What Pete Buttigieg Learned Playing JD Vance

I’ve been fascinated by the problem Donald Trump faces with Project 2025. Trump has been caught in an awkward position, disavowing the document itself, but unable to fully disavow the people behind it. So I wanted to do an episode not just on Trump, but on the unwieldy coalition that has formed around him — what is sometimes referred to as the “New Right.”Emily Jashinsky is the D.C. correspondent and host of “Undercurrents” for UnHerd, a co-host of “Counter Points” with Ryan Grim, and a former editor at The Federalist, one of the most influential sites among conservatives today. She’s described herself as someone with “a foot in both camps” of the “Old Right” and the “New Right.” So I thought she’d be a great guide to understanding how the conservative movement has changed.In this conversation, we discuss the key differences between the Old Right and the New Right; what the New Right wants; why New Right thinkers are so interested in the concepts of “modernity” and “virtue”; and what influence the New Right might have in a second Trump administration.Mentioned:The Virtue of Nationalism by Yoram HazonyBook Recommendations:Primal Screams by Mary EberstadtThe Devil’s Chessboard by David TalbotThe Screwtape Letters by C. S. LewisThoughts? Guest suggestions? Email us at [email protected] can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Elias Isquith. Fact-checking by Michelle Harris, with Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones and Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Rollin Hu and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Efim Shapiro.

America has become increasingly polarized when it comes to trust. Voters who distrust the system — who see institutions as corrupt and are prone to conspiracy theories — have long existed on the far left and far right. But Donald Trump seems to have sparked a realignment, what the writer Matthew Yglesias calls “the crank realignment.” The G.O.P. is now the political home of the distrustful, and Robert F. Kennedy Jr.’s Trump endorsement was a clear sign of these changing times.In 2020, Pete Buttigieg wrote a book on trust in politics. And he’s been persistent in making the case — in speeches, on TV — for what he calls “a better kind of politics.” So I wanted to talk to him about his theory of politics. Why does he think so many Americans have lost trust in the government? What responsibility does the Democratic Party have here? And how does he believe trust can be restored?Note: I invited Buttigieg on the show in his personal capacity so we could discuss his thoughts on the election without violating the Hatch Act, which prohibits members of the government from campaigning in their official guise. This also means I wasn't able to ask Buttigieg many questions about his work as transportation secretary. But I think we still had a pretty fascinating conversation.Book Recommendations:Morning and Evening by Jon FosseThe Future Is History by Masha GessenMr. Churchill in the White House by Robert SchmuhlThoughts? Guest suggestions? Email us at [email protected] can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris, with Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Elias Isquith and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Jonah Kessel, Elliot DeBruyn and Selcuk Karaoglan.

It’s been almost a year since Oct. 7. More than 40,000 Palestinians in Gaza are dead. The hostages are not all home, and it doesn’t look like there will be a cease-fire deal that brings them home anytime soon. Israeli politics is deeply divided, and the country’s international reputation is in tatters. The Palestinian Authority is weak. A war may break out in Lebanon soon. There is no vision for the day after and no theory of what comes next.So I wanted to talk to David Remnick, the editor of The New Yorker. Remnick has been reporting from Israel for decades and has a deep familiarity and history with both the region and the politics and the people who are driving it. He first profiled Benjamin Netanyahu back in 1998. In 2013, he profiled Naftali Bennett, the politician leading Netanyahu in polls of who Israelis think is best suited to be prime minister. And he recently profiled Yahya Sinwar, the head of Hamas in Gaza.In this conversation, we talk about what Remnick learned profiling Netanyahu, Bennett and Sinwar, as well as where Israel’s overlapping conflicts with Hamas, the Palestinian Authority, Hezbollah and Iran sit after nearly a year of war. Remnick and I were both recently in Israel and the West Bank, as well as near Israel’s border with Lebanon, and we discuss our impressions from those trips.Mentioned:“Notes from Underground” by David Remnick“The Party Faithful” by David Remnick“The Outsider” by David RemnickThe Bibi FilesBook Recommendations:Hope Against Hope by Nadezhda MandelstamThese Truths by Jill LeporeCosmopolitanism by Kwame Anthony AppiahThoughts? Guest suggestions? Email us at [email protected] can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Elias Isquith. Fact-checking by Michelle Harris, with Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Isaac Jones. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Rollin Hu and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser.

