Disney Is a Tech Company?

Google’s in the middle of its antitrust case in just as many months, after it lost a landmark trial in August over anticompetitive search practices. This time around, the DOJ is claiming Google has another illegal monopoly in the online advertising market.  Verge senior policy reporter Lauren Feiner has been on the ground at the courthouse to hear testimony from news publishers, advertising experts, and Google executives to make sense of it — and, ultimately, to see whether a federal judge hands the company another antitrust defeat.  Links:  Google and DOJ return for round two of their antitrust fight | The Verge Judge rules that Google ‘is a monopolist’ in US antitrust case | The Verge In US v. Google, YouTube’s CEO defends the Google way The Verge Google and the DOJ’s ad tech fight is all about control | The Verge How Google altered a deal with publishers who couldn’t say no | The Verge Google dominates online ads, says antitrust trial witness, but publishers are feeling ‘stuck’ | The Verge US considers a rare antitrust move: breaking up Google | Bloomberg This deal helped turn Google into an ad powerhouse. Is that a problem? | NYT Credits:  Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, I’m talking with Roy Jakobs. He’s the CEO of Royal Philips, which makes medical devices ranging from MRI machines to ventilators. Philips has a long history —- the company began in the late 19th century as a lightbulb manufacturer, and over the past century it’s grown and shrunk in various ways. Basically, while every other company has been trying to get bigger, Philips has been paring itself down to a tight focus on healthcare, and Roy and I talked about why that market is worth the focus.  Roy and I also talked about an ongoing controversy at Philips that he had a part in: In 2021, after years of consumer complaints, Philips was made to recall millions of its breathing machines. Those devices were eventually tied to more than 500 deaths. That’s a pretty big decision, with massive life-or-death consequences, and you’ll hear us talk about it in detail. Links:  Problems reported with recalled Philips ventilators, BiPAP & CPAP machines | FDA FDA says 561 deaths tied to recalled Philips sleep apnea machines | CBS News Philips kept complaints about dangerous breathing machines secret | ProPublica Top Philips executive approved sale of defective breathing machines | ProPublica Philips reaches final pact with DOJ, FDA on ventilator recall | WSJ Philips suspends U.S. sales of breathing machines after recall | NYT CPAP maker reaches $479 million settlement on breathing device defects | NYT Philips exits shrinking home entertainment business | Reuters Original TSMC investor Philips sells off final shares | PC World Philips unveils new AI-powered cardiovascular ultrasound | Mass Device Transcript: https://www.theverge.com/e/24006874 Credits:  Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We’ve been covering the rise of AI image editing very closely here on Decoder and at The Verge for several years now — the ability to create photorealistic images with nothing more than a chatbot prompt could completely reset our cultural relationship to photography. But one argument keeps cropping up in response. You’ve heard it a million times, and it’s when people say “it’s just like Photoshop,” with “Photoshop” standing in for the concept of image editing generally.  So today, we’re trying to understand exactly what it means, and why our new world of AI image tools is different — and yes, in some cases the same. Verge reporter Jess Weatherbed recently dove into this for us, and I asked her to join me in going through the debate and the arguments one by one to help figure it out. Links:  You’re here because you said AI image editing was just like Photoshop | The Verge No one’s ready for this | The Verge The AI photo editing era is here, and it’s every person for themselves | The Verge Google’s AI ‘Reimagine’ tool helped us add disasters and corpses to photos | The Verge X’s new AI image generator will make Taylor Swift in lingerie and Kamala Harris with a gun | The Verge Grok will make gory images — just tell it you're a cop. | The Verge Leica launches first camera with Content Credentials | Content Authenticity Initiative You can use AI to get rid of Samsung’s AI watermark | The Verge Spurred by teen girls, states move to nan deepfake nudes | NYT Florida teens arrested for creating ‘deepfake’ AI nude images of classmates | The Verge Credits:  Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, I’m talking with Mike Krieger, the new chief product officer at Anthropic, one of the hottest AI companies in the industry. Anthropic’s main product right now is Claude, the name of both its industry-leading AI model and a chatbot that competes with ChatGPT.  