
Jeffrey Epstein And His Choice Of Music According To His Spotify Playlist
7/12/2025
0:00
16:08
Epstein maintained a public account on Spotify, and his playlists — created between roughly 2011 and 2015 — show a strikingly broad and eclectic taste in music. His selections ranged from classical (including Ludwig van Beethoven) to jazz (notably Oscar Peterson), Broadway show tunes, gospel, pop, rock, and even contemporary club-style hits. His playlists featured songs by major artists such as Aerosmith, Led Zeppelin, The Who, The Doors, Elton John, Céline Dion, Billy Joel, Bob Dylan, The Beach Boys, and Pitbull. Beyond music, the account also contained a comedy-album by Louis C.K. — illustrating that Epstein’s public streaming activity extended beyond just songs.
However, analysts and reporters have pointed out that some songs on Epstein’s playlists carry lyrics or themes that — in the context of what’s later known about him — read as disturbing or even alarmingly suggestive. For example, his playlists included tracks like Hot for Teacher by Van Halen (a song that has been criticized for its sexualized and somewhat predatory undertones), and My Heart Belongs to Daddy an older jazz number by Oscar Peterson that many interpret as featuring a troubling adult-child dynamic. Observers contend that while a playlist alone doesn’t prove intent or wrongdoing, those particular song choices — when viewed with the rest of the evidence in Epstein’s history — add a deeply unsettling and ironic dimension to how he publicly presented himself.
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However, analysts and reporters have pointed out that some songs on Epstein’s playlists carry lyrics or themes that — in the context of what’s later known about him — read as disturbing or even alarmingly suggestive. For example, his playlists included tracks like Hot for Teacher by Van Halen (a song that has been criticized for its sexualized and somewhat predatory undertones), and My Heart Belongs to Daddy an older jazz number by Oscar Peterson that many interpret as featuring a troubling adult-child dynamic. Observers contend that while a playlist alone doesn’t prove intent or wrongdoing, those particular song choices — when viewed with the rest of the evidence in Epstein’s history — add a deeply unsettling and ironic dimension to how he publicly presented himself.
to contact me:
[email protected]
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
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