The Chills at Will Podcast

Notes and Links to Kiese Laymon’s Work   Kiese Laymon is a Black southern writer from Jackson, Mississippi. Laymon is the Libbie Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon’s bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year. Laymon is the recipient of 2020-2021 Radcliffe Fellowship at Harvard. Laymon is at work on the books, Good God, and City Summer, Country Summer, and a number of other film and television projects. He is the founder of The Catherine Coleman Literary Arts and Justice Initiative, a program based out of the Margaret Walker Center at Jackson State University, aimed at aiding young people in Jackson get more comfortable reading, writing, revising and sharing on their own terms, in their own communities. He is the co-host of Reckon True Stories with Deesha Philyaw. Kiese Laymon was awarded a MacArthur Fellowship in 2022. Buy Heavy   “The Worst Shot Ever Taken” from Believer Magazine   Review for Heavy from NPR   Kiese Laymon's Website   Kiese Laymon's Wikipedia Page At about 1:45, the two discuss Kiese’s article from The Believer and word counts and teaching high and college  At about 3:05, Kiese talks about his love of hoops and names some standout and favorite players from back in the day and now At about 4:10, The two shout out grizzled veterans like Phillip Rivers and LeBron James At about 5:30, Pete highlights Ernie Barnes’ work and asks Kiese about the significance of Barnes’ paintings At about 8:45, Kiese shares his memories of and love for basketball and jumpstops and shot fakes-shout out, Mahmoud Abdul-Rauf At about 10:40, Pete shouts out Jeff Pearlman’s basketball wiles At about 11:10, Kiese lays out the exposition for his The Believer article and Pete and Kiese fanboy over Kiese’s writer friends and Sactown’s own, Cydni Matsuoka At about 14:00, Kiese responds to Pete’s question about the “possibility” of Steph Curry At about 16:45, Toni Cade Bambara and “Gorilla, My Love” is highlighted, as Pete links Kiese’s penultimate sentence to Bambara’s work At about 18:20, The two discuss Kiese’s mom as a “public intellectual” and Kiese lists formative reading and listening  At about 20:30, Kiese shouts out Kendrick Lamar as a link to Public Enemy’s activism and consciousness, and marvels at his lasting power At about 24:20, Kiese reflects on Public Enemy’s methods versus that of others like NWA or Dead Prez At about 26:25, Kiese highlights Julian Randle, Safiya Sinclair, Deesha Philyaw, and Sarah Aziza’s work as some that resonates with his college students At about 28:40, Pete calls attention to Heavy’s epigraph and dedication and discusses their significance  At about 30:05-30:27 At about 31:05, Kiese responds to Pete’s question about so much of the book’s Prologue being centered on his Grandmama At about 32:45, Kiese outlines his rationale and motivation for ultimately writing a different type of book, not the “safer” book his mom and publishers might have wanted At about 34:30, Kiese and Pete discuss the echo of his time at Millsap College being censored/edited with an op-ed piece of his At about 35:40, Kiese recounts stories associated with the book’s opening scene in Las Vegas At about 38:45, Kiese reflects on his mother as his “best friend” and ideas of mortality and “initation”  At about 40:55, Kiese responds to Pete’s questions about the way his family interacted in his childhood At about 45:20, Pete sets up an important opening scene involving Layla and asks Kiese about rape/sexual assault in the house of older acquaintances  At about 50:10, Kiese reflects on ideas of power and safety and sexuality  At about 53:15, Pete and Kiese discuss the juxtaposition of his mom as a public intellectual and as someone who struggled with financial and other practical pursuits At about 55:30, Kiese talks about Malachi Hunter in the book and balancing “reductive and stupid” comments he made with lessons he taught Kiese At about 57:20, Kiese and Pete trace the different ways in which Malachi and Kiese’s mom and grandmother undertook “reckoning” or didn’t At about 59:00, Kiese homes in on his grandmother’s life and “reckon[ings}” with history and sexism and racism At about 1:01:00, Pete and Kiese discuss the ways in which Kiese’s grandmother got by financially and spiritually At about 1:01:50, Kiese expands on the ways in which he viewed organized religion  At about 1:03:40, The two discuss the ways in which the book’s title was manifested through his grandmother’s love At about 1:04:10, Abundance! and slang that didn’t catch on is discussed At about 1:04:50, Kiese reflects on a painful experience in school involving a viewing of Roots without a larger discussion  At about 1:08:55, Kiese expands upon how he saw Mississippi in his year away in Maryland At about 1:11:05, Kiese discusses an early relationship and its challenges and the conflicting ways in which he viewed his coach and teacher At about 1:14:10, Kiese regrades a high school essay-it’s an “A!” At about 1:15:00, Kiese responds to Pete asking about his high school graduation boycott At about 1:16:50, The two discuss time in college and Kiese’s relationship with a girl and his learning in class and outside of school-Pete highlights a wonderful paragraph on Page 141 that highlights “liberation” At about 1:18:00, Kiese shares the practical advice Malachi Hunter gave Kiese as he was threatened in college for his writing At about 1:19:25, Kiese reflects on the ways in which he viewed his writing At about 1:20:45, Kiese talks about Tate Reeves’ presence at a racist frat event and the ways in which Tate knew Kiese and failed him At about 1:23:50, Kiese talks about how the book is different/aged since he published it in 2018   You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up soon at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month’s Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 317 with Dr. Timothy Wellbeck. a leader in the fight for justice and racial equity. Timothy presently serves as the founding Director of the Center for Anti-Racism at Temple University, where he has led the Center from its inception into becoming one of the leading institutions of its kind. A Civil Rights Attorney by training and practice, Timothy is a scholar of law, race, and cultural studies. We’ll be talking about his standing-room only, incredibly popular Temple University classes about Kendrick Lamar and his music. The episode airs on January 13. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.  

