Nicholas Boggs, "Baldwin: A Love Story" (FSG, 2025)

Bangladesh in Anglophone and Vernacular Literature: Cultural Imaginings of a Postcolonial Nation (Routledge, 2025) illuminates individual and collective imaginings of postcolonial Bangladesh. It explores the emergence of Bangladesh as a nation from a variety of perspectives. The author studies the impact of Muslim nationalism on the subaltern life-worlds of East Bengal during the Partition, religious minorities and their insecurity in East Pakistan, East Pakistan’s political insurgencies, the victims of the 1971 Bangladesh Liberation War, the Indian stake in the 1971 War, and the cosmopolitan interpretations of the war. The literary and cultural texts that inform this project include contemporary Bengali novels, South Asian Anglophone literature, as well as selected visual media and digital sources. The project’s reading of these texts in conjunction with politics and history has interdisciplinary relevance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The African Gold Coast writer and statesman J. E. Casely Hayford (1866–1930) was a key figure in liberal anticolonial thought as well as African and British imperial literary and intellectual history. In The Letter of the Law in J. E. Casely Hayford's West Africa (Princeton UP, 2026) Jeanne-Marie Jackson positions his career as an intriguing case study of anticolonial literature and politics. Jackson maps the contours of Casely Hayford’s thought through sustained attention to his written work within its Gold Coast and British imperial contexts, demonstrating the far-reaching conceptual and aesthetic resources of his elite legal background.Treating Casely Hayford’s 1911 novel, Ethiopia Unbound, as a constitutional document and his legal writings as literary exemplars, Jackson breaks down artificial divisions between African textual traditions. The law, for Casely Hayford and his Fante nationalist peers, was intimately bound to the virtues they attached to textuality: clear-headedness, moderation, restraint, and public discernment. Jackson argues for this liberal disposition as a crucial and neglected part of anticolonial intellectual and political history. Colonial-era legal debates framed the rise of an influential, consummately modern Gold Coast leader deemed fit to steer ambitious new pan-African institutions, and, in Jackson’s telling, Casely Hayford emerges as his era’s most emblematic figure. Jeanne-Marie Jackson is a Professor of English at Johns Hopkins University and the Director of the Alexander Grass Humanities Institute. Elisa Prosperetti is an Assistant Professor of African and global history at NIE/NTU in Singapore. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of High Theory, Milan Terlunen talks to Kim about Pre-Reading. There are many books we will never read and films we will never watch, but it turns out we know quite a bit about them in advance. A concept developed in his work on the plot twist, pre-reading names the epistemic practices by which we approach a text before we read it (if we ever do). The pre-reading environment is shared, social knowledge that shapes our expectations long before we open the cover or hit play. This podcast episode forms part of the pre-reading environment for Milan’s article, "What We Can(’t) Know Before We Read: Towards a Theory of the Pre-Reading Environment" (Book History 27, no. 2 (2024): 346-374). The article proposes the Pre-Reading Environment as a new object of study for understanding how texts relate to communal knowledge. While easily overlooked by scholars, equipped with fuller knowledge derived from their own reading, Pre-Reading Environments are among the most widespread epistemic objects in book history. Turning to two literary texts, Agatha Christie’s The Murder of Roger Ackroyd (1926) and Hanya Yanagihara’s A Little Life (2015), the article examines how their respective Pre-Reading Environments, in newspapers and on Twitter, strategically concealed key plot points that might pre-emptively spoil the experience of potential readers. The transcript of this episode lives here as a WordDoc and here as a PDF. Milan Terlunen is a scholar of literature, with a focus on narrative and the history of reading practices. He works as a Researcher in Digital Humanities at the University of Sussex. While a PhD student at Columbia University he co-created and hosted two podcasts – How To Read and In Sacred Spaces – and co-founded the Humanities Podcast Network in 2021, where he met Kim and Saronik. He is also an editor of the Palgrave Handbook of Humanities Podcasting, a huge project that he ran along with Kim, Saronik, and Beth Kramer. A book about podcasting would not be complete without its own podcast. Keep your ears peeled for Podcasting the Humanities later this year. The image for this episode is an illustration from Jean de Bosschère’s Weird Islands (1921), titled “Read Books on Practical Navigation.” It is a line drawing showing a reader swamped by piles of books. The image was found for High Theory by Lili Epstein on the Public Domain Image Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Forests in fiction are often understood simply as settings, symbols, or remnants of a premodern past. Yet many African novelists have turned to the forest to experiment with worldbuilding and to imagine new futures. This groundbreaking book explores the life of the forest in African fiction, showing how writers have used it to reinvent the novel’s formal, aesthetic, and political possibilities.  