I stumbled on a Zadie Smith line recently that stopped me in my tracks. She was writing in January 2017, and describing the political stakes of that period — Brexit in the U.K., Trump in the U.S. — and the way you could feel it changing people.“Millions of more or less amorphous selves will now necessarily find themselves solidifying into protesters, activists, marchers, voters, firebrands, impeachers, lobbyists, soldiers, champions, defenders, historians, experts, critics. You can’t fight fire with air. But equally you can’t fight for a freedom you’ve forgotten how to identify.”What Smith is describing felt so familiar — how politics can sometimes feel like it demands we put aside our internal conflict, our uncertainty, so we can take a strong position. I see it so often in myself and people around me, and yet I rarely hear it talked about. And Smith’s ability to give language to these kinds of quiet battles inside of ourselves is one reason she’s been one of my favorite writers for years.Smith is the author of novels, including “White Teeth,” “On Beauty” and “NW,” as well as many essays and short stories. Her latest novel, “The Fraud,” also deals with politics and identity. It’s about a case in 19th-century London, but it has eerie resonances with our current political moment. I wasn’t surprised to learn that Trump and populism were front of mind for her when she wrote it. In this conversation, we discuss what populism is really channeling, why Smith refuses the “bait” of wokeness, how people have been “modified” by smartphones and social media, and more.This episode contains strong language.Mentioned:Feel Free by Zadie Smith“Fascinated to Presume: In Defense of Fiction” by Zadie SmithAmusing Ourselves to Death by Neil Postman“Generation Why?” by Zadie SmithBook Recommendations:The Director by Daniel KehlmannThe Rebel’s Clinic by Adam ShatzThe Diaries of Virginia WoolfThoughts? Guest suggestions? Email us at [email protected] can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris, with Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Efim Shapiro. Our senior editor is Claire Gordon. The show’s production team also includes Rollin Hu, Elias Isquith and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser.

Republicans want to label Kamala Harris as the border czar. And by just looking at a chart, you can see why. Border crossings were low when Donald Trump left office. But when President Biden is in the White House, they start shooting up and up — to numbers this country had never seen before, peaking in December 2023. Those numbers have fallen significantly since Biden issued tough new border policies. But that has still left Harris with a major vulnerability. Why didn’t the administration do more sooner? And why did border crossings skyrocket in the first place?Harris was not the border czar; she had little power over policy. But to the extent that there is a border czar, it’s the secretary of homeland security, Alejandro Mayorkas. So I wanted to have him on the show to explain what’s happened at the border the past few years — the record surge, the administration’s record and what it has revealed about our immigration system.Book Recommendations:The Nickel Boys by Colson WhiteheadString Theory by David Foster WallaceThe DictionaryThoughts? Guest suggestions? Email us at [email protected] can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris, with Mary Marge Locker and Kate Sinclair. Our senior engineer is Jeff Geld. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Elias Isquith, Kristin Lin and Aman Sahota. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Ariel G. Ruiz Soto, Dara Lind, David Frum, Jason De Léon, Michael Clemens, Natan Last and Steven Camarota.

Tuesday night was the first — perhaps the only — debate between Donald Trump and Kamala Harris. And it proved one of Harris’s stump speech lines right: Turns out she really does know Trump’s type. She had a theory of who Trump was and how he worked, and she used it to take control of the collision. But this was a substantive debate, too. The candidates clashed on abortion, health care, the economy, energy, immigration and more. And so we delve into the policy arguments to untangle what was really being said — and what wasn’t.Thoughts? Guest suggestions? Email us at [email protected] can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Claire Gordon. Fact-checking by Michelle Harris, with Kate Sinclair and Jack McCordick. Our senior engineer is Jeff Geld. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Rollin Hu, Elias Isquith, Kristin Lin and Aman Sahota. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser.

Our Times Opinion colleagues recently launched a new podcast called “The Opinions.” It’s basically the Opinion page in audio form, so you can hear your favorite Times Opinion columnists and contributing writers in one place, in their own voices.It’s an eclectic and surprising mix of perspectives, as you’ll see with these two segments we’ve selected for you to enjoy. The first is with the Times Opinion columnist (and friend of the pod) David French, a lifelong conservative who’s staunchly pro-life, on why he’s voting for Kamala Harris this November, and the second is with the novelist Curtis Sittenfeld, who enters into a writing competition of sorts against a new writer on the block — ChatGPT.Mentioned:“David French on the Pro-Life Case for Kamala Harris”“Can You Tell Which Short Story ChatGPT Wrote?”You can subscribe to “The Opinions” on Apple Podcasts, Spotify, Amazon Music, YouTube, iHeartRadio — or wherever you listen to podcasts.