Notes and Links to Cole Cuchna’s Work     Cole Cuchna graduated from California State University with a degree in music composition. Cuchna graduated in 2015, pursued a short solo career, then worked as a barista. But his desire to bridge the classical and pop worlds persisted. He remembered his love of writing essays and conducting deep research about music. That coincided with the growing popularity of podcasting, which had been around for a decade. It was the perfect medium, he felt, for long-form analysis of an audio art.    Cole is the host and creator of Dissect Podcast, a music podcast which debuted in 2016. The podcast is renowned for its in-depth analysis of contemporary music. Dissect was named "Best podcast of 2017" by Quartz, and the following year was named "Best podcast of 2018" by The New York Times. Additionally, both Time magazine and The Guardian listed Dissect as one of the top 50 podcasts of 2018. 2025 marks the 13th season of Dissect.  Listen to Dissect Podcast   Watch Dissect Podcast on Netflix   Dissect Podcast Homepage   Dissect Podcast Wikipedia   Review of Dissect Podcast   At about 2:55, Cole explains plans for Dissect Podcast on Netflix, coming soon! At about 4:40, Cole responds to Pete’s question about his own love of hip hop and transformative and formative music for him  At about 6:50, Cole underscores the “shared community” of skating growing up that welcomed “rappers” and “rockers” At about 8:30, Robin Branson, who put Pete on to Dissect (thanks, Robin), asks Cole about his view of himself as an “educator” At about 12:35, the two discuss Cole’s research process and ideas of knowing the artist and his/her art At about 15:45, Pete shares a profound quote from Cole about the essence of music and music fandom At about 16:15, Cole responds to Pete’s question about how he listens to music differently (or not) since he has become  At about 17:20, Cole expands upon the genesis for the podcast, dealing with Kendrick Lamar’s To Pimp a Butterfly and his daughter’s birth At about 19:00, a discussion of possible future hip hop heads alludes to a classic video At about 20:00, Cole outlines his average research time and his early research in the early days of the podcast At about 20:45, Cole explains what skills he had already developed in college music composition, and what skills he has learned/used in doing the podcast At about 22:20, Cole responds to Pete’s question about how he picks an album At about 25:00, Pete details some of the great “subtlety and nuance” on the podcast At about 26:45, Cole expands on one of the show’s “inside jokes” At about 27:45, Pete brings up “syncopation” in Radiohead’s work in asking Cole about he balances sonic and lyrical jargon with digestible information for people who are not necessarily students of music theory  At about 32:15, Cole responds to Pete’s question about what it’s like to work with experts on individual artists in crafting his seasons  At about 34:25, Cole and Pete discuss the “side projects” that Cole has done involving standout artists and songs At about 36:20, Cole reflects on contemporary artists and his willingness to stay open to new sounds and talents At about 40:20, Cole talks about cool and beneficial feedback from the artists profiled on the podcast At about 41:40, Cole responds to Pete asking about “surreal” moments he’s experienced in doing the podcast and offshoot projects  At about 42:40, Manifesting for a future Cole interview with Kendrick! At about 43:20, Cole shouts out the rapper who has “sealed the deal” for him as the G.O.A.T. At about 44:25, When’s Frank Ocean gonna drop?      You can now subscribe to the podcast on Apple Podcasts, and leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, will be up at Chicago Review in the next week or so.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month’s Patreon bonus episode features an exploration of children’s literature on standout writers from the show, including Robert Jones, Jr. and Javier Zamora, as well as Pete’s cherished relationship with Levar Burton, Reading Rainbow, and libraries.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 316 with Kiese Laymon, a Black southern writer from Jackson, Mississippi. He is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon’s bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times.    The episode airs on January 6.