Above the Title: A Saoirse Ronan Podcast

This week, it's The Outrun, the 2024 movie that arrived in a wave of hype around Saoirse's Oscar chances but quickly disappeared after release. We talk gossip about the movie's production, the legacy of Nomadland, female star/producer auteurism, going 0 for 9 at the British Independent Film Awards, and Jack Lowden's career prospects. Hosted on Acast. See acast.com/privacy for more information.

This week, we are obligated by the rules of the podcast to cover 2023's Foe, even though we don't want to. It's about a robot. It's really boring. And worst of all, Paul Mescal's in it. The great Sean Fahey asked to be on this for some reason, which is probably a cry for help. Enjoy. Hosted on Acast. See acast.com/privacy for more information.

EMERGENCY EPISODE - Colin Farrell was in a Taylor Swift video and we have thoughts/ Hosted on Acast. See acast.com/privacy for more information.

This week, we're taking a loopy look at See How The Run, an Agatha Christie riff set during the production of an Agatha Christie play that's one of a wave of post-Knives Out whodunnits. We talk the iffy performance of lead Sam Rockwell, Shirley Henderson supremacy, the possibility of a David Oyelowo comeback and, for some reason, car chases. Hosted on Acast. See acast.com/privacy for more information.

We're seeing double - four Sugars! That's right, it's a return to Colin Farrell this week, and a return to alien private eye John Sugar, with the second season of the television series that, distressingly, appears to be Colin's passion project. Listen in as we discuss TCM, Jack Reacher, the fundamentally flawed premise the show is stuck with, and the ups and downs of this slightly revamped narrative. Hosted on Acast. See acast.com/privacy for more information.

This week, Mark Tilley returns for a discussion of The French Dispatch of The Liberty, Kansas Evening Sun (yes, that's the title), Wes Anderson's love letter to a generation of expatriate journalists in which Saoirse Ronan has a very, very small role. This is an oddly contentious episode given that all three of us love this movie, but it turns out we all love it in very specific, conflicting ways. Hosted on Acast. See acast.com/privacy for more information.

This week, it's a meeting of two generations of precocious awards magnets with Ammonite, the Kate Winslet/Saoirse two-hander that was supposed to be one of the major Oscar players of 2020 but found itself, maybe more than anything else, completely kneecapped by the pandemic throwing the movie industry into chaos (doesn't help that it's not very good). Listen in as we discuss the... liberties the picture takes with its historical inspirations, the brief but notable wave of Sad Lesbian Period Dramas, the oddities of the COVID awards season, and of course a Winslet Rushmore. This movie is very dull. Hosted on Acast. See acast.com/privacy for more information.

This week, the great Sadie Rose Darwish returns to discuss Greta Gerwig's star-studded 2019 adaptation of Little Women, the movie that stands as the last major work of Saoirse's career (so far). Listen in as we dig into the Florence Pugh of it all, the Timothée Chalamet of it all, the Emma Watson of it all, and, somehow for the first time, the Meryl Streep of it all. Hosted on Acast. See acast.com/privacy for more information.

This week, it's yet another failed Saoirse Ronan Oscar contender: the long in development Mary Queen of Scots, a movie that is somehow both incredibly old fashioned and painfully of its moment. Topics include: post-Trump girlboss feminism, SAG/Oscar splits, white boys of the month Joe Alwyn and Jack Lowden, and Margot Robbie as Saoirse's tethered. Hosted on Acast. See acast.com/privacy for more information.

it's the titular role Hosted on Acast. See acast.com/privacy for more information.