I feel that there’s something important missing in our debate over screen time and kids — and even screen time and adults. In the realm of kids and teenagers, there’s so much focus on what studies show or don’t show: How does screen time affect school grades and behavior? Does it carry an increased risk of anxiety or depression?And while the debate over those questions rages on, a feeling has kept nagging me. What if the problem with screen time isn’t something we can measure?In June, Jia Tolentino published a great piece in The New Yorker about the blockbuster children’s YouTube channel CoComelon, which seemed as if it was wrestling with the same question. So I invited her on the show, and our conversation ended up going places I never expected. Among other things, we talk about how the decision to have kids relates to doing psychedelics, what kinds of pleasure to seek if you want a good life and how much the debate over screen time and kids might just be adults projecting our own discomfort with our own screen time.We recorded this episode a few days before the Trump-Biden debate — and before Donald Trump chose JD Vance as his running mate. We then got so swept up in politics coverage we never got a chance to air it. But I am so excited to finally get this one out into the world.This episode contains strong language.Mentioned:“How CoComelon Captures Our Children’s Attention” by Jia Tolentino“Can Motherhood Be a Mode of Rebellion?” by Jia TolentinoHow to Do Nothing by Jenny OdellBook Recommendations:Lonesome Dove by Larry McMurtryIn Ascension by Martin MacInnesWhen We Cease to Understand the World by Benjamin LabatutThoughts? Guest suggestions? Email us at [email protected] can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris, with Kate Sinclair and Mary Marge Locker. Mixing by Isaac Jones, with Efim Shapiro and Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Jeff Geld, Rollin Hu, Elias Isquith and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero.

I’m convinced that attention is the most important human faculty. Your life, after all, is just the sum total of the things you’ve paid attention to. We lament our attention issues all the time — how distracted we are, how drained we feel, how hard it is to stay focused or present. And yet, while there’s no shortage of advice on how to improve our sleep hygiene or spending habits or physical fitness, there’s hardly any good information about how to build and replenish our capacity for paying attention.Gloria Mark is a professor at the University of California, Irvine, and the author of the book “Attention Span.” And she’s one of the few people who have deeply studied the way our attention works, how that’s been changing and what we can do to stop frittering away our attention budgets. This was our first release of 2024, a kind of New Year’s resolutions episode. And since it can sometimes help to be reminded of the intentions with which you began your year — especially in the midst of a high-intensity election season — we thought we’d share it again. Book recommendations:“The Challenger Launch Decision” by Diane Vaughan“The Undoing Project” by Michael Lewis“The God Equation” by Michio KakuThoughts? Guest suggestions? Email us at [email protected] can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Claire Gordon. Fact-checking by Michelle Harris, Mary Marge Locker and Kate Sinclair. Our senior engineer is Jeff Geld. Our senior editor is Claire Gordon. The show’s production team also includes Rollin Hu and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser.

We recently did an episode on the strange new gender politics that have emerged in the 2024 election. But we only briefly touched on the social and economic changes that underlie this new politics — the very real ways boys and men have been falling behind.In March 2023, though, we dedicated a whole episode to that subject. Our guest was Richard Reeves, the author of the 2022 book “Of Boys and Men: Why the Modern Male Is Struggling, Why It Matters, and What to Do About It,” who recently founded the American Institute for Boys and Men to develop solutions for the gender gap he describes in his research. He argues that you can’t understand inequality in America today without understanding the specific challenges facing men and boys. And I would add that there’s no way to fully understand the politics of this election without understanding that, either. So we’re rerunning this episode, because Reeves’s insights on this feel more relevant than ever.We discuss how the current education system places boys at a disadvantage, why boys raised in poverty are less likely than girls to escape it, why so many young men look to figures like Jordan Peterson and Andrew Tate for inspiration, what a better social script for masculinity might look like and more.Mentioned:"Gender Achievement Gaps in U.S. School Districts" by Sean F. Reardon, Erin M. Fahle, Demetra Kalogrides, Anne Podolsky and Rosalia C. Zarate"Redshirt the Boys" by Richard ReevesBook recommendations:"The Tenuous Attachments of Working-Class Men" by Kathryn Edin, Timothy Nelson, Andrew Cherlin and Robert FrancisCareer and Family by Claudia GoldinThe Life of Dad by Anna MachinThoughts? Guest suggestions? Email us at [email protected] can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Emefa Agawu, Annie Galvin, Jeff Geld, Rogé Karma and Kristin Lin. Fact-checking by Michelle Harris, Mary Marge Locker and Kate Sinclair. Mixing by Sonia Herrero. Original music by Isaac Jones. Audience strategy by Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Carol Sabouraud and Kristina Samulewski.