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Make a Logo on Fiverr The iPhone has become a serious tool for photographers, videographers, and content creators. But getting professional-looking footage often requires more than simply holding your phone. That’s where the ShiftCam ProRig comes in, a versatile camera cage designed to turn your iPhone into a more complete mobile production system. ShiftCam sent over its ProRig, along with an iPhone camera case and a 3.5x telephoto lens, for me to try out. The company isn’t sponsoring this review, and all opinions are my own. After unboxing everything and taking the setup outside for some real-world testing, I found several ways this system could improve mobile video production. Back the ProRig for Deals ShiftCam ProRig Turns Your iPhone Into a Camera Rig The ShiftCam ProRig is designed to give smartphone filmmakers the flexibility of a traditional camera rig without needing a dedicated camera. The camera cage features adjustable handles, multiple accessory mounting points, and support for horizontal and vertical shooting. Whether you’re filming YouTube videos or creating content for TikTok and Instagram Reels, the ProRig can adapt to your workflow. The handles can be repositioned and rotated for different shooting styles, providing a more comfortable two-handed grip. However, they don’t have a locking mechanism, meaning they could rotate unexpectedly during use. Still, the added stability and flexibility make this a useful tool for creators shooting handheld video. A Camera Cage With Plenty of Mounting Options One of the ProRig’s biggest advantages is expandability. Multiple threaded mounting points allow you to attach lights, microphones, mounting arms, and other accessories. During testing, I experimented with an external light, a USB and HDMI docking station, and a supporting handle that could also function as a tabletop tripod. This flexibility allows you to build a compact handheld system or a more elaborate mobile production setup. For content creators regularly shooting interviews, product reviews, or outdoor footage, having those options can make a difference. ShiftCam Camera Lens Adapter Expands Your iPhone Camera Alongside the ProRig, ShiftCam sent a protective iPhone case featuring an integrated camera lens adapter. The case includes a textured grip and recycled aluminum components while providing access to the iPhone’s buttons, cameras, flash, and sensors. After installing it on my iPhone 18 Pro Max, everything appeared accessible, and the grip felt comfortable. My one concern is how well the textured material will hold up over time. The bigger advantage is the lens mounting system, which allows compatible ShiftCam lenses to attach directly over the iPhone camera. This expands your photography options beyond the phone’s built-in lenses. Testing the ShiftCam 3.5x Telephoto iPhone Lens ShiftCam’s 3.5x telephoto lens is a substantial piece of glass, noticeably larger and heavier than many smartphone attachments. It includes protective lens caps and a zippered carrying case. The lens attaches through the ShiftCam camera lens adapter and works best when aligned with the iPhone’s telephoto camera. During initial testing, I had to manually select the correct camera. I also experimented with the free Blackmagic Camera app, which provides more direct control over lens selection and video settings. Because of the magnification, shooting close objects wasn’t particularly practical. I took the setup to a local park to capture distant subjects and fall colors. The additional reach offers creative possibilities for outdoor photography and video, while the ProRig’s two-handed grip helps manage the heavier lens attachment. Bluetooth Shutter and Additional Accessories Another useful feature is the ProRig’s detachable Bluetooth shutter button. It clips onto either side of the camera cage, charges through USB-C, and can be removed for wireless operation. That makes it convenient for recording yourself, taking remote photos, or positioning the iPhone camera somewhere difficult to reach. The ProRig also works with additional accessories. I experimented with external lighting, mounting hardware, and an older ShiftCam 1.33x anamorphic lens. There are also options for macro photography and other shooting styles. Being able to change lenses, attach equipment, and switch between vertical and horizontal recording makes the setup particularly appealing for creators producing content across multiple platforms. Is the ShiftCam ProRig Worth Considering? The ShiftCam ProRig isn’t something every iPhone owner needs. If you’re taking occasional photos or recording casual videos, your phone’s built-in camera may already be enough. But for mobile filmmakers, photographers, and content creators, the ProRig offers more control over the shooting experience. Its adjustable handles, mounting points, removable Bluetooth shutter, and compatibility with additional camera accessories make it more than a simple iPhone cage. I’d like to see locking handles, and the additional weight of external lenses requires some consideration. However, the ability to customize this camera cage for different production environments is a major advantage. As smartphone cameras continue improving, accessories like the ShiftCam ProRig help bridge the gap between casual phone photography and professional mobile production. Back the ProRig for Deals   Check out the Geekazine Merch, including "I AM AI " T-Shirt.  Thanks for reading! Don't forget to subscribe to Geekazine: RSS Feed - YouTubeTwitter - Facebook Support Monthly as a Patreon! with a free month!  Tip Me via Paypal.me  Send a Tip via Venmo RSS Bandwidth by Cachefly Get a 14 Day Trial Reviews: Geekazine gets products in to review. Opinions are of Geekazine.com. Sponsored content will be labeled as such. Read all policies on the Geekazine review page.  Reviews: Geekazine is also an affiliate of Amazon.com - Check out my Amazon Page Last Updated on November 9, 2026 5:55 pm by Jeffrey PowersThe post The ShiftCam ProRig Camera Cage Built for True Mobile Pros appeared first on Geekazine.

Make a Logo on Fiverr The CNDLive A1 Bi-Directional NDI Encoder/Decoder brings HDMI video and network-based production together in one compact device. Designed for live streaming, multi-camera productions, and professional video workflows, this versatile NDI encoder and NDI decoder makes it easier to connect traditional cameras to an IP-based video network. With support for NDI High Bandwidth, NDI HX2, HX3, and OMT, the CNDLive A1 offers flexibility for broadcasters and content creators looking to expand their production capabilities without replacing existing equipment. Get Your A1 Here HDMI and NDI in One Device The A1 features three HDMI 2.0 connections for input, output, and loop-through, alongside dual Gigabit Ethernet ports with PoE support. USB 3.0 and USB-C connectivity provide additional camera options, while support for up to eight audio channels adds flexibility for more complex productions. In simultaneous encoding and decoding mode, the A1 handles 1080p60 video. Switching to dedicated encoding or decoding enables 4K60 with NDI HX or 4K30 with NDI High Bandwidth, making it a capable 4K encoder for network video workflows. The unit also features a tally light, a quarter-inch mounting connection, and a 12V power option. PoE eliminates the need for a separate power connection when compatible network equipment is available. Putting the CNDLive A1 to Work For testing, I connected an older Sony 4K camera through HDMI and an OBSBOT Tiny 2 through USB. The Sony camera doesn’t have native NDI capabilities, but the A1 allowed me to bring its video feed directly into my network production environment. Using the browser-based interface, I could switch between HDMI and USB sources, adjust encoding settings, and select between NDI HX and High Bandwidth streams. Both formats can be enabled, allowing different destinations to receive the video in their preferred format. Switching sources isn’t instantaneous, and occasionally the interface needed a refresh. However, the overall configuration was straightforward. NDI Decoding and Confidence Monitoring The A1 isn’t limited to sending video onto the network. Its NDI decoder can receive network video feeds and convert them back into HDMI video for external displays. I tested this using a portable confidence monitor, switching between camera feeds and a vMix output. There was a small delay when changing sources, but the setup demonstrated how useful the A1 could be for monitoring cameras, supporting PTZ operators, or extending video signals around a production space. The device also includes network configuration, security options, firmware management, intercom support, and integration with CNDLive Manager for remote administration. A Flexible Addition to Live Production The CNDLive A1 Encoder / Decoder offers a practical way to bring HDMI cameras into an NDI production while also delivering network feeds to traditional HDMI displays. Dual Ethernet connections provide additional networking flexibility, including the possibility of working across separate VLANs. For broadcasters using vMix, NDI cameras, and existing HDMI equipment, the A1 could help simplify connectivity without requiring an entirely new camera system. Its combination of 4K encoding, bidirectional operation, and multiple NDI formats makes it worth considering for portable and studio productions. Disclosure: CNDLive provided the A1 for review and sponsored the video. All opinions are those of Geekazine. Get Your A1 Here   Check out the Geekazine Merch, including "I AM AI " T-Shirt.  Thanks for reading! Don't forget to subscribe to Geekazine: RSS Feed - YouTubeTwitter - Facebook Support Monthly as a Patreon! with a free month!  Tip Me via Paypal.me  Send a Tip via Venmo RSS Bandwidth by Cachefly Get a 14 Day Trial Reviews: Geekazine gets products in to review. Opinions are of Geekazine.com. Sponsored content will be labeled as such. Read all policies on the Geekazine review page.  Reviews: Geekazine is also an affiliate of Amazon.com - Check out my Amazon Page Last Updated on November 10, 2026 10:01 am by Jeffrey PowersThe post CNDLive A1 Bi-Directional NDI Encoder/Decoder appeared first on Geekazine.

Make a Logo on Fiverr Making money online is nothing new, but AI has created a different kind of work-from-home opportunity: helping companies train the systems themselves. Companies like Babel Audio offer projects built around video, audio and transcription that can let participants get paid from AI without having to become programmers or machine-learning engineers. I’ve been using Babel Audio myself, primarily for video-based projects, and the experience has been legitimate enough that I’ve received actual payments from the platform. That doesn’t mean it’s effortless money, though, because the amount you earn can depend heavily on project availability, how quickly you move from one task to another and whether your recording setup meets the client’s requirements. See what Babel Audio offers for jobs: https://geni.us/getbabelaudio (affiliate link) How Babel Audio Works and How You Get Paid Getting Started With Babel.audio Compared with some other AI job platforms I’ve tried, Babel had a relatively simple qualification process when I joined. Instead of going through a long series of forms and tests, I completed a basic evaluation, showed that I could meet the requirements and then gained access to available projects. “The cool thing about Babbel is there’s not all those forms that you have to fill out. You basically do a little test and then they approve you from that test.” – Jeffrey Powers The exact onboarding process can always change, but my experience was much more direct than some other AI task services. Once approved, you can see the available work, choose a project and start preparing for the assignment. Video, Audio and Transcription Projects Babel Audio works across video, audio and transcription, although most of my experience has been on the video side because I’m already comfortable working in front of a camera. Depending on the project, you may read a script, take part in a one-on-one conversation, role-play a support scenario or respond naturally to a set of prompts. Some sessions are short and tightly structured, while others allow more natural back-and-forth conversation. After the recording ends, you usually answer a few quick questions about how the session went, return to the queue and wait for the next assignment. What $50 Per Recorded Hour Really Means One of the projects I worked on paid around $50 per recorded hour, but that’s not the same thing as earning $50 for every real-world hour you’re logged in. Waiting for a partner, choosing a topic, reviewing the instructions and getting ready for the recording may not be included in that paid time. Based on my own experience, a more realistic effective rate can land around $20 to $25 per hour when calls are moving steadily. If you’re waiting several minutes between recordings or spending a lot of time preparing each session, that effective hourly rate can drop fairly quickly. The Requirements That Can Make or Break the Job You Need a Controlled Recording Environment The biggest challenge with Babel.audio is that your recording environment needs to be far more controlled than many people expect from a normal work from home job. Background noise from computer fans, dogs, children, traffic or people in another room can become a problem, and even a passing siren or fire truck may affect a video session. Lighting also has to remain consistent, which makes natural window light less useful than it might seem. If a cloud suddenly changes the brightness in the room, that shift can be enough to create issues, so controlled artificial lighting and a stable camera position are usually safer. Glasses, Framing and Quality Grading One of the more difficult requirements I encountered was a no-glasses rule on some video projects because the system needed a clear view of the participant’s eyes. That can become a serious problem for anyone who depends on prescription glasses, especially when some assignments also require you to read scripts or instructions during the recording. Your work can also be graded based on things such as sound, lighting, framing and other project-specific requirements. If problems keep showing up, your daily video allowance may be reduced, and if the limit reaches zero on a particular project, you can be removed from that project entirely. But You Don’t Need a Hollywood Studio Professional gear can help, but it can also work against you if the camera is creating a cinematic look that the project doesn’t want. Features such as strong background blur or bokeh may need to be disabled because the goal is usually a neutral, consistent image that clearly shows your head and shoulders. I use a Shure MV7 microphone, but a good USB microphone can work just fine, and something like a Logitech Brio can be enough for video. The more important factors are clean audio, steady framing, consistent lighting and a room quiet enough that outside noise doesn’t interfere with the recording. Is Babel Audio a Legit Way to Make Money? Payments and Project Availability In my experience, Babel Audio has paid me for the work I’ve completed, and payments have generally been straightforward. I typically receive a notification around Tuesday, then the money arrives through the selected payment method such as direct deposit or PayPal, although one payment did take nearly a week to arrive. The bigger uncertainty is not whether I was paid, but whether the same amount of work will always be available. Projects can end, daily limits can change and one week may offer several options while another may be much slower, so I would not treat Babel income as guaranteed in the same way as a traditional salary. Can Babel Pay the Rent? On one project, I had the option to complete as many as 60 videos in a day, which could turn into a 13- or 14-hour workday if I tried to max it out. When I ran the numbers, doing that level of work consistently for about a week could potentially cover my rent and bills, but that’s based on having enough assignments available and being willing to put in very long days. For me, the more realistic approach is to use Babel audio as flexible income that can supplement other work. A few hours in the morning or during open parts of the day can generate extra money without forcing me to depend on the platform for every dollar I need. Who Babel Audio Makes the Most Sense For Babel Audio makes the most sense for someone who wants an additional AI job they can do from home, is comfortable with video, audio or transcription, and has a quiet enough environment to meet the technical requirements. It also helps if you’re patient with repetitive assignments and understand that client rules can change from one project to another. Based on my own experience, Babelis a legitimate way to get paid from AI, but I wouldn’t call it easy money or guaranteed full-time employment. If you already have a decent camera, microphone, controlled lighting and a quiet room, it can be a useful side-income option — just go into it understanding that the advertised recorded-hour rate and your actual hourly earnings may not be the same thing. See what Babel.audio offers at https://geni.us/getbabelaudio   Check out the Geekazine Merch, including "I AM AI " T-Shirt.  Thanks for reading! Don't forget to subscribe to Geekazine: RSS Feed - YouTubeTwitter - Facebook Support Monthly as a Patreon! with a free month!  Tip Me via Paypal.me  Send a Tip via Venmo RSS Bandwidth by Cachefly Get a 14 Day Trial Reviews: Geekazine gets products in to review. Opinions are of Geekazine.com. Sponsored content will be labeled as such. Read all policies on the Geekazine review page.  Reviews: Geekazine is also an affiliate of Amazon.com - Check out my Amazon Page Last Updated on September 26, 2026 11:13 am by Jeffrey PowersThe post Babel Audio Review: Is It a Legit Way to Make Money? appeared first on Geekazine.