Mike has a fascinating resume: he was the cofounder of Instagram, and then started AI-powered newsreader Artifact. I was a fan of Artifact, so I wanted to know more about the decision to shut it down as well as the decision to sell it to Yahoo. And then I wanted to know why Mike decided to join Anthropic and work in AI — an industry with a lot of investment, but very few consumer products to justify it. What’s this all for?  Links:  Instagram co-founder Mike Krieger is Anthropic’s new chief product officer | The Verge Instagram’s co-founders are shutting down their Artifact news app | The Verge Yahoo resurrects Artifact inside a new AI-powered News app | The Verge Authors sue Anthropic for training AI using pirated books | The Verge The text file that runs the internet | The Verge Anthropic’s crawler is ignoring websites’ anti-AI scraping policies | The Verge Golden Gate Claude | Anthropic Inside the white-hot center of AI doomerism | New York Times Dario Amodei, CEO of Anthropic, on the paradoxes of AI safety | Hard Fork No one’s ready for this | The Verge OpenAI announces SearchGPT, its AI-powered search engine | The Verge Amazon-backed Anthropic rolls out Claude AI for big business | CNBC Transcript: https://www.theverge.com/e/24001603 Credits: Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The web has a problem: huge chunks of it keep going offline. The web isn’t static, parts of it sometimes just… vanish. But it’s not all grim. The Internet Archive has a massive mission to identify and back up our online world into a vast digital library. In 2001, it launched the Wayback Machine, an interface that lets anyone call up snapshots of sites and look at how they used to be and what they used to say at a given moment in time. Mark Graham, director of the Wayback Machine, joins Decoder this week to explain both why and how the organization tries to keep the web from disappearing. Links:  When Online Content Disappears | Pew Research Game Informer is shutting down | The Verge When Media Outlets Shutter, Why Are the Websites Wiped, Too? Slate MTV News lives on in the Internet Archive | The Verge The video game industry is mourning the loss of Game Informer | The Verge Guest host Hank Green makes Nilay Patel explain why websites have a future | Decoder How The Onion is saving itself from the digital media death spiral | Decoder The Internet Archive is defending its digital library in court today | The Verge The Internet Archive has lost its first fight to scan and lend ebooks | The Verge The Internet Archive just lost its appeal over ebook lending | The Verge Credits:  Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Decoder is off this week for a short end-of-summer break. We’ll be back with both our interview and explainer episodes after the Labor Day holiday. In the meantime we thought we’d re-share an explainer that’s taken on a whole new relevance in the last couple weeks, about deepfakes and misinformation. In February, I talked with Verge policy editor Adi Robertson how the generative AI boom might start fueling a wave of election-related misinformation, especially deepfakes and manipulated media. It’s not been quite an apocalyptic AI free-for-all out there. But the election itself took some really unexpected turns in these last couple of months. Now we’re heading into the big, noisy home stretch, and use of AI is starting to get really weird — and much more troublesome.  Links:  The AI-generated hell of the 2024 election | The Verge AI deepfakes are cheap, easy, and coming for the 2024 election | Decoder Elon Musk posts deepfake of Kamala Harris that violates X policy | The Verge Donald Trump posts a fake AI-generated Taylor Swift endorsement | The Verge X’s Grok now points to government site after misinformation warnings | The Verge Political ads could require AI-generated content disclosures soon | The Verge The Copyright Office calls for a new federal law regulating deepfakes | The Verge How AI companies are reckoning with elections | The Verge The lame AI meme election | Axios Deepfakes' parody loophole | Axios Credits:  Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Decoder is off this week for a short end-of-summer break. We’ll be back with both our interview and explainer episodes after the Labor Day holiday, and I’m very excited for what we have coming up on the schedule.  