even before Oswald Mosley, the British Fascisti were a force with surprising connections to Dublin, and an active branch in the city.

SEASON 3! A recent television debate on the Irish language in schools reminded me of a curious story from history. The Language Freedom Movement touches on many widely known figures in 1960s Ireland, including John B. Keane and the broadcaster Gay Byrne. In the Mansion House, a meeting descended into chaos.

2023 marks the 200th anniversary of the Royal Hibernian Academy, an institution which has moved across the Liffey owing to the flames of Easter Week, and which has championed the visual arts through an ever-changing Ireland.  Cristín Leach is the author of a new creative study of the body, which weaves history and art to tell the story.