Episode 656: Stop us if you've heard this one before

  In celebration of the 50th anniversary of the publication of Ursula K. Le Guin’s classic The Dispossessed, we sit down for a chat with award-winning biographer and writer Julie Phillips, author of James Tiptree, Jr.: The Double Life of Alice B. Sheldon and The Baby on the Fire Escape: Creativity, Motherhood, and the Mind-Body Problem. Julie is currently at work on the authorized biography of Le Guin, and her insights from her research and her many discussions with Le Guin—not only regarding The Dispossessed but all aspects of her career, and on the challenges of writing biography—were so compelling that we ran a few minutes over our usual hour. We think it’s well worth it, and wish we could have gone on even longer.

For our first October episode, we try out another new opening, touch upon the recent catastrophic weather in Florida and the hazards of attempting near future SF in a rapidly changing world, with Norman Spinrad’s Russian Spring as one example. After a brief digression (what else?) on novels that extrapolate political decisions more than technological change—like the two novels that preceded the movie Dr. Strangelove, we touch upon the question of whether J.G. Ballard may catch the current zeitgeist in the same way Philp K. Dick did a generation ago. Finally, a few more short digressions on whether awards like World Fantasy can significantly influence a book's sales or reputation, on the value of “best of” anthologies, and on what makes a good gift book for the forthcoming holiday season.

As we gear up for the inevitable year-in-review discussions, and the annual semi-hiatus between the fall and spring convention sessions (at least in the Northern Hemisphere), we return to our familiar questions of canon and influence, noting that while some books seem to drop out of the discussion within months of being published, others,like Orson Scott Card’s Ender’s Game, continue to generate responses despite controversy.  From that, we not-quite-seamlessly segue into a discussion of Harlan Ellison and J. Michael Straczynski’s The Last Dangerous Visions and the problems in presenting stories over 50 years old together with brand-new tales, finally chatting about what makes you want to recommend a book to a friend.  Along with way, we mention several interesting writers, including Emily Tesh, Wole Talabi, and Kate Heartfield.

In this episode we are delighted to welcome the extremely talented Emily Tesh, who managed the rare achievement of winning a World Fantasy Award for her first novella Silver in the Wood and a Hugo Award for her first novel, Some Desperate Glory. We touch upon some works that figure in Emily’s approach to science fiction and fantasy, including Orson Scott Card's Ender’s Game and a children's SF novel from the '90s that she wishes someone would remember the title of (if you know it, let us know in the coments!), her own background in classics and how Some Desperate Glory reflects the military culture of ancient Sparta, the influence of gaming on her work, and what it’s like to be in conversation with the new space opera tradition of Ann Leckie, Arkady Martine, Tamsyn Muir, and others. And, a few insights into her forthcoming novel, due out next year. As always, our thanks to Emily for joining us. We hope you enjoy the episode!

With the Glasgow World Science Fiction Convention behind us, and with Gary back in Chicago and Jonathan back in Perth, our faithful podcasters pick up the task once again. This week we are delighted to welcome long-time friend of the podcast, Nalo Hopkinson, who joins us to discuss her brilliant new novel, Blackheart Man, and her soon to be released short story collection, Jamaica Ginger and Other Concoctions.  As always, our thanks to Nalo for making the time to talk to us. We hope you enjoy the episode. We'll see you in a week or two!

The Forever War, the debut novel from US writer Joe Haldeman, was first published by St Martins Press in 1974. It was shortlisted for the Locus Award, and was awarded the Hugo and Nebula Awards as Best SF Novel of the year. It went on to become recognised as an essential classic of the science fiction field, was listed as #1 in the Gollancz Science Fiction Masterworks, and has never been out of print. On a Saturday afternoon at the recent Glasgow World Science Fiction Convention, Jonathan and Gary and a boisterous crowd of science fiction fans welcomed John Scalzi, Gay Haldeman, and Joe Haldeman to discuss the 50th Anniversary of The Forever War and why it is so beloved. Our thanks for Joe, Gay, and John for taking part, to the crowd for their support, and to the wonderful tech team from Glasgow 2024: A Worldcon for Our Futures for making the recording possible.

With the Glasgow WorldCon just around the corner, Gary and Jonathan turn their attention to plans for the event. In addition to panel appearances, there'll be a special live recording of The Coode Street Podcast where we are joined by Joe Haldeman, Gay Haldeman, and John Scalzi to discuss 50th anniversary of the publication of The Forever War. Since rambling is unavoidable, there is also a brief discussion of how newer readers discover older SFF texts and writers, both in terms of short fiction and novels, anthologies like The Science Fiction Hall of Fame and Dangerous Visions series (which has been in the news because of the much-delayed publication of  The Last Dangerous Visions,) as well as single-author collections like Harlan Ellison's Greatest Hits. That somehow leads to a chat about how reputations are made and sustained, and Gary and Jonathan touch upon a number of contemporary writers—but you’ll have to listen in order to find out which ones.

We're delighted to welcome a distinguished pair of guests, the legendary Michael Swanwick and writer and critic Alvaro Zinos-Amaro, whose book-length interview Being Michael Swanwick explores Michael’s entire career, and whose debut novel Equimedian has been described as a love letter to the SF of the '70s and '80s. As usual, we wander a bit, discussing not only Michael's life in SF, but how stories are generated, SF and the mainstream, influential editors, what it means to have a career these days,and a number of classic writers who probably ought to be remembered more than they are.      

For any listeners who have missed our longstanding tradition of almost unfettered rambling, we turn our attention this week to the questions of how and why certain novels and writers seem to hold up better than others, how younger readers can enjoy some older classics while completely tuning out others, and the difference between books that celebrate old traditions as opposed to books that seek to reinvent the field, or that are simply sui generis. We touch upon a few novels from 50 years ago, like The Mote in God’s Eye, The Dispossessed, Dhalgren, and The Forever War, books that seem to find new readers in each generation, and writers who seem to fade away with time.

Multiple Aurealis, Ditmar, and Shirley Jackson award winner Kaaron Warren joins us for this week’s episode, along with old friend of Coode Street and fellow Locus reviewer Ian Mond, mostly to discuss Kaaron’s wonderful new novel The Underhistory, how it does or doesn’t align with traditional genre categories, and what such categories mean anyway. Ian explains his notion of literary horror, and Kaaron suggests her intriguing concept of Gothic crime fiction. As always, the talk takes off in various directions ranging from short stories vs. novels, the challenges of publishing and marketing, and the growing awareness of Australian fiction on the world stage. You can order The Underhistory: in the UK; in Australia.