66: Game Changer

Next week, millions of Jews around the world will sit down at their Passover tables, for what will invariably be a very different kind of seder. The timeless question of how this night, or this Pesach, is different from all other nights, and all other Pesachs, has gained an entirely new - and tragic - dimension since October 7th. And few, if any, have thought about this matter more than forty-three year old Mishael Zion, a liberal Orthodox rabbi and Jewish educator from Jerusalem. In 1997, Mishael’s father - Noam Zion - together with his friend David Dishon - published a popular English-language Haggadah called “A Different Night.” Seven years later, Mishael joined forces with his dad in creating an Israeli version - HaLayla HaZeh: Haggadah Israelit. And this year, two decades after that Israeli Haggadah came out, Mishael and his father decided to update it, for the first post-October 7th seder. The end song is Chad Gadya ("One Little Goat") by Chava Alberstein. Hosted on Acast. See acast.com/privacy for more information.

The horrific events of October 7th reminded many people of the darkest chapter in Jewish history - the Holocaust. And indeed, for the past six months, there have been as many comparisons to the Shoah as there have been critiques of those comparisons. Of the roughly 130,000 Holocaust survivors living in Israel today, just under 10,000 reside in Jerusalem. Many of them participate in the Jerusalem Foundation’s Café Europa, which offers a physical meeting place, a wide range of social and cultural activities - concerts, lectures, memorials, workshops - and professional help in navigating the thickets of Israeli bureaucracy. We recently spent a morning at the Café Europa branch in Jerusalem’s German Colony neighborhood, where we heard all kinds of opinions about the Holocaust comparison. But the person with the strongest feelings on the matter just so happened to also be Café Europa’s oldest member - 100-year-old Walter Bingham.The end song is Tzair LaNetzach ("Forever Young") by Rami Kleinstein. Hosted on Acast. See acast.com/privacy for more information.

In the immediate aftermath of October 7th, Shai Davidai - an Assistant Professor at Columbia University - became an unlikely public defender of Israel. And truthfully, even he was surprised by this turn of events: As a committed left-wing Israeli, he had spent years criticizing the government, and often took to the streets to demonstrate against its policies. But the atmosphere he witnessed on college campuses (and specifically on his own campus at Columbia), compelled him to speak up and speak out.The end song is Yesh Lecha Chaver ("You've Got a Friend") originally by Carol King, performed by Tzila Dagan. Hosted on Acast. See acast.com/privacy for more information.

Alon Ohel - a talented young jazz pianist - was kidnapped from the Nova party on October 7th, and has been held hostage in Gaza ever since. His family has spent the last five plus months sending him good vibes and good music. In today's episode, his mother - Idit Ohel - talks about the importance of energy, friendship and hope during these dire times.The end song is Shuvi Elay ("Return to Me") by Avishai Cohen and friends. Hosted on Acast. See acast.com/privacy for more information.

One of very few positive outcomes of this war is that the ongoing debate surrounding the participation of female soldiers in combat has been decisively answered. Women are, as the IDF’s Chief of Staff - Herzi Halevi - has said on multiple occasions, an integral part of the military effort. They serve in tanks and in field intelligence posts, as pilots and naval officers, infantry soldiers, engineering specialists, canine handlers, medics and more. In fact, out of the 625 doctors and paramedics operating in Gaza in late December, 73 - more than ten percent - were women. In today's episode we talk to one of them, First Lieutenant Dr. Sharon Gutman Gilor. The end song is Kol Sha'ah Neshika ("Every Hour, A Kiss") by Chava Alberstein. Hosted on Acast. See acast.com/privacy for more information.

There has been endless talk of the “Home Front” during this war. The "Home Front," as in what goes on here in Israel, as opposed to what happens on the battlefield - in the streets and alleyways of Gaza. But, there is - of course - also a home front, or rather many different kinds of home fronts: some are stoic, others less so; some are somehow managing, others not at all. Much to her dismay, Aliza Raz-Melzer's 50-year-old husband Amiad volunteered to go fight. She gave us a glance into her home front. A home front that is conflicted - proud and supportive on the one hand, divided and even furious on the other.The end song is K'She'Ata Kan ("When You Are Here") by Ninet Tayeb. Hosted on Acast. See acast.com/privacy for more information.

We have some truly exciting news: For the first time in almost a decade, we're launching a new podcast. Look for Sipur Yerushalmi wherever you get your podcasts.  Hosted on Acast. See acast.com/privacy for more information.

Some 350,000 Israelis have been called up to reserve duty since the start of the war, in what has been the largest mobilization in the country’s history. These are people who were plucked out of their homes, families and daily lives, and inserted into a totally different world, one which is in most cases - just to add to the confusion - a mere car ride away. And those transitions back and forth, between the craziness of the frontline and the veneer of normalcy at home, can be dizzying and unsettling. We’re hearing more and more about that juxtaposition now that large numbers of reservists are being released from their service, and are returning to their regular lives. One of them is Noam Tsuriely from Jerusalem. Noam’s a rapper, who recently put out his debut album and had, pre-war, a string of big time gigs all lined up. He was summoned for reserve duty on Oct. 7th, and has spent most of the last four months in Gaza. We spoke to him just as he came out of Gaza, and began his readjustment to civilian life.The end song is Kshenetse Mize ("When We Get Out of This") by Noam Tsuriely, Shachar Nahari, and Eyal Mazig. Hosted on Acast. See acast.com/privacy for more information.

Today's "Wartime Diary" takes us to a place that is, under normal circumstances, one of the most visited sites in the entire country - Jerusalem’s Biblical Zoo, or as it's officially known, 'The Tisch Family Zoological Gardens.' Since the start of the war, the city of Jerusalem has welcomed more than 30,000 evacuees from both the North and the South. With such an influx of people, and especially of kids, there was a real need to create new programming and activities. The Jerusalem Foundation stepped in and launched “Double Impact,” an initiative that sent tens of thousands of evacuees (as well as the city’s school children) to various cultural and recreational institutions such as museums, theaters, the aquarium and, of course, the zoo. The result benefitted not only the kids themselves, who got a day of fun and enrichment, but also the city's struggling institutions. The end song is Noah by Matti Caspi. Hosted on Acast. See acast.com/privacy for more information.

The war has been going on for over three months, and many of us have settled into some sort of altered routine, a "new normal." But there are hundreds of thousands of people, possibly millions, for whom nothing is normal. Hugo (Uri) Wolaj of Kibbutz Be’eri is one of them: everything about his life - his job, his friends, his family, his parenting style, everything - changed on October 7th. Uri spent more than 20 hours that day hiding with his wife and daughters in the safe room. They were evacuated to a Dead Sea hotel in the early hours of October 8th and have been there ever since. But last week he returned to Be’eri, for a rare and eerie visit to his own home.The end song is Lo Levad ("Not Alone") by Jane Bordeaux. Hosted on Acast. See acast.com/privacy for more information.