Logic 11- The Most Significant Update Yet?

In this edition Julian & Ashea are joined by Miles Fulwider,  Producer, Engineer & Educator working extensively in Immersive formats and CEO of ADK Microphones. where they discuss how to take the simplistic, ‘less is more’ approach by capturing the best sound at source.  Talking Points:You can’t polish a ****, why capturing the best sound in the recording process will make your life easier.Mic and recording techniques for a ‘Grammy’ worthy sound. The only gear you’ll ever need. If we could only use a handful of tools for the rest of our careers, what would they be and whyHow might these approaches and philosophies apply to audio education?Applications in immersive audio (such as off-axis freq response). Finds of the week:Julian: AirsoundAshea:Charli XCX Album- BratMiles: Maag PreQ2

In this edition Julian is joined by William Wittman & Steve DeMott, where they discuss transparency vs colour.Talking Points:Coloured Vs Transparent gear,(mics, etc)  when, why and how do you use it?Arguments for and against.Gear recommendations.Recommended by Steve: Q2 AudioFinds of the week:Julian: New IEMsWilliam: youtube channel : Sorted Food  Steve: Netflix DocuSeries - Rise of Empires: Ottoman 

In this edition Julian & Ashea are joined by David Barber,  President of the Motion Picture Sound Editors. Reid Caulfield, sound editor, mixer & audio consultant in Los Angeles & Alex Gregson, head of audio & Post Production mentor at 344 Audio, where they discuss how to adapt to the shifting goal posts in Post Production.Talking Points:Post Production, post Covid, How has it changed? Has remote working affected/improved things for you, if so how?With so many AI and other new tools, the requirements of audio engineers in Post seem to be changing. What kind of changes are you seeing in your work and how are you adapting to these changes?What tools are you adding to your workflow to assist with new demands, or improve the quality in general?Scaling your team and business sustainably during challenging timesFinds of the week:Julian: 1985 Aria Pro II Laser Electric ClassicAshea: Rule Tec Heritage ProDavid: Matrix 20th anniversary eventReid: Relab VSR REV6000Alex: Streamdeck and Auto Hotkey

In this edition Julian & Ashea are joined by Justin Webster of The Cargo Cult and Mixing Engineer Paul Maunder, where they discuss ways in which we can apply tools used in Post Production to improve our immersive music mixes.Talking Points:What are some techniques that you often hear/use in Post Production that      could benefit music mixes?Perfecting the low end, LFE channel. (Subquake)Panning tricks Cutting/Creating in Stereo vs surround.Human Perception in 3D  DownmixingAtmos objects vs fixed channel formatsFinds of the week:Julian: BrunostAshea: Noise Works Audio- Gain Amp ProJustin: Godzilla Minus One!Paul: Marantz AV10 Audio Processor

In this edition, Julian & Ashea are joined by Noam Levinberg of Safari Pedals & Mark Gittins from Sensound, where they discuss how to break free from outdated schools of thought during the production and mixing process.Talking Points:Wild thoughts on classic studio techniques- what are some new, out there or avant-garde techniques or practices that work well work for you and conversely, what are some outdated tips/workflow?Breaking free from limiting schools of thought examplesMix sounding a little too tame? How to inject some excitementPlugins and tools that add interest Finds of the week:Julian: Antares Vocal DeesserAshea: Minimal Audio- Flex Chorus Noam: Oeksound BloomMark: SSL DrumStrip

In this edition  Julian and  Ashea  are joined by Grammy Award-winning Producer, Engineer & Musician Chris Shaw & Multi-Platinum Engineer Bainz , where they discuss ways in which we can streamline our workflow to help stay in the creative zone. Talking Points:What are some repetitive & time consuming tasks in our production/mixing workflows and what can we do to cut back on them and stay creative?Finds of the week:Julian: The SopranosAshea: Sonicbox Studios Bainz: VLC Mixwave Audio Channel StripChris: Lean into frustration when mixing

In this edition Julian and Ashea are joined by Eli Krantzberg, where they discuss the newly released Logic 11.Talking Points:New Logic Session PlayersGlobal Track and Region ChordsStem SplitterChromaGlowDolby Atmos EnhancementsSound & Producer PacksPitch Source ParameterLogic Pro for iPad 2Eli's Videos:https://www.youtube.com/watch?v=OCNPNC0eRBIhttps://www.youtube.com/watch?v=92n-Nc-5kX0https://www.youtube.com/watch?v=it7GuEgViHIFinds of the week:Julian: Universal Audio SD 3, 5 & 7 Hemisphere MicsAshea: LED Strip LightsEli: Star Trek Continues

In this week’s edition Julian and Ashea are joined by Mark Gittins, where they discuss some of the secrets behind a successful immersive mix.Talking Points:Mixing the new Judas Priest albumHow does your approach differ when mixing in Atmos vs stereo?Important things to considerMaintaining the feel of the stereo mixWorkflowRooms, headphones ,monitors, home setups and tips for mixers getting started with immersive mixing.Finds of the week:Julian: Shure Nexadyne MicsAshea: Glaze 2Mark: Safari Pedals Plugins

In this week’s edition Julian & Ashea are joined by Paul Maunder, where they discuss some of the best advice, tips and tricks they've learned during their careers to date.Talking Points:Workflow tips, shortcuts and things you’ve discovered along the wayRecording, production and mixing tricks.Things you wish you knew when you first started outMindset tipsHow has your approach changed since entering into this industry?Who were your mentors, inspiration and reasons for adopting a different approach, workflow or mindset?Must have plugins or gear.Finds of the week:Julian: DX7 Podcast On SOSAshea: PSP Bin AmpPaul: Beyer DT700 Pro X

In this week’s edition Ashea is joined by Dallas Taylor from Defacto Sound & Twenty Thousand Hertz Podcast, where they discuss the sound design process behind some of the world's most famous brands.Talking Points:Working to a brief: What is your process for capturing the mood and creating an experience that complements the visual storytelling?Sound choice, inspiration, foley etc.What makes a sound instantly recognizable, e.g Netflix. What is the process like getting to that point?Optimising workflow: Tools, gear, deadlines. Emerging trends, challenges, and opportunities facing sound designers in an ever-evolving industry.Finds of the week:Ashea: Waves StreamDallas: Buy Back Your Time- Dan Martell