Ainehi Edoro argues in Forest Imaginaries: How African Novels Think (Columbia UP, 2026) that forests in African fiction are laboratories for unmaking and remaking the world, where writers break apart familiar forms to test alternate forms of life, knowledge, and power. Instead of treating the forest as a backdrop, these writers imagine it as a living structure: a space where politics, history, myth, violence, technology, the magical, and creativity animate fictional worlds. Spanning indigenous African narratives and contemporary science fiction, Forest Imaginaries traces the lineage of forest worlds in African literature: Chinua Achebe’s evil forest, the cosmic forest in Wọle Ṣóyínká’s mythic imagination, Thomas Mofolo’s forest of imperial dreams, Amos Tutuola’s endless fractal forest, and Nnedi Okorafor’s aquatic forest of new ecological futures. This book rethinks African literary history by showing how African writers draw on the forest—and the wealth of Indigenous ideas about time, space, and storytelling it conjures—to transform the novel’s aesthetic, political, and philosophical horizons. Ainehi Edoro is a Mellon-Morgridge Assistant Professor of English and African cultural studies at the University of Wisconsin–Madison. She is the founding editor of Brittle Paper, a leading platform for African literary culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

At the turn of the nineteenth century, British women novelists were publishing more fiction than their male counterparts, yet their place in literary history remains precarious. In British Women Novelists and the Review Periodical (Johns Hopkins University Press, 2026), Dr. Megan Peiser offers a compelling new perspective on this pivotal period by examining the overlooked power of the review periodical in shaping literary reception, authorial careers, and the novel as a genre. Through a dynamic study of the Novels Reviewed Database, 1790–1820 (NRD)—the first dataset to systematically catalog novels reviewed as novels during the Romantic period—Dr. Peiser demonstrates how these reviews operated not as static judgments, but as an interconnected system of influence, circulation, and criticism. Periodicals functioned as central components of the literary marketplace, steering readers' tastes, framing authors' reputations, and reinforcing cultural notions of gender and genre. Examining the context of these reviews—such as Frances Burney's ambivalent negotiations with her critics and the rise and decline of Charlotte Smith's status among the "sister-queen" novelists—Dr. Peiser's analysis foregrounds the gendered dynamics of literary evaluation. By tracing the dialogue between reviewers and authors—especially in novel prefaces—she uncovers how women writers used, resisted, and responded to critical discourse. Peiser also confronts the limitations of traditional literary data by accounting for overlooked voices and diverse forms of authorship. This fascinating literary history argues for feminist bibliographic intervention, restores the complexity of the eighteenth- and early nineteenth-century review ecosystem, and provides a vital scholarly tool to reframe how we understand women's novels and the systems that have shaped literary memory. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why did Langston Hughes's translations of Mexican and Cuban stories go unpublished for nearly a century? A landmark book—the first complete publication of Langston Hughes’s translations of thirty-three stories by eighteen Mexican and Cuban writers In late 1934, Langston Hughes, already established as a leading voice of literary Black America, traveled to Mexico City, where he stayed for more than five months and began translating short fiction by prominent Mexican and Cuban writers. These stories, as he wrote to a friend, explore “the revolutions and uprisings, sugar cane, Negroes, Indians, corrupt generals, [and] American imperialists,” and are “mostly all left stories, because practically all the writers down here are left these days.” But when Hughes proposed publishing the stories as a book, to be titled Troubled Lands: Stories of Mexico and Cuba as Translated by Langston Hughes (Princeton University Press, 2026), his agent discouraged him from further pursuing the project and it remained unpublished, until now, with only a handful of the translations making their way into contemporary magazines. This volume presents Hughes’s translations of these stories together for the first time as he originally envisioned. Edited by Ricardo Wilson, the book also features an introduction and brief biographies of the included writers. Troubled Lands features thirty-three stories by eighteen writers, including Rafael Felipe Muñoz, Nellie Campobello, Lino Novás Calvo, Luis Felipe Rodríguez, Germán List Arzubide, Pablo de la Torriente-Brau, and Juan de la Cabada. The collection depicts Mexico in the wake of its revolution and Cuba in the years between the brutal regimes of Machado and Batista. Hughes was a noted translator of poetry, but his commitment to translating fiction is less well known. Troubled Lands provides a window into this important dimension of his work and illuminates his deep interest in Mexico and Cuba. Ricardo A. Wilson II is a creative writer and scholar. He is associate professor of English at Williams College and founder and executive director of The Outpost Foundation. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today’s guest, John Kuhn, is the author of Making Pagans: Theatrical Practice and Comparative Religion in Early Modern England (U Pennsylvania Press, 2024). Making Pagans argues that drama played a powerful role in the articulation of religious difference in the seventeenth century. Examining the common scenes of pagan ritual that filled England's seventeenth-century stages—magical conjurations, oracular prophecies, barbaric triumphal parades, and group suicides—Kuhn traces these tropes across dozens of plays, from a range of authors including Ben Jonson, Christopher Marlowe, John Dryden, and Philip Massinger. Tracing connections between the history of stagecraft and ethnological disciplines such as ethnography, antiquarianism, and early comparative religious writing, Kuhn shows how early modern repertory systems that leaned heavily on thrift and reuse produced an enduring theatrical vocabulary for understanding religious difference through the representation of paganism—a key term in the new taxonomy of world religions emerging at this time, and a frequent subject and motif in English drama of the era.Drawing together theater history, Atlantic studies, and the history of comparative religion, Making Pagans reconceptualizes the material and iterative practices of the theater as central to the construction of radical religious difference in early modernity and of the category of paganism as a tool of European self-definition and colonial ambition. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Can a novel with a singular voice also be a chorus? Can it reject the conventions of the novel and still be a novel? Poet, essayist, and novelist Billy-Ray Belcourt tells critic Matt Hooley how his desire to write a novel that “would sound like something else,” led him to produce A Minor Chorus, his experimental debut novel. Together they consider how Billy-Ray’s vulnerable, first-person narrator makes room for other voices, or more precisely, how it becomes “a voice that could focalize the desires of a community.” Billy-Ray discusses how his influences— queer theory, indigenous novelists, and contemporary autofiction—harmonize in his search for a new form. While author and critic trace the circuits of grief and melancholy that run from Roland Barthes to Billy-Ray, their conversation is joyful, reminding listeners that romance and intimacy sustain us and that beautiful sentences matter. His answer to this season’s signature question attests to the way that even the classroom can be refashioned, like the novel, into a chorus. Mentioned in this episode By Billy-Ray Belcourt: A Minor Chorus A History of My Brief Body This Wound is a World Also mentioned: The Summer Day “Arundhati Roy Sees Delhi as a Novel” Rachel Cusk, The Shakespeare and Company Interview “The State of the Political Novel: An Interview with Édouard Louis” “100 Things About Writing a Novel” Mourning Diary Ann Cvetkovich Joshua Whitehead Mourning and Melancholia Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Does the Psalter have a unified theme or message? Davy Ellison says, “Yes!” In his new book Hope for a New David in the Psalter's Narrative Impulse: Reading the Psalms as Utopian Literature (Fortress Academic, 2025), he argues that the Psalter’s narrative impulse sustains expectations of a better future by assuring readers that one day Zion will be glorified, enemies vanquished, and the Davidic dynasty embodied in a new Davidic king. Join us as we speak with Davy Ellison about his book, Hope for a New David in the Psalter’s Narrative Impulse. Davy Ellison is director of training and lecturer in Old Testament at the Irish Baptist College in Northern Ireland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the Sun King's Cosmos: Comets and the Cultural Imagination of Seventeenth-Century France (Northwestern University Press 2025) explores the relationship between sensory experience, state ideology, and artistic form, examining literature and art inspired by comets that unsettled the heliocentric order to which French politics and culture aspired. Guest Claire Goldstein Professor of French and Director of the Humanities Program at UC Davis. Her research in ancien régime French-language literature and culture has explored subjects such as garden design, art and architecture; theater, ballet, and fête performances; astronomy; early modern fashion accessories; and early journalism. Claire’s current projects include Jesuit school ballets; female itinerant clothing resellers; and the innovative and enterprising publishing practices of Nicholas de Blégny, a best-selling and long forgotten multi-hyphenate physician-author. Her scholarship is motivated by her abiding interests in visual and material culture, her curiosity about how the things people see, and the objects and material practices that they engage with, create cultural meanings. She is the author of In the Sun King's Cosmos: Comets and the Cultural Imagination of Seventeenth Century France (Northwestern UP, 2025) and Vaux and Versailles: The Appropriations, Erasures, and Accidents That Made Modern France (U Penn Press, 2007). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies