Clay in Color

Today, on Clay in Color, we chat with Ryan Flores. He creates bountiful sculptures of vegetation in a psychedelic array of glazes. In our interview, he talks about vegetation as an extension of his formal exploration of the figurative, the relationship between beauty and spectacle, and his love for working exclusively with clay and glaze. We also discuss how geography has affected his practice, trying to control results as much as possible, and letting go of preoccupations with repetition. Furthermore, he talks about the shifts he sees young artists making in the field.   Today's episode is brought to you by the following sponsors:   The Bray www.archiebray.org

Today, on Clay in Color, we chat with Murjoni Merriweather. She creates stylized figurative sculptures that celebrate Black beauty. In our interview, she talks about her unconventional approach to sculpting and materials, mainly using synthetic hair and glitter, and the evolution towards producing successful mixed media pieces. We also discuss staying open to learning new things, positive residencies, and getting ideas from dreams. Furthermore, she explains how her sculptures celebrate Black folks and their importance as a historical record.     Today's episode is brought to you by the following sponsors:   The Bray www.archiebray.org

Today, on Clay in Color, we chat with Roxanne Jackson. She creates fantastical sculptures that combine beauty and horror. In our interview, she talks about finding beauty in unexpected places, her fascination with sci-fi and horror imagery as a way of reconnecting with nature, and her background as a river guide. We also discuss her fruitful time alone in her new home during the COVID-19 pandemic, seeing ceramics as minerals and drawing from global mythology and lore. Furthermore, she talks about her engagement with taboo imagery, specifically guts, as a symbol of connectivity and of digesting trauma.   Today's episode is brought to you by the following sponsors: The Bray www.archiebray.org

Today, on Clay in Color, we chat with Syd Carpenter. She creates sculptures that center the geopolitical history and social mobility of Black farmers and gardeners in America. In our interview, she provides affirmations and advice on not ignoring our creative impulses, deciding to become artists, and continuing to make despite challenges. We also discuss how gardens and the drive to tend the land as a Black American became essential to her personal life and practice, and how she has explored the subject matter in her practice for decades. Furthermore, she talks about coming up with a three-dimensional vocabulary, the metaphysical aspect of her work, and the importance of eliminating the anonymity of Black contributions to gardening and farming.   Today's episode is brought to you by the following sponsors:   AMACO Brent www.amaco.com The Bray www.archiebray.org

Today on Clay in Color, we chat with Maya Vivas. They create sinuous sculptures that are "moving but not moving" and behave like autonomous bodies. In our interview, we talk about Vivas's background as a performer and how that influences how they work with ceramics, the swirling language that has become signature to their work, and their clay performances. We also discuss how they center play and pleasure even when addressing issues that affect Black and queer communities. Furthermore, they share about life in London, and their return to painting.     Today's episode is brought to you by the following sponsors: AMACO Brent www.amaco.com The Bray www.archiebray.org  

Today on Clay in Color, we chat with Joel Gaitan. He creates personified earthenware vessels that mirror his friends, family, and himself while drawing from the ceramic language of early Mesoamerican ceramics. In our interview, we talk about how Gaitan found his way to ceramics and how he rethinks museological displays as a celebration. We also discuss growing up in a religious household, how he reconnects to his Nicaraguan heritage as a first-generation Miamian, and wanting to portray "big bodies" through his ceramics. Furthermore, he shares his thoughts on complex terms such as "Latinidad" and "pre-Columbian."   Today's episode is brought to you by the following sponsors: AMACO Brent www.amaco.com The Bray www.archiebray.org

Angelik and Alex are back for a new series of Clay in Color!  Season three features eighteen interviews with emerging and established artists of color who are shaping the field of ceramics today. New episodes drop every other Wednesday starting November 15th.

Today on Clay in Color, we chat with Kristy Moreno. She creates badass femme and nonbinary figures in clay and paint to examine the bonds between social, political, and personal narratives. In our interview, we talk about ideas of futurism, 90s television superheroes and supervillains as inspiration for her characters, and her practice as a form of building community and achieving survival. We also discuss her use of soft colors to contrast the sharp gazes of her figures and the incorporation of makeup and accessories historically used by Latine women and nonbinary people.

Today on Clay in Color, we chat with Ashwini Bhat. She creates abstract and organic sculptures that reflect on self and place. In our interview, we talk about rituals in her life and practice, having a nomadic lifestyle before moving to California, and the joy of stillness. We also discuss her passionate pursuit of understanding the natural environment around her and the role of collaboration in her practice. Furthermore, we chat about color choices and the symbolism of the Calla Lily.

Today on Clay in Color, we chat with Chanakaran "Punch" Semachai. She creates boldly colored and patterned vessels and sculptures of dinosaurs that poke fun at the human condition. In our first international interview, we talk about how isolation as a graduate student in the United States prompted her to develop her signature dinosaur characters, her "everything but the kitchen sink" attitude about color, and balancing humor and darkness in her scenes. We also discuss her funny titles as an expression of the human condition and the idea of dinosaurs navigating social media.