The Armory Youth Corps

Singer-songwriter Brittany Howard, former lead singer and guitarist of the Grammy Award-winning Alabama Shakes, is now a spectacular and charismatic solo artist. Brittany joins Helga in the studio following the release of her second solo album, What Now, to offer a deep-dive into her personal and artistic life. She discusses her early experiences with grief and its impact on her creative awakening; her stages of self-discovery and the importance of therapy as a critical aspect of mental health; and how she balances her many musical forms with her understanding of authenticity, spirituality and passion. 

Get ready for a new season of fearless conversations that reveal the extraordinary in all of us.Critically acclaimed actress, singer, writer and composer Helga Davis returns for a new season of soulful conversations with artists and thinkers from a variety of disciplines, including Brittany Howard, Whitney White, Tremaine Emory, Enongo Lumumba-Kasongo, Suzan-Lori Parks, Noliwe Rooks and Sampha. In each episode, Davis and her guest share stories of struggle and resilience, challenges and victories along their creative journeys, providing inspiration and hope to listeners. Unique in the audio landscape for the depth of inquiry and emotional vulnerability, HELGA’s thought-provoking conversations offer to expand our collective perspective on the human condition and the daily stressors of the world today. And each episode leaves listeners with something practical and practice-able: an idea for something they can do everyday to help them stay in touch with their own humanity and creativity, whatever form it may take. Season six is the second season co-produced by WNYC Studios, WQXR and the Brown Arts Institute at Brown University.

Black people know this: There’s a difference between what you say and what you mean. It’s been a matter of survival for us. For over 30 years, American visual artist and cinematographer Arthur Jafa has captured the histories and experiences of Black Americans with projects that exemplify both the universal and particular facets of Black life. In the second part of this masterclass in Black thought, Jafa continues his free-from improvisation through his breadth of knowledge and understanding of visual culture — embedded with all the references, rhetorics, and personal reflections of someone who has spent a lifetime dedicated to centralizing the varied experiences of Black Being. 

I don't want to be the prisoner in a box, even if it's a box I made. For over 30 years, American visual artist and cinematographer Arthur Jafa has captured the histories and experiences of Black Americans with projects that exemplify both the universal and particular facets of Black life. In this masterclass in Black thought — the first episode in a two-part series — Jafa shares a free-from improvisation through his breadth of knowledge and understanding of visual culture — embedded with all the references, rhetorics, and personal reflections of someone who has spent a lifetime dedicated to centralizing the varied experiences of Black Being.   Charlie Parker John Coltrane Ornette Coleman Culture Strike Laura Raicovich Christina Sharpe Hortense Spillers Ultralight Beam - Kanye West  Love is the Message, The Message is Death - Arthur Jafa John Henrik Clark Jean-Michel Basquiat Jimi Hendrix Cecil Taylor AGHDRA Women in Love Burnt Sugar Butch Morris Muddy Waters Carl Hancock Rux Virgil Abloh LMVH Off-White  

This [term] 'femme' becomes more possible to me as a figure for not just embodiment, but for thought, action, engagement, connection. Macarena Goméz-Barris is Professor and Chair of Modern Culture and Media at Brown University, founder of the Global South Center at Pratt Institute, an organization which supports artists, activists, and scholars in their efforts to decolonialize local and global communities. In this episode, Goméz-Barris talks about how one can and must find beauty in the most ambiguous of places, how she uses the word “femme” to escape the embattled histories of the word “female," and how she has—and hasn’t—moved on from a traumatic early swimming lesson with her father.   References: Constantine Petrou Cavafy Waiting for the Barbarians Audre Lorde Uses of the Erotic, The Erotic is Power Saidiya Hartman Octavia E. Butler Parable of the Talents

There are whole histories of African American artists wrestling with stereotypical depictions and minstrelsy - and it seemed worthy anyway to me as an artist to consider them as some kind of artwork. American painter and silhouettist Kara Walker rose to international acclaim at the age of 28 as one of the youngest-ever recipients of a MacArthur Genius grant. Appearing in exhibitions, museums, and public collections worldwide, Walker’s work wrestles with the ongoing psychological injury caused by the legacy of slavery.  In this episode, Walker shares how she navigates her own inner conflicts, how a curiosity for history led her to the silhouette, and what happens when making use of symbols of Black servitude brings one acclaim.  References: Buster Browns RISD - Rhode Island School of Design My Complement, My Enemy, My Oppressor, My Love University of the Pacific Robert Wilson Einstein on the Beach Stanley Whitney Glen Ligon Kehinde Wiley

