Swiftologist

Rebecca Black sits down with me to talk about her new album Age of the Exhibitionist, surviving "Friday" to become a cult DJ, and staying independent without a label — this is Proto Pop.We get into making the album with zero major label backing, opening for Katy Perry's arena tour, why DJing funds her music videos, and the meaning behind "Anaheim Star," "Visions Again," and "Corsetry." We also talk stan culture, post-truth internet discourse, and her pop star Mount Rushmore (Fergie made the cut).Proto Pop is co-produced by Zachary Hourihane & FWB Talent, edited by Tyler Murphy, and styled by Michael Kirreh, with research by Bianca Brock. 

Welcome to Proto Pop: my new long form interview series about what it actually means to be a pop artist right now...not just charts and drama, but the systems, risks and careers underneath it. In Episode 1, ‪@Lizzo‬ sits down with me for an hour‑long conversation about what really happened with B*TCH, flopping in public, and why pop is broken in 2026:If you care about the art (and science) of how pop music works beyond the brain dead stan wars (particularly how it’s marketed, measured and lived in real time) Proto Pop was made for you. This first episode is Lizzo using her own era as a case study in how the machine works (and doesn’t work) anymore.

Olivia Rodrigo finally sat down for her first real podcast interview — and she had a lot to say. In this emergency reaction, I break down her NYTimes PopCast conversation about new album You Seem Pretty Sad for a Girl So in Love, the Taylor Swift feud that won't die, and the moment she bristled at being called the villain. Olivia gets candid about songwriting credits, the "frost" with Taylor, why she's stopped caring about internet conspiracies, and the baby doll dress controversy that had Gen Z in a chokehold. I bring my journalist lens to the parts the hosts missed — and the parts Olivia clearly didn't want to touch.

Justin Bieber. Taylor Swift. Ed Sheeran. Dua Lipa. Katy Perry. I sat down and gave them all my most brutal, unsolicited career advice... and none of them asked for it! In this episode, I break down exactly what 12 of the biggest pop stars in the world need to hear right now: whether they should retire, rebrand, or get completely weird. Some of these verdicts are kind. Some of them aren't. This is MY pop star career audit :) 

The lead single is the highest-stakes move in pop music. One song decides if you get to level up  or if the entire era dies on arrival.I ranked every level of lead single from Career Killers to Origin Myths — and some of these placements will start a fight.From Katy Perry's "Woman's World" (the textbook Career Killer) to Olivia Rodrigo's "drivers license" (the cultural Rorschach test that hard-coded an entire archetype) — this is a complete breakdown of what a lead single actually does to an artist's career. Not chart performance. Not quality. The chessboard moves.Featuring: Taylor Swift, Sabrina Carpenter, Charli XCX, Dua Lipa, Adele, Miley Cyrus, Lady Gaga, Beyoncé, Lorde, Lana Del Rey, Ariana Grande, Britney Spears & more.

THEEEEE rodrigologist is BACK! Before you seem pretty sad for a girl so in love drops, I ranked every single Olivia Rodrigo song from drivers license to drop dead.. and it got brutal, pun intended!! From SOUR to GUTS, every era, every deep cut, every skip. this is the definitive Olivia Rodrigo worst to best ranking before the new album changes everything.

GET TICKETS TO MY TOUR: https://www.evolutionofasnake.com I sat down with Anthony Fantano (The Needle Drop) for one of the most honest conversations about what it actually means to be an internet music critic in 2026…the perks, the pressure, and the parts nobody talks about.We get into everything: how algorithms have reshaped the way critics make decisions, whether paid promotions have poisoned music journalism, and what happens when artists push back. Hard.Plus: the Vince Staples story. The Charlie Puth DMs. Anthony’s revised Addison Rae opinions. Sombr mess. What Charli XCX’s rock album might sound like. Why Taylor Swift’s next move is important, and  whether anyone can still be a true gatekeeper in the age of TikTok.If you've ever wondered whether your favorite music reviewer is actually being honest with you,  this is the conversation.

The New York Times just named Taylor Swift one of the 30 Greatest Living Songwriters. I watched the full Taylor Swift interview and I have some professional thoughts on her process, her claims, and the reality of her current work. In this episode, I’m breaking down the most revealing moments from the Taylor Swift New York Times piece. We look at her early influences, her approach to storytelling, and the big question: Is the "genius" label still earned? We also dive into Taylor Swift Life of a Showgirl and why that specific era feels like a shift from songwriting to branding. Is she still the writer we fell in love with, or has the scale of her fame changed the music? Let’s look at the evidence…

Manon didn't just leave Katseye. She exposed the system every girl group runs on and it's been running since Destiny's Child. Every girl group has one. The member who doesn't quite fit the mould. The one the label didn't bet on. The one who gets quietly moved to the edge until leaving feels like her idea. In this episode, I'm breaking down the five archetypes that every girl group needs to function — and why one of them is always built to be sacrificed. We're going from Destiny's Child and TLC to Little Mix, Fifth Harmony, and Katseye — and what every single one of these groups has in common is the same story playing out in different costumes. The "sisterhood" you're sold at the press junket is a marketing tool. The reality is a cast, not a family. Manon Bannerman's departure from Katseye isn't a drama. It's a pattern. And once you see it, you can't unsee it.

Olivia Rodrigo's "drop dead"  is the best thing I've heard in 2026 — and I'm not being hyperbolic. I'm breaking down everything: the full song reaction, a deep dive into the lyrics, the music video analysis, and why this single proves Olivia Rodrigo has no real competition in pop music right now. We talk about how "Drop Dead" signals a completely new sonic era — less Alanis Morissette, more Robert Smith and The Cure.  How Dan Nigro might be the Jack Antonoff of his generation. Why Olivia disappearing to London was the smartest career move she's made. And why her refusal to chase algorithms or TikTok trends is exactly what makes her dangerous. This is not a fluke...it's a PATTERN! SHE'S A STAR!