Fleeting

The Digital Human is pausing to focus on what everyone's talking about - AI. Join Aleks and her co-host Kevin Fong for The Artifical Human from BBC Radio 4, listen on BBC Sounds.

‘I asked myself this very question after a family member was affected by dementia. In her later years, the only person my grandmother still remembered was her husband – but he had passed away several years earlier. She asked about him every morning and finding out that he had died always upset her greatly.’ - Thomas Nørmark.Thomas Nørmark Dementia is a cruel and complex illness, one that robs individuals of their cognitive abilities, independence, and memories. The NHS website reports that in the UK alone, there are now over 944,000 people living with dementia, and this number continues to rise as our population ages.While there is no cure for dementia, emerging technological breakthroughs hold the promise of more personalised treatment plans, the potential to enhance the quality of life for longer periods, and the ability to provide much-needed respite and comfort to the caregivers of those affected.In this episode of Digital Human, Aleks explores some of the nascent AI tools that could help people living with dementia: AMPER, an AI programme designed to aid in Reminiscence therapy, helping people to remain independent for as long as possible. Moments, an app that creates timelines of memories, music, and photos that can be shared with clinical staff, so they can get to know who the person was before the disease took hold, meaning they can tailor care more effectively.And a radical proposition of creating Digital Avatars of loved ones that offer support and reassurance to people who no longer remember that that loved one has already passed away - saving family members from the emotional strain of having to pretend to be someone else, to keep the person they love happy.Aleks will explore not only how these technological developments will benefit people in the next few decades, but also the ethical complexities that arise in ensuring the well being and security of vulnerable users.

Aleks Krotoski explores a story which sought to be forgotten, but wasn't. Agrippa (A Book of the Dead), was published in 1992. It was a book designed to decay from its very first use. It was an unusual conceit, and played into our fears about malfunctioning technology ahead of the dawning millennium. The book was created by publisher Kevin Begos Jr, artist Dennis Ashbaugh and writer William Gibson. The writing – a 302 line poem – was stored on a floppy disc within the publication. It would lock after play, meaning the user could experience the work only once. Dennis Ashbaugh’s art work was similarly motivated. His images distorted if touched. These qualities tied in with Agrippa’s dominant theme. Gibson’s poem centred on the loss of his father. The name Agrippa (A Book of the Dead) referred to the photo album in his family home. It was produced by Kodak, and the particular volume was called Agrippa. Inside the album, there were visual reminders of all those who’d gone before. They provided memories, of sorts, for Gibson, and his autobiographical poem centres on those images. With thanks to The Bodleian Library in Oxford, and to all of our contributors in this programme: Justine Provino, Dr Huw Twiston Davies, Dr Chris Fletcher, Professor Maureen Ritchey and Dr Laura King. Presenter: Aleks Krotoski Producer: Victoria McArthur Researcher: Juliet Conway

Emails from friends should be safe. From a trusted friend especially. Hey, Aleks, check out this cool attachment. The message is a bit brief, sure, but you check that it isn’t a phishing account masquerading as a friend, it doesn’t seem like a hack. And the image, Smile.JPG, sounds like it might be something silly but cute. So ok, you open it up.And you see… dog… smiling. A smiling dog, with human teeth.Now the dog haunts your dreams, with it’s terrible human but inhuman smile, promising to leave you be if only you’d ‘spread the word’.For this Halloween Aleks traces the origin of curses in the online world, discovering what Smile Dog reveals about our subconscious fears, our own culpability in sharing anything and everything online, and how the evolution, and disintegration, of this iconic curse sheds light onto something deeper - the rot of the internet itself, and the possibility that we may all now exist within a cursed internet.

Aleks Krotoski explores culture jamming in the digital world. Once used by "communications guerillas" to subvert corporate advertising, it's now taken on a new life online...