Make a Logo on Fiverr The OBSBOT Talent 2 is the kind of production box that makes you question how much gear you really need for a live show. It combines a video switcher, recorder, streaming encoder, monitor and remote production system inside one portable unit. Add four HDMI inputs, network video support and four-channel ISO recording, and it starts looking like a serious alternative to an ATEM-based mobile setup. That flexibility comes with a $2,099 price tag, and there are a few physical design choices to consider. After unboxing and connecting csources, here is where the Talent 2 stands out. A Portable Studio With Room to Grow The Talent 2 is built around a 7-inch AMOLED touchscreen with a 1,920-by-1,080 resolution, 800-nit brightness, 10-bit color, a 100,000:1 contrast ratio and an anti-fingerprint coating. The display is bright and sharp indoors. OBSBOT also includes a sun shield for outdoor work, where even an 800-nit display can struggle in direct light. Its included stand holds the unit without blocking the connections and offers mounting points for accessories such as a microphone or light. A removable screen cover adds protection when the Talent 2 is packed for travel. This is a system designed to come out of a case, connect to cameras and start producing a show without requiring a separate monitor or computer. Four HDMI Inputs and Plenty of Network Sources Four HDMI inputs sit across the top of the unit. The Talent 2 also supports USB cameras and network sources including full-bandwidth NDI, NDI HX2, NDI HX3, SRT, RTSP and RTMP. IP sources can reach up to 4K at 60 frames per second, giving a producer several ways to bring in cameras, computers, phones and remote guests. In testing, I connected four HDMI devices, an OBSBOT Meet Flip over USB and multiple NDI sources, including an iPhone and an overhead camera. The Talent 2 handled individual feeds as well as layered layouts. I could resize sources, change their order and build a three-camera composition over a game feed directly on the touchscreen. The device can take 15-16 inputs comfortably, but it’s best to keep it around 7-8. Switch, Stream and Record From One Box The touchscreen interface provides quick access to inputs, scenes, graphics, audio and streaming controls. You can add lower thirds, titles, animated text, clocks, photos and prerecorded video. There are also tools for drawing on the program output, creating scene playlists, controlling PTZ cameras, adding timers and scoreboards, freezing a scene or fading to black. Four-Channel ISO Recording One of the Talent 2’s most important features is four-channel ISO recording. Instead of saving only the final switched program, it can record four isolated HDMI feeds for editing later. It supports MP4 and MOV recording with H.264 or H.265 encoding at up to 4K60. There is 128GB of internal storage, plus a microSD card slot and support for external USB storage. That combination makes the unit useful for live productions that also need editable camera originals. I had not yet completed a full ISO stress test at the time of this first hands-on review, so long-duration recording performance is one area I will continue to evaluate. Streaming to Four Destinations The Talent 2 can stream to as many as four destinations simultaneously, with native options for YouTube, Facebook, Twitch and Restream. It also supports RTMP, RTMPS, SRT, HLS and NDI HX3 output. Streaming resolutions range from 360p through 4K60, with a maximum published bitrate of 120Mbps, although the practical limit will depend on the available internet connection. Shows can run in standard 16:9 or vertical 9:16 orientation. That makes the Talent 2 useful for traditional livestreams as well as mobile-first productions. Two HDMI 2.0 outputs can deliver video at up to 4K60, while USB-C provides UVC and UAC output to a computer. The Ethernet port supports 2.5Gbps networking. Remote Production Is a Major Strength You do not have to operate the Talent 2 from its touchscreen. A browser-based interface works from a computer, tablet or phone on the same network. From there, I could switch sources, manage encoders, configure destinations, upload media and transfer recordings to a desktop for immediate post-production. The system also supports user profiles with limited controls. In a sports production, for example, one operator could manage audio from a tablet while another switches the show. The Talent 2 can create its own hotspot, which helps when a dedicated local control network is needed. Audio and Automatic Switching Two 3.5mm audio inputs can accept microphone or line-level sources, and a headphone output provides monitoring. Each source can be routed to the monitor and program mix, kept active across scene changes or turned off. The Video Follows Audio feature can automatically switch to the source associated with the person speaking, which could simplify panel discussions and interview shows. Designed for Work Away From the Studio Two battery bays on the rear support hot swapping, allowing one battery to be changed while the other keeps the Talent 2 running. Cellular support is built in through a SIM slot and external 5G antennas. Separate antenna connections cover Wi-Fi, and the package includes international power adapters and a locking USB-C cable. Multiple quarter-inch mounting points make it possible to place the unit on a tripod, arm or customized rig. For events, conferences, sports and mobile interviews, those mounting and power options are just as important as the switching features. The Biggest Problem: HDMI Port Spacing The four HDMI inputs are packed tightly together. With thicker cable ends—especially optical HDMI cables—it can be difficult or impossible to use every port without the connectors pressing against one another. I had to rearrange cables and find a thinner option to populate all four inputs. That pressure is not something I want on HDMI ports during a live production. Owners planning to use all four inputs should test their cable ends before an event and consider slim HDMI cables or compact adapters. A little more space between the ports would have made this much easier. I also saw a small amount of latency when comparing an NDI feed with a direct HDMI path. That is not unexpected when mixing network and wired video, and firmware updates may continue to improve performance, but timing is worth checking before combining source types in a production. Is the OBSBOT Talent 2 Worth $2,099? The Talent 2 is expensive compared with a basic hardware switcher (ATEM ISO around $600, ATEM Mini Extreme is $2,000), but the comparison changes once you add a monitor, streaming encoder, network video support, storage and remote control. OBSBOT has placed all of those tools in one battery-powered unit that can handle a surprisingly complex show. For a creator who only needs two HDMI cameras, the smaller and less expensive options will make more sense. For event producers, mobile studios and livestream teams that need four HDMI inputs, 4K streaming, isolated recordings and remote operation, the Talent 2 offers a compelling all-in-one workflow. The OBSBOT Talent 2 comes close to being the ultimate portable live studio because it removes so many separate boxes from the production chain. Its AMOLED display, flexible source support, four-channel ISO recording, remote interface and hot-swappable power give it serious potential as an ATEM replacement. It is not flawless. The cramped HDMI ports are a real frustration, the price puts it firmly in professional territory and some features deserve longer testing under live-show conditions. Still, few portable systems put this much switching, recording and streaming power into one package. OBSBOT provided the Talent 2 for this review but did not sponsor the video. The company had an opportunity to view the video before publication. All opinions are Geekazine.com. A 30-Day video will be produced next month. See it for yourself at https://geni.us/obsbottalent2   Check out the Geekazine Merch, including "I AM AI " T-Shirt.  Thanks for reading! Don't forget to subscribe to Geekazine: RSS Feed - YouTubeTwitter - Facebook Support Monthly as a Patreon! with a free month!  Tip Me via Paypal.me  Send a Tip via Venmo RSS Bandwidth by Cachefly Get a 14 Day Trial Reviews: Geekazine gets products in to review. Opinions are of Geekazine.com. Sponsored content will be labeled as such. Read all policies on the Geekazine review page.  Reviews: Geekazine is also an affiliate of Amazon.com - Check out my Amazon Page Last Updated on September 16, 2026 4:28 pm by Jeffrey PowersThe post OBSBOT Talent 2 Review: The Ultimate All-in-One Live Studio? appeared first on Geekazine.

Make a Logo on Fiverr A dash cam can be useful after a collision, but many models look like an afterthought once they are stuck to the windshield and surrounded by visible cables. FitcamX takes a cleaner approach with vehicle-specific camera systems designed to blend into the area around the rearview mirror. The FitcamX dash cam tested here combines front and rear recording, collision detection, parking monitoring and app access in a system that looks more like factory equipment than a typical add-on camera. Installation requires some work, and the exact parts vary by vehicle, but the finished result is discreet and capable. FitcamX supplied the product and sponsored the accompanying video. All opinions are those of Geekazine. A Dash Cam Designed Around Your Vehicle FitcamX offers configurations for many vehicle makes and models. On supported vehicles, the camera can replace or integrate with the factory housing around the rearview mirror, giving it a cleaner appearance than a universal dash cam mounted in the middle of the windshield. The version tested was an aftermarket configuration installed in an older Chevrolet Trailblazer. It uses a compact housing that mounts close to the windshield rather than a larger vehicle-specific shroud. Buyers should check FitcamX compatibility carefully because the camera housing, power cable and installation method can differ from one vehicle to another. Keeping the camera close to the glass is important. A tight fit helps reduce reflections and light leaking into the lens from inside the vehicle. The front lens can be tilted up or down after installation, while the rear camera also needs to be adjusted after it is attached to the back window. 4K Front Recording and Optional Rear Coverage FitcamX configurations can record the front view at up to 4K resolution, or 2160p at approximately 30 frames per second. Rear-camera resolution depends on the package, with 1440p and 1080p options available. The camera uses an f/1.6 aperture, a 160-degree viewing angle and wide dynamic range to improve visibility in changing light. A 64GB microSD card was included with the review unit, and the system supports cards up to 256GB. Loop recording automatically overwrites older files when the card fills, allowing the dash cam to continue recording without requiring regular manual cleanup. The front and rear cameras create separate video files. That means footage from the same drive must be matched by time when both angles are needed. It adds an extra step, but it also keeps each recording easy to view or export on its own. Collision Detection and Parking Monitoring A built-in G-sensor gives the FitcamX smart dash cam its collision detection capability. The system can react to an impact and preserve footage, including while the vehicle is parked when constant power is available. The camera normally operates from the vehicle’s 12-volt system and can switch to a lower-power 5-volt mode after the vehicle is turned off. That helps reduce battery drain while keeping parking protection available. Any always-on accessory can still affect an aging battery, so drivers who leave a vehicle unused for long periods should monitor battery condition or disconnect the camera. Collision sensitivity is adjustable. A high setting may cause more frequent activations and use more battery, while the low setting used during testing did not create problems. The best setting will depend on where the vehicle is parked and how often normal movement or vibration triggers the sensor. Installation Requires Planning The package includes trim tools and the cabling needed to route power and connect the rear camera. Hiding the cables requires carefully working them behind the vehicle’s interior trim from the front camera to the power source and rear window. Power can be connected through a compatible fuse-box hardwire kit or an optional OBD adapter, depending on the vehicle and FitcamX package. A fuse-box installation requires identifying constant and switched power sources. Drivers who are not comfortable working with automotive electrical connections should have the system installed professionally. The OBD connection used during testing made the installation easier to manage and provided a convenient way to unplug the camera before an extended trip. Availability and price of the OBD adapter vary by vehicle, and it may need to be purchased separately. The optional rear camera mounts inside the vehicle and is not weatherproof. Hatchback owners may need several attempts to position it correctly because the viewing angle changes when the hatch is opened. Cleaning the glass thoroughly before applying the adhesive is also essential; the review unit’s rear camera came loose when it was attached over a small amount of residue. Wi-Fi App Access Has One Annoying Limitation Built-in 2.4GHz Wi-Fi lets iOS and Android devices connect directly to the FitcamX. The app provides a live view for aiming the lenses, changing settings and transferring recordings without removing the microSD card. The biggest inconvenience appeared when using wireless Apple CarPlay. The phone tried to switch between the vehicle’s CarPlay connection and the dash cam’s Wi-Fi network, making it harder to stay connected to the camera. A dedicated CarPlay integration would make viewing and transferring footage much easier. Large video files can also take time to download through the phone. Removing the microSD card and copying footage directly to a computer is faster, although accessing the card requires sliding the camera from its mount. Neither method is difficult, but both add friction when footage needs to be retrieved quickly. Clear Video During Day and Night Driving After several weeks of use, the FitcamX delivered clear front and rear footage during daytime, dusk and nighttime driving. The front camera captured a useful view of the road without becoming a visual distraction inside the cabin. The rear camera also recorded the road effectively, although reflections and rear-window heater lines were visible in the test vehicle. Those issues depend heavily on the glass, mounting position and vehicle design rather than the recording system alone. The camera continued recording briefly after the vehicle was parked, and the low-profile installation remained secure during normal driving. Once adjusted correctly, the system required little attention and automatically handled daily recording. The Bottom Line The FitcamX dash cam stands out because it can look like part of the vehicle instead of another gadget attached to the windshield. Its combination of high-resolution front recording, optional rear coverage, collision detection and parking monitoring covers the features most drivers expect from a modern smart dash cam. Installation is more involved than plugging a camera into a power outlet, and the phone connection can clash with wireless CarPlay. Video transfers are also faster when the microSD card is moved to a computer. Those drawbacks are balanced by reliable recording, clean integration and flexible power options. Pricing starts around $169 and varies by vehicle, camera package and power adapter. For drivers who want a professional-looking dash cam without a screen or dangling wires dominating the windshield, FitcamX is a strong option. Check it out at https://geni.us/fitcamx   Check out the Geekazine Merch, including "I AM AI " T-Shirt.  Thanks for reading! Don't forget to subscribe to Geekazine: RSS Feed - YouTubeTwitter - Facebook Support Monthly as a Patreon! with a free month!  Tip Me via Paypal.me  Send a Tip via Venmo RSS Bandwidth by Cachefly Get a 14 Day Trial Reviews: Geekazine gets products in to review. Opinions are of Geekazine.com. Sponsored content will be labeled as such. Read all policies on the Geekazine review page.  Reviews: Geekazine is also an affiliate of Amazon.com - Check out my Amazon Page Last Updated on September 17, 2026 12:27 pm by BradThe post FitcamX Dash Cam: Factory Look, Professional Results appeared first on Geekazine.