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Notes and Links to Joe McGinniss’ Work   Joe McGinniss Jr. is the author of DAMAGED PEOPLE, CAROUSEL COURT and THE DELIVERY MAN. Buy Damaged People: A Memoir of Fathers and Sons   Joe's Wikipedia   Review of Damaged People in Kirkus Reviews   People Magazine Article about Damaged People At about 1:30, Joe talks about wonderful feedback he’s gotten from readers of his memoir At about 2:40, Pete and Joe reflect on his father’s work and ideas in relation to the “public intellectual” At about 4:45, Joe expands on the hard work and determination that led to him being so revered, even by Robert F. Kennedy At about 8:10, Joe gives purchasing information for Damaged People  At about 9:30, Joe gives seeds and background for his memoir, including a catalyst in a 2016 New Yorker article At about 10:45, The two discuss the book’s epigraphs and Joe remarks on writing about such personal experiences and close friends and family At about 13:50, Joe responds to Pete’s questions about the book’s Prologue setting At about 16:50, Joe expands on the analogy of his father put forth by his brother of their father as a “puppy pissing on the rug” At about 21:40, Pete references Lorenzo Carcaterra’s A Safe Place and connections to Joe’s book At about 23:00, Joe expands upon cycles involving sons and fathers and reflects on the line from the book that “progress is being made” At about 28:00, Joe responds to Pete’s questions about a telling photo opp for a magazine article on Heroes by his father At about 30:50, Pete and Joe give background on Joe, Sr.’s breakthrough with The Selling of the President, and Joe discusses connections between the events of the book and today’s politics At about 33:00, the two discuss Joe’s father’s triumphs and the parts he was lacking as a father, in connection to his own father’s treatment of him; Joe emphasizes that his son knew he “was loved” by his grandfather  At about 36:20, Pete lays out some of the book’s flashforward scene to beautiful memories of his growing son and wonderful wife, and then the two talk Rex Chapman and basketball inspiration  At about 40:10, Joe talks about his first book’s tour, and how he built great memories, and he talks about the juxtaposed  At about 41:40, The two discuss the “idyllic” life lived by Joe’s father (and Joe for a while), and Joe shares some amazing anecdotes from those days At about 44:40, Joe relates the story of his dog Lucy being stolen by a 19-year-old Kiefer Sutherland (!) At about 45:30, Joe expands on his father’s experience researching Fatal Vision At about 49:50, Joe gives background on the importance of the saying, “Everything’s blowin’ away” in connection to his father’s energy and ambition and anxiety At about 52:45, Joe responds to Pete’s questions about his father’s treatment of Jeffrey McDonald in Fatal Vision At about 53:30, Pete reflects on changes in Joe’s relationship with his son as he grows up At about 54:30, Joe recounts the story that Janet Malcolm wrote regarding the MacDonald case and how Joe, Sr. was sued  At about 59:20, Joe traces the late 80s and 90s for his father, and his bold decision to turn down an O.J. Simpson trial book and write instead about Italian soccer At about 1:05:30, Joe shares his perspective on apology letters and confession letters written by his father to him and his siblings At about 1:08:00, Joe reflects on the times in which he knew he had been too overbearing and strict with his son in his basketball career At about 1:11:50, Joe reflects on ideas of life and father-son relationships as “process[es]” in connection to his father’s death and “gaps” left behind At about 1:15:10, Joe responds to Pete’s question about how he now sees sons after these years of writing and reflection  At about 1:17:30, Joe charts his dad’s reactions to hip-hop      You can now subscribe to the podcast on Apple Podcasts, and leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month’s Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 315 with Cole Cuchna, the host and the creator of Dissect, a serialized music podcast that examines a single album per season, one song per episode. Dissect was named "Best podcast of 2017" by Quartz, and the following year was named "Best podcast of 2018" by the New York Times. It has done deep dives on albums by Kendrick Lamar, Beyonce, Childish Gambino, Tyler the Creator, MF Doom, Radiohead, Frank Ocean, and more.    The episode airs on December 30.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Notes and Links to Jackie Domenus’ Work   Jackie Domenus (she/they) is a queer writer from South Jersey and the author of NO OFFENSE: A MEMOIR IN ESSAYS (2025), published with ELJ Editions. A 2021 Tin House Winter Workshop graduate, Jackie’s essays have appeared in The HuffPost, The Offing Mag, The Normal School, Variant Lit, Entropy, Watershed Review, Wig-Wag, Philadelphia Stories, and HerStry, among other publications Their poetry has appeared in Hooligan Mag and Giving Room Mag. Her short story “Mirror Image” published in So To Speak, as well as her essay “Two Truths and a Lie” published in Identity Theory, were both nominated for a Pushcart Prize.    Jackie has formerly served as a publishing assistant at Guernica Magazine, an associate editor for Glassworks Magazine, and a contest coordinator for Philadelphia Stories. They work as the Program Director for Fellowships at Mid Atlantic Arts. Buy No Offense: A Memoir in Essays   Jackie's Website   Review of No Offense in The Rumpus: “Misperceptions, Assumptions, and Slurs: Jackie Domenus’s No Offense” At about 3:45, Jackie talks about ideas of representation and reading as a kid-they highlight The Perks of Being a Wallflower At about 6:50, shout out to Shel Silverstein’s feet (and writing)! At about 7:15, Jackie responds to Pete’s questions about their early writing journey At about 9:45, Jackie reflects on writing as “cathartic” and "therapeutic," in certain conditions, and in some conditions, not so At about 12:20, Zoe Bossier, Kiese Laymon, Melissa Febos, and K.B. Brookins are shouted out as writers who thrill and challenge Jackie At about 14:05, Pete asks Jackie about their book’s Foreword and the process in ultimately deciding to include early writing that had them