Algorithms run our lives these days, from Netflix binges to predictive policing. And that includes algorithmic recommenders––like Spotify's Discover Weekly and Pandora––that shape how we consume music. How does algorithmic music recommendation work and, perhaps more importantly, who makes it work? After all, algorithms are made and tweaked by people, who work at tech companies and have their own ideas and values. An interview with anthropologist Nick Seaver, who has conducted years of ethnographic fieldwork to understand who creates algorithmic recommenders, and why they do what they do.
Nick Seaver is assistant professor of anthropology at Tufts University.
Show notes and more over at soundexpertise.org!
Questions? Thoughts? Share them with Will on Twitter @seatedovation
Flere episoder fra "Sound Expertise"
Soviet Sounds (But Not Shostakovich) with Gabrielle Cornish
vor 2 Tagen
52:05The story of music in the Soviet Union isn't just about Shostakovich and Stalin -- sometimes, it's not about composers at all. Gabrielle Cornish writes about a different kind of socialist sound: noise abatement policy, pop music, and even an aborted plan to put a synthesizer in every Soviet home. A conversation about socialist noise, studying abroad in Siberia, what the war in Ukraine has meant for research, and more.Gabrielle Cornish is Assistant Professor of Musicology at the University of Miami’s Frost School of Music, and soon to be Assistant Professor of Musicology at the University of Wisconsin.Show notes and more over at soundexpertise.org!Questions? Thoughts? Share them with Will on Twitter @seatedovation or email our new inbox, [email protected]
The Paradoxes of Black Classical Music with Kira Thurman
54:39The African-American pianist Hazel Harrison played with the Berlin Philharmonic in 1904, and was promptly forgotten. But Kira Thurman remembers. Her incredible book Singing Like Germans tells the rich, textured stories of Black classical musicians who performed in Germany, which provided a safe haven from American segregation, even though they still faced racism. A conversation about the paradoxes of race and colorblindness in classical music, and much, much more.Kira Thurman is associate professor of history, German studies, and musicology at University of Michigan.Show notes and more over at soundexpertise.org!Questions? Thoughts? Share them with Will on Twitter @seatedovation
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Approaching Joni Mitchell with Ann Powers
59:37Writing a biography isn't easy, especially when it's of a living person, and especially when that living person is an epochal, oft-mythologized musician like Joni Mitchell. But Ann Powers, one of my absolute favorite music critics, has been doing the work. For our Season 3 debut, a deep conversation with Ann about her in-progress Joni Mitchell book, the complexities and anxieties behind thinking through Joni's life alongside her own, and what it means to write about women making music.Ann Powers is NPR Music's critic and correspondent. Show notes and more over at soundexpertise.org!Questions? Thoughts? Share them with Will on Twitter @seatedovation
Season 3 Trailer!!!
2:18Finally, Sound Expertise returns! Season 3 begins on May 16, and it's our biggest and most ambitious to date: a full summer of interviews with music scholars about their research, and why it matters.Check out past episodes at soundexpertise.org and get ready for our season premiere next week: an interview with the amazing Ann Powers about her in-progress Joni Mitchell book!#hotmusicologysummer
Talking Minimalism with Kerry O'Brien and Will Robin
51:30We're almost back -- Season 3 will debut in just a few weeks! Before then, one final bonus episode: our great producer D. Edward Davis interviews Will and co-author Kerry O'Brien about their new book "On Minimalism: Documenting a Musical Movement," which University of California Press will release on April 25. We talk about our histories with musical minimalism, putting the book together, expanding the narrow canon of minimalism beyond white dudes, and more!More over at soundexpertise.org -- including info about our book launch events in NYC on April 23 and DC on April 26!Questions? Thoughts? Share them with Will on Twitter @seatedovation
The Impossibility of Opera with Matthew Aucoin
41:59Another bonus episode! A conversation with composer Matthew Aucoin, whose opera Euridice had a run at the Met last month, and who just wrote a new book about the history and culture of opera, The Impossible Art: Adventures in Opera. More over at soundexpertise.org!Questions? Thoughts? Share them with Will on Twitter @seatedovation
R. Murray Schafer's Legacy with Phantom Power
36:19Check out this episode of the great podcast Phantom Power, on the life and work of composer R. Murray Schafer. You can check out more info on the episode here, and its second part here. We'll have another bonus episode up before the end of the year, and Season 3 will happen at some point in 2022!More over at soundexpertise.org!Questions? Thoughts? Share them with Will on Twitter @seatedovation
The Musicologist as Contrarian with Richard Taruskin
58:39For our Season 2 finale, a wide-ranging conversation with the eminent musicologist Richard Taruskin. We talk about his trajectory, from playing early music and studying Russian opera to writing the Oxford History of Western Music and penning polemics in the New York Times; his deep-set belief that musicologists should be skeptics and contrarians; what he hopes for the future of music scholarship; and why he believes it's necessary to make people angry.Richard Taruskin is professor emeritus at the University of California, Berkeley.Show notes and more over at soundexpertise.org!Questions? Thoughts? Share them with Will on Twitter @seatedovation
Cold War Money and New Music with Eduardo Herrera and Michael Uy
1:00:37How did Cold War money shape the musical avant-garde? What were the roles of experts, elites, and the Rockefeller Foundation in shaping the cultural politics of new music––in the era of serial tyranny and Milton Babbitt's "Who Cares If You Listen?" An interview with musicologists Michael Uy and Eduardo Herrera about their research on funding new music in the Sputnik moment, in both the U.S. and Latin America.Michael Uy is Allston Burr Resident Dean and Assistant Dean of Harvard College, Dunster House, and Lecturer on Music at Harvard. Eduardo Herrera is Associate Professor at Rutgers University and soon to join Indiana University as Associate Professor of Folklore and Ethnomusicology. Show notes and more over at soundexpertise.org!Questions? Thoughts? Share them with Will on Twitter @seatedovation