Aleks Krotoski explores how matchmaking in the future will be influenced both by the emerging tech and our attitude towards it. Have we reached the point where the disposable mindset encouraged by certain dating apps is unappealing for today’s singletons? Many users get over dating fatigue by taking a break from apps altogether but the continued emergence of new platforms suggests that our search for love isn’t moving entirely offline. Whilst some companies are adapting so that users can spend more time on actual dates than online chats, others are harnessing the growing sophistication of AI as a dating coach or even, in some cases, outsourcing that awkward early chat altogether. Dishonest? Or an acceptable tool to enable positive self-presentation?S Shyam Sundar suggests that online etiquette is evolving and the use of AI chatbots could become ‘a mutually accepted social lie we tell ourselves’; Ben Hanney explains why he launched his own dating app 'tbc' after becoming disillusioned by ‘swipe-right’ models; mental health activist Blezzing Dada shares a cautionary dating tale and urges consideration of intersectionality when developing new dating models; and, at Ireland's Lisdoonvarna matchmaking festival we meet Willie Daly, who hails from a long line of matchmakers, providing reassurance to nervous singletons, initiating gentle introductions and adding a dash of magic with his ‘lucky love book’. Could these raw ingredients be distilled to enhance our online interactions: boosting self-esteem and social confidence or simply introducing more fun into what has become a laboured process?Producer: Lynsey Moyes Researcher: Anna Miles

With the rush of generative AI, we have the capacity to create synthetic companions that seem more human than ever before. They can talk in real time, and with enough user input can be moulded into a perfect friend - sharing your interests, build with a custom personality that you enjoy, and always available to talk for a brief chat, or to unleash some 3am anxiety upon, without burdening a real human friend. They have the potential to provide some psychological benefit to people. But, there are concerns. What if the company behind such an AI companion suddenly changed the terms of service, what if your carefully crafted Synthetic Companion wasn't themselves anymore, or stopped responding in a way that met the users needs?This happened in early 2023, when Replika, one of the biggest AI Companion apps decided to ban all adult content, without informing their users. The Big Change, as it came to be known, set the Replika community on fire, and showed how issues of control, expectations and the human propensity to project human attributes onto our machines can come back to bite us.Yet, we should have already known this. Tech developers trying to sell their new shiny product will tell you that it's never been seen before. But we've been using technology to create fake humans to interact with for more than a century.In this episode, Aleks looks to some Synthetic Humans of the past, to understand why people bond so readily with them, and how going forward into a future where we are likely going to have AI Humans all around us, we can insure that they serve our needs and do no harm to the end user.

Aleks Krotoski looks into the digital world. In this episode, we explore why people are rejecting a traditional relationship with tech, jobs and societal pressures.In addition to the post-pandemic 'Great Resignation', where millions of people quit their jobs to either take early-retirement, or to tackle something less stressful and demanding, we're seeing a broader international pushback to the traditional 'cult of work'. In China, the 'lying flat' movement offered another version of 'quiet quitting'. Essentially, both trends saw people place greater value on their lives than their career. 'Bai Lan' is an extension of that, and means 'let it rot', or 'bed rotting' as it's also known. This means rejecting gruelling competiton for a low-desire life, and being happy with that decision. Elsewhere, others are opting out of tech. Whether this means ditching a smartphone for a 'simple phone' or disconnecting from the web altogether, there's a definite movement towards re-writing the rules of engagement in terms of contemporary life and work.

Our tech future will supposedly be defined by megaprojects. The most attention grabbing ideas include physical Megacities like ‘The Line’ in Saudi Arabia, or Telosa in the United States, and on the digital side of things, we have the Metaverse. These are both supposed to be the new places we will work, play, love and create - sweeping aside past cities and online communities to become a utopian place for everyone to gather, and live a better way.But even as the foundations are laid… we seem to have moved on. The Metaverse has been roundly mocked and dismissed, with people deriding VR zoom meetings and legless avatars. While the very feasibility, and morality, of megacity projects has been questioned from their inception - comparisons to all manner of sci-fi dystopias abound. Aleks explores if promised tech utopias will inevitably become crumbling follies, why we get swept up in the narrative of a single tech genius who carves out the future for us all, and if the cycle of hype we have all been swept up in is disrupting our ability to indulge in slower iterations, which could actually lead us to a brighter tech future for us all.

We’ve all seen those TV programmes (and perhaps shed a tear) when long lost family members are reunited. Who doesn’t love a fairytale ending? Making those connections nowadays is simpler and faster than ever, thanks to a combination of DNA testing, digital records and the ease of gathering information and communicating online. But do these huge leaps forward we’ve experienced in science and technology mean that, sometimes, things can move a bit too quickly for us to process. Reunions don’t always involve a happy ending and can be complicated emotionally. So just because we can track someone down, does that always mean that we should? Aleks Krotoski meets five adoptees navigating aspects of reunion.Producer: Lynsey Moyes Researcher: Anna Miles