I like to say we're living in a precedent time, not an unprecedented one. How do we understand that? Being at the museum or writing histories both in poetry and in non-fiction are ways of trying to understand that.  “Gatekeepers” hold an essential role in our culture as those in positions of power who determine what we see and hear — and therefore how we understand our world. The poet Kevin Young holds dual gatekeeping roles as both director of the Smithsonian’s National Museum of African American History and Culture as well as the poetry editor for The New Yorker magazine.  In this episode, Young talks about how he holds these responsibilities and likens reading a poem to entering into a museum. He also shares his belief in the power of unexpected transformations, which songs have brought him comfort, and how it’s always easiest to write about the place you’ve just left.  References: Smithsonian's National Museum of African American History and Culture Public Enemy Chuck D Parliament Funkadelic African American Vernacular English Sister Sonya Sanchez Langston Hughes Gwendolyn Brooks Harriet Tubman's shawl David Hammonds’ African American Flag Willie Nelson Earth, Wind and Fire John Coltrane's Love Supreme I Want You - Marvin Gay Mary Lou Williams Jean-Michel Basquiat Make Good the Promises Ida B. Wells Book of Hours - Kevin Young Stones - Kevin Young

It’s hard when you try to talk across racial groups about race ... I do believe that there's a better chance of them getting further if we can create spaces of both accountability and connection.  Tricia Rose is a pioneering scholar in the field of hip-hop, Chancellor's Professor of Africana Studies at Brown University, co-host with Cornel West of “The Tight Rope” podcast, and Director of the Center for the Study of Race and Ethnicity in America.  In this episode, Rose discusses how she balances her love of the early days of hip-hop with the global profit powerhouse it has become, the beauty of chaos, and how essential it is to build safe, stable communities at a time when everything is being done to isolate and separate.   References: Fannie Lou Hamer Clarence Thomas Tightrope with Cornell West Center for the Study of Race and Ethnicity in America

Within seriousness, there's little room for play, but within play there's tremendous room for seriousness. It's through the act of serious play that wonderful ideas are born.  Carrie Mae Weems is one of today’s most influential and generous contemporary American artists, as devoted to her own craft as she is to introducing other artists into the world. Her photography and diverse visual media has won her numerous awards including the Rome Prize, a MacArthur genius grant, and four honorary doctorates, and she was even named one of the 100 most influential women of all time by Ebony magazine.    In this episode, Weems explores the struggles artists must maintain to find balance and reach an audience, how the field cannot advance without the deep and profound inclusion of Black artists, and what the concept of “grace” means to her and her mother.   References: Dawoud Bey The Black Photographers Annual Joe Crawford Roy DeCarava Anthony Barboza Ming Smith Langston Hughes's ‘Black Nativity’ Cassandra Myth

I knew that there was a power I had when I stripped off my shirt and looked you in the eye as I moved my hips. But I also knew the other side of that attraction to me was the impulse to kill me. Legendary dancer and choreographer Bill T. Jones has made a career of engaging his audience with brutal, unapologetic honesty. His seductive work has grappled with provocative political issues ranging from sexuality, race, and censorship to power and the AIDS epidemic — while also innovating in the expressive possibilities of movement itself.  In this episode, Jones talks about what it meant to grow up as a “Black Yankee” in the 1950s and 1960s and as one of 12 children. He also reflects on the adjacency of violence to the power of seduction, and how, after decades as a performing artist, the body may retire but the mind never will.  References: Alvin Ailey Percival Borde Pearl Primus Sammy Davis Jr. Bojangles Shirley Temple Sydney Poitier Charles Weideman Doris Humphrey Arnie Zane Lois Welk Rod Rogers Louise Roberts Arthur Aviles Marcel Proust Merce Cunningham George Balanchine Hannah Arendt Max Roach Freda Rosen