in different and perhaps more privileged places At about 18:10, Pete and Jackie  At about 20:40, Jackie talks about interesting and fun feedback from readers At about 24:30, Jackie responds to Pete asking about early on in the book defining “microaggression” At about 26:15, Pete lays out the book’s exposition in discussing the first essay of the book, and Jackie expands upon the essay’s themes and connecting POVs At about 30:20, Jackie emphasizes their belief that any memoir, particularly queer and trans memoir, does not need to be linear At about 31:15, the two discuss the book’s essay meditations on the uses of terms for men and women connected to dogs At about 33:15, Jackie responds to Pete’s question about the anecdote in the essay where their dad broke down over the loss of the family dog At about 35:35, Jackie and Pete discuss Mary Poppins and heroes and queer people and their representations in media in Jackie’s formative years   At about 39:00, The two discuss ignorance and ideas of “othering” as reflected in a resonant anecdote in the book about a trip to the OB/GYN At about 42:45, Pete uses an example from a Simpsons’ episode in asking Jackie about the balance between educating and becoming a crutch for people looking for validation At about 46:50, Jackie expands upon the line from the book that their “coming out was not really a ‘coming out’ ” At about 49:10, Jackie reflects on the material from the book’s essay dealing with interpretations of queerness in Jennifer’s Body, Girl, Interrupted, and Black Swan At about 53:15, Jackie discusses an essay that identifies three “first loves” and traces their outward sexuality At about 56:20, Pete compliments Jackie’s use of second person, highlighting a beautiful imagined scene on Page 84, and Jackie talks about their mindset and aim for the essay At about 1:00:35, “Burden of Proof” and a student of Jackie’s, Isaac’s, moving experiences are discussed At about 1:04:50, Fear and the Trump era are discussed as rendered in the book, as well as Jackie’s continuing "realization"    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month’s Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 314 with Mariah Rigg. She is a Samoan-Haole who was born and raised on the island of O‘ahu. She is the author of the short story collection EXTINCTION CAPITAL OF THE WORLD (Ecco/HarperCollins, 2025), which was listed a best book of 2025 by Esquire, Electric Lit, and Debutiful, and received praise from Vulture, Oprah Daily, Chicago Review of Books, Literary Hub, Autostraddle, Ms. Magazine, and more.    The episode airs on December 16.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Notes and Links to Amber Sparks’ Work   Amber Sparks is the author of the short story collections And I Do Not Forgive You and The Unfinished World. Her writing has appeared in The Paris Review, Granta, Slate, and elsewhere. She lives in Washington, D.C., with her husband, daughter, and cats. Happy People Don’t Live Here was published in October 2025. Buy Happy People Don't Live Here   Amber’s Website   Kirkus Reviews of Happy People Don't Live Here At about 1:20, Amber describes the “weird” time about a month after the book’s publication, an in-between time At about 2:25, Amber talks about the feedback she has received since the book was published, including surprising thoughts shared about the child narrator and the “other” narrator, Alice At about 5:25, Amber talks about her influences growing up, including fantasy and writers like Dean Koontz  At about 7:40, Amber talks about her inclination to write a book featuring multiple genres, with the result being Happy People Don’t Live Here  At about 9:20, Amber responds to Pete asking about plot and allegory and their balance At about 11:35, Amber shouts out Kelly Link, Rion Amicar-Scott, Stephen Graham-Jones, and Matt Bell as a few of many contemporary writers she loves At about 14:35, Amber and Pete discuss the book’s resonant epigraphs, and Amber talks about her interest in ghosts  At about 18:00, Pete shouts out the classic story “Someone Has Been Disarranging these Roses” At about 19:15, Amber explains her chapters and the rationale in making the book “episodic” At about 20:50, The book’s beginning and connections to real-life events is discussed  At about 24:35, The two discuss one of the book’s main character, Fern At about 27:10, Pete compliments the book’s setting, and Amber provides background for the place At about 30:00, the two discuss the book’s inciting incident, a body discovered by Fern, and Amber expands on the ways she went about populating the book At about 35:40, some key characters are discussed, including a possible love interest for Alice At about 36:40, Amber responds to Pete’s question about Alice’s ex-husband as a sort of flat character-she calls him a “cipher” At about 40:10, Amber reflects on Alice’s ways of avoiding the past and running from this past, and Amber shouts out William H. Macy in Magnolia At about 43:50, the two discuss the “banal” ghost At about 47:00, parent-child relationships are discussed At about 51:20, Pete asks Amber about writing in second-person, as she does for part of her book-shout out to Lorrie Moore! At about 55:40, Amber talks about exciting new projects  You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month’s Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 313 with Jackie Domenus, a queer writer from South Jersey and the author of NO OFFENSE: A MEMOIR IN ESSAYS (2025), published with ELJ Editions. A 2021 Tin House Winter Workshop graduate, Jackie’s essays have appeared in The HuffPost, The Offing Mag, The Normal School, Pidgeonholes, Foglifter Journal, Variant Lit, Entropy, and many more. Their poetry has appeared in Hooligan Mag and Giving Room Mag. Her short story “Mirror Image” published in So To Speak, as well as her essay “Two Truths and a Lie” published in Identity Theory, were both nominated for a Pushcart Prize. The episode airs on December 2. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Notes and Links to Kurt Baumeister’s Work   Kurt Baumeister’s writing has appeared in Salon, Guernica, Electric Literature, Rain Taxi, The Brooklyn Rail, The Rumpus, Vol. 1 Brooklyn, The Nervous Breakdown, The Weeklings, and other outlets. An acquisitions editor with 7.13 Books, Baumeister holds an MFA in creative writing from Emerson College, and is a member of The National Book Critics Circle and The Authors Guild. Twilight of the Gods is his second novel. Buy Twilight of the Gods   Kurt’s Website   Chicago Review of Books Interview Re: Twilight of the Gods  At about 2:45, Kurt talks about the book’s original publication date falling around the 2024 elections At about 6:15, Kurt reflects on the vagaries of publishing, and interesting and complimentary feedback from readers on the book At about 11:30, Pete shares a wonderful quote about Kurt’s writing, and Kurt discusses Martin Amis and other influences on his writing At about 15:45, The two discuss the book’s “Dramatis Personae” to start the book and some tongue-in-cheek descriptions of some Norse gods At about 17:30, Kurt responds to Pete’s questions about Loki’s historical and mythical evolutions At about 20:30, Kurt reflects on metafiction and gives background on why he names a main character in the book “Kurt” At about 23:50, Kurt talks about media representations of Loki in connection to his own At about 25:30, Kurt describes why he makes Loki as he is  At about 28:20, Kurt gives background on the Norns, of which Sunshine/Sabrina from the book is a member At about 29:30, Pete compliments the ways the book traces human history, particularly with regard to Hitler’s rise  At about 34:15, Kurt responds to Pete’s question about mixing fiction and fact At about 37:00, Kurt talks about history repeating itself and connecting disparate eras  At about 39:55, Kurt responds to Pete’s question about the subtleties and the nuances of the book, i.e, plot focus v. allegory focus At about 42:00, Kurt discusses his mindset in writing the ending(s) of the book At about 45:00, An intriguing question posed in the book about fate is probed At about 45:50, Pete cites the book’s ending as highly successful, and Kurt shouts out a shared beloved movie, Training Day, with regard to slowly-creeping evil  At about 47:50, a “reverence and pity” for artists is discussed, as mentioned in the book   You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month’s Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 312 with Amber Sparks, the author of the short story collections And I Do Not Forgive You and The Unfinished World. Her writing has appeared in The Paris Review, Granta, Slate, and elsewhere. Her book, Happy People Don’t Live Here, was published in October 2025. The episode drops on November 25, today. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Notes and Links to Stephanie Elizondo Griest’s Work *Content Warning: Please be aware that the book discusses sexual assault   Stephanie Elizondo Griest is a globetrotting author from the Texas/Mexico borderlands. Her six books include Around the Bloc: My Life in Moscow, Beijing, and Havana; Mexican Enough; All the Agents and Saints; and Art Above Everything: One Woman’s Global Exploration of the Joys and Torments of a Creative Life. She has also written for the New York Times, Washington Post, VQR, The Believer, BBC, Orion, Lit Hub, and Oxford American. Her work has been supported by the Lannan Foundation, Henry Luce Foundation, Princeton University, and the Institute for Arts and Humanities, and she has won a Margolis Award, an International Latino Book Award, a PEN Southwest Book Award, and two Lowell Thomas Travel Journalism prizes. Currently Professor of Creative Nonfiction at the University of North Carolina-Chapel Hill, Elizondo Griest has performed in capacities ranging from a Moth storyteller to a literary ambassador for the U.S. State Department. Wanderlust has led her to 50 countries and 49 states. Her hardest journey was to Planet Cancer in 2017, but she’s officially in remission now. She recently endowed Testimonios Fronterizos, a research grant for student journalists from the borderlands enrolled at her alma mater, the University of Texas at Austin’s School of Journalism. Buy Art Above Everything   Stephanie's Website   Review of Art Above Everything in Southern Review At about 3:40 Stephanie expands on her creative background and family connections to music and language  At about 10:15, Stephanie talks about formative and transformative texts, including work by and her relationship with her “spiritual madrina,” Sandra Cisneros At about 11:30, Stephanie discusses similarities and differences in some Mexican Spanish and Tejano Spanish At about 13:30, Stephanie provides seeds for her book At about 16:50, The two discuss a dearth of publicity and respect for female travel writers, and generally females writing about art At about 18:15, Stephanie talks about the formative artist residency in 2014 in India, at Nrityagram  At about 20:30, Stephanie responds to Pete’s question about Sheryl Oring’s inspiration for Stephanie’s creative life  At about 24:45, the two discuss “Art as Reconciliation” and Stephanie’s experiences in Rwanda with therapeutic theater and hard and painful and moving conversations and reconciliations  At about 29:05, Pete and Stephanie discuss post-dictatorship and art done in response to the House of the People in Romania