Make a Logo on Fiverr AI video-editing services can create captions, remove pauses and turn horizontal videos into social clips, but many require uploading footage to a website and downloading the finished result. AutoCut takes a different approach by putting those tools inside Adobe Premiere Pro and DaVinci Resolve. The AutoCut Premiere plugin and Resolve plugin can automate repetitive parts of an edit while leaving the resulting cuts, captions, camera changes and B-roll inside the timeline. That is the important distinction: AutoCut does not try to replace the editor. It attempts to complete the first pass so the editor can concentrate on corrections and creative decisions. AutoCut sponsored the accompanying video and provided access to the software. All opinions are those of Geekazine. What AutoCut Adds to Premiere and Resolve AutoCut installs on Windows and macOS and works from inside Adobe Premiere Pro or DaVinci Resolve. It connects to AutoCut’s cloud services, so an internet connection is required even though the editor remains inside the familiar desktop application. The available modules include silence removal, automatic captions, podcast editing, zooms, B-roll, viral clips, repeated-take detection, profanity filtering, resizing and automatic chapters. Feature availability can differ between Premiere and Resolve. During testing, for example, Auto Resize was available in Premiere but not in the Resolve version. Timeline-Based AI Editing Unlike a browser-based AI editing service that returns a collection of rendered clips, AutoCut makes changes within the project timeline. Editors can extend a cut, replace a shot, move B-roll, correct a caption or disable an automated effect without rebuilding the entire project. That flexibility matters when the AI makes a nearly correct decision. An editor can fix the result in seconds instead of accepting an imperfect export or repeating the automated process from the beginning. Automatic Captions Without Leaving the Project AutoCaptions analyzes a selected audio track across the full timeline or a defined set of in-and-out points. Limiting the analysis to a specific section can reduce processing time when only part of a project needs captions. The software creates a transcript that can be reviewed and corrected before captions are added. Editors can also supply an existing SRT file. Once the text is ready, AutoCut provides controls for fonts, animation, highlight colors, line count, position, width and size. Captions Stay Editable The finished captions appear as a normal caption track in Premiere. Individual words and timing can be adjusted with the editor’s standard tools, making it easier to correct names, brand terms and transcription mistakes. Safe-area guides also help position captions for vertical and horizontal social formats. In the test project, AutoCut generated and styled the caption track in roughly a minute. The transcription was generally accurate, although it still needed the same human review expected from other automatic transcription tools. Turning Horizontal Video Into Vertical Clips Auto Resize converts a sequence for TikTok, YouTube Shorts, Reels and square social formats. It analyzes the video, follows the subject and creates a new sequence at the selected aspect ratio. Tracking speed can be adjusted, and a watermark can be added for client previews. The test conversion completed quickly and followed a single speaker effectively. A split-screen shot with two people created more trouble because the system did not always know which face or layout should remain in frame. AI Gets the Edit Started, Not Finished Auto Resize still saved time because every adjustment remained editable. Tracking could be disabled for a specific shot, the crop could be repositioned and cuts could be moved directly in Premiere. Browser-based tools can have similar framing problems, but they do not always provide the same level of timeline control afterward. AutoCut Podcast Handles Multicam Switching AutoCut Podcast is designed for interviews and multicamera shows. The editor identifies the audio tracks, assigns each speaker to a camera and can include a split-screen angle. AutoCut then listens to the conversation and creates camera changes based on who is speaking. Reaction shots can be enabled to show the person who is listening, and shot duration can be adjusted for a faster or more relaxed pace. The finished result uses Premiere’s multicamera tools, so every automated camera choice can be changed later. Fast First Pass With Some Cleanup A six-minute, 30-second test podcast was processed in under a minute after the tracks were configured correctly. Most camera changes worked well, but the opening shot selected the guest while the host was speaking. One safety audio track also needed to be muted to remove an echo. Those were small fixes compared with manually switching the entire interview. The automated edit could be reviewed at higher playback speed, corrected where necessary and then finished with normal audio processing. B-Roll, Zooms and Repeated Takes AutoBrolls analyzes the conversation and suggests stock footage or AI-generated images. The module can use Storyblocks content with an eligible subscription and lets the editor control how frequently B-roll appears. The generated media is placed on an overlay track, where its duration, scale, position and transitions can be changed. Not every suggestion matched the context perfectly, but unwanted clips were easy to replace or delete. Automated Motion and Cleanup AutoZoom can add speaker-based zooms, cut-based punch-ins or smoother motion. The zoom range and animation style are adjustable, which helps avoid the aggressive jump-cut look used by some social videos. Processing the test podcast took around five to six minutes, longer than the caption and multicamera tools. AutoCut Repeat looks for false starts and repeated lines, a common problem when recording scripted videos. Suggested removals are highlighted so the editor can approve or reject them. It made some incorrect choices in testing, but reviewing highlighted sections was still faster than searching the entire recording manually. Premiere Plugin vs. Resolve Plugin The Resolve plugin offers many of the same core tools, including silence removal, captions, podcast editing, B-roll, viral clips, repeated-take detection, profanity filtering and chapters. AutoCut recognizes the license on the computer, making it possible to switch between Premiere and Resolve on the same machine. The feature sets are not identical, and new modules may reach one editor before the other. Editors should confirm that the specific automation they need is supported in their preferred application. The Biggest Limitations AutoCut requires an internet connection. If the computer is offline, the cloud-assisted features will not work. That can be a problem for editors working while traveling or in locations with unreliable connectivity. The license is also tied to one machine at a time. Editors who regularly move between a desktop workstation and a laptop must deactivate one computer or purchase another license. A simpler sign-in system that allows users to manage activations between two machines would make the plugin more flexible. AI editing also needs supervision. AutoCut can make an impressive first pass, but multicamera choices, B-roll, reframing and repeated-take detection should all be reviewed before export. Pricing and the Bottom Line Plans for Basic and AI Editing AutoCut offers a 14-day trial. At the time of the review, the Basic plan was approximately $80 per year and focused mainly on silence removal. The AI plan was approximately $179 per year and included the broader set of AI editing tools. Enterprise pricing is available for teams and organizations with multiple users. Does AutoCut Actually Save Time? Yes, particularly for repeatable work such as captions, silence removal, podcast camera switching and social-video resizing. AutoCut will not eliminate the final editing pass, but it can reduce the amount of mechanical work required to reach it. The plugin is most valuable for creators who want AI editing assistance without giving up Premiere or Resolve. Because the results remain inside the timeline, AutoCut provides a useful middle ground between fully manual editing and one-click web services that limit what can be changed afterward. Check it out at https://geni.us/autocutcom   Check out the Geekazine Merch, including "I AM AI " T-Shirt.  Thanks for reading! Don't forget to subscribe to Geekazine: RSS Feed - YouTubeTwitter - Facebook Support Monthly as a Patreon! with a free month!  Tip Me via Paypal.me  Send a Tip via Venmo RSS Bandwidth by Cachefly Get a 14 Day Trial Reviews: Geekazine gets products in to review. Opinions are of Geekazine.com. Sponsored content will be labeled as such. Read all policies on the Geekazine review page.  Reviews: Geekazine is also an affiliate of Amazon.com - Check out my Amazon Page Last Updated on September 17, 2026 12:27 pm by BradThe post AutoCut Helps Speed up Editing Time? appeared first on Geekazine.

