IndieWire's Filmmaker Toolkit

The director of all four John Wick movies sat down to discuss the secrets behind the stunning action and stylistic flare of his iconic series. Stahelski goes deep on the many influences he drew from to keep pushing the boundaries of what Wick can be in this third sequel. With the scope of the film drawing from epics like Lawrence of Arabia, and the fight scenes inspired by Gene Kelly and Bob Fosse musicals, hear how the franchise stays engaging by rooting itself in classic cinematic language.

Showrunners Nora & Lilla Zuckerman discuss how they built ten "all killer" mysteries for "Poker Face," even in episodes where no one actually, as well as how their work in the genre space helped them understand Charlie Cale and the importance of building stories that use every part of the Buffalo.

After years as the star of the Creed franchise, Michael B. Jordan makes his directorial debut in this emotional third sequel. Jordan opened up with us about the challenges of directing intense physical scenes while maintaining his energy as an actor, and the trust and grace he received from his cast that made it possible. He also goes deep on how his passion for anime revamped the visual style an emotional storytelling of the fight scenes, and how real life fathers Muhammad Ali, Jamie Fox, Kobe Bryant, and his barber inspired the girl-dad relationship between Adonis and his young daughter.

In 1987, Robert Townsend co-wrote, directed, starred in and self-financed (using his savings and credit cards) “Hollywood Shuffle” as a reaction against the lack of opportunities for black actors at the time. 36 years later, the film stands alongside “Stranger Than Paradise,” “She’s Gotta Have It,” and “sex, lies, and videotape” as a classic of the independent film movement and has been newly released on Blu-ray by the Criterion Collection. Townsend sat down with Toolkit to talk about the “dark ages” of 1980s independent film, how he turned his frustrations into the raw material of hilarious farce, and how the lessons learned on “Hollywood Shuffle” continue to fuel his successful directing career.

Acclaimed cinematographer Mandy Walker sat down with us to talk about filming the life and art of one of the most iconic performers of all time. Mandy reflects on her long partnership with director Baz Luhrmann, and gives an inside look at what it takes to bring a massive crew in line with his unique creative vision. Capturing Elvis on film the way Baz envisioned meant extensive research into period-accurate cameras and lighting, developing a way to track the story through changing film stocks, and even teaching her camera operators Elvis's dance choreography.

The seminal teenage hangout movie is celebrating its 30th anniversary this year, and Criterion has released a 4K restoration packed with insight into the making of this classic. To celebrate, we sat down with Linklater and discussed what exactly makes Dazed and Confused so endearing and enduring to audiences a generation later. From stories of casting, struggling with the structure of the script, and battles for the rights to the iconic soundtrack, hear the now established director reflect back on being a young filmmaker looking to find his voice in the face of the hollywood system.

The body-horror satire Infinity Pool is one of the best films to premiere at this year's Sundance Film Festival, and Cronenberg sat down with Toolkit to get into all the grisly details. Hear about the difficulty directing actors when the basic nature of the scenes may be up to interpretation, and the many creative challenges that come from making an ambiguous movie that still has an impact on the audience.

The director of the newest horror film from Blumhouse joined us to discuss her disturbing tale of the intense impact children have on a relationship. Banjamin breaks down her strategies for directing the child actors in terrifying scenes, how her story fits into the legacy of scary child movies, and why it was important to make a great movie about relationships before the horror even began.

Alice Diop, director of "Saint Omer," discusses why the film sits at an intersection between fiction and documentary, how sound and editing each influence the way the viewer understands what happens and connects the film's two protagonists, and the powerful, political impact of centering black women in the camera frame. Note: a French version of this conversation with Diop's answers presented without translation begins at 16:03.

Join us for a double interview this week, as we go deep with the Director and Editor of the box office sensation. With the actors and action all happening for real in fighter jets thousands of feet in the air, hear how the filmmaking team managed to direct the action from the ground, and how they turned hundreds of hours of cockpit footage into some of the most thrilling sequences of the year.