124: Pierre Klossowski's Nietzsche and the Vicious Circle, pt 3 - The Most Beautiful Inventions of the Sick

Our series on Pierre Klossowski concludes with a look at some of the later chapters concerning Nietzsche's state of mind leading up to his breakdown in Turin, what Nietzsche's juvenalia reveals about him, and what insights we can glean from his family history. Above all, in this episode, I wanted to reverse our focus, and instead of understanding Nietzsche's valetudinary states as a window into his philosophy, here we will consider how Nietzsche's philosophy is a window into his madness.

"Time is a flat circle." This famous quote from the series immediately calls to mind Nietzsche's Eternal Return, but it's an unusual connection to say the least, because it isn't clear that we have a "Nietzschean" plot in True Detective, nor are any of the characters of the show Nietzschean. So, what then is the philosophical content of the show? In this video, I analyze Rust, Marty & the beliefs of the cult of the Yellow King.

The Rectification of Names is a Confucian reinterpretation of the function of language. Confucius is usually portrayed as a stuffy moralist, but there is an intriguing notion implicit in his use of language that borders on the postmodern. Confucius does not merely give definitions of things, but seizes for the philosopher the power to redefine names according to a moral end. Michael Puett, The Path (Talks at Google): https://www.youtube.com/watch?v=MfnSTr6-1g4Hans Georg Moeller's Channel: https://www.youtube.com/@carefreewandering

Under the sign of the Vicious Circle, Nietzsche attempts to inaugurate a conspiracy. But how can this view of the Eternal Return - as part of his project of the revaluation - square with the "high tonality of the soul" in which it was first revealed? Pierre Klossowski argues, convincingly, that the Eternal Return makes all meaning and goal into an absurdity, offering a picture of a world in which nothing can be completed, and everything that is accomplished must be re-accomplished. Nietzsche's later use of the Eternal Return in order to fight gregarious values and win a victory on the side of the healthy impulses can only be a conscious deception. Following the "prejudices of his sentiments", Nietzsche forgets the inherent goallessness demanded by the Return, and seizes upon the powerful sign of the vicious circle, to pursue a great and arbitrary goal.

Welcome to season 6! Part I of III. In this first episode, we'll lay the groundwork for Klossowski's critical reading of Nietzsche, beginning with the material from the first two chapters. Klossowski applies Nietzsche's own methodology to Nietzsche's works, and reads his philosophy as a sign-language of impulses. The valetudinary states that dominated Nietzsche's life are reinterpreted in a radical way, with Klossowski's assertion that Nietzsche oftentimes saw thought as a source of suffering, and sided with the "attacks" of his body against the conscious, rational agent.

If you would like to have your own questions answered on The Nietzsche Podcast, no matter how unusual, niche, or rambling, then join the Patreon and participate in our regular Q&As that happen about twice per season. Season six starts next week!

The conclusion of the main books of The Gay Science! We'll cover some of the best aphorisms so far: the greatest weight, the dying Socrates, long live physics, and many more. Thus begins Zarathustra's down-going. Episode art: Nicholas Roerich - Zarathustra (1931)

More aphorisms concerning drives, the way that impulses appropriate thought for their own ends, "moral pluralism", means of finding happiness, pleasure and pain as means rather than ends, and experimentation as method.Episode art: The Two Crowns (1900) by Frank Dicksee

Continuing with our readthrough of The Gay Science, book number IV.

Embark, philosophers! Nietzsche hopes for the discovery of many new suns - many new suns - by the philosophical explorers of future ages. For what is needful is that man may learn to be satisfied with himself. Episode art: Fresh Breeze of Sandy Hook, 1860 by William Bradford