Make a Logo on Fiverr Desktop chargers are most useful when they eliminate clutter without creating another problem. The AOHi 280W GaN Plus Charger takes that idea a step further by combining six charging ports, a color status display and app-based controls in one substantial desktop unit. With four USB-C ports and two USB-A ports, this 280W GaN charger is designed to power a laptop, tablet, phone, camera and other accessories from one outlet. It is not a small travel adapter, but it could be a practical replacement for the collection of charging bricks normally spread across a desk. AOHi supplied the charger and sponsored the accompanying video. All opinions are those of Geekazine. Six Ports With Up to 280 Watts of Shared Power The AOHi charger delivers up to 280 watts across its six ports. The four USB-C connections handle modern devices such as MacBooks, Windows laptops, tablets and smartphones, while the two USB-A ports support older cables and accessories. The first USB-C port supports PD 3.2 charging and can be prioritized for devices that need more power. As with any multiport USB charger, the full 280 watts is shared rather than delivered to every port simultaneously. The amount of power each device receives depends on its charging requirements, the cable being used and what else is connected. That makes the AOHi a better fit for a workstation than a single-device fast charger. One outlet can handle a laptop, an iPad, a phone and several production accessories without requiring separate wall adapters. A Display That Shows What the Charger Is Doing The front display is one of the AOHi’s most useful features. It shows total charging output, individual port activity and the charger’s internal temperature. A button on the side cycles through the available information. The screen is not touch-sensitive, but it gives you a quick view of the charging load without requiring a separate USB power meter. When several devices are connected, you can see which ports are drawing the most power and when a device begins reducing its draw as its battery fills. The charger can also display the time after it is connected to Wi-Fi. From a short distance, the AOHi looks more like a small desktop clock than a typical USB charger. Wi-Fi and App Controls Add More Flexibility AOHi’s companion app connects to the charger through a 2.4GHz Wi-Fi network and is available for Android and iOS. The app provides a clearer view of individual port usage and lets you remotely turn ports on or off. Three charging modes are available. Smart mode automatically manages the available power, Turbo mode favors faster charging, and Custom mode gives you more control over how power is allocated. You can also rename the charger, check its temperature, review usage information and install firmware updates. Remote port control may sound unnecessary until several devices are plugged in. If a tablet no longer needs to charge, for example, you can shut off that port without tracing cables across the desk. It also gives you a way to stop charging selected devices while leaving everything connected. The 2.4GHz-only Wi-Fi support is a limitation to keep in mind. Most modern routers still support that band, but some users may need to enable it or place the charger on a separate IoT or guest network. Real-World Charging With Six Devices For testing, the AOHi was connected to a MacBook Air, an iPad, a Samsung Galaxy Tab S9, an Asus phone, an OBSBOT Tail 2 camera and a DJI Pocket camera. All six ports were active at the same time. The combined power draw generally moved between 100 and 130 watts, well below the charger’s 280-watt ceiling. The MacBook Air drew roughly 60 to 65 watts during parts of the test, while the iPad reached around 28 to 30 watts. The other devices drew smaller amounts based on their own charging limits. Those results also show why most people may not regularly reach the charger’s full capacity. Phones, tablets and cameras often reduce their draw as their batteries fill. The extra headroom is still valuable when charging multiple laptops or other higher-power USB-C devices at once. After approximately 30 minutes under load, the charger’s display reported a temperature of about 49 degrees Celsius. The enclosure felt warm, as expected during fast charging, but the built-in temperature reading made it easy to monitor. Running Smart mode instead of Turbo mode may reduce heat at the cost of slower charging. Built for a Permanent Spot on the Desk This is a dense charger with enough weight to stay in place when cables are connected or removed. Rubber feet help prevent it from sliding, and the low-profile design keeps the ports accessible without placing another bulky adapter directly on the wall. The weight makes it less appealing for everyday travel, although it could still replace several chargers in a larger gear bag. Its strongest use case is on a desk, in a studio or in a shared workspace where several people need USB-C fast charging from a single outlet. AOHi also supplied a separate one-meter USB-C-to-USB-C cable rated for high-power charging and data speeds up to 80Gbps. That type of cable matters when using the charger’s higher-output capabilities, since an underpowered cable can limit charging performance. The Bottom Line The AOHi 280W GaN Plus Charger combines the capacity of a high-output USB charger with monitoring and control features that are genuinely useful. Its six ports, live power display and app-based controls make it easier to manage a desk full of devices while reducing the number of charging bricks plugged into the wall. It is probably more charger than someone with only a phone and tablet needs. For creators, power users and shared workspaces, however, the 280-watt capacity provides room for several laptops and accessories while keeping charging organized in one place. The app’s dependence on 2.4GHz Wi-Fi and the heat generated in Turbo mode are worth noting, but neither takes away from the charger’s main advantage: fast charging for several devices through one compact desktop hub. Get the 280W GAN+ Charger: https://geni.us/aohi280wGet the USB-C 4.2 Cable: https://geni.us/aohiusb42Exclusive 15% OFF Discount Code: Geekazine15off   Check out the Geekazine Merch, including "I AM AI " T-Shirt.  Thanks for reading! Don't forget to subscribe to Geekazine: RSS Feed - YouTubeTwitter - Facebook Support Monthly as a Patreon! with a free month!  Tip Me via Paypal.me  Send a Tip via Venmo RSS Bandwidth by Cachefly Get a 14 Day Trial Reviews: Geekazine gets products in to review. Opinions are of Geekazine.com. Sponsored content will be labeled as such. Read all policies on the Geekazine review page.  Reviews: Geekazine is also an affiliate of Amazon.com - Check out my Amazon Page Last Updated on September 17, 2026 12:33 pm by BradThe post AOHi 280W GaN Plus Charger Review: Smart Power for Your Desk! appeared first on Geekazine.

Make a Logo on Fiverr The traditional golf driving range is great for practicing your swing, but hitting ball after ball into an open field can get repetitive. iTargetGolf wants to change that by adding interactive targets, colorful LED effects and real-time feedback that turns practice into an experience. Frédéric Guitton from iTargetGolf explains that the system works alongside existing ball-tracking platforms to connect the golfer’s shot with physical targets located downrange. The result is a golf driving range that responds when you hit close to a target, making every successful shot feel more rewarding. Bringing the Downrange Area to Life Much of the recent technology added to driving ranges has focused on the individual hitting bays. Screens, ball-tracking systems, comfortable furniture, heaters and automated ball dispensers have all improved the experience near the golfer. The field itself, however, often remains largely unchanged. iTargetGolf places interactive targets throughout the range and connects them with tracking systems from TrackMan, Toptracer and Inrange. When the tracking system determines that a ball landed within a specified distance of a target, iTargetGolf activates a light animation on that target. That physical response provides something a computer screen alone cannot deliver. You can look out onto the range, see the target light up and immediately know that your shot caused it. Immediate Feedback at Every Bay The system can also include interactive lights inside each hitting bay. If a golfer hits near a blue target, for example, the lights in that golfer’s bay can turn blue and play an animation. This feature is especially useful during the day, when bright sunlight may make downrange LEDs more difficult to see. Because the bay lights are only a few feet away, golfers can still receive clear visual feedback. Range operators control the system through a tablet. They can change target colors, schedule when the lights operate and adjust how close a shot must land before triggering a response. That flexibility allows a facility to create different challenges. A range could make every target white except one red target, then reward the first golfer who turns their bay lights red. These simple competitions can transform a normal practice session into a shared Fun Zone for families, groups and special events. More Approachable Than a Full Round An 18-hole round can take several hours and may feel intimidating to someone who is still learning the game. A golf driving range offers a lower-pressure environment where beginners can experiment without worrying about slowing down other players. Interactive targets make that practice feel less like repetition and more like a game. Children can aim for closer targets while experienced golfers work on accuracy at longer distances. Everyone can participate from the same bay, even if their skill levels are completely different. Frédéric Guitton from iTargetGolf compares the modern driving range to a bowling alley. It can be a place to practice, but it can also become a social destination where people compete, eat, drink and spend time together. A Physical Experience Connected to Digital Tracking Golf tracking platforms can display ball speed, launch height, distance and trajectory on a screen. iTargetGolf doesn’t replace those systems. It uses their data to generate a physical response out on the range. That combination gives golfers both detailed performance information and the satisfaction of seeing a real target react. It helps connect virtual golf technology with the open-air feeling of hitting toward something on an actual range. iTargetGolf says its ability to connect with the three major tracking platforms is one of the company’s most important accomplishments. Instead of requiring a range to replace its existing tracking technology, the targets are designed to work with the systems many facilities already use. Cash Cup Golf Adds Higher Stakes iTargetGolf is also rolling out Cash Cup Golf, a permanent hole-in-one contest for driving ranges. Players purchase premium golf balls containing RFID tags, and the ball dispenser connects each ball to the player’s phone number. The target contains an RFID reader that identifies the winning ball if it lands in the hole. Video tracking provides additional verification that the shot was legitimate. For golfers, Cash Cup Golf adds the chance to win money from a single shot. For operators, it creates a premium activity that can generate additional revenue without requiring a completely separate attraction. Turning Practice Into Entertainment Interactive lights will not replace the experience of playing a full golf course, and that isn’t the goal. Instead, iTargetGolf gives facilities another way to introduce people to golf, motivate players to practice and keep groups engaged. The technology can also help ranges remain attractive after sunset. LED-lit targets require less broad illumination than traditional stadium-style lighting, potentially creating a more comfortable evening environment for nearby neighborhoods. With responsive targets, customizable games, in-bay lighting and Cash Cup Golf, iTargetGolf turns the empty space beyond the hitting bays into an active part of the experience. It gives every golfer something visible to aim for—and something worth celebrating when the shot lands. Check it out here   Check out the Geekazine Merch, including "I AM AI " T-Shirt.  Thanks for reading! Don't forget to subscribe to Geekazine: RSS Feed - YouTubeTwitter - Facebook Support Monthly as a Patreon! with a free month!  Tip Me via Paypal.me  Send a Tip via Venmo RSS Bandwidth by Cachefly Get a 14 Day Trial Reviews: Geekazine gets products in to review. Opinions are of Geekazine.com. Sponsored content will be labeled as such. Read all policies on the Geekazine review page.  Reviews: Geekazine is also an affiliate of Amazon.com - Check out my Amazon Page Last Updated on September 17, 2026 12:34 pm by BradThe post How iTargetGolf Makes the Driving Range Engaging appeared first on Geekazine.

Make a Logo on Fiverr The Nearity 360 Alien is not your typical conference camera. Instead of sitting at the front of the room like a traditional webcam or PTZ camera, this tall, table-mounted system is designed to sit in the middle of the action and capture nearly everyone around it. With four built-in cameras, AI framing, multiple meeting modes and optional wireless connectivity, the Nearity 360 Alien is built for boardrooms, hybrid meetings, presentations and conference setups where one camera needs to do the work of several. A Conference Camera Built for the Middle of the Table The Nearity 360 Alien is a 4K wireless camera system designed to capture a room from the center of the table. It uses four cameras to create a panoramic meeting view, then relies on AI to identify speakers and keep people framed. That makes it especially useful for rooms where people are seated around a table instead of lined up in front of a screen. Rather than forcing everyone to crowd around a laptop webcam, the Nearity 360 Alien gives remote participants a clearer view of who is speaking and where they are in the room. The Design Is Big, But That Works in Its Favor The first thing you notice about the Nearity 360 Alien is its size. This is not a tiny puck camera. It is tall, noticeable and built to sit above the table surface. That height is actually a benefit. A smaller conference camera can end up shooting people from too low of an angle, especially in a boardroom. The taller body helps the camera capture faces more naturally, and the built-in quarter-inch mount means you can also place it on a tripod if you need a better eye-level shot. There is one physical limitation: despite the 360 branding, there is a small dead spot where the cameras do not overlap. In most rooms, that will not be a major issue if you position that side toward a wall, monitor or unused side of the table. What Comes in the Box Inside the box, the Nearity 360 Alien includes the main camera unit, power adapter, remote control, USB-A to USB-C cable and a wired microphone puck with a mute button. The microphone connects directly to the camera, and a second mic can be added for larger table setups. The remote is one of the more useful accessories. It lets you change views, adjust modes, mute audio, mute video and control settings without needing to sit next to the computer. That is a big plus if the camera is being used in a meeting room where the laptop or production system is not within easy reach. Ports and Connectivity The Nearity 360 Alien includes DC power, USB-C, Ethernet, HDMI and microphone ports. The HDMI port is full-size, which is a welcome detail because it avoids the need for micro-HDMI or mini-HDMI adapters. USB-C can connect the camera to a computer for Zoom, Teams, Google Meet, OBS, vMix, Wirecast or other video software. HDMI can send video directly to a recorder, switcher or display setup. Ethernet can be used for network configuration, while the optional NA20 wireless dongle allows the camera to connect wirelessly to a computer. That wireless option is one of the stronger parts of the system. Once paired, the NA20 shows up as a wireless video and audio source, letting you use the Nearity 360 Alien in meeting apps or production software without running a USB cable across the table. Meeting Modes: Discussion, Presentation and Global The Nearity 360 Alien includes three main modes: Discussion Mode, Presentation Mode and Global Mode. Discussion Mode Discussion Mode is the best choice for meetings with multiple people talking around the table. The camera identifies faces and can show multiple participants in framed sections, while still keeping the panoramic view visible. In testing, the system was able to recognize more than one person in the room and place them into the split layout. When someone speaks, the system can highlight or shift attention toward that person, helping remote attendees follow the conversation. Presentation Mode Presentation Mode is meant for a meeting where one person is leading the discussion. This mode keeps the presenter as the focus while still letting the room remain visible. For lectures, board updates, demos or hybrid presentations, this is probably the mode most people will use. Global Mode Global Mode gives a broader room view. It is useful when you want everyone visible and do not need the AI to focus tightly on individual speakers. Video Quality and AI Framing The Nearity 360 Alien uses a Starvis CMOS sensor and offers USB 4K output, with HDMI output up to 1080p. The camera also includes image controls such as brightness, saturation, contrast, hue, white balance, HDR and regional frequency settings. In a well-lit room, the image looks clean and usable for meetings. Studio lighting looked especially good, and the camera handled face framing well. In a real meeting environment, it did a solid job following the conversation and keeping speakers visible. Lighting matters, though. Like most conference cameras, the Nearity 360 Alien performs best when the room is evenly lit. In darker or more complicated environments, such as a stage or band-meeting setup with speakers and instruments in the background, the AI can occasionally get confused. Audio: Built-In Mics, Speaker and External Mic Pucks The camera has built-in microphones on top, along with a speaker near the bottom. The included external microphone puck adds more flexibility because it can be placed closer to the person speaking or moved toward the center of the conversation. There is also a mute button on the mic puck, which is useful in a meeting where people need quick local control. Adding a second mic gives the system better coverage on both sides of a larger table. One practical tip: place the camera or mic puck on a soft surface like a mouse pad if the table picks up vibration. That can help reduce thumps, glass clinks and table noise before the audio processing has to clean it up. Software and Controls The Nearity software gives access to device settings, firmware updates, image controls, mode selection, network settings and options like flipping the image or enabling a watermark. The app is not the only way to use the camera. One of the best parts of the Nearity 360 Alien is that it can work directly over HDMI or USB without making the setup feel overly complicated. The remote also gives quick access to many of the key controls. Wireless Setup With the NA20 Dongle The NA20 wireless dongle is what turns the Nearity 360 Alien into a more flexible 4K wireless camera solution. After plugging the dongle into a computer and pairing it with the camera, it appears as a camera and audio source in meeting software. That means you can bring it into Zoom, Teams, Google Meet, OBS, vMix or other tools as a video source. Once it is working wirelessly, the only cable that still needs to remain attached to the camera is power. For conference rooms where cable clutter is a problem, that is a major win. Pros The Nearity 360 Alien does a strong job replacing a small multi-camera meeting setup with one device. It captures the room, identifies speakers, offers several useful layouts and works with common meeting and production apps. The HDMI output is convenient, the remote control is genuinely useful, the mic puck adds flexibility and the wireless dongle makes the system easier to deploy in rooms where you do not want cables running across the table. It also works well for hybrid meetings where people in the room and people online both need to feel included. Cons The main downside is the small dead spot behind the camera. It is not a true edge-to-edge 360-degree view, so placement matters. The camera is also fairly large, which may not fit every table setup. And while the AI tracking works well in normal meeting conditions, more chaotic environments with multiple visual distractions can make it less reliable. Is the Nearity 360 Alien the Best Wireless Conference Camera? The Nearity 360 Alien makes a strong case for itself if you need a conference camera that can handle real meeting rooms, not just one person sitting in front of a laptop. It is especially useful for boardrooms, team meetings, hybrid presentations, nonprofit meetings, training rooms and any space where multiple people need to be seen and heard clearly. The combination of 4K USB output, HDMI, AI framing, external mic support, meeting modes and optional wireless connectivity makes it more flexible than a standard webcam. It is not perfect, and the small blind spot means you need to think about placement. But for a room where one conference camera needs to cover almost everyone, the Nearity 360 Alien is an impressive option. Get this Conference Camera here!   Check out the Geekazine Merch, including "I AM AI " T-Shirt.  Thanks for reading! Don't forget to subscribe to Geekazine: RSS Feed - YouTubeTwitter - Facebook Support Monthly as a Patreon! with a free month!  Tip Me via Paypal.me  Send a Tip via Venmo RSS Bandwidth by Cachefly Get a 14 Day Trial Reviews: Geekazine gets products in to review. Opinions are of Geekazine.com. Sponsored content will be labeled as such. Read all policies on the Geekazine review page.  Reviews: Geekazine is also an affiliate of Amazon.com - Check out my Amazon Page Last Updated on September 17, 2026 12:35 pm by BradThe post Nearity 360 Alien Review: Best Wireless Conference Camera? appeared first on Geekazine.