But while we’re out, we’d like to highlight a great episode from the Land of the Giants podcast, which is over at Vulture this season, for a deep dive into Disney. Can it be a tech company? It’s the question that defines the struggles of its streaming service Disney Plus — and it also tells us where it needs to go in the future to compete with Amazon, Apple, and Netflix.  Links:  Disney Is a Tech Company? | Vulture Why Disney plussed itself | Vulture Disney’s CEO drama explained, with Julia Alexander | Decoder The clock is ticking on Disney’s streaming strategy | Decoder The Disney Plus, Hulu, and Max streaming bundle is now available | The Verge Disney reportedly wants to bring always-on channels to Disney Plus | The Verge How baseball's tech team built the future of television | The Verge The year Netflix ended the streaming wars | The Ringer   Credits:  Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Onion is a comedy institution — and like everything else in media, it went on a pure nightmare hell ride in the 2010s. We could do an entire episode on the G/O Media calamity, but the short version is: A bunch of friends just managed to buy The Onion, and they're busy relaunching the website, going back to print, and, clearly, having a blast doing it. CEO Ben Collins and chief product officer Danielle Strle joined me to explain how that even works in 2024. Links:  The Onion sold by G/O Media | The New York Times Sam Reich on revamping the game show - and Dropout’s success | NPR Platformer’s Casey Newton on surviving the great media collapse | Decoder Craig Silverman: Digital advertising’s structure has been weaponized | Digiday US Warns a Gaza Ceasefire Would Only Benefit Humanity | The Onion The Truth is Paywalled but the Lies are Free | Current Affairs A newsroom expands and The Onion is out again on paper | Washington Post Report: Nuclear War Sounds Fucking Amazing Right Now | The Onion Google defends AI search results after they told us to put glue on pizza | The Verge Jury awards nearly $1B to Sandy Hook families in Alex Jones defamation case | CNN ‘No Way to Prevent This,’ Says Only Nation Where This Regularly Happens | The Onion Transcript: https://www.theverge.com/e/23989633 Credits: Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today I’m talking with Thomas Dohmke, the CEO of GitHub. GitHub is the platform for managing code – but since 2018, it’s also been owned by Microsoft. We talk a lot about how independent GitHub really is inside of Microsoft — especially now that Microsoft is all-in on AI, and Gitbhub Copilot is one of the biggest AI product success stories that exists right now. But his perspective on AI is pretty refreshing: It’s clear there’s still a long way to go. Links:  Original GitHub landing page | Wayback Machine Introducing Entitlements | GitHub Blog ashtom (Thomas Dohmke) | GitHub The developers suing over GitHub Copilot got dealt a major blow in court | The Verge GitHub Copilot can now help start a project with AI | The Verge GitHub users can mess around with different AI models | The Verge GitHub’s AI-powered Copilot will help you write code for $10 a month | The Verge Google DeepMind co-founder joins Microsoft as CEO of its new AI division | The Verge Transcript: https://www.theverge.com/e/23986019 Credits: Decoder is a production of The Verge, and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

There’s a major internet speech regulation currently making its way through Congress, and it has a really good chance of becoming law. It’s called KOSPA: the Kids Online Safety and Privacy Act, which passed in the Senate with overwhelming bipartisan support late last month. At a high level, KOSPA could radically change how tech platforms handle speech in an effort to try and make the internet safer for minors.  It’s a controversial bill, with a lot going on. To break it all down, I invited on Verge senior policy reporter Lauren Feiner, who’s been covering these bills for months now, to explain what’s happening, what these bills actually do, and what the path forward for this legislation looks like. Links:  Senate passes the Kids Online Safety Act | The Verge The teens lobbying against the Kids Online Safety Act | The Verge How the Kids Online Safety Act was dragged into a political war | NYT House Republicans won’t bring up KOSA in its current form | Punchbowl News Why a landmark kids online safety bill is still deeply divisive | NBC News Why Sen. Schatz thinks child safety bills can trump the First Amendment | Decoder Child safety bills are reshaping the internet for everyone | The Verge Online age verification is coming, and privacy is on the chopping block | The Verge Credits:  Decoder is a production of The Verge, and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James. The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices