Chapter 133: Celine Song stitches sumptuous stories from Seoul to soul
It’s Oscar season!
I was so thrilled to see ‘Past Lives’, the astounding slow-moving-yet-somehow-fast-paced debut film from Celine Song nominated for Best Picture. Best Picture! On her very first film. Oh, and no biggie, Best Screenplay, too. This following a slew of other noms like 5 Golden Globes, 3 Critics Choice Awards, 3 BAFTAs, and a recent Director’s Guild of America win for Outstanding Directorial Achievement for a First-Time Feature Film.
Leslie and I loved ‘Past Lives’ so much we went back to theaters to see it again. The film had such unique energy as it told the story of Nora and Hae Sung, two childhood friends in South Korea, who lose touch when Nora’s family emigrates, and then seem to be forever-chasing the goodbye they never had.
The film opens with a late-night bar scene of Hae Sung visiting Nora and her husband in New York before scrolling back to tell the unpredictable, jumping-around-the-decades story of how they got there. Every shot was such a sumptuous visual feast — from silhouetted lineups for the Staten Island Ferry to broken-transmission Skype calls to a final waiting-for-an-Uber scene that deserves its own prize. And the writing! Crisp. Punctuating. So much said ... with so little. ‘Past Lives’ is a truly magical film that I can’t recommend enough. 96% on Rotten Tomatoes also means there’s a great chance your movie-going pal will love it, too.
I was thrilled ‘Past Lives’ director, writer, and filmmaker wunderkind Celine Song joined me on 3 Books from her New York apartment to talk about the Korean concept of in-yun, why we’re drawn to stories, what unique role millennials play as the last pre-Internet-immersive generation, how a cannibalistic orgy makes for great literature, a surprising cure for loneliness, why sensory deprivation increases chemistry, the other job of a director, Celine’s 3 most formative books, and much, much more...
Let’s flip the page into Chapter 133 now...
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