At about 34:20, Stephanie and Pete discuss similarities between female artists around the world, as seen in Stephanie’s research and travels, regardless of economic status and country of origin; Stephanie cites “callings” at young ages At about 38:30, Wendy Whelan and her absolute “devotion” to art is discussed, as well as the ways in which domineering males have often abused and defamed artistic women At about 44:00, Bjork and Iceland’s masterful director Vilborg Davíðsdóttir and “Art as Revenge” are discussed  At about 48:55, Stephanie talks about the process of writing so personally At about 50:45, “Art as Medicine” and Stephanie’s journey with cancer and ideas of humor and sustenance are discussed, along with Stephanie being “revived” by sharing stories on a mini book tour At about 54:20, Havana Habibi and its resonance are discussed  At about 56:40, Sandra Cisneros as a “spiritual madrina” to Stephanie and so many others is discussed  At about 1:00:40, Stephanie expands on the “force” that is Mama Mihirangi and her connection to Maori and female liberation  At about 1:04:10, Ayana Evans and her performance and her subverting expectations of Black women are discussed, including the Loophole of Retreat At about 1:09:00, The two discuss “Art as Immoratality” and ideas of legacy and passing on creativity and art as so meaningful  At about 1:11:20, Stephanie reflects on the book’s 10 year span and its meanings       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month’s Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 311 with Kurt Baumeister, whose writing has appeared in Salon, Electric Literature, The Brooklyn Rail, The Rumpus, and other outlets. An acquisitions editor with 7.13 Books, Baumeister is a member of The National Book Critics Circle and The Authors Guild, and 2025’s Twilight of the Gods is his second novel.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Notes and Links to Kaila Yu’s Work       Kaila Yu is a singer, songwriter, former model, and freelance journalist for Rolling Stone, CNN, Glamour, and more.    She was formerly the lead singer for the all-Asian-American, female rock band Nylon Pink. Yu is also one of the founders of the jewelry/fashion line "Hello Drama" which is affiliated with the Nylon Pink band and style. Buy Fetishized: A Reckoning With Yellow Fever, Feminism, and Beauty   Kaila's Instagram   Review of Fetishized for The New York Times   At about 1:10, Kaila responds to Pete’s questions about feedback she has gotten on the book, and how she sees the book now, post-publication  At about 3:15, Pete asks Kaila to share background information on her reading and language life At about 4:45, Kaila talks about how writing as a profession developed and shouts out Minor Feelings by Cathy Park Hong and Melissa Febos and Roxane Gay’s greatness At about 7:05, Kaila talks about the catalysts for her writing her book, largely around the beginning of the Covid pandemic At about 10:20, Kaila talks about distinctions, or lack thereof, between “fetish” and preference  At about 11:45, Kaila and Pete discuss the book’s opening and hurtful and harmful comments towards Kaila, some in recent years  At about 13:20, Kaila reflects on “mainstreamed objectification” and an observation from the book that “objectification was better than invisibility” At about 16:35, the two discuss halting attempts at Asian representation in the 90s and early 2000s At about 18:10, Kaila discusses the evolution of Asian and Asian-American stars and their ability to “make their own lane” At about 19:05, Kaila talks about ideas of personal “diminish[ment]” growing up in comparison to media portrayals  At about 20:30, Kaila responds to Pete’s questions about the effects of Memoirs of a Geisha and perpetuation of harmful tropes At about 22:30, more examples of problematic representation of Asian women in pop culture and in Kaila’s schooling are discussed At about 23:00, Kaila talks about the evolution of “ABGs” At about 25:30, Kaila talks about the “groundbreaking” Joy Luck Club and also ways that it could have been better in minimizing stereotypes At about 26:30, Kaila gives background on the start of her pinup model, as well as how rife the industry is with sexualization and sexual crimes At about 27:45, Kaila gives background on a contemporary San Diego “modeling gig” agency that led to sexual crimes, showing how her experience was sadly not unique  At about 30:05, Kaila responds to Pete’s question about online and in-person hateful and misogynistic comments and how she and bandmates  At about 31:50, Kaila talks about she didn’t connect at the time, but does now, about how she dealt with traumas  At about 33:00, Shoutout to Allen Carr and his anti-smoking books At about 33:45, Pete asks Kaila about the pitfalls of fame, and her ceaseless battle to remove a defamatory video At about 35:35, Kaila talks about ideas of a "separation" and the impetus for her name change At about 36:40, The two discuss ideas of interchangeability and the history of blepharoplasty At about 38:50, Afong Moy and other exoticism and inhumane conditions for Asian women are discussed, and how this led to a sexualization of these women  At about 41:15, Kaila and Pete discuss some acting and entertainment highlights and struggles; included is some reminiscing about MySpace! At about 43:50, Kaila responds to Pete’s questions about the end of her music career and performing in multiple ways At about 45:15, Kaila talks about recent iterations of KPop and patriarchal and feminism in more current music  At about 46:55, Kaila reflects on positive feedback and the legacy involving Nylon Pink At about 47:10, Kaila talks Guns n Roses and “classic” songs and concerts At about 49:15, Kaila forecasts what she will be writing about in the future       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month’s Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 310 with Stephanie Elizondo Griest, a globetrotting author from the Texas/Mexico borderlands. Her six books include Around the Bloc: My Life in Moscow, Beijing, and Havana; Mexican Enough; All the Agents and Saints; and Art Above Everything: One Woman’s Global Exploration of the Joys and Torments of a Creative Life. The latter will be the main conversation piece. This episode airs on November 20. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.  