Make a Logo on Fiverr The Aosu T2 Pro is not your typical wireless security camera. In fact, the big idea here is that you might not want to put it directly on your house at all. Instead, this dual-camera, solar-powered system may be more useful when placed away from the building, looking back at your doors, windows, driveway, or storefront. That gives the Aosu T2 Pro a different kind of home security advantage. Rather than only watching outward from the wall, it can give you a wider view of what is happening around the property — especially if someone walks up to check doors, windows, or entry points. A Dual-Camera Security Setup The Aosu T2 Pro uses a two-camera design. One camera gives you a wide 170-degree static view, while the second camera can pan and tilt to follow movement. That combination makes it more flexible than a basic fixed-position wireless security camera. The system captures dual 3K images and includes night vision, so it can keep watch during the day or after dark. There is also an 8x hybrid zoom, although it is digital zoom. That means you probably do not want to place the camera too far from the house or business you are trying to monitor. Solar Power Makes Placement More Flexible One of the biggest selling points of the Aosu T2 Pro is the solar setup. The camera has a 9,200 mAh battery inside, and the included solar panel helps keep it charged without needing a constant power cable. That opens up a lot of placement options. You can mount the camera on a pole, fence, garage, shed, or another location facing the house. The solar panel can attach directly to the camera or be placed separately in a better sunlit area. That is especially useful in colder states or areas where sunlight changes throughout the year. If the camera is mounted under a gutter or in partial shade, being able to move the solar panel can make a big difference. Setup and App Controls The Aosu T2 Pro connects through the Aosu app on iOS or Android. Setup includes scanning the QR code or connecting through Bluetooth when the camera is nearby. The camera connects to 2.4 GHz Wi-Fi, which works for range but may disappoint users who prefer 5 GHz support. Inside the app, you can control the PTZ camera, adjust surveillance settings, set notification preferences, turn AI tracking on or off, and choose detection options for people, vehicles, or pets. You can also control night vision modes, speaker volume, privacy settings, battery management, LED status lights, and smart home connections. The camera also supports Amazon and Google smart home ecosystems. Local Storage or Cloud Options The Aosu T2 Pro supports a microSD card up to 256 GB, which gives users a local storage option instead of relying completely on cloud storage. Subscription options are also available for users who want additional cloud-based features. One important note: files stored on the microSD card are not simple MP4 files that someone can pull out and immediately watch. They need to be accessed through the camera and app, which adds some protection if the card is removed. Security and Privacy Notes Aosu is a global security brand founded in 2021, focused on smart AI tracking equipment. The company uses its own software and provides in-house support. The app is Chinese-based, while cloud data is held in the United States on AWS servers. For a connected home security device, that matters. A security camera is not just another gadget. It handles video from your property, so app security, data handling, and company support are important parts of the buying decision. Real-World Use: House or Business In testing, the Aosu T2 Pro worked well when positioned away from the building and aimed back at the front. At around 20 feet from the building, it captured a strong amount of detail from both the wide camera and the PTZ camera. That makes it useful not only for a house, but also for a small business or community building. It can watch the front entrance, capture vehicles passing by, and record people approaching doors after hours. Night Vision Performance The camera performs well in low light. It includes black-and-white night vision, color night vision, and lighting options that can illuminate the area when motion is detected. In a dark room test, the camera still produced usable video. The illumination feature is also helpful when you need more detail or want the camera to act as a visible deterrent. Pros and Cons The biggest advantage of the Aosu T2 Pro is flexibility. The dual-camera system gives you both a wide fixed view and a PTZ tracking camera. The solar panel can be detached and positioned for better sunlight. The app gives you a lot of control over detection, notifications, lights, audio, and tracking. The video quality is also strong, especially for a wireless security camera. Dual 3K capture, night vision, AI tracking, and local storage make this a serious option for home security or small business monitoring. The articulating arm is useful, but if the camera is mounted low enough for someone to reach, they could physically turn it away. That could create a blind spot, especially for the fixed 170-degree camera. The power button, reset button, and microSD card slot are also located on the camera body. If the camera is mounted too low, someone could potentially turn it off or tamper with the card. The biggest software limitation is the lack of a desktop web app. If you want to view or download clips from a PC or Mac, you are basically stuck using the mobile app or an Android emulator like BlueStacks. A browser-based dashboard would make this feel more like a traditional security system, especially for users with multiple cameras. Final Thoughts The Aosu T2 Pro is a smart, flexible wireless security camera that works best when you think beyond the obvious mounting spot. Instead of putting it directly on the house, consider placing it where it can watch the house. That is where the dual-camera design makes the most sense. The wide-angle camera can cover the full scene, while the PTZ camera can follow movement and give you a closer look at what is happening. It is not perfect. The physical tampering concerns and lack of a web dashboard are real drawbacks. But with solar charging, dual 3K video, AI tracking, night vision, two-way communication, and local microSD storage, the Aosu T2 Pro is a strong option for anyone looking to add flexible home security without running power cables. Check the camera out   Check out the Geekazine Merch, including "I AM AI " T-Shirt.  Thanks for reading! Don't forget to subscribe to Geekazine: RSS Feed - YouTubeTwitter - Facebook Support Monthly as a Patreon! with a free month!  Tip Me via Paypal.me  Send a Tip via Venmo RSS Bandwidth by Cachefly Get a 14 Day Trial Reviews: Geekazine gets products in to review. Opinions are of Geekazine.com. Sponsored content will be labeled as such. Read all policies on the Geekazine review page.  Reviews: Geekazine is also an affiliate of Amazon.com - Check out my Amazon Page Last Updated on September 17, 2026 12:35 pm by BradThe post Don’t Put This Security Camera On the House! Aosu T2 Pro! appeared first on Geekazine.