Notes and Links to Jeff Pearlman’s Work     Jeff Pearlman is the New York Times bestselling author of ten books. His subjects include the ’80s Los Angeles Lakers (Show­time), the 1986 New York Mets (The Bad Guys Won), the ’90s Dallas Cowboys (Boys Will Be Boys), and NFL legends Walter Pay­ton (Sweetness) and Brett Favre (Gunslinger). HBO adapted Showtime into the dramatic series Winning Time, produced and directed by Adam McKay. A former Sports Illus­trated senior writer and ESPN.com colum­nist, Pearlman is the host of the Two Writers Slinging Yang podcast and blogs regularly at jeffpearlman.com. Buy Only God Can Judge Me: The Many Lives of Tupac Shakur   Jeff's Website   NPR Coverage of Only God Can Judge Me: The Many Lives of Tupac Shakur At about 3:15, Jeff talks about writing against hagiography and how he doesn’t “bring bias” into his writing, whether about Tupac or sports At about 5:25, Pete compliments the structure of the book, as it examines each of the places that shaped Tupac’s life At about 5:55, Rapid-fire questions! *Best Tupac collab? Best movie role? At about 8:45, A beautiful shout-out to friend Curtis Dorsey and Jeff’s dad, Stan At about 10:20, Jeff shouts out some favorite lines from Tupac’s songs At about 10:50, Pete and Jeff discuss Tupac’s “layering songs” and wondrous laugh  At about 12:55, Jeff responds to Pete’s question about Jeff’s “in”/entry point for writing about someone who has been written about so much  At about 15:45, Jeff expands on writing his biography of Tupac as a type of "layering" and the importance of specificity   At about 17:00, Jeff talks about how interviewing 652 people for his Tupac book is actually something that “[he] is supposed to do” At about 19:55, Jeff reflects a bit on book promotion and book release  At about 21:25, Jeff shouts out Dusty Baker as “maybe the coolest human being who’s ever walked the planet” At about 22:20, Pete asks Jeff about Set Shakur’s quote that Tupac died “alone”; Jeff reflects on the “isolation” of fame  At about 24:00, Jeff talks about Suge Knight and his indifference and his intriguing story At about 25:45, Jeff talks about Tupac’s connection or lack thereof to the Mob Piru gang  At about 26:45, Pete gives an incomplete and rambling answer to the best Tupac song At about 28:10, Davonn Hodge and his mother reuniting due to great work by Jeff Pearlman and Michelle Soulli is discussed, as Jeff gives the background on the reunification  At about 30:20, Jeff gives background on Afeni Shakur’s hometown, Lumberton, NC, and he gives a shoutout to Howard Bryant’s book on Ricky Henderson At about 31:30, Jeff recounts a story about going to Lumberton to use the microfiche, but wound up seeing Tupac’s grave At about 32:10, Jeff gives background on Afeni Shakur’s amazing life and highlights her accomplishments and travails  At about 33:30, Jeff and Pete discuss “Dear Mama” as aspirational and the sadness of Afeni’s substance abuse and how Tupac dealt with this horrible disappointment and “trauma” At about 35:15, Jeff talks in awe of Afeni’s defending herself in the “Panther 21” trial At about 36:20, Jeff discusses Tupac’s name origins At about 37:45, Jeff responds to Pete’s question about Tupac’s dad Billy Garland and male role models At about 39:40, The two discuss horrible athletic performances in movies and Tupac’s unfortunate basketball shooting motion At about 41:00, Jeff gives some background on Tupac’s birth name At about 41:40, Jeff talks about the impression that New York made on Tupac, musically and personally At about 43:00, The two discuss Tupac’s time in Baltimore and at the Baltimore School for the Arts, and Tupac as an actor and singer; Jeff calls Baltimore his “favorite Tupac era” At about 45:10, The two talk about Tupac’s Baltimore time and struggles and how “shapeshifter” didn’t quite fit him At about 47:10, Jeff traces the Shakurs’ move to Marin City and connections to Geronimo Pratt and his family At about 48:15, Jeff shares a profound statement from Set Shakur about moving vs. “relocating” At about 48:50, Jeff talks about Marin City and recreating the Marin City of when Tupac lived there  At about 50:50, Jeff expands on similarities between Tupac’s time in the creative worlds of performing arts high schools in Baltimore and Marin City/ and his mother’s downward spiral At about 51:55, The two discuss the significance of Marin City’s Festival on the Green 1992 and further reporting on the tragedy as a “turning point” At about 55:50, Jeff responds to Pete’s observation about Tupac’s first albums not being highly-received and focuses on the changes that led to his second album being disappointing for Tupac At about 57:20, Jeff traces an almost parallel life for Tupac as a revolutionary leader in Atlanta At about 58:45, Jeff talks about the awkward time with Tupac working to become a community leader  At about 1:00:20, Jeff responds to Pete’s question about the reactions from people who were wowed by Tupac's raps in person At about 1:03:00, Jeff shares what he learned in his interviews about Tupac the actor At about 1:06:00, Jeff shares his thoughts on the alleged second sexual assault by Tupac At about 1:08:15, Pete and Jeff discuss the “fan[ning] of the hip hop media/media and Tupac’s  At about 1:09:35, Pete compliments the skillful ways in which the last hours and days (the “banal”) were rendered in the way  At about 1:11:10, Pete asks Jeff about how much Death Row changed Tupac/brought out tendencies in him At about 1:12:55, Jeff shares information from the book on two or three parallel universes where Tupac almost avoided being in Las Vegas   At about 1:13:55, Jeff reflects on Tupac as a 54 year old      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month’s Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 309 with Amber Sparks, the author of the short story collections And I Do Not Forgive You and The Unfinished World. Her writing has appeared in The Paris Review, Granta, Slate, and elsewhere. Her book Happy People Don’t Live Here was published in October 2025.    The episode drops on November 18.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Notes and Links to Nicole Cuffy’s Work    Nicole Cuffy is the author of Dances, longlisted for the Carol Shields Prize for Fiction and the PEN/Hemingway Award for Debut Novel. Cuffy has an MFA from The New School and is a lecturer at the University of Maryland and Georgetown University. Her work can be found in the New England Review; The Masters Review, Volume VI (curated by Roxane Gay); Chautauqua; and Blue Mesa Review. Her chapbook, Atlas of the Body, won the Chautauqua Janus Prize and was a finalist for the Black River Chapbook Competition. She lives in Washington, D.C. Buy O Sinners!   Nicole's Linktree   Los Angeles Times Review of O Sinners! At about 2:20, Nicole talks about O Sinners and the feedback she has gotten on the book since publication At about 3:45, The two discuss the three POVs/genres of the book and Nicole’s early inspirations, including Toni Morrison and Shirley Jackson At about 5:25, Nicole responds to Pete’s inquiry about the wonderful “specificity” of Toni Morrison, and Pete brings up the interesting ways that Myriam Gurba sees allegory and specificity  At about 6:40, Nicole talks about Karen Russell and Victor Lavalle and other contemporary favorite writers At about 8:00, Pete lays out the book’s exposition and asks Nicole about the significance of a groove in the wall at the narrator Faruq’s house At about 10:05, the two discuss Faruq’s complicated feelings towards his aunties and his deceased father  At about 12:45, Nicole describes the reporting gig that serves as a catalyst for much of the book’s action  At about 14:15, Nicole discusses the significance of an AirPod that says a lot about the way Faruq sees death and his father’s death  At about 15:45, Nicole gives some background on the Nameless’ beliefs  At about 17:05, Pete gives some background on the book’s structure At about 18:05, Nicole outlines the dynamic between the group of soldiers introduced in the “Before” sections of the book At about 19:30, Nicole talks about Faruq’s father’s “power[lessness]” in experiencing racism and cites a telling quote from James Baldwin about fathers and sons and racism At about 23:05, Nicole responds to Pete’s question about the makeup of the cult, the Nameless, and she expands also on the type of person who might be a cult leader At about 25:00, Nicole talks about envisioning the “rage” that Odo, the leader, would harbor coming home after Vietnam in the first US segregated army and continuing to experience systemic racism  At about 27:45, Nicole traces the rise of Odo in the 70s, 80s, and 90s, while reflecting on what would make him popular At about 29:00, Nicole reflects on the “charisma” and other qualities that drew people to Odo At about 31:00, Nicole talks about the Nameless’ move to Texas and the chain of events that led to confrontations  At about 32:30, Nicole talks about being “inspired” by the structure and storyline of “Wild, Wild Country” At about 34:00, Nicole responds to Pete’s questions about the racism shown by Will Roy and his followers in Texas in response to the Nameless’ move At about 35:35, the two talk about small discrepancies in the cult’s history and narrative At about 37:00, Nicole talks about the multiple “reads” of the book’s wolf At about 40:10, Nicole reflects on the Nameless’ views of death and life and the 18 Utterances doctrines  At about 41:30, Nicole traces the origins of the book in her knowledge of and research into the Vietnam War At about 47:00, Nicole responds to Pete’s question about the “best” Vietnam War movies At about 49:00, Nicole reflects on the cult’s theology and its search for transcendence and beauty At about 50:20, Nicole talks about the similarities of cults’ beliefs and the human conditions connections to cults  At about 53:00, Pete and Nicole talk casting for a future big screen/small screen adaptation (fingers crossed!)        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month’s Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 308 with Jeff Pearlman, the New York Times bestselling author of ten books. His subjects include the ’80s Los Angeles Lakers (Show­time), the 1986 New York Mets (The Bad Guys Won), the ’90s Dallas Cowboys (Boys Will Be Boys), and NFL legends Walter Pay­ton (Sweetness) and Brett Favre (Gunslinger). HBO adapted Showtime into the dramatic series Winning Time, produced and directed by Adam McKay. A former Sports Illus­trated senior writer and ESPN.com colum­nist, Pearlman is the host of the Two Writers Slinging Yang podcast. His latest is Only God Can Judge Me: The Many Lives of Tupac Shakur.    The episode drops on November 11.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.